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Staging Tourism: Bodies on Display from Waikiki to Sea World / Edition 2

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Overview

From Shamu the dancing whale at Sea World to Hawaiian lu'au shows, Staging Tourism analyzes issues of performance in a wide range of tourist venues. Jane C. Desmond argues that the public display of bodies—how they look, what they do, where they do it, who watches, and under what conditions—is profoundly important in structuring identity categories of race, gender, and cultural affiliation. These fantastic spectacles of corporeality form the basis of hugely profitable tourist industries, which in turn form crucial arenas of public culture where embodied notions of identity are sold, enacted, and debated.

Gathering together written accounts, postcards, photographs, advertisements, films, and oral histories as well as her own interpretations of these displays, Desmond gives us a vibrant account of U.S. tourism in Waikiki from 1900 to the present. She then juxtaposes cultural tourism with "animal tourism" in the United States, which takes place at zoos, aquariums, and animal theme parks. In each case, Desmond argues, the relationship between the viewer and the viewed is ultimately based on concepts of physical difference harking back to the nineteenth century.

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Product Details

  • ISBN-13: 9780226143750
  • Publisher: University of Chicago Press
  • Publication date: 12/28/1999
  • Edition description: 1
  • Edition number: 2
  • Pages: 361
  • Product dimensions: 6.00 (w) x 9.00 (h) x 1.10 (d)

Meet the Author


Jane Desmond is a Professor in Anthropology and Gender and Women's Studies at the University of Illinois at Urbana-Champaign, and Co-founder and current Director of the International Forum for U.S. Studies.
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Table of Contents

List of Illustrations Acknowledgments Introduction: Touring the Essential
PART I: Staging "The Cultural"
INTRODUCTION: Cultural Bodies: Hawaiian Tourism and Performance ONE: Let's Lu'au TWO: Picturing Hawai'i: The "Ideal" Native and the Origins of Tourism, 1880-1915
THREE: Pictures Come to Life: Rendering "Hawai'i" in Early Mainland Performances FOUR: Advertising, Racializing, and Performing Hawai'i on Site: The Emergence of Cultural Tourism in the 1920s FIVE: Tourism and the Commodification of Culture, 1930-1940
SIX: Surfers and "Beachboys": Euro-American Representations of Native Hawaiian Men and Interracial Romance CONCLUSION: Up to the Present: Profiling Visitors
PART II: Staging "The Natural"
INTRODUCTION: Looking at Animals: The Consumption of Radical Bodily Difference SEVEN: The Industries of Species Tourism EIGHT: In/Out-of/In-Fake-Situ: Three Case Studies NINE: Performing Nature: Shamu at Sea World CONCLUSION: Bodies and Tourism Notes References Cited Index

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