Sphinx's Princess (Princesses of Myth Series)

Sphinx's Princess (Princesses of Myth Series)

4.5 125
by Esther Friesner

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She was far more than just a pretty face. . . .

Although Nefertiti is the dutiful daughter of a commoner, her inquisitive mind often gets her into situations that are far from ordinary, like receiving secret lessons from a scribe. And her striking beauty garners attention that she'd just as soon avoid, especially when it's her aunt, the manipulative Queen

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She was far more than just a pretty face. . . .

Although Nefertiti is the dutiful daughter of a commoner, her inquisitive mind often gets her into situations that are far from ordinary, like receiving secret lessons from a scribe. And her striking beauty garners attention that she'd just as soon avoid, especially when it's her aunt, the manipulative Queen Tiye, who has set her sights on Nefertiti. The queen wants to use her niece as a pawn in her quest for power, so Nefertiti must leave her beloved family and enter a life filled with courtly intrigue and danger. But her spirit and mind will not rest as she continues to challenge herself and the boundaries of ancient Egyptian society. With control of a kingdom at stake and threats at every turn, Nefertiti is forced to make choices and stand up for her beliefs in ways she never imagined.

As she did in Nobody's Princess and Nobody's Prize, author Esther Friesner offers readers a fresh look at an iconic figure, blending historical fiction and mythology in a heady concoction.

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Editorial Reviews

Children's Literature - Uma Krishnaswami
This is the fictionalized story of Nefertiti, here taken to be the daughter of Ay, whose sister Tiye is Pharaoh's queen. Narrated in Nefertiti's first-person voice, the novel depicts her as intensely curious and confident enough to compare herself to divine Isis. She persuades the scribe Henenu to teach her the secret arts of reading and writing. She talks back to her father. She is aggravated by the circumscribed life she's required to live. She finds inspiration in the story of Hatshepsut who ruled as Pharaoh over the Black Land. In a vision of Isis, the goddess jests with Nefertiti and seems to validate her desire to learn to read. The story moves from an awakening event, the killing of a slave girl, through the family's encounter with the Great Royal Wife Tiye to life in the court at Thebes. When Nefertiti is pressured to comply with her royal aunt's scheming, she has to face her own destiny and learn how to stand up for her beliefs. A few scenes like one in which she learns how to drive a chariot seem a little too tidily placed. The third part of the novel begins to tiptoe quite surely into the historical narrative that is accepted about Nefertiti, pointing subtly to roles she is generally thought to have assumed later in her life. In effect, the book crafts a bridge between a scant historical record and girl readers' interest in princesses, raising the stakes through minor characters including the cat Ta-Miu and through the protagonist's fierce desire for independence. Reviewer: Uma Krishnaswami
School Library Journal
Gr 6–9—Nefertiti is a bright, beautiful, graceful child, indulged by her prosperous and influential family. She is also willful and independent, learning to read and write at a time when women are not expected to do so. But when she is summoned to the court of her uncle, Pharaoh Amenhotep III, she is stunned to learn that her fate has been decided for her—she is to marry her cousin, the crown prince, even though she doesn't know him, and as she gets to know him, she doesn't like him. Nefertiti uses her wits and skills, and forges alliances in the shady recesses of the palace at Thebes in order to take matters into her own hands. Certain liberties appear to have been taken with the birth order of Pharaoh's children, but in most other respects, the story is carefully constructed so as to fit plausibly into Nefertiti's story, about which little is known until she marries Akhenaten. In some instances, Nefertiti also seems suspiciously modern in attitude—she is extremely democratic in her relations with her servants and slaves, and occasionally lapses into 21st-century language. The architecture, dress, food, and court life of Egypt during the New Kingdom are described in moderate detail. Readers who enjoyed the "Royal Diaries" books (Scholastic) will welcome this novel.—Paula Willey, Baltimore County Public Library, Towson, MD
Kirkus Reviews
Friesner imagines the childhood of legendary queen Nefertiti, as she did for Helen of Troy in Nobody's Princess (2007) and Nobody's Prize (2008). Here she weaves the little information known with various historians' theories and a definite sense of contemporary tween/teen princess fantasies. This Nefertiti may be a little too good to be true-she dances! She's smart! She's kind to slaves! She's impossibly beautiful-and a little too modern to please true history buffs. However, the first-person, past-tense narration, laced with the glamour of ancient Egypt (painted friezes, paper-thin linen, beautiful jewelry) and topped with a dollop of tension (Nefertiti is engaged to Pharaoh's cold, possibly mad oldest son but falls for his kind brother instead) makes for an undemanding but satisfying foray into a time and place not often written about. The rare reader who knows Nefertiti's later role in creating a new religion will see the clues being laid; most will just enjoy the ancient princess who reads and writes, drives chariots and always looks fantastic. (map, afterword) (Historical fantasy. 11 & up)

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Product Details

Random House Children's Books
Publication date:
Princesses of Myth Series
Sales rank:
Product dimensions:
8.44(w) x 11.06(h) x 0.90(d)
Age Range:
12 - 17 Years

Read an Excerpt

Gathering Magic almost a year after I tamed my dream-lions, during the Festival of the Inundation, my life began to change as surely as the rising river changes the deepest heart of the Black Land.

The Inundation is always a season of wild rejoicing. It’s the time when the god Hapy, fat and generous, makes the river overflow its banks to bring new life to the farmlands. A good flood means a good harvest, a good harvest means we’ll have more than enough to eat, that our Pharaoh’s reign is blessed, and that the gods love us.

That year, when I was five, the priests of every temple in the city observed the rising of the Nile and declared that their prayers had given us a good flood and a fine harvest to come. All Akhmin filled the streets to celebrate the event with music, dance, song, feasting, and gladness. Sunlight flashed from the brilliantly painted walls of the temples and the enameled gold necklaces, bracelets, and earrings of the highborn men and women. The air was filled with a wonderful jumble of delicious scents from many food vendors. Everyone seemed to be laughing. Father carried me on his shoulders so that I could have a clear view of the festivi- ties. I was pleased to be able to see everything from up so high, but when I caught sight of the older girls dancing, singing, and playing their harps, rattles, and tambourines, I squirmed like a fresh-caught fish.

“What’s the matter with you, my little bird?” Father asked, grabbing my ankles when I wriggled so hard that I nearly fell off his shoulders.

“I want to get down!” I cried. “I want to dance, too!”

He chuckled, but he didn’t let me go. “You’re not a bird anymore; you’re a kitten, wanting to pounce on anything that catches your eye. Well, little kitten, this dance is to please the gods and to thank them for all that they’ve given us. It’s a sacred thing, not a game for little girls to play at. If you want to dance for the gods someday, you will, but not now. When you’re older.”

His voice was always loud, a trait he’d kept from his days commanding Pharaoh’s troops on the battlefield. One of the dancers who was waiting her turn to perform overheard him and left her group to approach us. I gasped when I saw her: She was so beautiful! Next to her, my dearly loved Mery would have looked like a little brown hen beside a long-limbed, dark-eyed gazelle. The dancer’s eyes were artfully outlined with black kohl, the lids glittering green as the reeds along the Nile, and her lips were tinted the rich red of sunset. I stared, fascinated by the dozens of gold charms adorning her tightly braided wig, but when she smiled at me and offered me her tambourine, I worshipped her with gratitude.

While I bounced on Father’s shoulders, beating the little instrument with more enthusiasm than skill, she talked to him. At first I paid no attention to their conversation, but I soon began to feel Father’s back growing straighter and straighter, his shoulders tensing.

“That will be enough, my darling,” he said, reaching up to still my hands. “Give the tambourine back to this young woman now and thank her.” I wondered why his voice sounded so strained, the way it did whenever I’d done something wrong that was too serious for him to laugh off.

“Why so eager to be gone?” the dancer drawled, glancing up at Father from beneath lowered eyelids. “She can play with the tambourine a while longer. The child has talent as well as beauty. You should stay at least long enough to see me dance. I promise you, you won’t regret it.” She gave him a strange little half-smile.

I didn’t know what the stranger was trying to do, giving my father such odd, sidelong looks; I just knew that he didn’t like it and neither did I. “I’m done,” I announced abruptly, handing back the tambourine. “Thank you very much. I want to go home now.”

I saw the dancer’s lovely face turn ugly in an instant. She snatched the tambourine from my hands and muttered something under her breath. The only words I could make out were “that child . . . spoiled.”

“I didn’t spoil anything!” I protested as Father carried me off.

“And you never could,” he said fondly. “So let’s not spoil this happy day by going home too soon. There are still plenty of things to see and taste and try. Now tell me the truth, my kitten: Do you really want to go home, or did you just want to go away from that sharp-faced little dancer?”

“Away,” I said. I took a deep breath and added: “I’m sorry.”

“What for?” Father exclaimed. “For not liking her? That makes two of us.”

“But I should have liked her,” I said. “She was beautiful, and she was kind to me. She let me play her tambourine, and she said nice things about me.”

“My sweet one, beauty and favors and flattery don’t have anything to do with whether or not you should like someone. Affection isn’t something you can buy, not if it’s real. You still like Mery even when she scolds you, right?”

“I love Mery,” I said loyally. “Even if she’s not as pretty as that dancer. She was much prettier than Mery, wasn’t she, Father?”

“Hrmph.” Father coughed into his fist, or at least it sounded like a cough. “I don’t think so.”

“You don’t?” What was wrong with Father, saying something like that? Mery was nice-looking, but nowhere near as lovely as the dancer.

“No, I don’t,” he said firmly. “Anyway, there are more important things than beauty, dearest.”

“But she was prettier than Mery, wasn’t she?” I insisted.

“Let’s not worry about pretty and prettier,” Father said hastily. “And we won’t bother Mery with this. Besides, when you’re near, all the other girls look like old crocodiles. Now let’s go enjoy ourselves!” He broke into a brisk jog that made me shriek with delight as we raced back to the festival.

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