Stitch 'N Bitch Nation
  • Stitch 'N Bitch Nation
  • Stitch 'N Bitch Nation

Stitch 'N Bitch Nation

4.3 8
by Debbie Stoller, Adrienne Yan
     
 

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Join the movement! Four million strong and counting, hip, young chicks with sticks are putting a whole new spin on knitting—while turning last fall's Stitch 'n Bitch: The Knitter's Handbook into a surprise national bestseller (from The New York Times to the L.A. Times to BookSense) with 215,000 copies in print. So influential is the

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Overview

Join the movement! Four million strong and counting, hip, young chicks with sticks are putting a whole new spin on knitting—while turning last fall's Stitch 'n Bitch: The Knitter's Handbook into a surprise national bestseller (from The New York Times to the L.A. Times to BookSense) with 215,000 copies in print. So influential is the book that the number of Stitch 'n Bitch knitting groups tripled in the past six months—spawning a Stitch 'n Bitch Nation.

Written by Stitch 'n Bitch author Debbie Stoller, Stitch 'n Bitch Nation features 50 hip, new, even funkier and more fabulous patterns by Stitch 'n Bitch designers, who come from San Francisco to Brooklyn, Chicago to Cambridge to St. Paul, Minnesota. The Om Yoga Mat Bag. Felted Monster Slippers. The London Calling Union Jack Sweater, because even punks get cold in winter. A Double-Duty Shrug. Polka Dot Tankini. That '70s Poncho. The Boob Tube. Spiderweb Capelet, Cabled Newsboy Cap, Chunky Baby Booties and Baby Bunny Hat. And the most ingenious project, a Knit-Your-Own Rock Star doll—with a choice of Joey Ramone or Henry Rollins. All designs are complete with full-color photographs and step-by-step instructions, and are made from sexy, contemporary yarns, including multicolored angora, alpaca, lace, and mohair. Includes the best tips, shortcuts, and techniques from Stitch 'n Bitchers, profiles of knitters and their groups, and a how-to refresher on all the stitches used in the book.

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Editorial Reviews

Publishers Weekly
With its spiffy prose and no-fail instructions, Stoller's 2003 Stitch 'n Bitch made it doable-easy, even-for gals (and the occasional guy) to knit up a cool bag or a happening scarf in a few nights. The book's sequel is a bit like the follow-up to many great movies: it draws you in, but doesn't pack anywhere near the punch of the first one, probably because the first one set the bar so high. Still, Stoller should have no problem packing the theaters, as it were: readers who've mastered most of the lessons in Stitch 'n Bitch will flock to it. Its opening section explains the complicated but worthwhile process of changing a pattern to suit your tastes: shortening sleeves, changing necklines, using a heavier or lighter yarn to create different effects, etc. Stoller uses her signature sharp, matter-of-fact voice to demystify these potentially confusing processes. After these lessons, the book takes a 180, launching into a smorgasbord of patterns for knitted designs ranging from the beautiful (sweaters like the Spiderweb Capelet and Clover Lace Wrap) to the hackneyed (a Two for Tea teapot cozy or been-there-done-that Roller Girl Legwarmers). Vignettes covering Stitch 'n Bitch knitting clubs from Arlington, Va., to Seattle, Wash., add a community feel, and the photos of models sporting knitwear superimposed on quintessential American backgrounds (Mount Rushmore, an urban Chinatown) add to the book's "knitting for the masses" spirit. (Dec.) Copyright 2004 Reed Business Information.

Product Details

ISBN-13:
9780761135906
Publisher:
Workman Publishing Company, Inc.
Publication date:
11/15/2004
Pages:
192
Sales rank:
485,292
Product dimensions:
8.00(w) x 7.98(h) x 0.85(d)

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Read an Excerpt

When Stitch ’n Bitch: The Knitter’s Handbook was published last year, I was both proud and relieved. I and so many others had put so much work into it, and now, finally, it was out there in the world. Seeing it displayed in bookstores across the country was exhilarating, but it was even more exciting the first time I saw a project made from the book posted on the Internet. Soon I began spotting all sorts of projects from Stitch ’n Bitch: knit wrist cuffs, baby hats, baby blankets, kitty hats, and Skully sweaters. People were even showing up at my book signings wearing items they’d made from the book. It was amazing!

Of course, many of these knitters chose their own colors for their projects, and others used entirely different yarn than the pattern called for. Still other brave souls made more extensive alterations to the patterns—from replacing the star motif on the wrist cuffs with little Pacman figures to lengthening the Under the Hoodie sweater so that it was less cropped, making a mini version of Meema’s Felted Marsupial Tote for a toddler, shortening the extra-long sleeves on To Dye For, and adding shaping to the loose, oversized Skully sweater.

It was clear that at least a few knitters were ready to look at patterns, not as a be-all and end-all to their knitting projects, but rather as a starting point from which to make their knitting dreams come true. And from the questions and enthusiastic comments about these revised SnB projects that were being posted on knitters’ blogs, it seemed that many other Stitch ’n Bitchers were hungry to do the same, if only they knew how.

I also found, unfortunately, that some folks who had completed projects from that first book were less than pleased with their results. One knitter discovered that the Skully sweater was much too loose and oversized for her to wear; yet another, posing in her newly completed Skully, proved that the sweater fit her just fine. So why did one knitter get such unhappy results, while another knitter didn’t? I realized that if knitters could figure out from a pattern how a sweater might fit them before they made it, they’d encounter less frustration. Better yet, they’d know how to pick the right size to knit from the list of available sizes.

In fact, it seemed that all across the country, a nation of knitters—both brand new and more seasoned—were beginning to get restless. They were crying out for knowledge. They wanted to have the power to really understand what it was they were making, so that they could take their knitting to the next level, and make changes if they wanted to. They yearned to be free to use a yarn of their own choosing, whether or not it matched the gauge stipulated in the pattern. They longed to be able to make simple alterations to patterns—lengthening a body here, shortening a sleeve there. And they were itching to make projects

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