Stained Glass Window

Editorial Reviews

All Music Guide - Rick Cohoon
When Mila Mason first moved to Nashville, she came to write songs. In 1996, Mason emerged as a recording artist with a single called "That's Enough of That," which garnered her significant attention and a debut album with the same title. After a second album producing her signature song, "Darkhorse," Mason faded from the airwaves to continue honing her songwriting. Now, the call of record-making has led Mason and her blond curls to a new label and a self-written album entitled Stained Glass Window. The album has only ten cuts, which is unusual considering the new trend is a 12-14 cut release; it's a good thing sometimes less is more. The staple cut is "Maybe, Maybe Not," a ...
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Editorial Reviews

All Music Guide - Rick Cohoon
When Mila Mason first moved to Nashville, she came to write songs. In 1996, Mason emerged as a recording artist with a single called "That's Enough of That," which garnered her significant attention and a debut album with the same title. After a second album producing her signature song, "Darkhorse," Mason faded from the airwaves to continue honing her songwriting. Now, the call of record-making has led Mason and her blond curls to a new label and a self-written album entitled Stained Glass Window. The album has only ten cuts, which is unusual considering the new trend is a 12-14 cut release; it's a good thing sometimes less is more. The staple cut is "Maybe, Maybe Not," a story about coincidence so finely crafted by Mason and writing partner Jim Collins that not only are the images of a quarter tumbling in the dryer vivid and real, but the melody is also infectious. Cut two, "What Are the Odds," also a story of fate, is about getting back a five-dollar bill with a personal message written years before. The title cut is deeply personal and teaches a great lesson about not being overly judgmental. Mason's duet with husband and co-writer, Jason Grainger, on the religious love song "Somebody Must Love Me," comes out a bit uneven, as Grainger's R&B-tinged vocals his style evokes the image of a male Tracy Chapman contrast greatly with Mason's sultry rasp. The Hammond organ in the background is a nice touch, though, and the writing is superb. Grainger's writing influence is also part of "Blame It on Me," an ironically positive, up-tempo tune. What this album really has going for it is rhythm and soul. Not all of the songs are top-notch, but the musical arrangements are original and appealing. Mason clearly has plenty to offer country music.
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Product Details

  • Release Date: 9/23/2003
  • Label: TWINBEAT
  • UPC: 635759148224
  • Catalog Number: 591482

Album Credits

Performance Credits
Mila Mason Primary Artist
Lisa Stewart Background Vocals
Bruce Bouton Dobro, Steel Guitar
Steve Brewster Drums
Pat Buchanan Electric Guitar
Jimmy Carter Bass
Chad Cromwell Drums
Dan Dugmore Steel Guitar
Kenny Greenberg Electric Guitar
Tony Harrell Keyboards
Rob Ickes Dobro
Chris McHugh Drums
Jerry McPherson Electric Guitar
Tom Mortensen Steel Guitar
Michael Noble Acoustic Guitar
Russ Pahl Dobro, Steel Guitar
Biff Watson Acoustic Guitar
John Willis Acoustic Guitar
Glenn Worf Bass
Reese Wynans Hammond Organ
Jonathan Yudkin Fiddle, Mandolin
Aubrey Haynie Fiddle
Chip Davis' Day Parts Background Vocals
Shelby Kennedy Background Vocals
Larry Beaird Acoustic Guitar
Mark Hill Bass
Jason Grainger Background Vocals
Jeff King Electric Guitar
Technical Credits
Tim Owens Composer
Dana Cooper Composer
Kelly Garrett Composer
Mike Clute Producer, Engineer
Jim DeMain Mastering
Connie Harrington Composer
Steve Marcantonio Engineer
Mike Porter Producer, Executive Producer
Mila Mason Composer, Producer
Mike Wrucke Producer, Engineer
Nick Pellegrino Composer
Jason Grainger Composer, Duet
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