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Stay Where You Are And Then Leave
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Stay Where You Are And Then Leave

5.0 3
by John Boyne

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The day the First World War broke out, Alfie Summerfield's father promised he wouldn't go away to fight—but he broke that promise the following day. Four years later, Alfie doesn't know where his father might be, other than that he's away on a special, secret mission. Then, while shining shoes at King's Cross Station, Alfie unexpectedly sees his father's name


The day the First World War broke out, Alfie Summerfield's father promised he wouldn't go away to fight—but he broke that promise the following day. Four years later, Alfie doesn't know where his father might be, other than that he's away on a special, secret mission. Then, while shining shoes at King's Cross Station, Alfie unexpectedly sees his father's name on a sheaf of papers belonging to a military doctor. Bewildered and confused, Alfie realizes his father is in a hospital close by—a hospital treating soldiers with shell shock. Alfie isn't sure what shell shock is, but he is determined to rescue his father from this strange, unnerving place. . . .

This title has Common Core connections.

Editorial Reviews

Publishers Weekly
Boyne (The Terrible Thing That Happened to Barnaby Brocket) delivers an original look at what was known as “shell shock” during WWI through the eyes of Alfie Summerfield, a milkman’s son in a working-class London neighborhood. Opening on Alfie’s fifth birthday, July 28, 1914 (the day the “fighting had started”) and closing on his 13th, the story focuses on the fall of 1918, when Alfie discovers that his father—who had enlisted, against his family’s wishes, and who Alfie fears is dead—is in a nearby hospital. Readers who persist through the relatively slow first half will be rewarded with the excitement of Alfie’s daring adventure of bringing his father home; the closing chapter reunites all the characters, movie-ending style, mending frayed or broken relationships and tying up the loose ends a little too neatly. The book’s strength lies in Alfie’s appeal as a perceptive, hardworking, loving, and brave boy; some of his neighbors are intelligently and engagingly fleshed out, as well. Boyne gracefully renders the opposing strong feelings the war inspired, but uneven pacing weakens the overall effect. Art not seen by PW. Ages 9–12. (Mar.)
From the Publisher

“As in previous Boyne work (The Boy in the Striped Pajamas), unlikely encounters and occurences abound . . . it's made palatable by the third-person narration, which keeps readers experiencing events solely from Alfie's intelligent but childlike point of view.” —The Horn Book

“As much about familial love as about war, this novel tugs at the heartstrings, creating a sentimental but sound story that would shine as a classroom readaloud.” —BCCB

“Boyne, much like in The Boy in the Striped Pajamas (David Fickling Books, 2006), takes readers into the throes of war as seen through the eyes of a child.” —School Library Journal

“Another child's-eye view of war from the author of The Boy in the Striped Pajamas (2006); here the child is working class, the conflict, World War I . . . A vivid, accessible tale of the staggering price war exacts from those who had no voice in waging it.” —Kirkus Reviews

“In the final pages, the tension rises precipitously and the harrowing ending, in which Bruno does finally act, is sure to take readers' breath away.” —Publishers Weekly on The Boy in the Striped Pajamas

“Deeply affecting. . . beautiful and sparsely written.” —The Wall Street Journal on The Boy in the Striped Pajamas

“A small wonder of a book . . . this is what fiction is supposed to do.” —The Guardian on The Boy in the Striped Pajamas

“Powerful and unsettling . . . as memorable an introduction to the subject as The Diary of Anne Frank.” —USA Today on The Boy in the Striped Pajamas

VOYA, February 2014 (Vol. 36, No. 6) - Jennifer McIntosh
Alfie Summerfield wishes, more than anything else, that he could go back to his life before the First World War. Back then, the British boy was five years old, and his biggest problem was that his dad would not let him ride the milk float with him when he made his milk deliveries. When England entered the war, Alfie’s dad volunteered to join the army thinking that would be easier for him than waiting to get drafted. Four years later, Alfie is still hoping for his dad to come home from the “secret mission” his mother claims he is on, even though he fears his dad is really dead. While shining shoes one day, he accidentally discovers that his father is neither dead nor on a secret mission but is really in a local mental hospital for soldiers with shell shock. Alfie does not truly understand what shell shock is, but he is sure that his father would be much happier at home and thus embarks on his own secret mission to make that happen. Boyle has written a solid middle school novel about the effects of World War I on a young boy and his family. Middle school boys will like Alfie’s independence, and historical fiction readers will like the political backdrop of the story. While there is nothing extraordinary about it, the novel is a very quick read and will satisfy historical fiction requirements. Reviewer: Jennifer McIntosh; Ages 11 to 14.
Children's Literature - Lois Rubin Gross
2014 marks the centennial of the beginning of World War I, the War to End All Wars. Appropriately, John Boyne has given us a book reminding us that, save for the differences in technology, the outcome of wars on the combatants is remarkably unchanged. Georgie Summerfield goes off to war in the first wave of British soldiers, leaving behind his five-year-old son, Alfie, and his wife, Margie. As with every war, the predictions of a short conflict and a rapid resolution do not come to fruition. Instead, days turn into weeks, months, and years and the war continues. Meanwhile, Alfie is alarmed when his mother claims that his father has stopped writing because he is on a “secret mission” for the crown. Struggling to survive, Margie goes to work as a nurse and takes in washing, while Alfie secretly stops attending school and becomes a shoeshine boy. It is this occupation that brings him into contact with a doctor who holds the secret to his father’s disappearance. His father is hospitalized, suffering from “shell shock” or what would now be called Post Traumatic Stress Disorder. Alfie sets off on his own secret mission to find his father and bring him home, only to discover that he is not equipped to heal the deeply disturbed man. There is a great deal of important discussion material in this book beyond the obvious treatment of veterans. The issue of conscientious objectors in war (“conchies”) and the treatment of perceived enemy aliens also factor into the story. Also, the issue of women’s rights as driven by wartime jobs is discussed when Margie finds her true vocation in nursing. Pair this title with Michael Morpurgo’s The War Horse for an issues driven discussion of World War I. Reviewer: Lois Rubin Gross; Ages 10 to 15.
School Library Journal
Gr 5–8—Boyne, much like in The Boy in the Striped Pajamas (David Fickling Books, 2006), takes readers into the throes of war as seen through the eyes of a child. Alfie will always remember the day the fighting started because it was his fifth birthday, the day his whole world changed, the 28th of July 1914. Alfie's father, a milkman in their London neighborhood, enlists believing "the war will be over by Christmas." Four years later, Alfie is nine and the war rages on. Alfie begins shining shoes to help support his mother who works multiple jobs. Alfie believes his father to be dead until one day, while working, he discovers him in a hospital nearby. Sadly, the reunion is not the happy one Alfie expects. This is an excellent and approachable introduction to the traumas of war. All the characters are well developed and multilayered. Their thoughts and actions are authentic to the time and Alfie is no exception. His youth will not deter older readers since much of what is happening around him is so vivid. Detailed descriptions of character and place take readers into the heart of wartime Europe. There are some outlandish moments, including a scene with the Prime Minister, but this does not detract from the story or seem too incredible within the plot. This is not simply a book about the horrors of shellshock but also a comprehensive depiction of many different aspects of life during the World War I. Artwork not available at time of review.—Kristyn Dorfman, The Packer Collegiate Institute, Brooklyn, NY
Kirkus Reviews
Another child's-eye view of war from the author of The Boy in the Striped Pajamas (2006); here the child is working-class, the conflict, World War I. The fighting starts July 28, 1914, the day Alfie Summerfield turns 5. Eager to defend king and country, young men—including Alfie's dad, Georgie—enlist in droves, leaving wives to manage households and families. Everyone says it will be over by Christmas, but four years later, the war grinds on, having transformed Alfie's stable, working-class neighborhood beyond recognition. Czech-immigrant neighbors have been taken away, their candy shop boarded up. Released from jail, a conscientious objector and old family friend is reviled and beaten when he returns home. Georgie's letters stop coming. Alfie's mother, now a nurse, insists he's on a secret government mission, but Alfie fears he's dead. Hard times get harder. Skipping school to shine shoes at King's Cross railway station, Alfie learns Georgie's hospitalized with shell shock and vows to bring him home. Alfie's the novel's strong suit: self-centered, altruistic, schooled by years of war, yet clinging to the belief that he can control the uncontrollable. His authenticity lends credibility to the sometimes–far-fetched, coincidence-heavy plot. (Conversely, a didactic tone creeps in when the viewpoint shifts from Alfie.) A vivid, accessible tale of the staggering price war exacts from those who had no voice in waging it. (Historical fiction. 9-14)

Product Details

Henry Holt and Co. (BYR)
Publication date:
Sales rank:
Product dimensions:
5.50(w) x 8.30(h) x 1.10(d)
880L (what's this?)
Age Range:
9 - 12 Years

Read an Excerpt

Stay Where You Are & Then Leave

By John Boyne, Oliver Jeffers

Henry Holt and Company

Copyright © 2013 John Boyne
All rights reserved.
ISBN: 978-1-62779-032-1



Every night before he went to sleep, Alfie Summerfield tried to remember how life had been before the war began. And with every passing day, it became harder and harder to keep the memories clear in his head.

The fighting had started on July 28, 1914. Others might not have remembered that date so easily, but Alfie would never forget it, for that was his birthday. He had turned five years old that day and his parents threw him a party to celebrate, but only a handful of people showed up: Granny Summerfield, who sat in the corner, weeping into her handkerchief and saying, "We're finished, we're all finished," over and over, until Alfie's mum said that if she couldn't get ahold of herself she would have to leave; Old Bill Hemperton, the Australian from next door, who was about a hundred years old and played a trick with his false teeth, sliding them in and out of his mouth using nothing but his tongue; Alfie's best friend, Kalena Janácek, who lived three doors down at number six, and her father, who ran the sweet shop on the corner and had the shiniest shoes in London. Alfie invited most of his friends from Damley Road, but that morning, one by one, their mothers knocked on the Summerfields' front door and said that little so-and-so wouldn't be able to come.

"It's not a day for a party, is it?" asked Mrs. Smythe from number nine, the mother of Henry Smythe, who sat in the seat in front of Alfie in school and made at least ten disgusting smells every day. "It's best if you just cancel it, dear."

"I'm not canceling anything," said Alfie's mother, Margie, throwing up her hands in frustration after the fifth parent had come to call. "If anything, we should be doing our best to have a good time today. And what am I to do with all this grub if no one shows up?"

Alfie followed her into the kitchen and looked at the table, where corned-beef sandwiches, stewed tripe, pickled eggs, cold tongue, and jellied eels were all laid out in a neat row, covered over with tea towels to keep them fresh.

"I can eat it," said Alfie, who liked to be helpful.

"Ha," said Margie. "I'm sure you can. You're a bottomless pit, Alfie Summerfield. I don't know where you put it all. Honest, I don't."

When Alfie's dad, Georgie, came home from work at lunchtime that day, he had a worried expression on his face. He didn't go out to the backyard to wash up like he usually did, even though he smelled a bit like milk and a bit like a horse. Instead, he stood in the front parlor reading a newspaper before folding it in half, hiding it under one of the sofa cushions, and coming into the kitchen.

"All right, Margie," he said, pecking his wife on the cheek.

"All right, Georgie."

"All right, Alfie," he said, tousling the boy's hair.

"All right, Dad."

"Happy birthday, son. What age are you now anyway, twenty-seven?"

"I'm five," said Alfie, who couldn't imagine what it would be like to be twenty-seven but felt very grown up to think that he was five at last.

"Five. I see," said Georgie, scratching his chin. "Seems like you've been around here a lot longer than that."

"Out! Out! Out!" shouted Margie, waving her hands to usher them back into the front parlor. Alfie's mum always said there was nothing that annoyed her more than having her two men under her feet when she was trying to cook. And so Georgie and Alfie did what they were told, playing a game of Snakes and Ladders at the table by the window as they waited for the party to begin.

"Dad," said Alfie.

"Yes, son?"

"How was Mr. Asquith today?"

"Much better."

"Did the vet take a look at him?"

"He did, yes. Whatever was wrong with him seems to have worked its way out of his system."

Mr. Asquith was Georgie's horse. Or rather he was the dairy's horse; the one who pulled Georgie's milk float every morning when he was delivering the milk. Alfie had named him the day he'd been assigned to Georgie a year before; he'd heard the name so often on the wireless radio that it seemed it could only belong to someone very important, and so he decided it was just right for a horse.

"Did you give him a pat for me, Dad?"

"I did, son," said Georgie.

Alfie smiled. He loved Mr. Asquith. He absolutely loved him.

"Dad," said Alfie a moment later.

"Yes, son?"

"Can I come to work with you tomorrow?"

Georgie shook his head. "Sorry, Alfie. You're still too young for the milk float. It's more dangerous than you realize."

"But you said that I could when I was older."

"And when you're older, you can."

"But I'm older now," said Alfie. "I could help all our neighbors when they come to fill their milk jugs at the float."

"It's more than my job's worth, Alfie."

"Well, I could keep Mr. Asquith company while you filled them yourself."

"Sorry, son," said Georgie. "But you're still not old enough."

Alfie sighed. There was nothing in the world he wanted more than to ride the milk float with his dad and help deliver the milk every morning, feeding lumps of sugar to Mr. Asquith between streets, even though it meant getting up in the middle of the night. The idea of being out in the streets and seeing the city when everyone else was still in bed sent a shiver down his spine. And being his dad's right-hand man? What could be better? He'd asked whether he could do it at least a thousand times, but every time he asked, the answer was always the same: Not yet, Alfie, you're still too young.

"Do you remember when you were five?" asked Alfie.

"I do, son. That was the year my old man died. That was a rough year."

"How did he die?"

"Down the mines."

Alfie thought about it. He knew only one person who had died. Kalena's mother, Mrs. Janácek, who had passed away from tuberculosis. Alfie could spell that word. T-u-b-e-r-c-u-l-o-s-i-s.

"What happened then?" he asked.


"When your dad died."

Georgie thought about it for a moment and shrugged his shoulders. "Well, we moved to London, didn't we?" he said. "Your Granny Summerfield said there was nothing in Newcastle for us anymore. She said if we came here we could make a fresh start. She said I was the man of the house now." He threw a five and a six, landed on blue 37, and slid down a snake all the way to white 19. "Just my luck," he said.

"You'll be able to stay up late tonight, won't you?" Alfie asked, and his dad nodded.

"Just for you, I will," he said. "Since it's your birthday, I'll stay up till nine. How does that sound?"

Alfie smiled; Georgie never went to bed any later than seven o'clock at night because of his early starts. "I'm no good without my beauty sleep," he always said, which made Margie laugh, and then he would turn to Alfie and say, "Your mum only agreed to marry me on account of my good looks. But if I don't get a decent night's sleep I get dark bags under my eyes and my face grows white as a ghost and she'll run off with the postman."

"I ran off with a milkman, and much good it did me," Margie always said in reply, but she didn't mean it, because then they'd look at each other and smile, and sometimes she would yawn and say that she fancied an early night too, and up they'd go to bed, which meant Alfie had to go to bed too and this proved one thing to him: that yawning was contagious.

Despite the disappointing turnout for his birthday party, Alfie tried not to mind too much. He knew that something was going on out there in the real world, something that all the adults were talking about, but it seemed boring and he wasn't really interested anyway. There'd been talk about it for months; the grown-ups were forever saying that something big was just around the corner, something that was going to affect them all. Sometimes Georgie would tell Margie that it was going to start any day now and they'd have to be ready for it, and sometimes, when she got upset, he said that she had nothing to worry about, that everything would turn out tickety-boo in the end, and that Europe was far too civilized to start a scrap that no one could possibly hope to win.

When the party started, everyone tried to be cheerful and pretend that it was a day just like any other. They played Hot Potato, where everyone sat in a circle and passed a hot potato to the next person and the first to drop it was out. (Kalena won that game.) Old Bill Hemperton set up a game of Penny Pitch in the front parlor, and Alfie came away three farthings the richer. Granny Summerfield handed everyone a clothes peg and placed an empty milk bottle on the floor. Whoever could drop the peg into the bottle from the highest was the winner. (Margie was twice as good as everyone else at this.) But soon the adults stopped talking to the children and huddled together in corners with glum expressions on their faces while Alfie and Kalena listened in to their conversations and tried to understand what they were talking about.

"You're better off signing up now before they call you," Old Bill Hemperton said. "It'll go easier on you in the end, you mark my words."

"Be quiet, you," snapped Granny Summerfield, who lived in the house opposite Old Bill at number eleven and had never got along with him because he played his gramophone every morning with the windows open. She was a short, round woman who always wore a hairnet and kept her sleeves rolled up as if she were just about to go to work. "Georgie's not signing up for anything."

"Might not have a choice, Mum," said Georgie, shaking his head.

"Shush — not in front of Alfie," said Margie, tugging on his arm.

"I'm just saying that this thing could run and run for years. I might have a better chance if I volunteer."

"No, it'll all be over by Christmas," said Mr. Janácek, whose black leather shoes were so shiny that almost everyone had remarked upon them. "That's what everyone is saying."

"Shush — not in front of Alfie," said Margie again, raising her voice now.

"We're finished, we're all finished!" cried Granny Summerfield, taking her enormous handkerchief from her pocket and blowing her nose so loudly that Alfie burst out laughing. Margie didn't find it so funny, though; she started to cry and ran out of the room, and Georgie ran after her.

* * *

More than four years had passed since that day, but Alfie still thought about it all the time. He was nine years old now and hadn't had any birthday parties in the years in between. But when he was going to sleep at night, he did his best to put together all the things he could remember about his family before they'd changed, because if he remembered them the way they used to be, then there was always the chance that one day they could be that way again.

Georgie and Margie had been very old when they got married — he knew that much. His dad had been almost twenty-one and his mum was only a year younger. Alfie found it hard to imagine what it would be like to be twenty-one years old. He thought that it would be difficult to hear things and that your sight would be a little fuzzy. He thought you wouldn't be able to get up out of the broken armchair in front of the fireplace without groaning and saying, "Well, that's me turning in for the night then." He guessed that the most important things in the world to you would be a nice cup of tea, a comfortable pair of slippers, and a cozy cardigan. Sometimes when he thought about it, he knew that one day he would be twenty-one years old too, but it seemed so far in the future that it was hard to imagine. He'd taken a piece of paper and pen once and written the numbers down, and he realized that it would be 1930 before he was that age. 1930! That was centuries away. All right, maybe not centuries, but that's the way Alfie thought about it.

Alfie's fifth birthday party was both a happy and a sad memory. It was happy because he'd received some good presents: a set of eighteen different-colored crayons and a sketchbook from his parents; a secondhand copy of The Life and Most Surprising Adventures of Robinson Crusoe from Mr. Janácek, who said that it would probably be too difficult for him now but that he'd be able to read it one day; a bag of sherbet lemons from Kalena. And he didn't mind that some of the presents were boring: a pair of socks from Granny Summerfield and a map of Australia from Old Bill Hemperton, who said that someday he might want to go Down Under, and if that day ever came, then this map was sure to come in handy.

"See there?" said Old Bill, pointing at a spot near the top of the map, where the green of the edges turned brown in the center. "That's where I'm from. A town called Mareeba. Finest little town in all of Australia. Anthills the size of houses. If you ever go there, Alfie, you tell them Old Bill Hemperton sent you, and they'll treat you like one of their own. I'm a hero back there on account of my connections."

"What connections?" he asked, but Old Bill only winked and shook his head.

Alfie didn't know what to make of this, but in the days that followed he pinned the map to his bedroom wall anyway, he wore the socks that Granny Summerfield had given him, he used most of the coloring pencils and all of the sketchbook, he tried to read Robinson Crusoe but struggled with it (although he put it on his shelf to come back to when he was older), and he shared the sherbet lemons with Kalena.

These were the good memories.

The sad ones existed because that was when everything had changed. All the men from Damley Road had gathered outside on the street as the sun went down, their shirtsleeves rolled up, tugging at their braces as they spoke about things they called "duty" and "responsibility," taking little puffs of their cigarettes before pinching the tips closed again and putting the butts back in their waistcoat pockets for later on. Georgie had got into an argument with his oldest and closest friend, Joe Patience, who lived at number sixteen, about what they called the rights and wrongs of it all. Joe and Georgie had been friends since Georgie and Granny Summerfield moved to Damley Road — Granny Summerfield said that Joe had practically grown up in her kitchen — and had never exchanged a cross word until that afternoon. It was the day when Charlie Slipton, the paper boy from number twenty-one, who'd once thrown a stone at Alfie's head for no reason whatsoever, had come up and down the street six times with later and later editions of the newspaper, and managed to sell them all without even trying. And it was the day that had ended with Alfie's mum sitting in the broken armchair in front of the fireplace, sobbing as if the end of the world was upon them.

"Come on, Margie," Georgie said, standing behind her and rubbing her neck. "There's nothing to cry about, is there? Remember what everyone said — it'll all be over by Christmas. I'll be back here in time to help stuff the goose."

"And you believe that, do you?" Margie said, looking up at him, her eyes red-rimmed with tears. "You believe what they tell you?"

"What else can we do but believe?" said Georgie. "We have to hope for the best."

"Promise me, Georgie Summerfield," said Margie. "Promise me you won't sign up."

There was a long pause before Alfie's dad spoke again. "You heard what Old Bill said, love. It might be easier on me in the long term if —"

"And what about me? And Alfie? Will it be easier on us? Promise me, Georgie!"

"All right, love. Let's just see what happens, shall we? All them politicians might wake up tomorrow morning and change their minds about the whole thing anyway. We could be worrying over nothing."

Alfie wasn't supposed to eavesdrop on his parents' private conversations — this was something that had got him into trouble once or twice in the past — but that night, the night he turned five, he sat on the staircase where he knew they couldn't see him and stared at his toes as he listened in. He hadn't intended to sit there for quite so long — he had only come down for a glass of water and a bit of leftover tongue that he'd had his eye on — but their conversation sounded so serious that it seemed like it might be a mistake to walk away from it. He gave a deep, resounding yawn — it had been a very long day, after all, as birthdays always are — and closed his eyes for a moment, laid his head on the step behind him, and before he knew it he was having a dream where someone was lifting him up and carrying him to a warm, comfortable place. The next thing he knew, he was opening his eyes again, only to find himself lying in his own little bed with the sun pouring through the thin curtains — the ones with the pale-yellow flowers on them that Alfie said were meant for a girl's room, not a boy's.


Excerpted from Stay Where You Are & Then Leave by John Boyne, Oliver Jeffers. Copyright © 2013 John Boyne. Excerpted by permission of Henry Holt and Company.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

John Boyne was born in Ireland in 1971 and is the author of seven novels. Boyne's celebrated The Boy in the Striped Pajamas was winner of the Irish Book Award Children's Book of the Year, as well as numerous other awards and commendations. It was longlisted for the Carnegie Medal and the International IMPAC Literary Award and was made into a Miramax feature film. His novels are published in over 40 languages. He lives in Dublin, Ireland.

Oliver Jeffers is an author and illustrator.

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Stay Where You Are And Then Leave 5 out of 5 based on 0 ratings. 2 reviews.
Anonymous More than 1 year ago
Excellent for all readers
readerbynight More than 1 year ago
All life as Alfie knew it changed, and changed him with it. This book touched a chord with me. Although it takes place in World War I, I felt memories return to me at the same age as Alfie; mine from World War II. John Boyne is spot on with this story and has a fantastic ability to recreate this time period and the horrors that went with it, without losing sight of his youthful audience.  This book is suggested for the 9 to 12 year range, but I believe it would be interesting to a wider range. Alfie is an only child and has just had his fifth birthday as the story begins. This is his story, but also the story of all London where suddenly all the Dads are off to war, Mothers off to work and/or taking in work and children left alone. Alfie's best friend Kalena Janacek and her father have been sent away to the Isle of Wight to an internment camp, his Dad Georgie is at war and his Dad's best friend Joe as a conscientious objector, a conchie as they call him, is dragged off to jail and badly beaten. All life as he knew it is changed, and changed him with it. Alfie decides he should do his part, too, so he takes Mr. Janacek's shoeshine kit and starts working at the train station, skipping school three days a week. This is a tale of survival, constant fear and worry, death, innovation and love of family. When letters no longer come from Georgie, Alfie's father, he believes the worst. His mother tries to ease his fears by telling him he can't write because he is on a secret mission but Alfie doesn't believe her. Chance is a strange thing. While Alfie, now nine, is shining the shoes of a well-dressed man at the station, a wind happens to gust through the station and catch all the papers the man is holding. Alfie rushes to collect them all and chances to see his father listed as a patient at a hospital in England. From this point on the story veers as Alfie plots to see his father. This story is very well-written, compelling and compassionate, as much as a coming of age story. Alfie's complicated plans are admirable if ill-conceived. In a four year period, many things can change, and especially with children, who always seem to grow up too soon, but during war often become grown up through necessity as Alfie did. With love, though, anything is possible. I received this book in exchange for an honest review. The review and rating are based on my own perception.