Stems & Seeds [Explicit Lyrics]

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Editorial Reviews

All Music Guide - James Christopher Monger
Ben Folds' seventh studio recording begins appropriately with an Elton John spoof. After a string of introspective albums, the old-school (as in Ben Folds Five era) "Hiroshima (B B B Benny Hit His Head)," with its bombastic strings, "Benny and the Jets"-inspired piano motif and not-so-subtle refrain of "They're watching me, watching me fall" marks a return to the snarky, sarcastic days of old when Folds' signature blend of nerdy bravado and apathetic melodiousness wrested dominance of the proverbial cheap, college dorm stereo from They Might Be Giants. Like all of Folds' records, Way to Normal is full of melodic hooks and witty, semi-obvious barbs. Folds rarely...
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Editorial Reviews

All Music Guide - James Christopher Monger
Ben Folds' seventh studio recording begins appropriately with an Elton John spoof. After a string of introspective albums, the old-school (as in Ben Folds Five era) "Hiroshima (B B B Benny Hit His Head)," with its bombastic strings, "Benny and the Jets"-inspired piano motif and not-so-subtle refrain of "They're watching me, watching me fall" marks a return to the snarky, sarcastic days of old when Folds' signature blend of nerdy bravado and apathetic melodiousness wrested dominance of the proverbial cheap, college dorm stereo from They Might Be Giants. Like all of Folds' records, Way to Normal is full of melodic hooks and witty, semi-obvious barbs. Folds rarely works in metaphor, so when he sings, "The bitch went nuts/she stabbed my basketball and the speakers to my stereo," that's really all that happened. Surprisingly, it's the quieter moments on Way to Normal like "Cologne," "Kylie from Connecticut," and to a lesser extent "You Don't Know Me" (the latter, a duet with Regina Spektor) that elicit the biggest thrills, but they're few and far between. Folds has always found a way to balance all of the privileged, rich-kid prickishness with moments of surprising profundity, but this time around the profanity and outrage feel more forced than usual -- the aforementioned "Bitch Went Nuts" feels somehow more sophomoric coming from the mouth of a 42-year-old producer, composer, and father. Way to Normal may win a few fans back who balked at the newfound sincerity that peppered his last two or three records, but a little more nuance and a lot less displaced teen angst would have made it palatable for everybody. [Folds reissued Way to Normal in 2009 as a two-disc set called Stems and Seeds. Disc one featured the remixed, remastered, re-sequenced album in its' entirety, though without the excessive, radio-ready compression that accompanies most major label releases, while disc two featured files from the sessions that listeners could upload to "Garageband" and remix themselves.]
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Product Details

  • Release Date: 2/10/2009
  • Label: Epic
  • UPC: 886974619628
  • Catalog Number: 746196
  • Sales rank: 57,869

Tracks

Disc 1
  1. 1 Effington
  2. 2 Frown Song
  3. 3 Dr. Yang
  4. 4 You Don't Know Me
  5. 5 Free Coffee
  6. 6 Cologne
  7. 7 Bitch Went Nuts
  8. 8 Hiroshima
  9. 9 Kylie from Connecticut
  10. 10 Errant Dog
  11. 11 Brainwascht
Disc 2
  1. 1 Effington (3:27)
  2. 2 Frown Song (3:38)
  3. 3 Dr. Yang (2:33)
  4. 4 You Don't Know Me (3:12)
  5. 5 Free Coffee (3:10)
  6. 6 Cologne (5:59)
  7. 7 Bitch Went Nuts (3:08)
  8. 8 Hiroshima (3:48)
  9. 9 Kylie from Connecticut (4:41)
  10. 10 Errant Dog (2:25)
  11. 11 Brainwascht (4:09)
  12. 12 Cologne (6:09)
  13. 13 Bitch Went Nutz (3:55)
  14. 14 Way to Normal (2:38)
  15. 15 Free Coffee Town (2:45)
  16. 16 Lovesick Diagnostician (2:54)
  17. 17 Frowne Song (Feeble Anthem) (3:51)
  18. 18 You Don't Know Me (3:28)
  19. 19 Hiroshima (3:44)
  20. 20 Brainwashed (3:38)
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Album Credits

Performance Credits
Ben Folds Primary Artist, Synthesizer, Percussion, Piano, Glockenspiel, Vocals, Choir, Chorus, Hand Clapping, Omnichord
David Angell Violin
John Catchings Cello
Matt Darriau Bass Clarinet
David Davidson Violin
Jim Grosjean Viola
Lisa Gutkin Fiddle
Joshua Motohashi Narrator
Sam Smith Percussion, Drums, Tambourine, Vocals, Choir, Chorus, Omnichord
Steven Bernstein Trumpet
Jared Reynolds Bass, Vocals, Choir, Chorus
Regina Spektor Vocals
Ben Kalb Cello
Chad Chapin Vocals, Choir, Chorus
Andrew Higley Vocals, Mellotron
Technical Credits
Dennis Herring Producer
Ben Folds Composer, Producer, Remixing
Joe Costa Engineer
Chris Athens Mastering
Fergal Davis Engineer
Chad Chapin Contributor
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Customer Reviews

Average Rating 5
( 1 )
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Sort by: Showing 1 Customer Reviews
  • Posted October 1, 2010

    more from this reviewer

    I Also Recommend:

    A Release with a Twist

    Ben Folds is a very interesting artist and with Stems & Seeds he has pushed himself even more into the audio junkies favor. This is basically a continuation of his WAY TO NORMAL album, containing different mixes and performances from that earlier release with mock-songs (sometimes containing similar titles) that were "leaked" before the CD to misinform his fan base. In some cases the Mock tracks are better than the originals like in "Free Coffee Town". There are live performances, "You Don't Know Me" (actually a rehearsal for Conan O'Brien) that's fun, a piano orchestra version of "Cologne" with wonderful use of Choir, and even a kooky version of "Hiroshima" in Japanese that's just as good as the original - All of this is on the 2nd Disc! Here's where things get interesting... Besides the drug connotation of the title, the Stems aspect refers to the straight audio files contained in disk one of all the instruments on separate files which will allow the listener, with the right equipment, to basically make their own sound mix, or even remix the CD entirely! If you are a passing Ben Folds fan all of this is overkill and just the previous WAY TO NORMAL will suffice, but to Ben Folds loyal fans this is heaven!

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Sort by: Showing 1 Customer Reviews