Speak No Evil

by Uzodinma Iweala

Overview

A Nigerian American high school student and his straight, white girl friend grapple with the consequences of his coming out in this powerful novel.
"A lovely slender volume that packs in entire worlds with complete mastery. Speak No Evil explains so much about our times and yet is never anything less than a scintillating, page-turning read." —Gary Shteyngart, author of Little Failure
Winner of the Gold Nautilus Award for Fiction
A Lambda Literary Award Finalist
A Barbara Gittings Literature Award Finalist
One of Bustle's and Paste's Most Anticipated Fiction Books of the Year 
On the surface, Niru leads a charmed life. Raised by two attentive parents in Washington, D.C., he's a top student and a track star at his prestigious private high school. Bound for Harvard in the fall, his prospects are bright. But Niru has a painful secret: he is queer—an abominable sin to his conservative Nigerian parents. No one knows except Meredith, his best friend, the daughter of prominent Washington insiders—and the one person who seems not to judge him.
When his father accidentally discovers Niru is gay, the fallout is brutal and swift. Coping with troubles of her own, however, Meredith finds that she has little left emotionally to offer him. As the two friends struggle to reconcile their desires against the expectations and institutions that seek to define them, they find themselves speeding toward a future more violent and senseless than they can imagine. Neither will escape unscathed.
"Iweala is a unique and surprising writer. . . . He has a rare gift for capturing stream-of-consciousness thought, tackling it at a pace that's quick but authentic." —Entertainment Weekly
"An evocative narrative and stark dialogue keeps . . . Speak No Evil from a single dull moment. . . . [Iweala's] characters' rawness and beauty overwhelm page by page, looping their two stories into one heartbreaking narrative, one that embodies and echoes the pains of current, broader inequalities." —AV Club
"A wrenching, tightly woven story about many kinds of love and many kinds of violence. Speak No Evil probes deeply but also with compassion the cruelties of a loving home. Iweala's characters confront you in close-up, as viscerally, bodily alive as any in contemporary fiction." —Larissa MacFarquhar

Product Details

ISBN-13:	9780062199096
Publisher:	Harper
Publication date:	03/19/2024
Sold by:	Barnes & Noble
Format:	eBook
Pages:	229
Lexile:	960L (what's this?)
File size:	1 MB

About the Author

Uzodinma Iweala received the Los Angeles Times Art Seidenbaum Award for First Fiction, the Sue Kaufman Prize for First Fiction from the American Academy of Arts and Letters, the New York Public Library Young Lions Fiction Award, and the John Llewellyn Rhys Prize, all for Beasts of No Nation. He was also selected as one of Granta's Best Young American Novelists. A graduate of Harvard University and the Columbia University College of Physicians and Surgeons, he lives in New York City and Lagos, Nigeria.

Hometown:

Potomac, Maryland

Date of Birth:

November 5, 1982

Place of Birth:

Washington, D.C.

Education:

A.B., Harvard University, Magna Cum Laude in English and American Literature and Language, 2004

Editorial Reviews

Niru's homosexuality is very much the book's subject, and the text is interested in dualities—Americans and Africans, white and black, gay and straight, devout and skeptic, the black immigrant and the black American…while always returning to the question of what his gayness says about who Niru is. Iweala writes with such ease about adolescents and adolescence that Speak No Evil could well be a young adult novel. At the same time he toys with other well-defined forms: the immigrant novel, the gay coming-of-age novel, the novel of being black in America. The resulting book is a hybrid of all these. If he's something of a remix artist, Iweala remains faithful to the conventions of these forms, a writer so adept that the book's climax feels both surprising and wholly inevitable.

The New York Times Book Review - Rumaan Alam

Iweala is a unique and surprising writer....[His] forceful writing, defined by sentences of only a handful of words that move at an accelerated clip, shines when he digs into Niru’s psyche. He has a rare gift for capturing stream-of-consciousness thought, tackling it at a pace that’s quick but authentic.” — Entertainment Weekly

“Iweala writes with such ease about adolescents and adolescence that Speak No Evil could well be a young adult novel. At the same time, he toys with other well-defined forms: the immigrant novel, the gay coming-of-age novel, the novel of being black in America. The resulting book is a hybrid of all these. If he’s something of a remix artist, Iweala remains faithful to the conventions of these forms, a writer so adept that the book’s climax feels both surprising and wholly inevitable.” — New York Times Book Review

“Speak No Evil is the rarest of novels: the one you start out just to read, then end up sinking so deeply into it, seeing yourself so clearly in it, that the novel starts reading you.” — Marlon James, Booker Award-winning author of A Brief History of Seven Killings

"How would Iweala top [Beasts of No Nation]? The answer is by moving us to a different kind of war zone.... Though the destination of this story is tragically unsurprising, it has the stomach-churning pace of a Greek tragedy. Iweala’s scope is modest — those handful of streets, 10 or so scenes, a couple of hundred pages — but the novel burns with teenage intensity.” — The Financial Times

“The classic coming-out narrative describes how the central character makes a leap from one identity to another, into a different, freer life, while the classic immigrant novel depicts what it’s like to straddle two worlds, old and new, with a foothold in each. Speak No Evil is both and neither.... The soul of Speak No Evil is the tortuous, exquisitely rendered relationship between Niru and his father.” — The New Yorker

“A lovely slender volume that packs in entire worlds with complete mastery. Speak No Evil explains so much about our times and yet is never anything less than a scintillating, page-turning read.” — Gary Shteyngart, author of Little Failure

“An evocative narrative and stark dialogue keeps Uzodinma Iweala’s Speak No Evil from a single dull moment.... His characters’ rawness and beauty overwhelm page by page, looping their two stories into one heartbreaking narrative, one that embodies and echoes the pains of current, broader inequalities.” — AV Club

“A timely story of friendship, secrets, and consequences.” — Vogue

“A wrenching, tightly woven story about many kinds of love and many kinds of violence. Speak No Evil probes deeply but also with compassion the cruelties of a loving home. Iweala’s characters confront you in close-up, as viscerally, bodily alive as any in contemporary fiction.”  — Larissa MacFarquhar

“Iweala unwinds crucial issues of choice and the burden of playing multiple parts; says Niru, ‘It’s too confusing for me to live all these lives when I want only one.’ Throughout a narrative spiraling toward tragedy, Niru’s pain is so palpable it will make you gasp…. Highly recommended.” — Library Journal, starred review

“In Uzodinma’s staggering sophomore novel (after Beasts of No Nation), the untimely disclosure of a secret shared between two teens from different backgrounds sets off a cascade of heartbreaking consequences…. Speaks volumes about white heterosexual privilege.... Notable both for the raw force of Iweala’s prose and the moving, powerful story.” — Publishers Weekly, starred review

“A searing take on the notion of home, and the struggle to be at home with oneself.... Speak No Evil deals with less epic subject matter [than Beasts of No Nation], but there’s subtle power in its intimacy and in its depictions of the violence we do to each other and to ourselves.” — Seattle Times

“Portraying cross-generational and -cultural misunderstandings with anything but simplicity, Iweala tells an essential American story.” — Booklist, starred review

“Heart-wrenching .... A visceral but compassionate portrait of what it means to be different within a family, let alone society at large.” — Washington Blade

“Iweala stirringly brings to life a young man at war with himself in this moving new novel.... Speak No Evil isn’t an easy read. It is, however, compelling, sensitively told, and satisfying.” — Lambda Literary

“A haunting story about identity and power.” — Paste Magazine

From the Publisher

An evocative narrative and stark dialogue keeps Uzodinma Iweala’s Speak No Evil from a single dull moment.... His characters’ rawness and beauty overwhelm page by page, looping their two stories into one heartbreaking narrative, one that embodies and echoes the pains of current, broader inequalities.

AV Club

Delivers with immediate poignancy Niru’s struggles…. A later shift in narration allows a different and perhaps more complete picture of Niru, which Iweala also handles elegantly. Portraying cross-generational and -cultural misunderstandings with anything but simplicity, Iweala tells an essential American story.

starred review Booklist

The classic coming-out narrative describes how the central character makes a leap from one identity to another, into a different, freer life, while the classic immigrant novel depicts what it’s like to straddle two worlds, old and new, with a foothold in each. Speak No Evil is both and neither.... The soul of Speak No Evil is the tortuous, exquisitely rendered relationship between Niru and his father.

The New Yorker

A timely story of friendship, secrets, and consequences.

Vogue

A searing take on the notion of home, and the struggle to be at home with oneself.... Speak No Evil deals with less epic subject matter [than Beasts of No Nation], but there’s subtle power in its intimacy and in its depictions of the violence we do to each other and to ourselves.

Seattle Times

A wrenching, tightly woven story about many kinds of love and many kinds of violence. Speak No Evil probes deeply but also with compassion the cruelties of a loving home. Iweala’s characters confront you in close-up, as viscerally, bodily alive as any in contemporary fiction.” 

Larissa MacFarquhar

Speak No Evil is the rarest of novels: the one you start out just to read, then end up sinking so deeply into it, seeing yourself so clearly in it, that the novel starts reading you.

Marlon James

A lovely slender volume that packs in entire worlds with complete mastery. Speak No Evil explains so much about our times and yet is never anything less than a scintillating, page-turning read.

Gary Shteyngart

The classic coming-out narrative describes how the central character makes a leap from one identity to another, into a different, freer life, while the classic immigrant novel depicts what it’s like to straddle two worlds, old and new, with a foothold in each. Speak No Evil is both and neither.... The soul of Speak No Evil is the tortuous, exquisitely rendered relationship between Niru and his father.

The New Yorker

The story unspools as quickly as running star Niru can clip around the track, building into a classical tragedy with modern flair.... The talented Iweala has fashioned a heart-rending story of teenage love that turns on the technological trappings and persistent prejudices of contemporary life.

Dallas Morning News

A haunting story about identity and power.

Paste Magazine

Iweala stirringly brings to life a young man at war with himself in this moving new novel.... Speak No Evil isn’t an easy read. It is, however, compelling, sensitively told, and satisfying.

Lambda Literary

Heart-wrenching .... A visceral but compassionate portrait of what it means to be different within a family, let alone society at large.

Washington Blade

How would Iweala top [Beasts of No Nation]? The answer is by moving us to a different kind of war zone.... Though the destination of this story is tragically unsurprising, it has the stomach-churning pace of a Greek tragedy. Iweala’s scope is modest — those handful of streets, 10 or so scenes, a couple of hundred pages — but the novel burns with teenage intensity.... It is a quieter achievement than Beasts; but no less sincere.

The Financial Times

Iweala is a unique and surprising writer.... Iweala’s forceful writing, defined by sentences of only a handful of words that move at an accelerated clip, shines when he digs into Niru’s psyche. He has a rare gift for capturing stream-of-consciousness thought, tackling it at a pace that’s quick but authentic.

Entertainment Weekly

Beasts of No Nation was an impressive achievement.... Though it takes place in seemingly safe D.C. rather than a war-torn African nation, Speak No Evil is a more ambitious and riskier novel, with a deeper understanding of its characters’ conflicted hearts. Mr. Iweala’s novel weaves together sexual, religious and political strands as it builds to a devastating climax.

Wall Street Journal

Iweala writes with such ease about adolescents and adolescence that Speak No Evil could well be a young adult novel. At the same time, he toys with other well-defined forms: the immigrant novel, the gay coming-of-age novel, the novel of being black in America. The resulting book is a hybrid of all these. If he’s something of a remix artist, Iweala remains faithful to the conventions of these forms, a writer so adept that the book’s climax feels both surprising and wholly inevitable.

New York Times Book Review

A startling debut.

The New Yorker on Beasts of No Nation

A tour de force.

Washington Post Book World on Beasts of No Nation

A lovely slender volume that packs in entire worlds with complete mastery. Speak No Evil explains so much about our times and yet is never anything less than a scintillating, page-turning read.

New York Times on Beasts of No Nation

2018-01-23
Iweala's second novel, after Beasts of No Nation (2005), is a coming-of-age tale about immigrant identity and sexuality in America.Niru, an ambitious teenager, is in his senior year at a private high school in the suburbs of Washington, D.C. Driven by his demanding Nigerian parents, he strives for success in both sports and academics. As he prepares to attend Harvard next year, trains to impress his track coach, and struggles to make a space for himself among his mostly white peers, he deftly reconciles his conflicting identities as the son of wealthy Nigerian immigrants and as an American teenager. There's turmoil rippling beneath his life's surface, though. When his closest friend, the attractive Meredith, tries to hook up with him, he panics and admits to himself that he's attracted to men. Meredith excitedly tries to help him embrace his sexuality, but Niru's impulses are unacceptable to his conservative Christian parents. After discovering flirtatious conversations with men on the boy's phone, Niru's father, Obi, takes him back to Nigeria to "cure" his son of what he considers "sinful nonsense." The scenes of Niru's clashes with his father are the most affecting moments in the novel: by depicting the fervor and violence of Obi's anger about Niru's queerness, Iweala does a stunning job of depicting the danger that many black youth face in trying to honor their sexual identities. Despite trying to suppress his desires and simplify his family life, Niru meets the seductive Damien. The two begin a tentative and tender relationship, but this is not a triumphant novel about Niru's embracing his sexual identity. Instead, Iweala gives us a novel of keen insight into the mental and emotional turmoil that attends an adolescent's discovery of his sexuality. Unfortunately, the book seems to lose steam toward its conclusion. Niru's relationship with Damien is not explored as fully as it could be, while the implications of his parents' pressure aren't entirely untangled. The novel resolves with the sudden and disjunctive insertion of another character's perspective, sabotaging the development of Niru's own subjectivity.This is a deeply felt and perceptive novel that does not fulfill its promise.

Kirkus Reviews