Spytime

Overview

James Jesus Angleton was an enigma, a secretive man whose power was at its peak during the height of the Cold War. Founder of U.S. counter-intelligence, hunter of moles and foes of America, his name has become synonymous with skulduggery and subterfuge. Angleton pursued his enemies, real and imagined, with a cool, calculating intelligence. Eventually convinced that there was a turncoat within the highest reaches of the U.S. government, Angleton turned all of his considerable skills to finding and exposing him. ...

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Overview

James Jesus Angleton was an enigma, a secretive man whose power was at its peak during the height of the Cold War. Founder of U.S. counter-intelligence, hunter of moles and foes of America, his name has become synonymous with skulduggery and subterfuge. Angleton pursued his enemies, real and imagined, with a cool, calculating intelligence. Eventually convinced that there was a turncoat within the highest reaches of the U.S. government, Angleton turned all of his considerable skills to finding and exposing him. The result was a near-victory for U.S. Intelligence-and total defeat for himself. A brilliant re-creation of a world that included Soviet defectors, the infamous traitors Burgess, MacLean, and Philby, and American presidents from Truman to Carter, Spytime traces the making-and unmaking-of a man without a peer and, at the end, a man without a country to serve.

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Editorial Reviews

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The Barnes & Noble Review
For nearly 50 years, William F. Buckley Jr. has successfully pursued a number of concurrent careers: magazine editor, newspaper columnist, television personality, staunch (and vociferous) conservative ideologue. In the midst of all this, Buckley has also found time for a secondary career as a popular, if lightweight, novelist whose books reflect an obsessive fascination with the issues and events of the recent Cold War. His 1999 novel, The Redhunter, is a sympathetic portrayal of the life and times of Senator Joe McCarthy. His long-running Blackford Oakes series (Who's on First, Stained Glass, Saving the Queen concerns a Yale-educated CIA agent whose adventures take him to one after another of the Cold War's hot spots: Soviet Russia, Castro's Cuba, East and West Berlin, etc. Buckley's most recent novel, Spytime, once again examines that turbulent era through a fictionalized portrait of legendary spymaster James Jesus Angleton, long time Chief of Counterintelligence for the CIA.

Angleton (1917-87) was, for many years, one of the principal figures of the American intelligence community. Buckley's account of his long career begins during the waning days of World War II, when Angleton -- a novice agent for the Office of Strategic Services -- plays an unexpected role in the capture -- and subsequent execution -- of Benito Mussolini. With admirable economy, Buckley then sketches in the high points of Angleton's post-war career, a career which carries him into the ruling inner circle of the Central Intelligence Agency, and which eventually culminates in dismissal and disgrace in the radically altered political climate of the mid-1970s.

Buckley portrays Angleton as a dogged, diehard anti-Communist driven by the belief that Soviet agents have infiltrated -- and compromised -- the major Allied intelligence services. Spytime explores the roots of Angleton's belief by re-creating an era in which duplicity did, in fact, proliferate, in which a series of scandals -- most of them concerned with the notorious Cambridge Spy Ring -- rocked the West. The first of these scandals erupted in 1951, when Guy Burgess and Donald Maclean -- Cambridge graduates who occupied sensitive positions within MI6, the Foreign branch of the British Secret Service -- were revealed as "moles": long-term, deep-penetration Russian agents. A number of other moles -- among them George Blake, Sir Anthony Blunt, and the charismatic traitor Kim Philby -- were subsequently uncovered. Much of Spytime concerns Angleton's attempts to discover whether Philby -- his longtime associate and sometime friend -- is a loyal English intelligence agent or a Communist spy.

The bulk of the action takes place in the early 1960s, a particularly eventful period in the history of the Cold War. Angleton's search for the truth about Philby is set against a backdrop of momentous historical events, such as the Bay of Pigs invasion, the Cuban Missile Crisis, and the building of the Berlin Wall. Buckley populates his crowded narrative with a gallery of the era's iconic figures: Allen Dulles, John and Robert Kennedy, Robert McNamara, William Colby, McGeorge Bundy, and the Russian defector Anatoliy Golitsyn, a former KGB agent who helped shape Angleton's belief in the prevalence of treason in the British and American governments.

Spytime is a detailed, authoritative account of a fascinating time, but it is not a perfect novel. In fact, for all his intelligence and vaunted command of the language, Buckley doesn't strike me as a natural-born novelist. Whenever it descends from the political to the personal, whenever it addresses such unruly topics as love, sex, and human relationships, Spytime stumbles and grows irredeemably stilted. But whenever Buckley turns his attention to his central subject -- the ideological underpinnings of the Cold War -- the novel relaxes and regains its footing. Spytime isn't for everyone, but it comes highly recommended to anyone with an interest in espionage, in contemporary history, and in the Realpolitik of an era that ended with the astonishing collapse of the Soviet Union, some 15 years ago. At its best, it re-creates the ambiance and anxieties of a world that has receded into history and brings that world to vivid, believable life. (Bill Sheehan)

Bill Sheehan reviews horror, suspense, and science fiction for Cemetery Dance, The New York Review of Science Fiction, and other publications. His book-length critical study of the fiction of Peter Straub, At the Foot of the Story Tree, has been published by Subterranean Press (www.subterraneanpress.com).

From the Publisher
Praise for Spytime
"The ultimate in spy novels-with real characters and studied speculation on certain events by Buckley, who met many of the key players-this is a tense, heroic tale of a real Cold War legend."-The New York Daily News

"Spytime is a quiet-time read for those who like their espionage erudite and their intelligence intelligent."-USA Today

Barnes & Noble Guide to New Fiction
A "wonderful look at Cold War spying by the CIA," by one of the most renowned and enigmatic counter-intelligence agents. "Not only does Buckley have his facts straight, but he has a real feel for the atmosphere of the post WWII-Cold War world." "But don't forget you're reading Buckley, so make sure you have a dictionary close at hand - though I only had to use mine twice." "A great read. Enjoyable in the fullest sense of the word." "A real man's book."
New York Daily News
The ultimate in spy novels-with real characters and studied speculation on certain events by Buckley, who met many of the key players-this is a tense, heroic tale of a real Cold War legend.
Publishers Weekly - Publisher's Weekly
For the second time in little more than a year (following 1999's The Redhunter: A Novel Based on the Life of Senator Joe McCarthy), Buckley offers up a fictional account of an icon in America's war against communism. This time, he focuses on James Jesus Angleton, the head of counterintelligence at the CIA for 20 years. Buckley traces Angleton's career from 1945, when the young Yale graduate was handpicked by Allen Dulles, director of the U.S. Office of Strategic Services in Europe, to work undercover in the Italian resistance, to his firing in 1974, when he was scapegoated for many of the CIA's moral and ethical lapses. Over those 30 years Angleton earned a reputation as a brilliant tactician, capable of discerning the most subtle of hidden motives in the international game of espionage. Yet he was also a man of such obsessive anti-communist fervor that at times it clouded his thinking, providing his enemies with ammunition for their attacks. While Buckley's perspective on Angleton's public and private life is perceptive--the worldly operative's mother was Mexican, and he grew up in Italy and England--the book suffers from glaring gaps in the master spy's biography. The late 1940s and early 1950s, for example, years when Angleton was laying the foundation for his career, are completely skipped over. Buckley also inexplicably derails an otherwise compelling story by cutting away for nearly a quarter of the book to follow one of Angleton's prodigies in action on low-level work in Lebanon in the early 1960s. In general, Buckley's protagonist never manifests the mysterious fascination he radiates in Aaron Latham's Orchids for Mother (1977). 75,000 first printing; $50,000 ad/promo; 3-city author tour. (July) Copyright 2000 Cahners Business Information.|
Library Journal
Author of the best-selling "Blackford Oakes" series, Buckley here takes on the core of spying--recruiting, training, and deceit. Many former spies make cameo appearances in this profile of James Jesus Angleton, a real spymaster who ran the counterintelligence operations of the CIA for decades after World War II. The introduction of young agents gives Buckley a lot of room for sexy interludes, professorial expositions, and energetic episodes. Throughout the book, the intellectual appeal of espionage separates this from the usual cloak-and-dagger story. Sure to be a favorite, this novel successfully explores the enigmatic life of a Cold Warrior. For all popular fiction collections. [Previewed in Prepub Alert, LJ 3/1/00.]--Barbara Conaty, Library of Congress Copyright 2000 Cahners Business Information.\
USA Today
A quiet-time read for those who like their espionage erudite and their intelligence intelligent.
New York Daily News
The ultimate in spy novels - with real characters and studied speculation on certain events by Buckley, who met many of the key players-this is a tense, heroic tale of a real Cold War Legend.
Seattle Times
Throughly accessible…taken purely as drama Spytime is absorbing.
Randy Michael Signor
This is one odd book. Buckley's latest novel seemingly trips all over itself trying to tell a story about America's spy master, James Angleton, a real-life figure who once ran the counterintelligence branch of the CIA. What makes it odd are the constantly shifting points of view and time jumps. The reader is confronted with first-person narration in Angleton's voice; third person, from the limited points of view of several other characters; and time leaps that are downright confusing--are we in Angleton's mind today or some unknown narrator's mind fifty years ago or what? Sometimes I just plain wasn't sure. Which, of course, set me to wondering: Why? Is this some literary game in which Buckley demonstrates the confusion inherent in the world of spies? Is this simply the easiest (dare I say laziest?) route through the tale? And you know what? Finally, it doesn't matter much. Learning that Angleton was instrumental in capturing Benito Mussolini at the end of World War II is fascinating; and any informed peek into the labyrinthine world of spydom is fascinating; but, ultimately, the book fails to deliver. What it dangles out there is the carrot that Angleton, who was obsessed with the idea that there was a deep-rooted Russian mole in the American intelligence community, was, in fact, that mole. The truth--Buckley's fictional Truth--is not revealed until the final paragraph on the final page. Don't peek. Then again, go ahead and skip the rest.
Kirkus Reviews
Another espionage yarn from Buckley (The Redhunter, 1999, etc.), this time based not on the exploits of his series character, Blackford Oakes, but on those of real-life counterintelligence officer James Jesus Angleton. Loosely using the life of Angleton as the framework of his tale, Buckley offers a highly dubious account of the cold war years between the end of WWII and the end of the war in Vietnam. The story begins with Angleton's exit from the CIA in the mid-1970s, then flashes back to his introduction into the life of a secret agent. In the interim we're introduced to young Tony Crespi, a protégé of Angleton's who finds himself in pursuit of another real-life figure, British turncoat Kim Philby. There's plenty of information here—obviously Buckley knows his stuff—but the story, ranging from Italy and the death of Mussolini through Washington and the Bay of Pigs and on to Beirut and Middle East intrigue, is a mess. There's only a wisp of a plot and very little conflict; the structure is confusing; and the character development is practically nil. Worse, the book is clumsily written, loaded with sentences either as long and impenetrable as the hallways of the Pentagon; or just clunk-plain awkward ("His briefing in Rome was exhilarating, Angleton confessed to Enrico Caruso, his security contact, the only man with whom he had official communication, the law of the deep-cover agent, at their fourth and final meeting"); or sounding as if they might have been translated from another language ("Maria described, using the local map he carried, the route he had to take"). Surely James Angleton was an interesting fellow, butyouwouldn't know it from this unsuccessful attempt at a fictionalizing of his life. (Author tour) First printing of 75,000; $50,000 ad/promo
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Product Details

  • ISBN-13: 9780156011242
  • Publisher: Houghton Mifflin Harcourt
  • Publication date: 6/1/2001
  • Edition description: Reprint
  • Pages: 330
  • Sales rank: 999,677
  • Product dimensions: 5.25 (w) x 8.00 (h) x 0.74 (d)

Meet the Author

William F. Buckley Jr. is the founder of the National Review and was the host of what was television's longest-running program, Firing Line. The author of thirteen other novels, many of them bestsellers, he lives in Connecticut.

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First Chapter

September, 1974
casa nogales

My name is James Jesus Angleton, he wrote. And then spoke the lines out. "Yes, that's J-e-s-u-s. For most of my professional life I went out of my way to suppress my middle name." He would explain that: "One picks up quirky inhibitions, when young, inhibitions we have no reason to be proud of. One of mine was to hide my middle name." He sipped from his glass, fought briefly what had proved was a losing battle—his onetime resolution not to write a journal of any kind. He closed his eyes and summoned his determination to do what he thought his duty. To himself.

How is it I came by such a name, you might wonder?

I was given that name by my Mexican mother. She was seventeen when my father, Hugh, married her, in Nogales, Arizona. "Na--CI-- en la fronTERa / A-CAAA--d'este LA-do . . ." She used to sing that to me. Born-n-n over he-eeer, / On this si-i-i-de of the border. Sounds better in Spanish. For a long while they (Mum and Dad) spoke to each other mostly in Spanish (my father learned how to do that while fighting in Mexico under General Pershing, chasing after Pancho Villa). Pancho Villa. A popularized rogue, I pause to remark. My father, when I was very young, let me in on the true character of that wild-west hero, and I tucked it away. A piece of intelligence.

Tucked it away where? Tucked it away in my memory, which is copious. In Mexico the name Jesús is quite commonly given to a son, especially as a middle name. The spoken use of it isn't disruptive, unlike here, this side of a barroom. I'm not pretending I know a lot about barroom palaver, though I know something about what saloons stock. In the Latin-speaking world you might hear a formal old lady remark, "Jesús, María, José, cómo habla esa señora!" Commonplace, but you would not expect a well-mannered woman in America (outside of an asylum), to go about saying, "Jesus, Mary, and Joseph, how that lady runs on!"

You will guess, with the launch of these few lines, that I have got about a bit in my life. That is so, I have. We lived briefly in Idaho and when I was still a boy, my father and mother moved the family (I had a younger brother and two sisters, also younger) to Milan where he practiced his trade. He was an executive of the National Cash Register Company.

Then I went to a British public school, about which there is also, as in Pancho Villa, a set of public attitudes, namely that such schools are all centers of vice and sadism. (I never had sex with one of my fellow students, nor was proffered sex, notwithstanding that I was an egregiously handsome boy and young man. I was beaten exactly twice. I should have been beaten six times. But, very young, I was acquiring those skills that have taken me to the top of the profession from which they now propose to disengage me. I learned something about guile, in my school, something about maneuvering around the rules. No skill is more important in the practice of counterintelligence.)

Then there was Yale. As a student I was undistinguished. I took comfort (though gave none to my father) by reminding myself from time to time that if academic eminence was what I wanted to achieve, I'd have taken the pains to achieve it. If you want to be the first boy in the class who knows when the Punic wars were fought, go ahead. And if I had had trouble penetrating The Cantos, I wouldn't have looked for a trot, I'd have asked Ez what it was he was being abstruse about; because I came to know Ezra Pound when, as an undergraduate, I pursued poetry in the special way I have pursued poetry ever since. I did go on to Harvard Law School, but going there was never disguised as other than filial docility. I never plumbed the motives of competent young men who labor with the law and spend whole lives arguing with one another in behalf, as often as not, of moneyed men and women they would not wish the company of at dinner. So when the war came I quit law school, eschewing the immunity I'd have had from the draft if I had stayed on in Cambridge. I then discovered that my eyesight was below the GI margin, but had no trouble devising a way of faking a test.

So I went to war. Something about my background had been uncovered by an unruly corporal at the processing center who took more than the usual ten seconds to examine the qualifications of incoming soldiers. He discovered that I was fluent in Italian and passed the word up. So I was marked for intelligence work and sent to London. There I did clerical work on the Brits' supersecret Ultra but only briefly. They needed agents in Italy.

My qualifications as a linguist were augmented by analytical skills I must have been born with. In the spring of 1945 it had become a practical necessity to establish, by the application of skills in detection and surmise, which of those Italian Fascists put into camps as the Allies approached victory were enthusiastic creatures of the grisly partnership of Hitler and Mussolini, who were simply doing as instructed to do by their superiors. My research resulted in not a few Italians executed, but resulted also in not a few Italians who, but for me, would have been shot, settling down, instead, for detention, until the war ended.

I made lively contacts in Italy, with the Resistance, of course, but also with the diaspora. These were Jews who had two goals in mind, the immediate goal of defeating Hitler and the Zionist goal of establishing a homeland. Except that practically everything I have done in my life is shrouded in secrecy it would be known internationally what I accomplished in the way of expediting the passage of Jewish exiles into Palestine well before the partition, what I have done for them in the two decades since then, in the way of channeling to Jerusalem information vital to the state's welfare and, indeed, its survival. I have to admit that my mood tonight takes me to the outer edge of propriety, where I pose willingly for the grateful orisons of history, hoping for some little measure of what is owing to me.

It is distasteful to dwell on it, but I cannot help from recording tonight—en passant—in my journal.

My journal! An exception: spies aren't supposed to keep journals. I am not, technically, a spy. I am a counterspy. Counterintelligence has been my business. There: I said it. It has been my business, because today I have concluded that what they intend to do is to fire me. That would be a most extraordinary feat of bravura, to fire me, James Jesus Angleton. The mind strains for a comparable act of national self-mutilation. I would not liken it to turning down Winston Churchill, as the British voters did in 1945, because Churchill was, of course, a chief of government. I was—I am, I suppose, until the door closes finally . . . the principal intelligence officer in the West. Will they actually remove the keys to my office? Ha! As though they could keep me from the office, if I set out to enter it.

(Angleton went back to the punctuation and reworded the phrase with an exclamation point.)

. . . if I set out to enter it! I do not conceal that anything Houdini was capable of, mutatis mutandis, I am capable of.

But I was describing—to whom, ultimately? Perhaps only to myself. Describing my formal position. I am and have been for twenty years Chief of Counterintelligence for the CIA, the Central Intelligence Agency. It is my responsibility to winnow the information that comes in from the one thousand sources we woo, generate, stimulate, reward, punish, encourage, for the purpose of recommending counteraction at the operating levels of government. Counteraction can involve everything from a surgical nuclear strike to escorting an alien to an airship and telling him never again to step foot on American soil.

Many journalistic observers have described what it is the CIA does, this side of recommending a nuclear strike yet a little brawnier than merely chauffeuring a spy or a courier to Dulles Airport. They will never catch up. The spy profession, including its language, is always on the move; changing; adapting. I leave it here, in this—so far—discreet appearance as an autobiographer that nobody—nobody—has seen all the things that I have seen. And now that fool Colby, I suspect he's behind it all, actually proposes to close me out of my office! Close me out of my office and the recesses of my office. Recesses no other human being has examined. (It was only Anatoliy I gave access to my deeper files, and then only when I was with him, of course.) Anatoliy . . . Golitsyn. He wouldn't believe it possible, if Colby goes through with it.

James Angleton rested his pen on the broad red blotting board on his mahogany desk with the withered old Italian golden braid along the edges. He took the pen up again. His features seemed gaunt now, as he concentrated, allowing his hand to work along the lined paper pad as if transcribing what was passing through his mind. He refilled the liqueur glass.

He could go to the President.

I've never liked meetings with the President. Wherever the President is, he is conspicuous. There is no such thing as a furtive meeting with the President of the United States, at least not for an official in government.

An old friend once begged me to plead with President Kennedy that he agree to meet, however briefly, with Don Juan, Count of Barcelona, claimant to the throne of Spain, while Kennedy was on his illustrious visit to Paris in 1961. I had to explain it to him—grand dukes do not understand relatively simple things. I said to him that any meeting with the President while in Paris, with one thousand authorized cameras focused on him and ten clandestine cameras focused on him, ruled out any secret encounter with a rival contender to Spanish primacy. Prime Minister Franco would learn about it. If Franco's ambassador had requested the audience, in behalf of the Count of Barcelona, it would be granted; otherwise, the President would be thought to be conniving with the restoration movement behind Franco's back. . . .

No, I doubt I'll go to the President, even assuming Dr. Kissinger would permit me in the Oval Office. Though I would not want to think that at age fifty-six I am without the resources simply to materialize in the Oval Office, if I set my mind to it. But I suspect I have got gabby, chiacchierone. The result, no doubt, of that second B & B (whom am I deceiving by saying that? Moi.)—that fourth B & B. But I will do something about this crazy situation. Something éclatant.

He half smiled. Maybe I'll tell them I've figured out who the Fifth Man is.

Copyright (c) 2000 by William F. Buckley Jr. Reprinted by Permission, All Rights Reserved. Harcourt, Inc.

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  • Anonymous

    Posted December 4, 2005

    In Search of the Infamous Fifth Man

    SPYTIME is a fictional story which covers such historical events as the Bay of Pigs Invasion, the Cuban Missile Crisis, the assassination of Mussolini and the capture of Che Guevara in Bolivia. Many of the book's characters are real. In spite of its title, the novel is not a spy story in the traditional sense but it is actually written more in the style of an expose of the inner workings of the CIA. Jim Angleton remains in the background throughout much of the story while the bulk of the spy action is handled by his young protege, Tony Crespi, who is stationed in Beirut. Angleton's main obsession as Director of Counterintelligence is the search for the infamous Fifth Man who collaborated with Burgess, Maclean, Blunt and Philby. SPYTIME is an intriguing book for anyone who is interested in the Cold War and the CIA. Buckley writes with some authority about these subjects. The novel's greatest weakness is its lack of suspense and the ending is also a bit of a dud.

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