Table of Contents
Acknowledgments vii
Introduction Dean A. Kowalski 1
Part I Philosophy, the Filmmaker, and the Human Condition
The "Big-Little" Film and Philosophy: Two Takes on Spielbergian Innocence Gary Arms Thomas Riley 7
The Recovery of Childhood and the Search for the Absent Father Michel Le Gall Charles Taliaferro 38
Levinasian Ethics of Alterity: The Face of the Other in Spielberg's Cinematic Language John W. Wright 50
The Paradox of Fictional Belief and Its Moral Implications in Jaws Christopher R. Trogan Dean A. Kowalski 69
A.I.: Artificial Intelligence and the Tragic Sense of Life Timothy Dunn 82
Part II Values, Virtue, and Justice
What Is Wrong with Cloning a Dinosaur? Jurassic Park and Nature as a Source of Moral Authority James H. Spence 97
Is Oskar Schindler a Good Man? Roger P. Ebertz 112
A Spielbergian Ethics of the Family in Saving Private Ryan and The Color Purple Robert R. Clewis 129
Human Rights, Human Nature, and Amistad David Baggett Mark W. Foreman 150
Terrorism, Counterterrorism, and "The Story of What Happens Next" in Munich Joseph J. Foy 170
Part III Realism, Mind, and Metaphysics
Spielberg and Cinematic Realism Keith Dromm 191
A.I.: Artificial Intelligence: Artistic Indulgence or Advanced Inquiry? V. Alan White 210
Minority Report, Molinism, and the Viability of Precrime Dean A. Kowalski 227
Appendix: Discussing Five Spielberg Films 248
Contributors 267
Index 271