St. Patrick's Gargoyle

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When vandals break into St. Patrick's Cathedral, a gargoyle named Paddy takes to the streets of Dublin in search of revenge-but nothing could have prepared him for the evil that descends when he finds it.

"[Kurtz] wraps plenty of Dublin sights, fascinating bits of Catholic history, much ecumenical Christian goodwill, a cast of endearing characters, amusing dialogue and just enough thrills into a charming ...

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When vandals break into St. Patrick's Cathedral, a gargoyle named Paddy takes to the streets of Dublin in search of revenge-but nothing could have prepared him for the evil that descends when he finds it.

"[Kurtz] wraps plenty of Dublin sights, fascinating bits of Catholic history, much ecumenical Christian goodwill, a cast of endearing characters, amusing dialogue and just enough thrills into a charming package of a tale." (Booklist, starred review)

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Editorial Reviews

From Barnes & Noble
The Barnes & Noble Review
Katherine Kurtz has written fantasy for more than 25 years, and her enchantingly complex Deryni series continues to be a bestseller. A resident of southern Ireland, she undertakes a different sort of adventure in a wondrously magic-hued Dublin for the setting of her new novel, St. Patrick's Gargoyle.

The gargoyle nicknamed Paddy has guarded St. Patrick's Cathedral for centuries. All the gargoyles of Dublin's churches meet monthly, at the dark of the moon, to discuss the preservation of Christian relics and ruins. Among these matters are the recent, bizarre thefts of the heads of mummified Crusaders from crypts around Europe. The gargoyles were once God's avenging angels, and Paddy often waxes nostalgic over the days when he could do battle against Viking marauders.

Then some silver alms basins are stolen from St. Patrick's. Paddy swings into action against the "hooligans and lager louts" who offer much less satisfaction than Vikings. Through a curious sequence of events, he befriends an eccentric octogenarian, Francis Templeton, who drives a black Rolls-Royce. Templeton willingly drives Paddy around for the day, and with the aid of a strange magical device they successfully recover the stolen silver. Unfortunately, Templeton spies Paddy's reflection on the polished car and sees the gargoyle's True Self, a vision that has dire consequences for any mortal.

Events become alarming with the appearance of a seraph from Heaven, accompanied by the gargoyle from Notre Dame de Paris. They have frightening news: The magic that King Solomon used to bind an ancient Demon of Darkness in a long-hidden receptacle is weakening. If the demon Baphomet escapes its prison, the world will be cast into grave jeopardy. Paddy and the other gargoyles launch a dangerous endeavor to protect all they hold dear, and in a curious twist of events, Francis Templeton himself will have a crucial part to play...

Kurtz has written a charming and very funny book that can serve as a guide book to Dublin, both ancient and modern. Lovers of Ireland should allow themselves the temptation to tour Dublin with this novel in hand, for fair Eire's architecture will never seem the same again. You may find yourself glancing at statues in your own town and wondering if they are secret "Watchers" against the forces of Dark. St. Patrick's Gargoyle is a fast-paced delight, full of the rollicking accents of Dublin and a deeply moving portrayal of Heaven and Earth conjoined in a battle between Good and Evil. (Fiona Kelleghan)

Fiona Kelleghan is a librarian at the University of Miami. Book reviews editor for Journal of the Fantastic in the Arts, she has written reviews and articles for Science-Fiction Studies; Extrapolation; The New York Review of Science Fiction; Science Fiction Research Association Review; Nova Express; St. James Guide to Science Fiction Writers; Magill's Guide to Science Fiction and Fantasy Literature; Neil Barron's Fantasy and Horror: A Critical and Historical Guide; Contemporary Novelists, 7th Edition; and American Women Writers. Her book Mike Resnick: An Annotated Bibliography and Guide to His Work was published by Alexander Books in 2000.

Publishers Weekly - Publisher's Weekly
Young adults will best appreciate this light, sentimental fantasy about the gargoyles who watch over the churches of Dublin, whether Catholic, Protestant or deconsecrated, from bestselling veteran Kurtz (the Deryni series, etc.). More mature readers, on the other hand, may be put off by the simplistic story and the slack pace. The city's gargoyles meet monthly on a moonless night and, like good Irishmen, bemoan change and the loss of the good old days. When vandals break into St. Patrick's Church, Paddy, its resident gargoyle, calls on old Templeton, a Knight of Malta who drives an ancient Rolls Royce for weddings, to help him apprehend the miscreants. Paddy also brings to life the Rolls Royce's hood ornament, which Templeton tells him is a gryphon, not a gargoyle. Investigating the scene of the crime with his thirtyish policeman godson, Marcus Cassidy, Templeton finds Death's Deputy at the church, expecting his due. In a nice touch, Paddy argues with the deputy to allow the old man more time to discover who's behind the break-in. Heavy in its piety and exposition of Celtic history, this novel is a determined tourist guide to Dublin sites; however, James Joyce did some of the same thing, and Ulysses is still going strong. (Feb. 6) Copyright 2000 Cahners Business Information.
Padraig (Paddy) is an ancient gargoyle perched atop St. Patrick's Cathedral in Dublin, Ireland. When items are stolen from the church and his favorite verger is roughed up in the process, Paddy takes off after the culprits. He enlists the help of 82-year-old Frances Templeton and his 1929 Rolls Royce limousine. Unfortunately, in the process of nicking the culprits, Frances gets a glimpse of Paddy's true form in the shiny black-mirrored door of the Rolls—an instant death sentence since no one may see a gargoyle and live. When death comes calling, Paddy manages to forestall him until nearer Christmas. Which is fortuitous, because it just happens that although the demon Baphomet was bound by King Solomon, under instruction from Archangel Michael, in a head-shaped receptacle and kept safe for several millennia, the bounds are weakening and only a human can reinstate them. Hence, Frances, Paddy, and all the gargoyles in Dublin have their work cut out for them. The demon is rebound, Frances is accompanied by his late wife on his way to heaven, and Paddy goes back to his perch on St. Patrick's. This is a surprisingly engaging and religious tale. I remember reading the short story from which this unfolded, "The Gargoyle's Shadow." And although the gargoyles like to make irreverent comments about the Boss, the overall impression is of a benevolent God who has everything under control. The gruesome-looking gargoyle on the cover may draw readers into the story but they will leave with the quiet assurance that all is right with the world, and they will never look at a gargoyle in quite the same fashion again. KLIATT Codes: JSA—Recommended for junior and senior high school students, advanced students,and adults. 2001, Berkley, Ace, 291p., Hoy
Library Journal
When Dublin's St. Patrick's Cathedral becomes the target of an act of vandalism, the gargoyle guardian of the building enlists the aid of an aging Knight of Malta to assist him in his pursuit of the vandals. Combining an interest in Irish history with snatches of Templar lore, the author of the "Deryni" and "Adept" series creates a story of angelic powers and demonic forces locked in an eternal struggle. Engaging characters and gentle irony add a light touch to a metaphysical drama that belongs in most fantasy collections. Copyright 2001 Cahners Business Information.
From The Critics
St. Patrick's Gargoyle is a fantasy set in contemporary Dublin and tells of a gargoyle who is entrusted with the safety of the town. When vandals break into a church, Paddy's search for revenge inadvertently dooms a gentle elderly man and sets both on a race to prevent an ancient evil from arising. Intrigue blends with fantasy here.
Kirkus Reviews
Contemporary fantasy from the Ireland-resident author of the Deryni series and, more recently, various yarns centered on the Knights Templar. Once one of God's avenging angels, now in gargoyle form, Padraig guards St. Patrick's Cathedral in Dublin—one of many such guardians of notable buildings. Notified by angelic higher-ups of a break-in and vandalism at a nearby church, Padraig and his colleagues must determine whether the mummified head of a crusader has gone missing. Happily, the head's safe; back in Crusader times, however, the Knights Templar confined the dreadful demon Baphomet in a head-shaped sarcophagus—hence the angelic concern. Now buried in Ireland, the receptacle's confinement spells are weakening. Padraig needs human help to locate and deal with the demon. Old Francis Templeton, descendant of a different crusader sect, the Knights of Malta, helps Padraig on another case, meanwhile accidentally glimpsing Padraig's true form. By the rules, Francis must die. But he's old anyway, with a weak heart; and so he agrees to help Padraig tussle with the demon. Slow and mostly vaporous, despite some well-meaning religious discussions: even staunch Kurtz fans will find little satisfaction here.
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Product Details

  • ISBN-13: 9780441007257
  • Publisher: Penguin Group (USA) Incorporated
  • Publication date: 2/1/2001
  • Pages: 240
  • Product dimensions: 5.56 (w) x 8.52 (h) x 0.84 (d)

Read an Excerpt

Chapter One

In the bitter cold of a late December night, the gargoyle's sharp gaze scanned restlessly over the deserted streets of Dublin. Not far below, the clock in the tower of St. Patrick's Cathedral began to strike midnight. The sound of the bell reverberated on a breeze brittle with the promise of snow, skittering among the city's chimneys and across frost-kissed slate roofs. Very soon, the rhythm was picked up by other clocks elsewhere in the sleeping city.

    Revelling in the music that sang freedom, the gargoyle stretched batlike wings and gave a snort of satisfaction. From his lofty vantage point behind the tower's stepped Irish battlements, invisible from street level, he had guarded this part of the city for centuries. Only once each month, when the moon was dark, did he customarily descend from his windswept eyrie to prowl among the shadows.

    The clock in the bell tower finished striking midnight, and the gargoyle flexed his wings again, breathed a deep gargoyle breath, and exhaled. As he did so, dense shadow sighed from the stone-carved jaws—darkling manifestation of a gargoyle's tree essence—and he plummeted toward the pavement below, only slowing with an abrupt whoosh of suddenly extended wings as he touched down gently instead of splatting on the pavement. In less than a blink of an eye he was hidden in the soft-edged shadow of a frost-glittering buttress, casting a glance around to see whether anyone had witnessed his descent.

    The street was empty and silent, just the way he liked it, with snow flurries dimming the electric glow of thewrought-iron light standards along Patrick Street, which fronted the cathedral. He had much preferred gaslight, though he needed neither. Furling his leathery wings, he turned to skulk along the side of the cathedral, ghosting from shadow to shadow. Catching a hint of movement in the back of a frosty window, he briefly bared his teeth at it, but he knew it was only his own reflection.

    The old churchyard and adjoining park afforded far less cover than the looming bulk of the cathedral, but they were also deserted at this midnight hour. Vigilant nonetheless, the gargoyle streaked above one snowy footpath in a blur of speed and plunged into the murky darkness of St. Patrick's Well, scaly wings bumping and scraping against the ancient stone as he fell.

    The chamber in which he landed was redolent of pigeon droppings and the foul, dank smell of stagnant water, littered with rubble and the refuse generated by humans—empty soda cans and cider bottles and paper trash. Ignoring this evidence of mortal sloth, the gargoyle squeezed through a series of drains and ancient culverts to emerge in the system of medieval tunnels that still connected St. Patrick's with Christ Church Cathedral, Dublin Castle, and St. Michan's Church, on the other side of the Liffey.

    Down the close, musty passageway he sped on his midnight errand, the tips of his close-furled wings striking sparks whenever they brushed the low ceiling, talons scuffling hollowly against the stone underfoot. A creature of the night, he could see well enough in the inky darkness, but as he passed beneath Dublin Castle and approached his destination, the light-limned outline of a door beckoned, and a distant murmuring sound grew gradually more distinct.

    He pushed open the door to a barrage of agitated voices and the fierce, ruby-glowing gaze of more than a dozen other gargoyles milling in the vaulted chamber beyond.

    "Hey, Paddy, we were beginning to worry you'd be late," one of them called, to murmurs of greeting and agreement from several others, as they all began to take their places along rock-cut tiers like a small amphitheatre.

    Late, indeed! As Paddy settled between the venerable Christ Church gargoyle, known as C.C., and their colleague from St. Audoen's, another very ancient church, he reflected that in all the centuries he'd been guarding St. Patrick's, he'd never once missed or even been late to the monthly conclaves that all duty gargoyles were obliged to attend.

    Beside him, the St. Audoen's gargoyle resumed harping on his usual complaint—one that was certainly justified, if grown somewhat tedious through repetition, since nothing could be done about it. A few years back, the crypt of the church he'd guarded for centuries had been turned into a Viking heritage center—an outrage, so far as its guardian was concerned. The old synod hall at Christ Church had suffered a similar fate, now housing a tourist venue called Dublinia. The gargoyle of St. Audoen's hadn't yet been turned out of his living, because the building was still standing—and since it was the only truly medieval church in Dublin, the city fathers were unlikely to simply knock it down—but guarding tourist attractions was hardly in the same category as guarding sacred buildings. All the gargoyles were increasingly concerned about the conversions.

    "It's the foot in the door, I keep telling you," the St. Audoen's gargoyle was muttering under his breath. "'Lo, Paddy. First they take over the crypt, then it's a chapel or two, then it's the whole lot! I just don't understand the big fuss about Vikings. The Vikings were terrible people. They raped and pillaged—especially, they pillaged!"

    "I never liked Vikings much, either," the Christ Church gargoyle agreed. "Back in the old days, we used to give 'em what-for! Remember the time I turned a Viking into a puddle of putrid flesh?"

    "Did you really?" said the relatively junior gargoyle who guarded the Four Courts, sounding both eager and scandalized, as several of his elders rumbled acknowledgment.

    "Before your time, kid," said the gargoyle from St. Werburgh's, not far above their heads. "You civic gargoyles'll never see the kind of action we used to see in the old days. I say the rot set in when the Georgians stopped putting gargoyles on churches!"

    "It was before that," said the Trinity College gargoyle. "I blame it on the Reformation—Luther, and Calvin, and that crowd. No proper sense of how things ought to be, and no sense of humor!"

    "Yeah, but at least the Protestants still remember it's supposed to be the Church Militant," said the gargoyle from University Church, an elegant Roman Catholic edifice over on St. Stephen's Green. "My building's all right, if you like Byzantine decor, but you look at most of these modern Catholic churches—not one goddamn gargoyle! No bell towers, either. How do they expect to defend the faith?"

    "Good question?" one of the Church of Ireland gargoyles agreed. "People think those little pointy spires on our bell towers are just for decoration. Boy, would they be surprised if they knew the things were surface-to-air missiles!"

    "But will He let us use them? No!" the St. Audoen's gargoyle pouted. "I liked things better when He was an Old Testament God, and we were His avenging angels. Why even bother to call us the Church Militant anymore?"

    "Yeah, and most of these new churches don't even have bell towers, much less missiles," said another. "Or, if they do have towers, they've got electronic bells!"

    "Not at St. Patrick's, we don't," Paddy pointed out with pride. "We've got a full ring of real bells—and missiles! Back when they were making all that fuss about the city's millennium, my bell team rang a full peal of Grandsire Caters. That's more than five thousand changes without a repeat! Took a good three hours. Now, that's ringing."

    As several other gargoyles agreed that the feat was, indeed, something to be proud of, two more gargoyles burst through the door, engaged in an angry and animated disquisition.

    "It's this modern generation: they got no respect?" one of them was saying. "Somebody said some cherubs in the churchyard saw the whole thing—but these days, nobody's gonna pay any attention to a bunch of naked putti!"

    "Yeah, but what're ya gonna do?" his companion replied—a tough old gargoyle from the Presbyterian Church in Parnell Square. "Street punks! Lager louts! They litter the streets with empty cider cans and cigarette butts, and scribble graffiti on the walls—illiterate graffiti—and they throw up on the sidewalks, and piddle in doorways—"

    "I know what I'd do, if I ever got my hands on the culprits!" the first one grumbled. "In the old days, we would've set their piss on fire! St. Michan's used to be a damned decent place."

    "What ever are you talking about?" the Dublin Castle gargoyle demanded. "What's happened at St. Michan's?"

    "Where've you been?" one of the new arrivals asked disdainfully, as he flounced into his place.

    "At my post!"

    "Let's don't us fight," the second newcomer said. "You know the vaults under St. Michan's?"

    "Of course."

    "Vandals broke in and trashed the place a couple of nights ago."

    A horrified chorus of "No!" greeted this revelation.

    "Yeah, got pissed on cider, busted up some coffins, set a couple of fires—even roughed up that crusader mummy who made it back from the Holy Land."

    "But, that's disgraceful!" said the Trinity gargoyle. "All apart from the disrespect for hallowed ground, that's where Bram Stoker got his inspiration for the crypts in Dracula! I remember when he was writing that. I used to watch him pacing back and forth in Trinity Yard, mumbling under his breath about vampires. 'Course, everybody knew he was a little strange...."

    "Well, what are we going to do about it?" asked the very practical gargoyle from the Unitarian Church on St. Stephen's Green. "Didn't anyone notice anything suspicious?"

    "Who can tell, with tourists all over the place?" another grumbled. "Over at St. Andrew's, they've turned the place into a damned tourist information center. I spend my days having my picture snapped by hordes of Spanish tourists I Or French, or Italian, or—God help us—Germans. At least the Brits and Americans speak the language—sort of."

    "At least you aren't overrun by crazy people dressed like Vikings!" the St. Audoen's gargoyle muttered darkly.

    "Let's get back to the point," said the somewhat officious gargoyle from the Lord Mayor's residence at Mansion House. "I don't think any of us are particularly pleased with recent trends in building conversions, but we've all had to adapt to the times."

    "Yeah, but there's a limit," said the Christ Church gargoyle.

    "That's right," the St. Audoen's gargoyle agreed. "Who was the bright spark who thought of putting a Viking heritage center in one of the oldest churches in Dublin? The city fathers spent centuries trying to keep Vikings out!"

    "Hey, it costs money to maintain these old buildings," the Mansion House gargoyle pointed out. "For the most part, I think the city planners do the best they can. Think of all the great old buildings they've saved. We don't have to worry about filthy lucre, but humans do."

    "Yeah, bean-counters," said a crusty old gargoyle from north of the Liffey.

    "Now, wait just a minute," said the Custom House gargoyle, who called himself Gandon, after the building's architect. "I, for one, am rather grateful to the bean-counters."

    "Yeah, you would be," said St. Werburgh's gargoyle, whose building was falling down around his ears. The Custom House was regarded as the city's most important architectural jewel, sited between the last two bridges on the Liffey, just before it flowed into the sea. Burned in 1921, during the Troubles attendant upon Irish Independence, and subsequently rebuilt, it recently had been the focus of further loving restoration entailing some six years and several million pounds.

    "We're straying from the point again," said the Mansion House gargoyle. "And I really don't think we should be so hard on the city planners. Despite their many faults," he emphasized, glaring at the others to silence the incipient grumbles, "they save a lot of our homes, when they take on restoration schemes. Restoration is always preferable to demolition."

    "And now who's straying from the point?" said the gargoyle from the Dominican Priory in Dorset Street, not unkindly.

    "Yeah," said a crusty old gargoyle from Collins Barracks, which recently had become the new home of the National Museum. "And who wasn't doing his job when St. Michan's got trashed?"

    "I hardly think we need to go casting blame," said the exceedingly proper gargoyle from the Catholic Pro-Cathedral in Marlborough Street, a stately classical building whose design required that no trace of its gargoyle be visible from the street. "St. Michan's hasn't had its own gargoyle for centuries. He got reassigned when the Georgians tore down the old church and rebuilt on its foundations—went off to Paris, as I recall. In any case, it's hard to have proper gargoyle security on a mostly classical Georgian building—and we are spread awfully thin. We all do the best we can."

    A stout gargoyle from atop Leinster House, seat of the parliamentary chambers of the Dail and the Seanad, gave an exasperated sigh. "We aren't going to get anything done if we don't stop bickering among ourselves and making excuses."

    "Yeah, just like the government" Paddy muttered, to snickers from the Trinity gargoyle and the little stone monkeys from the front of the old Kildare Street Club, who rattled their pool cues against the stone floor and made rude noises.

    The meeting continued for a while longer, still plagued by periodic interruptions, but eventually a stepped-up neighborhood-watch plan was agreed upon and the gargoyles dispersed. Paddy spent the rest of the night prowling the streets of Dublin, for only in their shadow-forms did gargoyles have this mobility, and then—except in unusual circumstances—only for the twenty-four hours immediately following the monthly conclaves.

    He ranged among the shadowy back streets and alleys of the city until nearly dawn, watching for evildoers and occasionally spotting another gargoyle on similar patrol, but the increasing snowfall was keeping most people indoors. The clock on St. Patrick's was striking seven as he approached—and saw the flashing blue lights of an ambulance and several garda cars pulled to the curb outside the south door, which was standing open.

    Keeping to the shadows—fortunately, still plentiful at this time of year, even at seven o'clock Paddy eased his way closer into the shelter of a buttress to get a better look at the people clustered at the back of the ambulance. Young Philip Kelly, one of Paddy's favorite vergers, was sitting on the back bumper and holding a compress to his forehead, while a uniformed garda wrote things down in a small notebook and an ambulance attendant applied a bandage to Kelly's hand. There was blood down the front of Kelly's dark purple cassock, and one eye was swollen shut.

    "They took a couple of silver alms basins from beside the high altar," Kelly was saying. "Probably would've got more, but I guess I interrupted them."

    "Valuable, I take it—these alms basins?" the garda said, looking up.

    "I'll say. Irreplaceable. Really big and heavy, with Georgian hallmarks. And they'll probably be melted down for the silver."

    "Afraid you're probably right. Anything else missing?"

    "I don't know. I didn't have time to notice. They were here when I came to open up for Morning Prayer—two guys. The dean is on his way."

    "I don't suppose you saw which way they went?"

    "Oh, I did, indeed: right up Patrick Street, heading for the North Side. Car was an old red banger. Afraid I didn't get a reg number."

    That was all Paddy needed to know. He was really furious that punks had dared to mug young Kelly—and in the church, no less! And how dare they steal things from his cathedral?!

    Restraining his indignation, he streaked up Patrick Street toward Christ Church, determined to find the red car and its occupants before it got too light to move around freely. The sky was brightening already, despite the snow, so he would need to hurry. And if he'd had no luck by midnight, it would be a full month before he could alert his fellow gargoyles—unless, of course, he called a special conclave, which wasn't often done. By then, the thieves would be long gone.

    He met the Bank of Ireland gargoyle coming out of Christchurch Place, and summoned him briefly into the roofless but elegant ruin of St. Nicholas Without, to brief him about the break-in before heading on through Temple Bar. The Bank of Ireland gargoyle might be a fussy old busybody, but from his rooftop post atop the graceful building that formerly had housed the Irish Parliament, overlooking College Green and the entrance to Trinity College, he saw and heard just about everything that went on in the center of Dublin. He would have the word out to the other gargoyles as quickly as anyone.

    Across the Ha'penny Footbridge and eastward along the quays Paddy sped, stopping briefly to confer with the river-god heads who graced the arches on the O'Connell Bridge—who grumbled at being disturbed—then heading into O'Connell Street itself.

    There, on a sudden whim, he paused to inquire of the Anna Livia statue reclining in her fountain—the "Floozy in the Jacuzzi," as the irreverent were wont to call her, or sometimes "Anna Rexia," for she was very thin. (Dubliners were wont to bestow irreverent nicknames on their city's notable landmarks, and had given rhyming epithets to many pieces of popular street sculpture. Across from the Provost's House in Trinity College was a life-sized bronze statue of sweet Molly Malone, her name immortalized in song, who had "rolled her wheelbarrow through streets broad and narrow." She was known as the Dolly with the Trolley, or the Tart with the Cart. Over near Liffey Street, the seated statues of two weary shoppers had been christened the Hags with the Bags.)

    Indeed, little Annie did look more like a good-time girl than the noble goddess of the Liffey, more interested in good craic and a bit of a knees-up than in stringing together two thoughts in a row. But she'd been civil enough, the few times Paddy had spoken to her—not a gargoyle, of course, and no more mobile than the orators' statues lined up along the center island of O'Connell Street, or the classical statues adorning the Four Courts complex or the General Post Office; but they were only meant to Watch, after all.

    To his delight, little Annie had seen something.

    "Yah, there was an old banger came zipping past me and then off toward the station," she said. "Ran the traffic signals and nearly hit a milk truck."

    "What color was it?" he demanded.

    "Red, maybe? Yah, I think it was red."

    With a nod of thanks, Paddy headed off in the direction of Connolly Station, threading his way through the warren of elderly buildings that once had been a very fashionable part of old Dublin. The dawn was fast approaching, the shadows fading. He would have to go home soon, or go to ground.

    He ventured down yet another alley that ended in a culde-sac, and was turning to head back out, when something caught his eye through a chink in the bricks of an old, dingy building with a padlocked garage door. He did a double take and leaned closer to peer through the chink.

    It was a gargoyle he had never seen before, silvery and still in the dim light that filtered through a couple of grimy windows, crouched on the radiator cap of a shiny black car of antique vintage. It had beady little ruby-glowing eyes, and tiny webbed wings swept back from its scaly shoulders, and it was holding the top of a heraldic shield. The shield was enamelled in red and white.

    Vintage cars were hardly anything new to Paddy, of course. He had witnessed the evolution of the motor car from the very first horseless carriages, and still saw cars like this one at weddings and such, coming and going at St. Patrick's. But almost all the others he'd seen with a double-R radiator badge like this one bore hood ornaments of graceful females trailing diaphanous garments behind them like wings. Not once had he seen one with a gargoyle.

    The sound of footsteps on the pavement beyond the building sent Paddy zipping through the chink like a squeeze of liquid shadow, to peer warily back through the opening as a white-haired old gentleman in a green waxed jacket and tweed cap came tap-tapping up to the padlocked garage doors, using a furled umbrella as a walking stick. Above rosy cheeks and white moustaches, blue eyes twinkled with spry good humor from behind old-fashioned wire-rimmed spectacles. He looked a lot like the Father Christmas in the window of the Brown Thomas store in Grafton Street, only without the beard. His breath plumed in the cold air as he hooked the umbrella over one gloved wrist and fumbled in his pocket for a ring of keys, then bent to unlock the doors.

    Quickly Paddy retreated to the sheltering shadows behind a leaning stack of dusty old shutters, as one of the doors screeched open far enough for the old man to enter. He made not a sound as the man turned on lights, deposited umbrella and cap on pegs above a tidy workbench, then lit a gas heater and filled an electric kettle from a tap above an old sink. After that, the man removed a small carton of milk from one of the waxed jacket's capacious pockets, stuffed gloves and keys into another, and set about making a cup of tea.

    While the man was puttering, his back to the old car, Paddy tried to get a better look at the little gargoyle. But the man soon returned his attention to the car, humming contentedly under his breath as he walked around it and sipped at his mug of steaming tea. When he set the tea aside and began wiping down the car's brightwork with a soft yellow flannel, starting with the little gargoyle, Paddy could contain his impatience no longer.

    "Where'd you get that gargoyle?" he demanded.


By Jeffrey E. Barlough


Copyright © 1999 Jeffrey E. Barlough. All rights reserved.

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Sort by: Showing all of 4 Customer Reviews
  • Posted December 9, 2008

    more from this reviewer

    Excellent fantasy

    At one time, he was an avenging angel, part of a group who would fight whenever He gave the command. However, when God gave His only begotten son to mankind, he turned gentler as described in the New Testament. Reengineering the activity, God no longer needed a horde of bloodthirsty warriors so in a downsizing move, he reassigned many of them to the critical role of Gargoyles, guarding sacred churches and cathedrals. Paddy keeps watch at St. Patrick¿s Cathedral, but goes to the Gargoyle enclave once a month. <P>The sentry is on his way home when he learns that someone vandalized his church and stole valuable artifacts. Paddy coerces Frances Templeton, a Knight of Malta, to help him. After a successful mission, Frances sees Paddy in his true form, which usually means death to the human observer. However, Paddy intercedes obtaining more time for his new friend for a few more days. They learn that a true knight needs to perform a task to prevent Satan¿s demon from arriving on earth. Paddy knows that the Divine Plan is at work, but in spite of their valiant output, Paddy does not know the outcome of their endeavor. <P>Katherine Kurtz writes an often irreverent, but witty tale that never pokes fun at religion. Instead Ms. Kurtz gracefully walks the thin line between an amusing satire and homage to theologies. ST. PATRICK¿S GARGOYLE is a powerful fantasy that focuses on predetermination as opposed to free will through a Divine Plan that proves God¿s love for humanity. That message with numerous other missives reaches readers on many different levels in a complex, superbly written novel. <P>Harriet Klausner

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted January 15, 2011

    Great book

    This has long been one of my favorites--too bad the cover shot for the nookbook is for the wrong title--how can people know what they're getting

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  • Anonymous

    Posted June 5, 2001


    Kurtz makes a world where gargoyles, demons and angels exist seem very real. Her insight into both the characters and the setting of the novel makes this book a joy to read. I highly reccomend this book. :)

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  • Anonymous

    Posted April 18, 2012

    No text was provided for this review.

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