Spark: How Creativity Worksby Julie Burstein, Kurt Andersen
Creativity is an elusive subject. We enjoy its fruits—movies, novels, paintings, songs—but rarely are we privy to what happens during the creative process. In Spark, Julie Burstein traces the roots of some of the twenty-first century's most influential and creative artists and thinkers, including Joyce Carol Oates, Yo-Yo Ma, David Milch, Isabel/b>… See more details below
Creativity is an elusive subject. We enjoy its fruits—movies, novels, paintings, songs—but rarely are we privy to what happens during the creative process. In Spark, Julie Burstein traces the roots of some of the twenty-first century's most influential and creative artists and thinkers, including Joyce Carol Oates, Yo-Yo Ma, David Milch, Isabel Allende, and Joshua Redman. Burstein pulls back the curtain to reveal the sources of these artists' inspiration and the processes that bring their work into being.
Creativity is integral to business, parenting, education, science, and, perhaps most poignantly, our personal relationships. Rarely do books on creativity illuminate and inspire; this marvelous volume will help you find a spark of your own.
What brings on an idea? How does an artist make art, a designer a sketch, a writer a sentence? You won't find out in these brief profiles from Studio 360, though the book is not entirely without merit.
Host Burstein's book bears an unfortunate subtitle that promises what it does not deliver, for which see, most recently, Steven Johnson's excellentWhere Good Ideas Come From (2010). Instead, the book gathers what might be thought of as show notes, bits and pieces of what can sometimes seem a free-form exercise—for, as Burstein allows, the show ranges from talking with "Nora Ephron about cooking, and with Susan Sontag about war; with Rosanne Cash about creative children of famous parents and with Simon Schama about the way maps help us understand the world." The roster of talent is huge, and some of the pieces are appropriately memorable, as when the artist Chuck Close, now confined to a wheelchair, recounts his adventures experimenting with the perspectival grid in order to upend the brain's expectations, and when sound designer Ben Burtt discusses doing much the same with "tones and beeps and whistles and static," the stuff that populates the soundscapes ofStar WarsandWALL-E. Alexander Payne, the director of such offbeat fare asAbout Schmidt andElection, discusses the freedom brought about by shooting a Hollywood movie on familiar turf—in his case, Omaha. Photographer David Plowden recalls an early encounter with the Great Plains, where, he discovered, "[t]here was nothing to hold on to." Unfortunately, too many of the pieces are merely anecdotal snippets a couple of pages long, without development, connection. or follow-up. We learn nothing from actor Kevin Bacon's revelation that as a child he was encouraged to make model houses out of Elmer's glue and matchsticks, or from the aforementioned Ms. Cash's recollections of her father's (Johnny, that is) encouragement, for the elaboration of which see the liner notes to her recent albumThe List or her outstanding memoir Composed (2010).
Of some interest to budding artists, filmmakers and the like, but not particularly useful at that.
- HarperCollins Publishers
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Meet the Author
Julie Burstein is a Peabody Award-winning radio producer and TED speaker. Julie designed Studio 360 with Kurt Andersen for Public Radio International, and led the creative team at WNYC for many years. She's the host of Pursuit of Spark, conversations about creative approaches to the possibilities, challenges, and pleasures of everyday life.
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