Steppenwolf

( 1 )

Editorial Reviews

All Music Guide - Bruce Eder
Steppenwolf entered the studio for their recording debut with a lot of confidence -- based on a heavy rehearsal schedule before they ever got signed -- and it shows on this album, a surprisingly strong debut album from a tight hard rock outfit who was obviously searching for a hook to hang their sound on. The playing is about as loud and powerful as anything being put out by a major record label in 1968, though John Kay's songwriting needed some development before their in-house repertory would catch up with their sound and musicianship. On this album, the best material came from outside the ranks of the active bandmembers: "Born to Be Wild" by ex-member Mars Bonfire, which ...
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Editorial Reviews

All Music Guide - Bruce Eder
Steppenwolf entered the studio for their recording debut with a lot of confidence -- based on a heavy rehearsal schedule before they ever got signed -- and it shows on this album, a surprisingly strong debut album from a tight hard rock outfit who was obviously searching for a hook to hang their sound on. The playing is about as loud and powerful as anything being put out by a major record label in 1968, though John Kay's songwriting needed some development before their in-house repertory would catch up with their sound and musicianship. On this album, the best material came from outside the ranks of the active bandmembers: "Born to Be Wild" by ex-member Mars Bonfire, which became not only a chart-topping high-energy anthem for the counterculture a status solidified by its use in Dennis Hopper's movie Easy Rider the following year, but coined the phrase heavy metal, thus giving a genre-specific name to the brand of music that the band played and which was already manifesting itself in the work of bands like Vanilla Fudge and the just-emerging Led Zeppelin; the Don Covay soul cover "Sookie, Sookie," which, as a single by the new group, actually got played on some soul stations until they found out that Steppenwolf was white; two superb homages to Chess Records, in the guise of "Berry Rides Again," written though "adapted" might be a better word by Kay based on the work of Chuck Berry, and the Willie Dixon cover "Hoochie Coochie Man"; and Hoyt Axton's "The Pusher," an anti-drug song turned into a pounding six-minute tour de force by the band. The rest, apart from the surprisingly lyrical rock ballad "A Girl I Knew," is by-the-numbers hard rock that lacked much except a framework for their playing; only "The Ostrich" ever comes fully to life among the other originals, but the songs would catch up with the musicianship the next time out.
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Product Details

  • Release Date: 10/25/1990
  • Label: Mca
  • UPC: 076731102023
  • Catalog Number: 31020
  • Sales rank: 3,453

Tracks

Disc 1
  1. 1 Sookie Sookie (3:09)
  2. 2 Everybody's Next One (2:53)
  3. 3 Berry Rides Again (2:45)
  4. 4 Hoochie Coochie Man (5:07)
  5. 5 Born to Be Wild (3:28)
  6. 6 Your Wall's Too High (5:40)
  7. 7 Desperation (5:35)
  8. 8 The Pusher (5:43)
  9. 9 A Girl I Knew (2:39)
  10. 10 Take What You Need (3:28)
  11. 11 The Ostrich (5:43)
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Album Credits

Performance Credits
Steppenwolf Primary Artist
John Kay Electric Guitar, Vocals
Goldy McJohn Keyboards
Michael Monarch Electric Guitar, Background Vocals
Jerry Edmounton Drums
Technical Credits
Willie Dixon Composer
Gary Burden Artwork, Art Direction, Liner Design
Morgan Cavett Songwriter
Bill Cooper Engineer
Gabriel Mekler Producer
Richard Podolor Engineer
Paul Harlyn Composer
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Customer Reviews

Average Rating 5
( 1 )
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  • Anonymous

    Posted December 4, 2011

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