Steering the Craft: Exercises and Discussions on Story Writing for the Lone Navigator or the Mutinous Crew

Overview

One of the great writers of the twentieth century offers an exhilarating workout for writers of narrative fiction or nonfiction. With her sharp mind and wit and a delightful sense of playfulness, Le Guin has turned a successful workshop into a self-guided voyage of discovery for a writer working alone, a writing group, or a class. Steering the Craft is concerned with the basic elements of narrative: how a story is told, what moves it and what clogs it. This book does not plod through plot, character, ...
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Overview

One of the great writers of the twentieth century offers an exhilarating workout for writers of narrative fiction or nonfiction. With her sharp mind and wit and a delightful sense of playfulness, Le Guin has turned a successful workshop into a self-guided voyage of discovery for a writer working alone, a writing group, or a class. Steering the Craft is concerned with the basic elements of narrative: how a story is told, what moves it and what clogs it. This book does not plod through plot, character, beginning-middle-and-end. Nor does it discuss writing as self-expression, as therapy, or as spiritual adventure. Each topic includes examples that clarify and exercises that intensify awareness of the techniques of storytelling.
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Editorial Reviews

Library Journal
Le Guin (The Left Hand of Darkness, Walker, 1994), the author of more than 30 novels, short stories, poetry, children's books, and essays, demonstrates here why she is a master of her craft. The title refers to a workshop she gave at the Flight of the Mind in 1966; collected here are the discussion topics and exercises for self-guided study. Although she focuses on the technical aspects of writing, Le Guin's skill pushes this beyond a handbook or style manual. Through "opinion pieces" about specific concerns, through her eclectic selections of writing to illustrate various techniques and the progression of exercises crafted to give experience to the novice and to flex the muscles of more seasoned writers, Le Guin's style is warm and encouraging, yet her standards of what turns writing into art are clearly defined and never compromised. A separate section covers collaborative workshops and "peer review" groups, offering sound suggestions for making the time spent both productive and challenging. Highly recommended.Denise S. Sticha, Seton Hill Coll. Lib., Greensburg, PA
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Product Details

  • ISBN-13: 9780933377462
  • Publisher: The Eighth Mountain Press
  • Publication date: 4/1/1998
  • Edition description: 1 ED
  • Edition number: 1
  • Pages: 180
  • Sales rank: 137,746
  • Product dimensions: 5.50 (w) x 8.50 (h) x 0.50 (d)

Meet the Author

Ursula K.  Le Guin
Ursula K. Le Guin
Ursula K. Le Guin's first story was rejected by Amazing Stories -- back when she was 11 years old. Since then, Le Guin has become one of science fiction's most critically acclaimed authors, as well as a versatile writer of poetry, children's books, essays, and nonfiction.

Biography

Speculative fiction, magic realism, "slipstream" fiction -- all these terms could apply to the works of Ursula K. Le Guin. Unfortunately, none was in common use when she started writing in the early 1960s. As a young writer, Le Guin weathered seven years of rejections from editors who praised her novels' elegant prose but were puzzled by their content. At a time when the only literary fiction was realistic fiction, as Le Guin later told an interviewer for The Register-Guard in Portland, Oregon, "There just wasn't a pigeonhole for what I write."

At long last, two of her stories were accepted for publication, one at a literary journal and one at a science-fiction magazine. The literary journal paid her in copies of the journal; the science-fiction magazine paid $30. She told The Register-Guard, "I thought: 'Oooohhh! They'll call what I write science fiction, will they? And they'll pay me for it? Well, here we go!' "

Le Guin continued to write and publish stories, but her breakthrough success came with the publication of The Left Hand of Darkness in 1969. The novel, which tells of a human ambassador's encounters with the gender-changing inhabitants of a distant planet, was unusual for science fiction in that it owed more to anthropology and sociology than to the hard sciences of physics or biology. The book was lauded for its intellectual and psychological depth, as well as for its fascinating premise. "What got to me was the quality of the story-telling," wrote Frank Herbert, the author of Dune. "She's taken the mythology, psychology -- the entire creative surround -- and woven it into a jewel of a story."

Since then, Le Guin has published many novels, several volumes of short stories, and numerous poems, essays, translations, and children's books. She's won an arm's-length list of awards, including both the Hugo and Nebula Awards for The Left Hand of Darkness and The Dispossessed, and a National Book Award for The Farthest Shore. Over the years, she has created and sustained two fictional universes, populating each with dozens of characters and stories. The first universe, Ekumen, more or less fits into the science-fiction mode, with its aliens and interplanetary travel; the second, Earthsea, is a fantasy world, complete with wizards and dragons. As Margaret Atwood wrote in The New York Review of Books, "Either one would have been sufficient to establish Le Guin's reputation as a mistress of its genre; both together make one suspect that the writer has the benefit of arcane drugs or creative double-jointedness or ambidexterity."

More impressive still is the way Le Guin's books have garnered such tremendous crossover appeal. Unlike many writers of science fiction, she is regularly reviewed in mainstream publications, where her work has been praised by the likes of John Updike and Harold Bloom. But then, Le Guin has never fit comfortably into a single genre. As she said in a Science Fiction Weekly interview, "I know that I'm always called 'the sci-fi writer.' Everybody wants to stick me into that one box, while I really live in several boxes. It's probably hurt the sales of my realistic books like Searoad, because it tended to get stuck into science fiction, where browsing readers that didn't read science fiction would never see it."

Le Guin has also published a translation of Lao Tzu's Tao Te Ching, a book that has influenced her life and writing since she was a teenager; she has translated fiction by Angelica Gorodischer and a volume of poems by Gabriela Mistral; and, perhaps most gratifyingly for her fans, she has returned to the imaginary realm of Earthsea. Tehanu, which appeared in 1990, was subtitled "The Last Book of Earthsea," but Le Guin found she had more to tell, and she continued with Tales from Earthsea and The Other Wind. "I thought after 'Tehanu' the story was finished, but I was wrong," she told Salon interviewer Faith L. Justice. "I've learned never to say 'never.' "

Good To Know

The "K" in Ursula K. Le Guin stands for Le Guin's maiden name, Kroeber. Her father was the anthropologist Alfred Kroeber; her mother, the writer Theodora Kroeber, is best known for the biography Ishi in Two Worlds.

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    1. Hometown:
      Portland, Oregon
    1. Date of Birth:
      October 21, 1929
    2. Place of Birth:
      Berkeley, California
    1. Education:
      B.A., Radcliffe College; M.A., Columbia University, 1952
    2. Website:

Table of Contents

Table of Examples
Introduction
1 The Sound of your Writing 19
2 Punctuation 31
3 Sentence Length and Complex Syntax 39
4 Repetition 53
5 Adjective and Adverb 61
6 Subject Pronoun and Verb 67
7 Point of View and Voice 83
8 Changing Point of View 107
9 Indirect Narration, or what Tells 117
10 Crowding and Leaping 141
App. I The Peer Group Workshop 151
App. II Forms of the Verb 157
Glossary 167
About the Author 173
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Sort by: Showing all of 3 Customer Reviews
  • Posted February 6, 2010

    I Also Recommend:

    A Good Voyage

    The title is a bit misleading, but works extremely well with the contents. You are on a voyage to improve your writing skills. The exercises at the end of each chapter provide you with a fun but useful way to help to improve your story writing ability. Good for either a beginning writer or a review for a published story teller. Get your pencil out and have fun.

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  • Anonymous

    Posted December 30, 2005

    learning with fun

    Way the most readable book on writing I've ever read. Le Guin's wit combined with all kinds of useful tips on writing narrative, make it a book to keep around and enjoy over time.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted January 29, 2004

    Practice with Writing

    This book is awsome, Le Guin helped me on how to change topic to other topics smoothy. The excerises are in the book, helps you to concentrate on your goal. It makes you want to be better in writting.

    Was this review helpful? Yes  No   Report this review
Sort by: Showing all of 3 Customer Reviews

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