Still Life with June

Still Life with June

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by Darren Greer
     
 

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The people in gay bars on Christmas Day are so desperate for basic human contact that they'd go home with a Doc Marten shoe if it made a move, and maybe even if it didn't.

So begins the story of Cameron Dodds, a disenfranchised writer who visits gay bars on Christmas and works at a Salvation Army Drug and Alcohol Treatment Center in order to steal the

Overview

The people in gay bars on Christmas Day are so desperate for basic human contact that they'd go home with a Doc Marten shoe if it made a move, and maybe even if it didn't.

So begins the story of Cameron Dodds, a disenfranchised writer who visits gay bars on Christmas and works at a Salvation Army Drug and Alcohol Treatment Center in order to steal the stories of the people he meets there. But when Cameron finds a patient hanged in the utilities closet, his infatuation with other people's stories becomes an obsession. Assuming the man's identity, Cameron seeks out and forges a relationship with the victim's mentally challenged sister, who lives in a home uptown. As Cameron becomes more involved in the woman's life, he begins to discover truths that will challenge him to the very core of his existence.

Editorial Reviews

From the Publisher

“Mordant, hilarious, and unsparing, Still Life with June is a scourge and blessing both. Reminiscent of Henry Miller's Tropic of Cancer, Knut Hamsun's Hunger, or Dostoevsky's Notes from Underground, but in a category of its own; if any school for it exists, it's the school of its own daring and invention.” —Andrew Lewis Conn, author of P: A Novel

“It is a gift of humanity and storytelling that makes Darren Greer's experimental new novel a triumphant success. Still Life with June is a remarkable book, reminiscent of Catcher in the Rye, Fight Club, and Bright Lights, Big City. It's a striking, compelling narrative with a style so inventive and innovative as to be a new form.” —Eric Shaw Quinn, author of Say Uncle

“A novel with edge and energy, astounding style and substance to spare.” —Richard Labonté, editor of Best Gay Erotica

“Still Life with June is a compelling novel, and Darren Greer a writer we'll be hearing from.” —Ralph Keyes, author of The Post-Truth Era

Kirkus Reviews
Canadian author Greer makes his U.S. debut with a personable, tongue-in-cheek tale about a recovering addict and fledgling writer who reclaims his troubled past. At 30, living alone on Lime Street in an unidentified city that really doesn't sound like New York (despite numbered streets and a fancy modern art museum), Cameron Dobbs likes stories-especially those by losers like him, as he often notes. He goes to bars on Christmas to hear sad tales and to pick up desperate men. Aspiring author Cameron empathizes with the downtrodden, and his job at the Salvation Army ("Sally Ann") puts him in touch with plenty of folks in the "loser animal kingdom." On Thursdays he frequents a writing group at a chain store he calls BIG BAD BOOKS ("to avoid getting sued"). He refuses to read his own stories but grudgingly listens to other writers' sorry tales: "These guys just love self-depreciation and mea culpa," he notes. Cameron becomes involved in two real-life stories. First, the alpha female writer in his group hires him to spy on the man living above him, whom she believes is her estranged brother. Then Cameron finds out that one of Sally Ann's former inmates, a cokehead suicide named Darrel Greene, has a sister with Down's syndrome permanently committed to an institution in the city. Cameron, who liked Darrel "because he reminded me of me," begins to visit June at the home, passing himself off as her long-lost brother. Eventually, the two nutty companions try to spring June from the facility (allusions to One Flew Over the Cuckoo's Nest strictly intentional). Greer couches his tale as a Roman-enumerated journal, replete with details so earnestly human that it's hard not to like Cameron, despite hisentrenched use of the term "retard" and long-winded transcriptions of his tedious stories. A poignant idea, but the tricky execution doesn't quite pull together all the emotional pieces.

Product Details

ISBN-13:
9780312335113
Publisher:
St. Martin's Press
Publication date:
07/01/2005
Edition description:
First Edition
Pages:
336
Product dimensions:
5.50(w) x 8.50(h) x 0.75(d)

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Read an Excerpt

Still Life with June


By Darren Greer

St. Martin's Press

Copyright © 2005 Darren Greer
All rights reserved.
ISBN: 978-0-312-33511-3



CHAPTER 1

the sally ann cocaine corral

And alien tears will fill for him Pity's oft broken urn, For his mourners will be outcast men And outcasts always mourn.

— Oscar Wilde, Inscription on the author's grave in Père Lachaise Cemetery, Paris, France


I

I live on Lime Street, in a low-rent, one-bedroom flat above a Filipino grocery called the Blue Moon. I own a few sticks of shabby furniture supplied to me by the Salvation Army, a secondhand computer, and a half-pint female tabby cat I picked up from the Humane Society for twenty bucks and a promise that I would take care of her until she died. I also promised that it would be a natural death, and I would not help it along a little. That people actually get cats from the Humane Society just to torture and kill them ought to be argument enough that the world is an unfit place to live. For cats especially. But I will forgo any tendency toward pessimistic existential philosophy and just try to keep the record straight.


II

I'm losing my hair. Each morning I stand in front of the bathroom mirror with a wooden ruler and measure from the bridge of my nose to my hairline. It recedes about a quarter of an inch every six months. A grade twelve biology teacher once told me that because baldness is passed on through the estrogen carrier, and because my mother's father was as bald as a baby, I would be totally bald by the time I was twenty-five. Twenty-five came and went, with no noticeable hair loss. I felt triumphant. Now I'm thirty, and the teacher's prediction is coming true.

The bastard.

I figure by the time I'm forty I'll be bald as a hard-boiled egg.

I only hope that by then they'll have invented a pill that works, or I will be rich enough to fly to Rome and have transplants.

I've decided that toupees, no matter how expensive, are out of the question.

I hate baldness, but I hate a pathetic and noticeable attempt to hide it more.


III

The things I hate most are:

1. Middle East violence

2. Hospital food

3. Microsoft Word 6

4. My father


IV

I love dried apricots, but I'm allergic to them. Sometimes I eat them anyway, and vicious red welts rise on my arms and face like stigmata. Once I shaved off all my body hair, went out and bought a bag of dried apricots, ate them, then got undressed again and stood in front of the bathroom mirror to watch red welts rise in places I had never seen them before. The marks that rose along my arms and legs and chest and ass from eating all those apricots were so long and hard and crimson that it looked like someone had spent the afternoon working me over with a leather whip.

If you didn't know any better, you'd probably have thought I was heavily into S & M.


V

I'm not.


VI

Once I met this guy named Eric — a sweet, quiet, dark-haired doctor of linguistics who wrote his linguist friends long letters in Greek and Latin. Eric was older than I was then but still very young to be a doctor of anything. (This was all before I turned thirty, and I could still fool myself that someday I was going to be in a meaningful relationship or famous. After thirty, you mostly give up on the idea of a meaningful relationship.)

After a week of getting to know each other Eric invited me back to his apartment. I thought it was about time. I had never dated anyone for a week and then had sex. With me it was always the other way around. The apartment was arranged in a kind of casual slovenliness that only intellectuals and musicians can pull off without being called slobs. Boxed in. Airless. Milk cartons with his favorite LPs piled everywhere in them and no TV.

The requisite ratty tweed-brown sofa.

Eric didn't believe in materialistic consumer culture and was a self-professed Luddite who would never buy a CD player. Bully for him.

We undressed in his living room. I've always been shy about undressing in front of other people, even ones I'm about to have sex with. I've always been more of a shut-out-the-lights-and-don't-look-at-me-until-I-come kind of guy. But Eric insisted. When I stood exposed in front of him he took me by the hand and led me into his bedroom. He threw me on the bed, leaned over me without bothering to pull the curtains and, so quickly I had no time to protest, slapped my wrists into a pair of handcuffs he kept hidden somewhere. What was he going to do to me now? Recite me Sappho in the original or do something more Greek and less poetic?

For a moment I got scared. Eric was a quiet, intelligent, polite, good-looking academic — just the sort of guy you'd read about in the morning paper as having a few spare human body parts tucked away in his refrigerator. But then I imagined Eric at twelve asking his parents for his first set of handcuffs so he could go camping with his friends.

I did the only thing a guy can do under those circumstances. I laughed.

Now, if you are into sadomasochism you know a slave can do anything — cry, scream, pull fruitlessly at his restraints, beg to be set free — and it will only serve to turn the master on and prolong the role-playing. He can do anything but laugh. Laughter makes the master blush and turn away, embarrassed, which is exactly what Eric did. This made me think of a twelve-year-old again and laugh even harder. Eric plucked the keys off a shelf somewhere above my head and freed me from the cuffs. I sat up, still smiling and rubbing my wrists. He sat on the edge of the bed and pulled on his underwear.

"Come on," I said and tried to nuzzle him. "We don't need the handcuffs. We can still have fun."

He pushed me away. "I think you'd better go."

I got dressed while he walked around his bedroom, straightening things, pretending to look for something — he didn't say what — and making a point of ignoring me. When I tried to ask him what was wrong I saw that he was trying hard not to cry. I left him sitting on the edge of his bed without saying good-bye.

Sometimes it's better not to know.


VII

Re: my cat.

Shortly after I got her, I found myself wishing what everyone who owns a pet and isn't entirely happy with the world wishes occasionally: that I could be her. Just for a day — to lie around my apartment and glory in my sloth, without having to wonder who I am or what my life is about. I wouldn't have to worry about God. Dogs may see their owners as gods of sorts, but don't fool yourself about cats. They see us as nothing more than elaborate feeding mechanisms and mobile heat radiators. Even if we were gods to them, what could be better than pissing on your higher power's Turkish carpet or digging your claws into his ass when he's lying naked in bed in the morning? My cat actually did that, and for weeks whenever I had sex with anyone they saw the scratches and asked me what happened.

"My cat doesn't believe in a divine order," I said.


VIII

Speaking of scars, I have two that are permanent. One on my forehead from falling down and hitting my head on a rock when I was seven; another, like a tattoo, on my shoulder. Scars make me squeamish and I don't like to think about them or look at them for long. Despite the encroaching baldness, I manage to wear the front of my hair long, and I always wear long sleeves. End of story.


IX

I hate Hollywood movies about gay men and women. Hollywood churns out gay movies like butter. A whole entertainment industry has sprung up around gay hatred, gay love, gay achievement, gay coming out, gay sports, gay bars, gay moms, gay dads, gay morality, gay conservatives. Some of them are even shown in the big movie houses, and straight people go to see them. In fact, you can't even cruise at these movies because almost everyone there is heterosexual. I stopped going years ago. In the new millennium, gay has become cool. I have not become cool, even though I own a cat. I hate the fact that gay is acceptable, because at least when it wasn't I had an excuse.

I'm still not acceptable, but now I have nowhere to put my hatred.

I could hate the Christian fundamentalist, I-hate-everything people like Jerry Falwell, but they are no fun. Everyone hates them in turn, and it's only their stupidity that keeps them from seeing they're fighting a losing battle. But you have to give them some credit. At least the I-hate-everything people have somewhere to put their hatred. With nothing left to hate anymore, the rest of us end up hating ourselves and our parents and leave it at that.


X

My cat, Juxtaposition, doesn't hate herself. If you hate yourself, you don't spend two hours each day grooming with no chance of ever getting laid. And she doesn't even know her parents. She was one in a litter of five. I took her from the pound because she stood off from me and didn't participate in the kittenish antics of her brothers and sisters, climbing all over each other in the cage to lick my outstretched hand. I appreciate reserve in a cat, just as I appreciate it in a human being. Juxtaposition and I get along so well because we each possess two overriding characteristics that suit us for life in the big city: selfishness and suspicion. Yet even I wasn't prepared for the kind of cat she turned out to be. What was quiet and reserved in the pound was an absolute berserker out of it.

She slept quietly in the cat cage all the way home. I kept admiring her through the grilled door of the carrier. She was completely still as I walked, her little kitten head on her paws. What a joy, I thought. Then I got her home. I set the cage down in the hallway, opened it up, and out she came. She balanced on three legs and licked one paw while she looked around.

When she made the decision, I'm not sure.

I suspect that Juxta is smarter than other cats, or is as smart as all cats who mostly hide from dumb humans how intelligent they are.

She let loose. She started running. Not just loping, but whizzing back and forth through every room, over the bed, across the dresser, scattering cologne bottles and hair gel and canisters of talcum powder as she went. She kept this up for hours; her destructive rampage was breathtaking in its industry and pure methodology. She broke two handblown colored-glass bowls from IKEA, emptied one bottle of cologne (Jovan Musk for Men) on the bedroom floor, and scratched the stuffing out of the arms on both my blue love seats. She knocked over every article of hygiene — toothbrush, toothpaste, razor, shaving cream, and hand soap dispenser — from the sink in my pathetically tiny bathroom; it all fell into the bowl of the toilet I'd peed in that morning and forgotten to flush.

I ran after her, trying to contain the damage, but it was hopeless. She was a domesticated feline, faster than humans in an open space and infinitely more agile in a closed one. Eventually I struck on the bright idea of locking her in the bathroom, where most of the damage that could be done already had been. I cat-proofed the apartment. Everything breakable went into a drawer. I covered the arms of the love seats in a double layer of clean towels and bought a scratching post in the hopes (later to be dashed) that she would use it. Then, when everything had been put away or thrown away and all the glass swept up, I cautiously opened the door to the bathroom.

I found her asleep on the bathmat. I had forgotten to set up the litter box and she had shit and pissed in one corner. The room smelled strongly of ammonia and cat crap, and my things were still soaking up urine in the toilet, but that was all. She woke when I entered, struggled to her feet, stretched lazily, and arched herself affectionately against my shins. She curled up all night with me on one love seat and watched television. Occasionally she would go to the litter box in the bathroom, or to her food dish in the kitchen, but always she would return and settle against my thigh.

When I went to bed she went with me.

When I got up she got up.

When I went to the bathroom she went in her cat box across from me, and we stared at each other while we did our business.

For three days she was an elegant, well-behaved lady, and I began cautiously replacing the things I'd hidden. On the fourth day I came home from work and found the apartment in ruins. Every glass item was broken. The arms of the love seats, from which I'd removed the towels, were shredded; they'd later be covered with masking tape in an attempt to keep the stuffing from bleeding out. And there she was, curled up on one ruined love seat, looking at me as if to say, "What are you staring at? I'm a cat! What did you expect?"

I named her then, with a kind of desperate cleverness. I thought that I could relate this anecdote to visitors someday when they asked why I had masking tape all over my furniture. Yet I cried too, when I thought of how much this stuff would cost to replace. Turned out I would never have to replace any of it. She would never let me. Anything brought into the house immediately bore Juxta's claw marks as a brand of ownership, so I stopped bringing in anything new.

Which gets me to thinking: Maybe Juxta didn't claw me that morning, with my bare ass sticking out from underneath the covers, to say she was hungry. Maybe she was marking as hers the final thing in the apartment that remained unmarked. Maybe my cat was saying with those four deep claw marks carved incisively into my soft-as-butter rear end, "Your ass is mine, oh great moving radiator." How can you not admire guts like that, even from a half-pint psychotic female cat?

I think everyone should have a little Juxtaposition in his life.


XI

On December twenty-fifth I head out to the nearest gay bar and get wasted. I have made this something of a tradition. It doesn't matter which bar it is, as long as it's gay and it stays open. Miraculously, I never have any problems finding what I am looking for. Once I asked a man who had the bad luck to be tending bar on December twenty-fifth at The Stables, a gay country joint in the west end of the city, why he thought that was.

"Why I think what is?" He wore a red-with-white-stitching cowboy shirt, tight blue jeans, a wide brass belt buckle engraved with long horns, and a white Stetson hat tipped far back upon his head. He was leaning back against the beer fridge, his arms crossed, and watching Country Music Television on the big TV screen. The volume on the TV was off because the jukebox was also playing country music but a different song, so that the lyrics being sung by the Nashville Cowboys on the big screen on one side of the bar didn't match the lyrics you heard coming from the jukebox on the other. This is normal, and not just for country bars. It is also normal for drag queens. It always amazed me that drag queens would go to near Herculean efforts to fit themselves in a dress, shave and pad their chests, tape their cock and balls to the insides of their legs, but rarely bother to learn the lyrics to the songs they're lip- syncing.

I asked the bartender, who had paid no attention to me since pouring my drink, why they kept gay bars open on Christmas Day. "All the straight bars shut down," I observed.

He shrugged — a nonchalant I don't-much-give-a-shit cowboy raising of the shoulders and expanding of the chest. A masculine shrug, but somehow you just knew if you took this guy home his legs would be over your shoulders before you could say Yippee-I-A. Still fixated on the out-of-sync videos, he said, "Maybe we look after our own. Maybe we want our brothers to have a place to go on days like today, and straight bars don't give a crap."

"Maybe," I said. "But what about you? Why are you working here on a day like today?"

He looked at me. I had already downed four neat double whiskeys — the only thing you should drink in a country and western bar, gay or straight — and I was heavily buzzed. He said to me, "You really want to know?"

"Damn tootin'," I said, and smiled.

"My mother is shacked up with some artist down south and never calls," he said. "My father's a prick who won't talk to me because I'm a fag, and I don't like staying in my apartment because five years ago my lover died of AIDS. We didn't celebrate Christmas that year. I was too busy wiping his shit off the sheets. So I prefer to work."

He turned blandly back to the TV screen. I didn't know what to say. I hadn't expected such an honest answer from him, but now that I had one, I couldn't let the moment go to waste. "Do you have it? AIDS, I mean?"

He shook his head. "Lucky, I guess. Do you?"

"No. Not the last time I checked anyway."

"And when was that?"

"Last year."

"Gotten fucked without a condom in the last year?"

"No. Haven't fucked with one either."

"You a top?" The cowboy's stance suddenly changed. It was a shift I'd seen many times, especially, most especially, on Christmas Day, when there aren't many customers around and a bartender or waiter can open up a little. That certain way of relaxing the shoulders and a slight but perceptible turn of his body toward me and away from the television — the heartwarming Christmasy moment when I change from faceless nameless customer into sex object.


(Continues...)

Excerpted from Still Life with June by Darren Greer. Copyright © 2005 Darren Greer. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Darren Greer grew up in several towns in Nova Scotia. He studied literature at the University of King's College, Halifax, and Carleton University. Still Life with June is his American debut.

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Still Life with June 5 out of 5 based on 0 ratings. 1 reviews.
Guest More than 1 year ago
Still Life with June is a rare and haunting novel that deserves to be read at least twice. Stylistically, Still Life is brilliant, juxtaposing textual fragments written in distinctly different voices. Greer achieves ambiguity through calculated precision as his plot and characterization shift between realities. The text is often confessional, with the protagonist sharing everything from seemingly-insignificant details to the most intimate revelations. The result is a protagonist so realistic that I sometimes forgot he was fictional, feeling implicated by my own voyeuristic presence. Grafting beauty onto pain, Greer creates a world as enticing as it is disturbing. Intelligent, hilarious and profound, Still Life is a novel to savor.