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3.6 10
by Michael Frayn, Anne Rooney (Editor)

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From the bestselling author of Headlong, a mesmerizing novel about secrecy, imagination, and a child's game turned deadly earnest.

The sudden trace of a disturbing, forgotten aroma compels Stephen Wheatley to return to the site of a dimly remembered but troubling childhood summer in wartime London. As he pieces together his scattered images, we


From the bestselling author of Headlong, a mesmerizing novel about secrecy, imagination, and a child's game turned deadly earnest.

The sudden trace of a disturbing, forgotten aroma compels Stephen Wheatley to return to the site of a dimly remembered but troubling childhood summer in wartime London. As he pieces together his scattered images, we are brought back to a quiet, suburan street where two boys, Keith and his sidekick — Stephen — are engaged in their own version of the war effort: spying on the neighbors, recording their movements, ferreting out their secrets.

But when Keith utters six shocking words, the boys' game of espionage takes a sinister and unintended turn. A wife's simple errands and a family's ordinary rituals — once the focus of childish speculation — become the tragic elements of adult catastrophe.

In gripping prose, charged with emotional intensity, Spies reaches into the moral confusion of youth to reveal a reality filled with deceptions and betrayals, where the bonds of friendship, marriage, and family are unravelled by cowardice and erotic desire. Master illusionist Michael Frayn powerfully demonstrates, yet again, that what appears to be happening in front of our eyes often turns out to be something we can't see at all.

Michael Frayn is the author of nine novels, including the bestselling Headlong, which was a New York Times Editor's Choice selection and a Booker Prize finalist. He has also written thirteen plays, among them Noises Off and Copenhagen, which won three Tony Awards in 1999. He lives in London.

Editorial Reviews

Publishers Weekly
By the author of the bestselling Booker Prize finalist Headlong, this dark, nostalgic and bittersweet parable evokes the childhood escapades of an isolated and hapless young boy caught up in the uncertainties of wartime London in the early 1940s, just after the horrors of the Luftwaffe blitz. Stephen Wheatley, now a grandfather living abroad, is drawn back to London to revisit his boyhood home, to deal with the complexities and eventual tragedy engendered by what seemed a harmless game of spy when he was just a schoolboy during WWII. His best friend at the time was Keith Hayward, the bright son of rather standoffish parents; Keith and Stephen embark on a childish adventure after Keith announces that his British mother is a German spy. The murky plot follows their frustrations as they try to shadow Keith's mum as she goes through the mundane ritual of stopping by her sister's house with letters and a shopping basket, only to disappear into the neighboring streets. Discovering at last that she takes a route through the culvert beneath the railroad and leaves letters in a box hidden on the other side, they eventually learn that she sometimes meets a tattered, bearded tramp hiding in a bombed-out cellar. When Keith's mum finally realizes they have found her out, she secretly seeks Stephen's loyalty, making him complicit. Thrust into a role far beyond his years, but helpless to refuse, he is overwhelmed. As it plays out to a surprising denouement, this enigmatic melodrama will keep readers' attention firmly in hand. (Apr. 3) Forecast: Fans of Headlong may miss that novel's dark comedy, but those who appreciate Frayn for the rigorous intelligence of his fiction will find him in fine form here. Copyright 2001 Cahners Business Information.
Library Journal
Following up Booker Prize finalist Headlong and the Tony Award-winning Copenhagen, Frayn crafts a story of World War II London, where two boys playing at spy discover things about family and neighbors they shouldn't know. Copyright 2002 Cahners Business Information.
Kirkus Reviews
Bitter memories of the home front during WWII resurface in this muted yet moving tenth novel from popular British author Frayn (The Copenhagen Papers, 2001, etc.) and playwright (Noises Off, etc.). In a Proustian prologue, a mysteriously sweet outdoor aroma evokes indistinct memories of its narrator Stephen Wheatley's youth in a tightly knit suburban "close" during the war years. Returning to his home village, the now elderly Stephen "sees" a series of scenes featuring his young self and his confident, domineering best friend Keith Hayward. "He was the officers corps in our two-man army," Stephen muses, while recalling the elaborate system of wires and tunnels the boys had constructed between their two houses, and the military games they had played in imitation of the larger conflict ongoing in Europe-culminating in acts of secrecy and surveillance prompted by Keith's astonishing declaration that "My mother … is a German spy." Frayn sticks close to Stephen's timid sensibility, thrown into tormented relief by the boy's growing suspicion that Mrs. Hayward's frequent brief absences from home and habit of "visiting" a nearby railway tunnel are undertaken, not out of solidarity with the enemy, but in order to meet with a lover-who is perhaps a "downed" German pilot, or an "old tramp" suspected of being a sexual deviant; or in fact something much less romantic and thrilling. The story is somewhat thinly plotted, and little seems to happen-outside Stephen's busy imagination, at least-for a distractingly long time. But Frayn holds our attention with sharp economical characterizations of the frail and beautiful Mrs. Hayward, Stephen's annoyingly ordinary own family, and Keith's supremelyself-confident father, a misogynistic martinet who virtually radiates smiling, perfectly controlled menace. Only a curious overabundance of climactic surprise-twists vitiates the skill with which Stephen's ordeal of subterfuge and guilt is portrayed. A bit reminiscent of L.P. Hartley's modern classic The Go-Between but, still, an essentially original and very affecting tale.
From the Publisher

“. . . a master of intellectual mystery masquerading as ripping popular entertainment. . .a gorgeous melancholy that shivers the mind.” —The New York Times Book Review

“Marvelously effective. . .a novel of extraordinary power and wisdom, a tour de force of humane insight.” —The Baltimore Sun

“Bernard Shaw couldn't do it, Henry James couldn't do it, but the ingenious English author Michael Frayn does do it: write novels and plays with equal success. [He] has extended his reach and seriousness while keeping a sprightly intellectuality.” —John Updike, The New Yorker

“In Spies, recollections of actual things--the 'disconcerting perfume' of privet hedges in bloom and the flavor of lemon barley water--make Frayn's story so real you can taste it.” —Boston Herald

“[Spies] convinces American readers that Frayn, author of some thirteen novels and sixteen plays, is a literary double threat.” —The Boston Globe

“In this very English novel, secrets assume an unexpected power and excitement as Frayn reveals that a little of the fascist is buried in every clever child, and that spying can be a soul-destroying game.” —Chicago Sun-Times

Product Details

Longman Group Limited
Publication date:
York Notes Advanced Series
Product dimensions:
5.50(w) x 8.20(h) x 0.40(d)

Read an Excerpt

I don't know how Keith notices the first of the secret signs. I realize that he's stopped turning the pages and brought the diary very close to his eyes, the magnifying glass forgotten.

"What?" I whisper. He points to the space for a Friday in January. It seems at first to be empty. Then I see some kind of handwritten mark, nestling inconspicuously in the little gap between the date itself and the phase of the moon: a tiny x.

He slowly turns the pages of his mother's diary. More x's. As I record them, a pattern begins to emerge — the x, whatever it is, happens once a month. In some places it's crossed out, and entered a day or two earlier or later.

"She has meetings," I suggest. "Secret meetings. They're planned in advance only sometimes the person can't come so they have to change the date . . ."

"Look at the moon," Keith whispers. I go back to the beginning, tracking the phases of moon. Yes, the little x's are approximately keeping step with the lunar calendar.

"The night of no moon," he says. The hairs rise on my neck. I can see the possibilities as clearly as he can — the unlit plane landing on the fairway of the golf course, the parachutist falling softly through the perfect darkness . . .

Meet the Author

Michael Frayn is the author of ten novels, including the bestselling Headlong, which was a New York Times Editor's Choice selection and a Booker Prize finalist. He has also written thirteen plays, among them Noises Off and Copenhagen, which won three Tony Awards in l999. He lives in London.

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Spies: A Novel 3.6 out of 5 based on 0 ratings. 10 reviews.
Guest More than 1 year ago
An elderly man's visit to his old childhood home, growing up in wartime London, evokes memories and details of friends and adventures in a fast moving story shrouded with a subtle mystique. A vivid imagination and a youth's sense of daring provide a surprisingly powerful tale that unwinds in a 'can't put it down' story difficult to predict from any synopsis without revealing too much of the reality of it all.
Guest More than 1 year ago
There are many subtleties in this book, and the author knows you know the resolution, more or less, before you reach it. I agree that the final chapter or so is a bit superfluous -- many readers will have figured out what's going on with the tramp, and possibly with Stephen's story also. Still, the author does a marvelous job of telling the story from his protagonist's viewpoint, that of a child entangled in an adult web of secrets and deceits. The characters are authentic -- witnessing Kevin's development is quite chilling. I really enjoyed this book and will buy others by this author.
Guest More than 1 year ago
I found the first few chapters of Spies difficult to read, however as the plot progressed I became intrigued to learn what would happen next. If you study this book in depth you can't help understanding and being drawn to the different characters. However I found old man Stephen extremely annoying and the geraniums irritating. The ending was slightly disappointing and did not seem so well crafted as the rest of the novel and rather rushed after so careful a build up to the climax. Overall I would recommend Spies. Frayn has written it very cleverly though some of the clues towards the end are rather clumsy. It is an enjoyable book though I found it best appreciated after in-depth study.
Guest More than 1 year ago
This book has mystery love and humor I would reccomend it to anyone!
Anonymous More than 1 year ago
JVK More than 1 year ago
Marvelous novel. One dissertation chapter has already been written on this wonderfully \wrought work of fiction. JVK
Anonymous More than 1 year ago
Guest More than 1 year ago
i found this book very intreasting, i love it, it was very detail, and like how he uses loads of techniques, it really did attract me in to this book, but i expected better for the ending of the book, but it was still good. every chapters, first begining was really goood, it gives us an hint what going to happen throughout the novel! i love it! now just have read it over and over again, my exam on it! :P
Guest More than 1 year ago
I found the book tedious. I thought the first few chapters were completely pointless. Why bring in Old Stephen when he has no use what so ever. I do understand where Frayn is coming from, i think it was a rather clever idea for the basis of a novel but when i read the last chapter i was even more dissapointed. It was so predictable and i dont understand why the fact that Stpehen himself was actually the imposter (German) made everyone think the novel was so fantastic. The novel seems to include 'Everything has changed once again, and changed forever.' Similar prashes like this are used thoughout the novel, it seems as though it is used merely to use up space. I agree with this statement 'If we are not to benefit from the older man's perspective untill the last dozen or so pages, why introduce him at the start?' (Max Watman, New Criterion)
Guest More than 1 year ago
i found it tedious and was unable to get in to the book fully- had to stick at it for coursework purpuoses, found the ending amazing and well worth digging through the rest of the book!