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| Idina Menzel | Primary Artist |
| Michael Thompson | Guitar |
| Milton Davis | Bass |
| Lil' John Roberts | Drums |
| Glenn Stewart | Background Vocals |
| Kofi Burbridge | Flute, Keyboards |
| Valentina Charlap-Evans | Viola |
| Susan Seligman | Cello |
| Pop Rox | Percussion |
| Gabriel Gordon | Guitar |
| Jonathan Kahan | Violin |
| Neal Avron | Engineer |
| Milton Davis | Producer |
| Brian Gardner | Mastering |
| Chris Montan | Executive Producer |
| Lil' John Roberts | Programming |
| Florian Ammon | Producer |
| James Bevelle | Programming |
| Enny Joo | Art Direction |
| Jason Stasium | Engineer |
I've been a fan of Idina Menzel since I was about nine, and so being able to find her debut album was the icing on my cake, seeing as I got this the day after my twentieth birthday. Definately one of the best cds I've ever listened too.
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Posted December 24, 2010
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Editorial Reviews
All Music Guide - William Ruhlmann
Idina Menzel may be a Broadway star, but her solo album Still I Can't Be Still is not the typical collection of old show tunes usually delivered by those who trod the boards on the Great White Way. Of course, as a star of Rent, the rock musical about life on the Lower East Side dealing with issues like AIDS and drug abuse, Menzel isn't exactly coming at her solo career like another Ethel Merman. Instead, she co-writes all of her original songs with bassist Milton Davis (that may help explain why the bass is so loud), and they are set to synth rock arrangements. Menzel sounds like she grew up listening to Prince and Madonna, and lately has been wearing out Alanis ...