Standing in the Rainbow

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Overview

Good news! Fannie’s back in town--and the town is among the leading characters in her new novel.
Along with Neighbor Dorothy, the lady with the smile in her voice, whose daily radio broadcasts keep us delightfully informed on all the local news, we also meet Bobby, her ten-year-old son, destined to live a thousand lives, most of them in his imagination; Norma and Macky Warren and their ninety-eight-year-old Aunt Elner; the oddly sexy and charismatic Hamm Sparks, who starts off ...
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Overview

Good news! Fannie’s back in town--and the town is among the leading characters in her new novel.
Along with Neighbor Dorothy, the lady with the smile in her voice, whose daily radio broadcasts keep us delightfully informed on all the local news, we also meet Bobby, her ten-year-old son, destined to live a thousand lives, most of them in his imagination; Norma and Macky Warren and their ninety-eight-year-old Aunt Elner; the oddly sexy and charismatic Hamm Sparks, who starts off in life as a tractor salesman and ends up selling himself to the whole state and almost the entire country; and the two women who love him as differently as night and day. Then there is Tot Whooten, the beautician whose luck is as bad as her hairdressing skills; Beatrice Woods, the Little Blind Songbird; Cecil Figgs, the Funeral King; and the fabulous Minnie Oatman, lead vocalist of the Oatman Family Gospel Singers.
The time is 1946 until the present. The town is Elmwood Springs, Missouri, right in the middle of the country, in the midst of the mostly joyous transition from war to peace, aiming toward a dizzyingly bright future.
Once again, Fannie Flagg gives us a story of richly human characters, the saving graces of the once-maligned middle classes and small-town life, and the daily contest between laughter and tears. Fannie truly writes from the heartland, and her storytelling is, to quote Time, "utterly irresistible."

Author Biography: FANNIE FLAGG’s writing career began behind the scenes of television’s Candid Camera and progressed to out-in-front as performer-writer. Her acting achievements led to roles in motion pictures including Five Easy Pieces, with Jack Nicholson; Stay Hungry, with Jeff Bridges and Sally Field; and, most recently, Crazy in Alabama, with Melanie Griffith. For the theater in New York she did Patio Porch and Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean, and played the lead role in the Broadway musical The Best Little Whorehouse in Texas.
Her first novel, Daisy Fay and the Miracle Man, was on the New York Times bestseller list for ten weeks. Her second, Fried Green Tomatoes at the Whistle Stop Cafe, praised by Harper Lee and Eudora Welty, was on the Times list for thirty-six weeks. It was made into the memorable hit movie Fried Green Tomatoes, starring Jessica Tandy and Kathy Bates. The screenplay, also written by Flagg, earned her the coveted Scripters Award and was nominated for an Academy Award and the Writers Guild of America Screen Award. Her reading of the Random House audiobook received a Grammy nomination.
That book gave way to an even bigger hardcover success for Welcome to the World, Baby Girl!, a New York Times Notable Book of the Year, which The Christian Science Monitor called “captivating . . . a comic novel to open with open arms.” Flagg lives in California and in Alabama.

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Editorial Reviews

From Barnes & Noble
Fans of Welcome to the World, Baby Girl! will rejoice that Fannie Flagg returns to Elmwood Springs, Missouri, for this character-rich novel. When a group of very spirited white gospel singers arrive in town, local citizens begin to buzz. Gentle satire; good spirits; and a generous batch of surprises.
Anneli Rufus
In small-town Elmwood Springs, Missouri, on the heels of World War II, life holds promise for little boys like Bobby Smith. America is a nation of "Coca-Cola, chocolate- covered peanuts, jukeboxes, Oxydol, Ivory Snow, oleomargarine, and the Atomic Bomb" and is "bigger, better, richer, and stronger" than anyplace else. Bobby's dad is the town's pharmacist, and his mom hosts the state's most popular morning radio program from the family's living room. This ambitious effort from the author of Fried Green Tomatoes at the Whistle Stop Cafe spans fifty years fraught with scandal and romance. The Smiths and their friends and neighbors display a kind of big-hearted optimism that has the potential to reduce their story to sentimental mush. Flagg's knack for humor and observation lend the characters a depth that rescues what might otherwise have been a typical, dramatic saga. For all its myriad twists and turns, this tale never takes an easy way out.
Publishers Weekly
From the talented storyteller whose Fried Green Tomatoes at the Whistle Stop Cafe became a beloved bestseller and a successful film comes a sprawling, feel-good novel with an old-fashioned beginning, middle and end. The predominant setting is tiny Elmwood Springs, Mo., and the protagonist is 10-year-old Bobby Smith, an earnest Cub Scout also capable of sneaking earthworms into his big sister's bed. His father is the town pharmacist and his mother is local radio personality Neighbor Dorothy (whom readers will recognize from Flagg's Welcome to the World, Baby Girl!). In 1946, Harry Truman presides over a victorious nation anticipating a happy and prosperous future. During the next several decades, the plot expands to include numerous beguiling characters who interact with the Smith family among them, the Oatman Family Southern Gospel Singers, led by matriarch Minnie, who survive misadventures galore to find fame after an appearance on the Arthur Godfrey show in 1949, the same year Bobby's self-esteem soars when he wins the annual town bubble gum contest. Also on hand are tractor salesman Ham Sparks, who becomes amazingly successful in politics, despite his marriage to overwhelmingly shy Betty Raye Oatman, and well-liked mortician Cecil Figgs, a sponsor of Neighbor Dorothy, who, as a bachelor in the mid-century South, also enjoys a secret life. The effects of changing social mores are handled deftly; historical events as they impact little Elmwood Springs are duly noted, and everything is infused with the good humor and joie de vivre that are Flagg's stock-in-trade. Copyright 2002 Cahners Business Information.
Library Journal
Flagg brings her readers back to 1940s Elmwood, MO, when a family of white gospel singers bursts into town. Copyright 2002 Cahners Business Information.
Kirkus Reviews
Welcome to Elmwood, Missouri, 1946-2000 . . . And meet Neighbor Dorothy (she of Welcome to the World, Baby Girl!, 1998), the motherly host of a radio chat-show broadcast throughout the rural Midwest and South from her Elmwood backyard, just one of a host of deftly drawn local eccentrics. Although she doesn't think that there's anything particularly odd about her family and friends-it's more that odd things have a way of happening to them. For instance, the Oatman Family Southern Gospel Singers, who travel with Chester, a Scripture-quoting ventriloquist's dummy, just decided to drop their tongue-tied daughter Betty Raye at Dorothy's house. Betty Raye doesn't say much, but she's a quick study. And there's Dorothy's ten-year-old son Bobby, who daydreams about being the unrecognized son of Dale Evans and Roy Rogers, when not sneaking off to take a blind singer on his mother's radio show to thrill rides at the carnival. And poor Tot, whose senile mother steals the Christmas presents and hides them in the backyard. Tot wanders through the story like the lost member of an ancient Greek chorus (if ancient Greek chorus members wore chenille bathrobes). She has more than her mother to contend with: husband Dwayne Sr. is a drunk, and feckless son Dwayne Jr. is no use to anyone. Terminally gracious Ida, who believes that only the heathen eat without a tablecloth, clucks and fusses. Then there's Hamm Sparks, a young tractor-salesman with the natural affability of a born politician. He surprises everyone by marrying Betty Raye, and one fine day she surprises them even more by becoming governor of Missouri. As the decades unfold, each character flowers in unexpected ways-and wonder of wonders, Hammexperiences a truly southern apotheosis and gets to heaven in a fishing boat. Hilarious, charming, authentic-a winner all the way.
From the Publisher
“ANOTHER SURE-FIRE WINNER . . . A PLEASURE TO READ FROM BEGINNING TO END.”
–The Washington Post

“[A] BIG, JUICY MIDDLE-AMERICAN APPLE PIE OF A BOOK, SOMETIMES TART BUT MOSTLY SWEET.”
–Los Angeles Times

“FLAGG WRITES PAGE-TURNERS AND THIS IS ONE, IN SPADES. . . . The characters come at you thick and fast . . . Dorothy, prodigious pie-baker, supremely likeable and conscientious neighbor, [and] hostess of a wildly popular daily radio program; Minnie Oatman, the generously fleshed and bighearted lead singer (baritone) of the Oatman Family Gospel Singers; Beatrice, the Little Blind Songbird, who appears regularly on the Neighbor Dorothy program until she is swept away by the Oatmans; prickly Aunt Elner, who owns a series of orange cats, all named Sonny. Flagg’s inventiveness never loses its energy.”
Newsday

“RIVETING FROM BEGINNING TO END . . . A sweeping story that runs from 1946 to 2000. Elmwood Springs [Missouri] grows from a post—World War II town surrounded by farmland to a twenty-first-century enclave near the highway but never loses its sense of utopia.”
–Rocky Mountain News

“GOOD NEWS FOR FANS OF FRIED GREEN TOMATOES . . . The action does not let up for a minute.”
–The New York Times Book Review

“FULL OF HOPE AND OPTIMISM . . . A book that will make you cry a little but laugh a lot.”
–The Washington Post

“As delicious a serving of Southern comfort as her Fried Green Tomatoes . . . Fannie invites her readers to make friends with a host of colorful Midwestern characters, who sneak into your heart and force you to live through all their joys and tribulations following World War II right up to yesterday. In this stormy world of ‘now,’ Fannie Flagg offers escape,
at least momentarily, into the rainbow of her imagination.”
–LIZ SMITH
The New York Post

“A fast-paced, humorous, and lighthearted read, peopled with [Flagg’s] signature quirky and captivating characters. Standing in the Rainbow spans more than half a century, but Flagg is masterful at showing how small-town life in America evolves through the decades. . . . The reader [is] propelled by the infectious momentum of Flagg’s storytelling.”
–Birmingham News

“There’s a real celebration of life here, an affirmation that success and happiness are the results of simple kindness, gratitude, and courage.”
–The Christian Science Monitor

“ENDEARING . . . The charm lies in Flagg’s simple yet expressive tone.”
People

“What is so appealing about Elmwood Springs? It’s Fannie Flagg’s unswerving devotion to folksy, sly humor and her uncanny ability to make a small town a big character in her sweetly engaging fourth novel. . . . Flagg ushers you into the residents’ hearts and minds with a flourish. She sits you right down in Neighbor Dorothy’s home during her radio broadcast, hands you a plate of homemade cookies, and assures you that putting up your feet and staying a bit is the right thing to do.”
–Miami Herald

“Like Rebecca Wells’s Divine Secrets of the Ya-Ya Sisterhood, Flagg’s book tells the story not just of the town’s residents, but also of the changes in a community and a nation. . . . As Tot Whooten says at the outset, ‘I could go on and on, but I won’t. I hate when somebody tells me how something ends.’ Let’s just say that there’s a pot of gold at the end of Standing in the Rainbow.”
–Providence Journal

“A warm, witty, refreshing journey through fifty years with the residents of Elmwood Springs, Missouri . . . As time rolls along until the year 2000, we watch an assortment of lovable characters adapt to a changing America. And we thank Fannie Flagg for a look at those years before ‘the world had flipped over like a giant pancake.’ ”
–The Dallas Morning News

“A SPRAWLING, FEEL-GOOD NOVEL . . . The effects of changing social mores are handled deftly; historical events as they impact little Elmwood Springs are duly noted, and everything is infused with good humor and joie de vivre that are Flagg’s stock-in-trade.”
Publishers Weekly (starred review)

“[Flagg] is an engaging storyteller with a gift for creating compelling female characters and comic set pieces. . . . Elmwood Springs is populated with an endless supply of eccentric characters and comic visitors who push the story along.”
–The Baltimore Sun

“Flagg is a storyteller with a big heart, an engaging sense of humor and plenty of ambition. From those hopeful post-World War II days, she tracks the comedies and setbacks of the folks of Elmwood Springs right up to the turn of the century.”
–Houston Chronicle

“As the decades unfold, each character flowers in unexpected ways. . . . Hilarious, charming, authentic–a winner all the way.”
Kirkus Reviews (starred review)

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Product Details

  • ISBN-13: 9780099448938
  • Publisher: Knopf Publishing Group
  • Publication date: 7/28/2003

Meet the Author

FANNIE FLAGG’s writing career began behind the scenes of television’s Candid Camera and progressed to out-in-front as performer-writer. Her acting achievements led to roles in motion pictures including Five Easy Pieces, with Jack Nicholson; Stay Hungry, with Jeff Bridges and Sally Field; and, most recently, Crazy in Alabama, with Melanie Griffith. For the theater in New York she did Patio Porch and Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean, and played the lead role in the Broadway musical The Best Little Whorehouse in Texas.

Her first novel, Daisy Fay and the Miracle Man, was on the New York Times bestseller list for ten weeks. Her second, Fried Green Tomatoes at the Whistle Stop Cafe, praised by Harper Lee and Eudora Welty, was on the Times list for thirty-six weeks. It was made into the memorable hit movie Fried Green Tomatoes, starring Jessica Tandy and Kathy Bates. The screenplay, also written by Flagg, earned her the coveted Scripters Award and was nominated for an Academy Award and the Writers Guild of America Screen Award. Her reading of the Random House audiobook received a Grammy nomination.

That book gave way to an even bigger hardcover success for Welcome to the World, Baby Girl!, a New York Times Notable Book of the Year, which The Christian Science Monitor called “captivating . . . a comic novel to open with open arms.” Flagg lives in California and in Alabama.

Biography

Quite early on in her writing career, Fannie Flagg stumbled onto the holy grail of secrets in the publishing world: what editors are actually good for.

Attending the Santa Barbara Writer's Conference in 1978 to see her idol, Eudora Welty, Flagg won first prize in the writing contest for a short story told from the perspective of a 11-year-old girl, spelling mistakes and all -- a literary device that she figured was ingenious because it disguised her own pitiful spelling, later determined to be an outgrowth of dyslexia. But when a Harper & Row editor approached her about expanding the story into a full-length novel, she realized the jig was up.

"I just burst into tears and said, 'I can't write a novel,'" she told The New York Times in 1994. "'I can't spell. I can't diagram a sentence.' He took my hand and said the most wonderful thing I've ever heard. He said, 'Oh, honey, what do you think editors are for?'"

And so Fannie Flagg -- television personality, Broadway star, film actress and six-time Miss Alabama contestant -- became a novelist, delving into the Southern-fried, small-town fiction of the sort populated by colorful characters with homespun, no-nonsense observations. Characters that are known to say things like, "That catfish was so big the photograph alone weighed 40 pounds."

Her first novel, an expanded take on that prize-winning short story, was Coming Attractions: A Wonderful Novel, the story of a spunky yet hapless girl growing up in the South, helping her alcoholic father run the local bijou. But it was with her second novel where it all came together. Fried Green Tomatoes at the Whistle Stop Café -- a novel, for all its light humor, that infuses its story with serious threads on racism, feminism, spousal abuse and hints at Sapphic love -- follows two pairs of women: a couple running a hometown café in the Depression-era South and an elderly nursing home resident in the late 1980s who strikes up an impromptu friendship with a middle-aged housewife unhappy with her life.

The result was not only a smash novel, but a hit movie as well, one that garnered Flagg an Academy Award nomination for adapting the screenplay. She won praise from the likes of Erma Bombeck, Harper Lee and idol Eudora Welty, and the Los Angeles Times critic compared it to The Last Picture Show. The The New York Times called it, simply, "a real novel and a good one."

Before her career as a novelist, Flagg was known principally for her on-screen television and film work. She was second banana to Allen Funt on the long-running Candid Camera, perhaps the trailblazer for the current crop of so-called reality television. (Her favorite segment, she told Entertainment Weekly in 1992, was driving a car through the wall of a drive-thru bank.) She appeared as the school nurse in the 1978 film version of Grease, and on Broadway in The Best Little Whorehouse in Texas. And she was a staple of the Match Game television game shows in the '70s.

As a writer, though, this Birmingham, Alabama native found her voice as a chronicler of Southern Americana and life in its self-contained hamlets. "Fannie Flagg is the most shamelessly sentimental writer in America," The Christian Science Monitor wrote in a 1998 review of her third novel. "She's also the most entertaining. You'd have to be a stone to read Welcome to the World, Baby Girl! without laughing and crying. The cliches in this novel are deep-fat fried: not particularly nutritious, but entirely delicious."

The New York Times, also reviewing Baby Girl, took note of the spinning-yarns-on-the-front-porch quality to her work: "Even when she prattles -- and she prattles a great deal during this book -- you are always aware that a star is at work. She has that gift that certain people from the theater have, of never boring the audience. She keeps it simple, she keeps it bright, she keeps it moving right along -- and, most of all, she keeps it beloved."

But, lest she be pegged as simply a champion of the good ol’ days, it's worth noting that her writing can be something of a clarion call for social change. In Fried Green Tomatoes, Flagg comments not only on the racial divisions of the South but also on the minimization of women in both the 1930s and contemporary life. Just as Idgie Threadgoode and Ruth Jamison commit to a life together -- without menfolk -- in the Depression-era days of Whistle Stop, Alabama, middle-aged Evelyn Couch in modern-day Birmingham discovers the joys of working outside the home and defining her life outside meeting the every whim of her husband.

On top of her writing, Flagg has also stumped for the Equal Rights Amendment.

"I think it's time that women have to stand up and say we do not want to be seen in a demeaning manner," Flagg told a Premiere magazine reporter in an interview about the film adaptation of Fried Green Tomatoes.

Good To Know

Flagg approximated the length of her first novel by weight. Her editor told her a novel should be around 400 pages. "So I weighed 400 pages and it came to two pounds and something," she told the Los Angeles Times in 1987. " I wrote until I had two pounds and something, and, as it happened, the novel was just about done."

She landed the Candid Camera gig while a writer at a New York comedy club. When one of the performers couldn't go on, Flagg acted as understudy, and the show's host, Allen Funt, was in the audience.

Flagg went undiagnosed for years as a dyslexic until a viewer casually mentioned it to her in a fan letter.

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Read an Excerpt

Elmwood Springs

Almost everyone in town that had an extra room took in a boarder. There were no apartment buildings or hotels as of yet. The Howard Johnson was built a few years later but in the meantime bachelors needed to be looked after and single women certainly had to have a respectable place to live. Most people considered it their Christian duty to take them in whether they needed the few extra dollars a week or not, and some of the boarders stayed on for years. Mr. Pruiet, a bachelor from Kentucky with long thin feet, boarded with the Haygoods so long that they eventually forgot he was not family. Whenever they moved, he moved. When he finally did die at seventy-eight, he was buried in the Haygood family plot with a headstone that read:

MR. PRUIET

STILL WITH US

PAID IN FULL

The homes on First Avenue North were located within walking distance of town and school and were where most of the town’s boarders lived.

At present the Smith family’s boarder is Jimmy Head, the short-order cook at the Trolley Car Diner; the Robinsons next door have Beatrice Woods, the Little Blind Songbird; the Whatleys up the street have Miss Tuttle, the high school English teacher. Ernest Koonitz, the school’s band director and tuba soloist, boards with Miss Alma, who, as luck would have it, has a hearing problem. But soon the Smith family will take in a new boarder who will set in action a chain of events that should eventually wind up in the pages of history books. Of course they won’t know it at the time, especially their ten-year-old son, Bobby. He is at the moment downtown standing outside the barbershop with his friend MonroeNewberry, staring at the revolving red and white stripes on the electric barber’s pole. The game is to stare at it until they are cross-eyed, which seemed to them to be some sort of grand achievement. As far as amusements go, it is on a par with holding your breath until you pass out or dropping from a rope into the freezing swimming hole outside of town named the Blue Devil, so cold that even on a hot day when you hit the water the first shock jolts you to your eyeballs, stops your heart, and makes you see stars before your eyes. By the time you come out your body is so numb you can’t feel where your legs are and your lips have turned blue, hence the name. But boys, being the insane creatures they are, cannot wait to come crawling out covered with goose bumps and do it all over again.

These were some of the activities that thrilled Bobby to the core. However, for Bobby just life itself was exciting. And really at that time and that place what red-blooded American boy would not wake up every morning jumping for joy and ready to go? He was living smack-dab in the middle of the greatest country in the world—some said the greatest country that ever was or ever would be. We had just beaten the Germans and the Japanese in a fair fight. We had saved Europe and everyone liked us that year, even the French. Our girls were the prettiest, our boys the handsomest, our soldiers the bravest, and our flag the most beautiful. That year it seemed like everyone in the world wanted to be an American. People from all over the world were having a fit trying to come here. And who could blame them? We had John Wayne, Betty Grable, Mickey Mouse, Roy Rogers, Superman, Dagwood and Blondie, the Andrews Sisters, and Captain Marvel. Buck Rogers and Red Ryder, BB guns, the Hardy Boys, G-men, Miss America, cotton candy. Plus Charlie McCarthy and Edgar Bergen, Amos ’n’ Andy, Fibber McGee and Molly, and anybody could grow up and become the president of the United States.

Bobby even felt sorry for anyone who was not lucky enough to have been born here. After all, we had invented everything in the world that really mattered. Hot dogs, hamburgers, roller coasters, roller skates, ice-cream cones, electricity, milk shakes, the jitterbug, baseball, football, basketball, barbecue, cap pistols, hot-fudge sundaes, and banana splits. We had Coca-Cola, chocolate-covered peanuts, jukeboxes, Oxydol, Ivory Snow, oleomargarine, and the atomic bomb!

We were bigger, better, richer, and stronger than anybody but we still played by the rules and were always good sports. We even reached out and helped pick up and dust off Japan and Germany after we had beaten them . . . and if that wasn’t being a good sport, what was? Bobby’s own state of Missouri had given the world Mark Twain, Walt Disney, Ginger Rogers, and the great St. Louis World’s Fair, and aboard the battleship Missouri the Japanese had surrendered to General Douglas MacArthur. Not only that, Bobby’s Cub Scout troop (Bobwhite Patrol) had personally gone all over town collecting old rubber tires, scrap paper, and aluminum pots and pans. That had helped win the war. And if that wasn’t enough to make a boy proud, the president of the entire United States, Mr. Harry S. Truman, was a true-blue dyed-in-the-wool Missourian, and St. Louis had won the World Series. Even the trees stood a little straighter this year, or so it seemed to Bobby.

He had a mother, a father, and a grandmother and had never known anyone who had died. He had seen only photographs in store windows of the boys who had been killed in the war. He and his best friend, Monroe, were now official blood brothers, an act so solemn that neither one spoke on the way home. His big sister, Anna Lee, a pretty blue-eyed blond girl, was quite popular with all the older boys, who would sometimes hang around the house and play catch or throw the football with him. Sometimes he was able to make a quarter off the guys just to leave them alone on the front porch with Anna Lee. In 1946 a quarter meant popcorn, candy, a movie, a cartoon, and a serial, plus a trip to the projection booth to visit Snooky, who read Mickey Spillane books. And after the movie he could go next door to the Trolley Car Diner, where Jimmy, their boarder, would fry him a burger if he was not too busy.

Or he might stop by the drugstore on the corner and read a few of the newest comic books. His father was the pharmacist so he was allowed to look at them for free as long as he did not wrinkle or spill any food on them. Thelma and Bertha Ann, the girls who worked behind the soda fountain, thought he was cute and might slip him a cherry Coke or, if he was lucky, a root-beer float. Downtown Elmwood Springs was only one long block so there was never any danger of getting lost, and the year-round weather couldn’t have been more perfect if he had ordered it off a menu. Each October a nice big round orange harvest moon appeared just in time for Halloween. Thanksgiving Day was always crisp and cool enough to go outside and play tag after a big turkey dinner and snow fell once or twice a year, just when he needed a day off from school.

And then came spring, with crickets, frogs, and little green leaves on the trees again, followed by summer, sleeping out on the screened porch, fishing, hot bright sunny days at Cascade Plunge, the town’s swimming pool, and so far every Fourth of July, after all the firecrackers, whirligigs, and sparklers were gone, lightning bugs and large iridescent blue-and-green June bugs showed up in time to make the night last a little longer.

On hot muggy August afternoons, just when you thought you would die of the heat, clouds would begin to gather and distant thunder boomed so deep you would feel it in your chest. Suddenly a cool breeze would come from out of nowhere and turn the sky a dark gunmetal gray, so dark that all the streetlights in town got confused and started coming on. Seconds later an honest-to-God Missouri gully washer would come crashing down hard and fast and then without warning pick up and run to the next town, leaving behind enough cool water to fill the gutters so Bobby could run out and feel it rushing over his bare feet.

Although Mr. Bobby Smith had only been on this earth for a very short time and at present occupied only four feet eight inches of it, he was already a man of considerable property. Most of which he kept in his room on the floor, on the walls, on the bed, under the bed, hanging from the ceiling, or anywhere there was an empty space. As the decorators would say, he was going in for that casual, devil-may-care, cluttered look that his mother had the nerve to say looked like a Salvation Army junk store. It was only an average-sized bedroom with a small closet, but to Bobby, it was his personal and private magical kingdom full of priceless treasures. A place where he was the master of all he surveyed, rich as a sultan. Although in truth there was nothing in the room that a sultan or anybody else, for that matter, would want unless they were in the market for a box of painted turtles or an assortment of rocks, a flattened-out penny he and Monroe had put on the streetcar tracks, or a life-sized cardboard stand-up of Sunset Carson, his favorite cowboy, that Snooky had given him from the Elmwood Theater. Or maybe two silver dollars or an artificial yellow fish eye he had found behind the VFW or a small glass jeep that once had candy in it, for about five seconds. Among his possessions that year was a homemade slingshot, a bag of marbles, one little Orphan Annie decoder pin, one glow-in-the-dark ring, one compass, one Erector set, three yo-yos, a model airplane, a boy’s hairbrush with a decal of the Lone Ranger on it (a birthday present from Monroe that Monroe’s mother had bought), a cardboard Firestone filling station complete with pumps, a bookshelf full of ten-cent Terry and the Pirates, Joe Palooka, and Red Ryder books. Under the bed were several Spider Man, Porky the Pig, Little Audrey, and Casper the Friendly Ghost comic books, plus an L&N train set, his plastic braided Indian bracelet a girl gave him that he thought he had lost, and one white rubber handlebar cover from an old bicycle.

But Bobby’s world was not limited to just what he could see or touch or to the space inside the four walls of his bedroom. He had traveled a million miles in the L&N train under his bed, ridden up treacherous mountains through long black tunnels over raging rivers, and in the little plane hanging from the ceiling he had flown around the world, often over Amazon jungles teeming with alligators. Even the streetlight on the corner provided Bobby with a wonderful show. As he was lying in bed on breezy summer evenings, watching the shadows made by the leaves of the poplar tree dancing on the side of the house next door, they soon became palm trees, swaying back and forth in the warm trade winds of the nearest tropical island. Some nights he could hear the faint strains of Hawaiian music and see rows of hula girls dancing right above the Robinsons’ bedroom window. So enthralled was Bobby with this image that he had sent off for a ukulele. Nobody was more disappointed. He had expected it to play a song when strummed but it had not. The sound it made was a far cry from music, Hawaiian or otherwise, so he quickly moved on to the harmonica and was convinced he was really playing a song when he wasn’t. So great was his imagination that when he rode a broomstick handle around the backyard he could see the dust and hear the sound of the thundering hoofs as he galloped across the dry western desert. That year he went to sleep each night with his eyes full of cowboys and Indians and his head filled with voices. “Tom Mix and the Ralston Straight Shooters are on the air!” “From out of the West comes America’s fighting cowboy!” “Quaker Oats . . . delicious, nutritious, makes you ambitious!” “You bet ’um, Red Ryder.” “I’m back in the saddle again.” “Well, I’ll be a lop-eared kangaroo if it isn’t roundup time.” “Me Tonto, you Kemo Sabe.” And his favorite, “Hi-yo, Silver, away!”

An outside observer might think his life was just about perfect. However, to be fair, there were two distinctive and troublesome drawbacks to being Bobby Smith. One was his appearance. He was a nice-enough-looking boy with brown eyes and brown hair. His teeth were straight. His ears stuck out slightly but nothing out of the ordinary. One problem was that his mouth turned up a bit at both corners, making him look like he knew a secret and was pleased about it. This expression caused his mother and his teachers to ask constantly, “What are you up to?” even when he wasn’t up to anything. No matter how much he professed his innocence, they always replied, “Don’t lie to me, Bobby Smith, I can tell you’re up to something by the look on your face.”

The other drawback was his parents. Everybody knew who they were and would tell on him the minute he did something wrong. His father, the town’s only pharmacist, a Mason, a Rotarian, an Elk, and a senior elder at the First Methodist Church, was just naturally on a first-name basis with the entire town. But to make matters even worse, his mother was a local radio personality known as Neighbor Dorothy, who five days a week broadcast her show from their living room. And each year she would send her listening audience Christmas cards with the family’s picture on them, so that people for miles around knew who he was and what he looked like, and sometimes when a guest did not show up his mother would grab Bobby and make him be the guest and ask him all kinds of questions as if he were a complete stranger. On holidays his mother would put him on the radio to recite some stupid poem. And to add insult to injury, his personal and private business was often discussed on his mother’s radio show and everything he did, good or bad, was talked about for all the world to hear.

His only consolation was that this was a cross both the Smith children had to bear. This was of little consolation to Anna Lee. Last year his sister had gotten hysterical when their mother happened to mention that Anna Lee did not have a date as of yet for the prom because she was holding out, hoping the boy she thought looked just like Glenn Ford—her major movie-star crush at the time—would ask her. Dorothy had always shared things about her family with her audience before but when Anna Lee heard that piece of information going out over the airwaves she ran through the house screaming as if someone had shot her and flung herself on the bed sobbing, “Oh, Mother, how could you? You’ve ruined my life. I’ll never get another date as long as I live. I might as well just kill myself.” She stayed in bed wailing with a cold cloth on her head for two days while her mother, who felt terrible about it, tried to make it up to her by bringing her homemade peach ice cream and promising never to mention her name over the air again.

At the time Bobby thought it was pretty funny but Bobby was not yet at the sensitive stage where what other people thought about you was a matter of life and death. So for the moment, other than not being able to get away with much, he didn’t have a care in the world and, like most ten-year-old boys, believed that something wonderful was always just about to happen.

Copyright 2002 by Fannie Flagg
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Reading Group Guide

1. The novel starts in the immediate aftermath of World War II. How does the period compare with the times following more modern wars—Vietnam, Gulf War, Desert Storm, etc.?

2. In what ways is Bobby the typical pre-teenage son?
Does he differ in any important details? Does his active imagination hamper him, confuse him, or fuel his ambitions?

3. In what ways is Neighbor Dorothy a good neighbor? What makes her such an effective seller of her sponsors’ products or services?

4. Does Neighbor Dorothy speak through the silences surrounding some farmers’ wives—the silent or the working-all-day husband, for example. Or the limited view the nation had of housewives at that time? Or perhaps the distance between towns and cities and countryside? Was this the loneliness that can come with working alone in a house almost all the time?

5. How does Dorothy succeed in making small events into larger ones—an anniversary, the birth of a kitten, some honor bestowed in school or church, one of the ordinary recognitions?

6. Is the humor in the novel satire—or not?

7. How does Hamm break out of the tractor salesman category?

8. How does he use his salesmanlike skills to win the young woman who becomes his wife?

9. Hamm eventually takes on a mistress and advisor. How does Vita not fit into the usual Other Woman mold? We see their relationship grow—but what of that between his wife and his mistress?

10. With all the evidence of “dysfunctional” families these days, why do some marriages in the novel work out so well?

11. Why do you think the author begins the novel with Tot, the voice of one of the minor characters?

12. The Oatman family of gospel singers: Do they reveal a “hidden” aspect of American culture (hidden, that is, unless you grew up with such entertainments and forms of worship)? What other pockets of American life are almost invisible to white, middle-class, urban Americans?

13. Hamm’s politics seem to be a bit all over the place. He’s not a true conservative or liberal; he’s not a true demagogue or, on the other hand, a true blue Boy Scout, or without endless ambition. At what point does he leave off being a populist do-gooder and let ambition take over? Is the process gradual or sudden?

14. Because of the author’s attitude toward her characters and presumably the world, some might call this a feel-good novel. In what ways does she allow some of the harsher realities to creep in?

15. Is small-town life any better per se than city life?

16. Is the Midwestern small town indistinguishable from the Southern small town in Fried Green Tomatoes, for example?

17. The decade of the ’50s occurs in the middle of the novel. It was the time of the Eisenhower presidency, the end of the war in Korea, etc. For years, much of the intelligentsia portrayed those years as dull ones, uneventful, complacent, unremarkable. Later, there was a revision in opinion. They were special years of peace (despite the Cold War), stability, growth, etc. What is your opinion?

18. Aunt Elner, Norma, Macky . . . Can you think of counterparts in real life? Do you know a character or two who exhibit some of their characteristics?

19. Do you agree that Aunt Elner would have made a good governor? Or that Poor Tot would make a splendid Secretary of Health and Human Services?

20. If you’re a woman, don’t you wish you could find a nightgown just like the one Macky so admired on Norma? What did it do for her?

21. How would you like a two-week vacation, all expenses paid, in Elmwood Springs, “The Most Middle Town in America.” How would you spend the time?

22. Transformations occur with fair frequency in the lives of these characters. Can you name some? Do you know of similar transformations in your own life experience?

23. “You can’t go home again,” wrote Thomas Wolfe, famously. Bobby tries it with mixed results. But can you ever get away from home, no matter how far you travel?

24. Macky eases into retirement only to find that everything rubs him the wrong way. But one gift, one wonder of modern technology, changes all that. What was it? And has that invention done the same for you?

25. How would you write the next chapter, beyond the ending of the novel, to see the surviving characters through the next phase of their lives?

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Customer Reviews

Average Rating 4.5
( 81 )
Rating Distribution

5 Star

(52)

4 Star

(16)

3 Star

(5)

2 Star

(6)

1 Star

(2)

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See All Sort by: Showing 1 – 20 of 82 Customer Reviews
  • Anonymous

    Posted January 19, 2004

    Such an enjoyable novel!

    I thoroughly enjoyed this novel. This was my first experience reading a novel by Fannie Flagg. I found the scope of this novel to be quite impressive. I loved the fact that it followed this family and their acquaintances through fifty years. I found the characters to be both lovable and unforgettable. I also enjoyed that the novel was split into episodes with their own quirky titles rather than just chapters. Such a nice change of pace and just a breath of fresh air.

    7 out of 7 people found this review helpful.

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  • Anonymous

    Posted June 13, 2004

    What a treasure!!!

    This is the 3rd Fannie Flagg book I've read and so far my absolute favorite!!! (All I have left is 'Welcome to the World, Baby Girl'). I grew up on the Gulf Coast of Mississippi and can sooo relate to small-town life, particularly in the South. Fannie Flagg captures it perfectly with all her zany characters and their crazy shenanigans. I can see many of them in my own family. LOL! I found myself laughing out loud more times than I can count. I even read an excerpt to my 12 yo son and he laughed along with me. I became invested in the characters from page one and would often find myself sneaking in the bathroom and staying longer than was necessary just so I could spend a little more time with them. I quite unexpectedly cried my eyes out when some of them came to their journey's end and still others reflected on life in simpler times. It only reinforced to me that often the things we take for granted in life are the very things we end up missing once they're gone. I will recommend this book to all my friends because this is no doubt one of the best reading experiences I've ever had. Keep 'em comin', Fannie Flagg!!!

    4 out of 4 people found this review helpful.

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  • Anonymous

    Posted April 10, 2006

    Blissful

    I can't say how much I enjoyed this book. I loved the old time values. this book really makes you think back to better times where morals and values were purer and you could take in a stranger for dinner and not worry that the stanger would kill you and your family. This book gives you a lot to think about, like your place in the world and in your town and in your family, identies as a child vs. adult, our limited time on earth and how we deal with the ups and downs. A terrific story with other things to think about afterwards

    3 out of 4 people found this review helpful.

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  • Anonymous

    Posted December 26, 2003

    My sides hurt from laughing!

    I am from a small town in the midwest so I could identify with the characters and the small town living which I love.

    3 out of 5 people found this review helpful.

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  • Anonymous

    Posted May 19, 2005

    A tale that is as colorful as any rainbow could be

    Reading Standing in the Rainbow made me walk back into memory lane and enjoy the scenary of my childhood. 1946 was a time loooooong before I was born, being a college student now. But the words Flag used in this novel could touch anyone's heart to remember the days when you had suppers with the whole family around the table, a nice bed to sleep in, and a friendly neighbourhood that was filled with smiles and gossip. Flag succeeded to expend a simple story on everyday life into an ironic plot of politics, losses, and the reality of life. It's amazing how one little character could affect the whole story, how one little incident changed lives, and how one little smile brings laughter and joy. The story got me all sentimental!! This is a great story that is told in a very simple and easy-going way.

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted December 1, 2004

    What is this book about?

    I like 'slice of life' fiction, but this book just 'lays there.' Nothing happens. A number of characters are introduced and many are not developed. I liked the short chapters, but I wish the characters would have been more woven together and a little more plot and character development had been employed in writing the book. The prose is very easy to read, and I really wanted to like this book. However, I just never found anything meaningful in it to grab hold of.

    2 out of 5 people found this review helpful.

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  • Anonymous

    Posted December 1, 2002

    Pointless

    Remember 'the show about nothing' on TV? Well, I thought this book was the book about nothing. This is my first Fanny Flagg book and I hated it. Who was the story really about? Lots of chopped up plots leading to nothing.

    1 out of 2 people found this review helpful.

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  • Anonymous

    Posted November 30, 2002

    Not Up to Flagg's Standard

    As a big fan of Flagg's, I was excited to read this book. Unfortunately, this book is excruciatingly slow and meandering. I kept waiting for something to happen. Although the book picked up for the second half, it took me forever to get through.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted October 15, 2002

    This is no 'Fried Green Tomatoes....'

    This book is totally pointless and beneath Ms Flagg' former work. I've wasted alot of time lookng for something of interest in this book but unless I had no life of my own, I couldn't find any reason for writing or reading this book.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted October 17, 2002

    NO RAINBOW FOR ME!

    I fell in love with FLAGG'S first two books, and bought the last two eagerly expecting to be glued to the book to the finish...and left wanting more. WRONG! I had no desire to finish RAINBOW....it was boring, uneventful, plotless, meaningless, FLAGGLESS! SORRY! I am just glad I read FRIED GREEN TOMATOES and DAISY MAE before I read this one, otherwise I would have never discovered the beautiful writing style of FLAGG! SORRY this one wasn't a winner with me!

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted June 3, 2014

    Hi

    Hi

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  • Anonymous

    Posted February 20, 2014

    Love

    I work in a thrift store and picked this up one day to read at lunch time. So began my love of Fannie Flagg. This story and it's characters was amazing. I literally cried at the end which I never do. Will never forget these wonderful people.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted November 20, 2013

    I love all her stories. They're very well written & you feel

    I love all her stories. They're very well written & you feel a part of the story.

    Was this review helpful? Yes  No   Report this review
  • Posted August 2, 2013

    Wholesome entertainment about down to earth people

    People who enjoyed this book probably grew up in a time when neighbors actually knew, cared about and looked out for each other. A time when, if you were a kid, you didn't dare do anything bad because you could be sure a neighbor would call your mom and report. "Standing in the Rainbow" is chuck full of humor, understanding and hope. I love Fannie Flagg's books, especially Daisy Fay and the Miracle Man. It was my first Flagg book, but not my last and in every case, I hated to see the story end. What a refreshing change from the politically correct claptrap that usually makes the best seller list.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted June 29, 2013

    Wonderful story telling!

    Wonderful story telling!

    Was this review helpful? Yes  No   Report this review
  • Posted July 18, 2012

    Excellent read.

    As always Fannie Flagg has the ability to capture Americana. Warts and all, with humor. Love reading her books.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted March 20, 2012

    Love it!

    I will never get enough of Fanny Flagg's writing. Here's more of the same that we've all come to expect...wonderful!

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  • Anonymous

    Posted March 18, 2012

    Funny...Light reading

    Enjoyed this book very much

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  • Anonymous

    Posted March 11, 2012

    Anonymous

    I would love to see this book as a movie!!! This was a woderful book. One of the best ones ive ever read. I am really enjoyig reading Fannie Flagg!!!

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  • Anonymous

    Posted January 31, 2012

    Didn't want it to end...

    This is such a nice story, and the characters made me want to live next door. I wanted it to last and last. I am totally hooked on FannieFlagg now!

    Was this review helpful? Yes  No   Report this review
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