The St. Paul Stories of F. Scott Fitzgerald

The St. Paul Stories of F. Scott Fitzgerald

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by F. Scott Fitzgerald, Patricia Hampl, Dave Page

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For his keen social insight, glib sophistication, and breathtaking lyricism, F. Scott Fitzgerald stands as one of the most important American writers of the twentieth century. His biographers all note the importance of his boyhood in St. Paul, where, as he put it, he lived in "a house below the average on a street above the average." Fitzgerald's sensitivity about


For his keen social insight, glib sophistication, and breathtaking lyricism, F. Scott Fitzgerald stands as one of the most important American writers of the twentieth century. His biographers all note the importance of his boyhood in St. Paul, where, as he put it, he lived in "a house below the average on a street above the average." Fitzgerald's sensitivity about wealth and position-later made evident in such classics as The Great Gatsby and Tender is the Night—was bred of his St. Paul family and associations. F. Scott Fitzgerald's St. Paul is a city of winter dreams and ice palaces, lakeside parties and neighborhood hijinks. These are stories of ambition and young love, insecurity and awkwardness, where a poor boy with energy and intelligence can break into the upper classes and become a glittering success. This selection brings together the best of Fitzgerald's St. Paul stories-some virtually unknown, others classics of short fiction. Patricia Hampl's incisive introduction traces the trajectory of Fitzgerald's blazing celebrity and its connections to his life in the city that gave him his best material. Headnotes by Dave Page provide specific ties between the stories and Fitzgerald's life in St. Paul. "Fitzgerald is a presence in St. Paul, a ghost who patrols his old neighborhood and keeps talking to us. He sits on Mrs. Porterfield's porch on Summit Avenue, smoking and talking about writing, and it is always that gorgeous summer just before he finished the book, hit it big, went to New York, married the girl. This lovely book sets out our claim on him. We have no Fitzgerald museum in St. Paul, no boyhood home restored—the family lived in apartments—but this book is the only monument he needs, his own stories, with historical notes, and Patricia Hampl's graceful shining essay for absolution, and Zelda's benediction." — Garrison Keillor "These are wonderful stories, including several of the greatest Fitzgerald ever wrote. Anyone interested in Fitzgerald or the importance of place in fiction will want to read this book. And anyone who does will find it a delight." — Scott Donaldson, author of Hemingway vs. Fitzgerald "In one of the ironies of fate of which life is so fond, the literary world knows the biography and work of F. Scott Fitzgerald better than it knows the particulars of the city where he was born. Fitzgerald loved, hated, and was obsessed by St. Paul, and in her brilliant introduction to these stories, Patricia Hampl shows us why. These stories and this wonderfully informative introduction give St. Paul a local habitation and a name, and they place Fitzgerald's ambitions and gifts in a cultural context too often ignored or forgotten." — Charles Baxter, author of Saul and Patsy

Editorial Reviews

From the Publisher
"Fitzgerald is a presence in St. Paul, a ghost who patrols his old neighborhood and keeps talking to us. He sits on Mrs. Porterfield's porch on Summit Avenue, smoking and talking about writing, and it is always that gorgeous summer just before he finished the book, hit it big, went to New York, married the girl. This lovely book sets out our claim on him. We have no Fitzgerald museum in St. Paul, no boyhood home restored—the family lived in apartments—but this book is the only monument he needs, his own stories, with historical notes, and Patricia Hampl's graceful shining essay for absolution, and Zelda's benediction." — Garrison Keillor

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Minnesota Historical Society Press
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6.00(w) x 9.00(h) x 1.10(d)

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Copyright © 2004

Patricia Hampl
All right reserved.

ISBN: 978-0-87351-512-2

Chapter One SHE PAUSED AT THE TOP OF THE STAIRCASE. The emotions of divers on springboards, leading ladies on opening nights, and lumpy, be-striped young men on the day of the Big Game, crowded through her. She felt as if she should have descended to a burst of drums or to a discordant blend of gems from Thaïs and Carmen. She had never been so worried about her appearance, she had never been so satisfied with it. She had been sixteen years old for six months.

"Isabelle!" called Elaine, her cousin, from the doorway of the dressing-room.

"I'm ready." She caught a slight lump of nervousness in her throat.

"I've had to send back to the house for another pair of slippers-it'll be just a minute."

Isabelle started toward the dressing-room for a last peek at a mirror, but something decided her to stand there and gaze down the stairs. They curved tantalizingly and she could just catch a glimpse of two pairs of masculine feet in the hall below.

Pump-shod in uniform black, they gave no hint of identity, but eagerly she wondered if one pair were attached to Stephen Palms. This young man, as yet unmet, had taken up a considerable part of her day-the first day of her arrival.

Going up in a machine from the station Elaine had volunteered, amid a rain of questions and comment, revelation and exaggeration-

"You remember Stephen Palms; well, he is simply mad to see you again. He's stayed over a day from college and he's coming tonight. He's heard so much about you-"

It had pleased her to know this. It put them on more equal terms, although she was accustomed to stage her own romances with or without a send-off.

But following her delighted tremble of anticipation came a sinking sensation which made her ask:

"How do you mean he's heard about me? What sort of things?"

Elaine smiled-she felt more or less in the capacity of a show-woman with her more exotic cousin.

"He knows you're good-looking and all that." She paused-"I guess he knows you've been kissed."

Isabelle had shuddered a bit under the fur robe. She was accustomed to be followed by this, but it never failed to arouse in her the same feeling of resentment; yet-in a strange town it was an advantage.

She was a "speed," was she? Well, let them find out! She wasn't quite old enough to be sorry or nearly old enough to be glad.

Out of the window Isabelle watched the high-piled snow glide by in the frosty morning. It was ever so much colder here than in Baltimore, she had not remembered; the glass of the side door was iced and the windows were shirred with snow in the corners.

Her mind played still with one subject: Did he dress like that boy there who walked so calmly down what was evidently a bustling business street, in moccasins and winter-carnival costume? How very western! Of course he wasn't that way; he went to college, was a freshman or something.

Really she had no distinct idea of him. A two-year-back picture had not impressed her except by the big eyes, which he had probably grown up to by now.

However, in the last two weeks, when her Christmas visit to Elaine had been decided on, he had assumed the proportions of a worthy adversary. Children, the most astute of matchmakers, plot and plan quickly, and Elaine had cleverly played a correspondence sonata to Isabelle's excitable temperament. Isabelle was, and had been for some time, capable of very strong, if very transient emotions.

They drew up at a white stone building, set back from the snowy street. Mrs. Hollis greeted her warmly and her various younger cousins were produced from the corners where they skulked politely. Isabelle met them quite tactfully. At her best she allied all with whom she came in contact, except older girls and some women. All the impressions that she made were conscious. The half-dozen girls she renewed acquaintance with that morning were all rather impressed-and as much by her direct personality as by her reputation.

Stephen Palms was an open subject of conversation. Evidently he was a bit light of love. He was neither popular nor unpopular. Every girl there seemed to have had an affair with him at some time or other, but no one volunteered any really useful information. He was going to "fall for her" ...

Elaine had issued that statement to her young set and they were retailing it back to Elaine as fast as they set eyes on Isabelle. Isabelle resolved that, if necessary, she would force herself to like him-she owed it to Elaine-even though she were terribly disappointed. Elaine had painted him in such glowing colors-he was good-looking, had a "line," and was properly inconstant.

In fact, he summed up all the romance that her age and environment led her to desire. Were those his dancing shoes that "shimmied" tentatively around the soft rug below?

All impressions, and in fact all ideas, were terribly kaleidoscopic to Isabelle. She had that curious mixture of the social and artistic temperaments, found so often in two classes, society girls and actresses. Her education, or rather her sophistication, had been absorbed from the boys who had dangled from her favor, her tact was instinctive, and her capacity for love affairs was limited only by the number of boys she met. Flirt smiled from her large, black-brown eyes and figured in her intense physical magnetism.

So she waited at the head of the stairs at the Country Club that evening while slippers were fetched. Just as she was getting impatient, Elaine came out of the dressing-room beaming with her accustomed good nature and high spirits, and together they descended the broad stairs while the nervous searchlight of Isabelle's mind flashed on two ideas. She was glad she had high color tonight and she wondered if he danced well.

Downstairs, in the Club's great room, the girls she had met in the afternoon surrounded her for a moment, looking unbelievably changed by the soft yellow light; then she heard Elaine's voice repeating a cycle of names and she found herself bowing to a sextet of black and white and terrible stiff figures.

The name Palms figured somewhere, but she did not place him at first. A confused and very juvenile moment of awkward backings and bumpings, and all found themselves arranged talking to the persons they least desired to.

Isabelle maneuvered herself and Duncan Collard, a freshman from Harvard with whom she had once played hopscotch, to a seat on the stairs. A reference, supposedly humorous, to the past was all she needed.

What Isabelle could do socially with one idea was remarkable. First, she repeated it rapturously in an enthusiastic contralto with a trace of a Southern accent; then she held it off at a distance and smiled at it-her wonderful smile; then she delivered it in variations and played a sort of mental catch with it, all this in the nominal form of dialogue.

Duncan was fascinated and totally unconscious that this was being done, not for him, but for the eyes that glistened under the shining, carefully watered hair, a little to her left. As an actor even in the fullest flush of his own conscious magnetism gets a lasting impression of most of the people in the front row, so Isabelle sized up Stephen Palms. First, he was light, and from her feeling of disappointment, she knew that she had expected him to be dark and of pencil slenderness. For the rest, a faint flush and a straight romantic profile, the effect set off by a close-fitting dress suit and a silk ruffled shirt of the kind that women still delight in on men, but men were just beginning to get tired of.

Stephen was just quietly smiling.

"Don't you think so?" she said suddenly, turning to him innocent-eyed.

He nodded and smiled-an expectant, waiting smile.

Then there was a stir and Elaine led the way over to their table.

Stephen struggled to her side and whispered:

"You're my dinner partner-Isabelle."

Isabelle gasped-this was rather right in line. But really she felt as if a good speech had been taken from the star and given to a minor character-she mustn't lose the leadership a bit. The dinner table glittered with laughter at the confusion of getting places and then curious eyes were turned on her, sitting near the head.

She was enjoying this immensely, and Duncan Collard was so engrossed with the added sparkle of her rising color that he forgot to pull out Elaine's chair and fell into a dim confusion. Stephen was on the other side, full of confidence and vanity, looking at her most consciously. He began directly and so did Duncan.

"I've heard a lot about you since you wore braids-"

"Wasn't it funny this afternoon-"

Both stopped.

Isabelle turned to Stephen shyly.

Her face was always enough answer for anyone, but she decided to speak.

"How-who from?"

"From everybody-for all the years since you've been away."

She blushed appropriately.

On her right, Duncan was hors-de-combat already although he hadn't quite realized it.

"I'll tell you what I remembered about you all these years," Stephen continued.

She leaned slightly toward him and looked modestly at the celery before her.

Duncan sighed-he knew Stephen and the situations that Stephen was born to handle. He turned to Elaine and asked her if she was going away to school next year.

Chapter Two Isabelle and Stephen were distinctly not innocent, nor were they otherwise. Moreover, amateur standing had very little value in the game they were beginning-they were each playing a part that they might play for years. They had both started with good looks and excitable temperaments, and the rest was the result of certain accessible popular novels, and dressing-room conversation culled from a slightly older set.

When Isabelle's eyes, wide and innocent, proclaimed the ingénue most, Stephen was proportionately less deceived. He waited for the mask to drop off, but at the same time he did not question her right to wear it.

She, on her part, was not impressed by his studied air of blasé sophistication. She had lived in a larger city and had slightly an advantage in range. But she accepted his pose. It was one of a dozen little conventions of this kind of affair. He was aware that he was getting this particular favor now because she had been coached. He knew that he stood for merely the best thing in sight, and that he would have to improve his opportunity before he lost his advantage.

So they proceeded, with an infinite guile that would have horrified the parents of both.

After the half dozen little dinners were over, the dance began.

Everything went smoothly-boys cut in on Isabelle every few feet and then squabbled in the corners with: "You might let me get more than an inch!" and "She didn't like it either-she told me so next time I cut in."

It was true-she told everyone so, and gave every hand a parting pressure that said, "You know that your dances are making my evening."

But time passed, two hours of it, and the less subtle beaux had better learn to focus their pseudo-passionate glances elsewhere, for eleven o'clock found Isabelle and Stephen sitting on a leather lounge in a little den off the reading room. She was conscious that they were a handsome pair and seemed to belong distinctly on this leather lounge while lesser lights fluttered and chattered downstairs. Boys who passed the door looked in enviously-girls who passed only laughed and frowned, and grew wise within themselves.

They had now reached a very definite stage. They had traded ages and accounts of their lives since they had met last. She had listened to much that she had heard before. He was a freshman at college and was on his class hockey team. He had learned that some of the boys she went with in Baltimore were "terrible speeds" and came to parties intoxicated-most of them were twenty or so, and drove alluring Stutzes. A good half of them seemed to have flunked out of various boarding schools and colleges, but some of them bore sporting names that made him look at her admiringly.

As a matter of fact, Isabelle's closer acquaintance with the colleges was chiefly through older cousins. She had bowing acquaintances with a lot of young men who thought she was "a pretty kid" and "worth keeping an eye on." But Isabelle strung the names into a fabrication of gaiety that would have dazzled a Viennese nobleman. Such is the power of young contralto voices on leather sofas.

I have said that they had reached a very definite stage-nay more, a very critical stage. Stephen had stayed over a day to see her and his train left at twelve-eighteen that night. His trunk and suitcase awaited him at the station and his watch was already beginning to hang heavy in his pocket.

"Isabelle," he said suddenly, "I want to tell you something."

They had been talking lightly about "that funny look in her eyes," and on the relative attractions of dancing and sitting out, and Isabelle knew from the change in his manner exactly what was coming-indeed, she had been wondering how soon it would come.

Stephen reached above their heads and turned out the electric light, so they were in the dark except for the glow from the red lamps that fell through the door from the reading-room. Then he began:

"I don't know-I don't know whether or not you know what you-what I'm going to say. Lordy, Isabelle-this sounds like a line, but it isn't."

"I know," said Isabelle softly.

"We may never meet again like this-I have darned hard luck sometimes."

He was leaning away from her on the other arm of the lounge, but she could see his black eyes plainly in the dark.

"You'll see me again-silly." There was just the slightest emphasis on the last word-so that it became almost a term of endearment.

He continued a bit huskily:

"I've fallen for a lot of people-girls-and I guess you have, too-boys, I mean-but honestly you-" He broke off suddenly and leaned forward, chin on his hands, a favorite and studied gesture. "Oh, what's the use? You'll go your way and I suppose I'll go mine."

Silence for a moment. Isabelle was quite stirred-she wound her handkerchief into a tight ball and by the faint light that streamed over her, dropped it deliberately on the floor. Their hands touched for an instant, but neither spoke. Silences were becoming more frequent and more delicious. Outside another stray couple had come up and were experimenting on the piano in the next room. After the usual preliminary of "chopsticks," one of them started "Babes in the Wood" and a light tenor carried the words into the den-

Give me your hand, I understand, We're off to Slumberland.

Isabelle hummed it softly and trembled as she felt Stephen's hand close over hers.

"Isabelle," he whispered, "you know I'm mad about you. You do give a darn about me?"


"How much do you care-do you like anyone better?"

"No." He could scarcely hear her, although he bent so near that he felt her breath against his cheek.

"Isabelle, I'm going back to college for six long months and why shouldn't we-if I could only just have one thing to remember you by-"

"Close the door."

Her voice had just stirred so that he half wondered whether she had spoken at all.

As he swung the door softly shut, the music seemed quivering just outside.

Moonlight is bright, Kiss me good-night.

What a wonderful song, she thought-everything was wonderful tonight, most of all this romantic scene in the den with their hands clinging and the inevitable looming charmingly close.

The future vista of her life seemed an unending succession of scenes like this, under moonlight and pale starlight, and in the backs of warm limousines and in low, cozy roadsters stopped under sheltering trees-only the boy might change, and this one was so nice.


His whisper blended in the music and they seemed to float nearer together.

Her breath came faster.

"Can't I kiss you, Isabelle?"

Lips half-parted, she turned her head to him in the dark.

Suddenly the ring of voices, the sound of running footsteps surged toward them.


Copyright © 2004 by Patricia Hampl. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Patricia Hampl is Regents' Professor of English at the University of Minnesota and author of several books, including A Romantic Education and I Could Tell You Stories: Sojourns in the Land of Memory, which was a finalist for a National Book Critics Circle Award. She has won NEA, Bush, Guggenheim, Bellagio, McKnight, Fulbright, and MacArthur fellowships. Dave Page is co-author of F. Scott Fitzgerald in Minnesota: Toward the Summit and was the co-chair of the 2002 International Fitzgerald Conference. He teaches writing at Inver Hills Community College in Minnesota.

Brief Biography

Date of Birth:
September 24, 1896
Date of Death:
December 21, 1940
Place of Birth:
St. Paul, Minnesota
Princeton University

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