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Stone Quarry: A Bill Smith/Lydia Chin Novel

Stone Quarry: A Bill Smith/Lydia Chin Novel

3.0 2
by S. J. Rozan

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Bill Smith's country cabin in upstate New York is far from the city's savage streets--a retreat where a weary P.I. can play Mozart on his upright piano and let nature heal him. But when Eve Colgate, a local farmer and painter, asks him to find stolen items--six paintings which could reveal Eve's highly guarded thirty-year-old secret--he caves. When Smith's partner,


Bill Smith's country cabin in upstate New York is far from the city's savage streets--a retreat where a weary P.I. can play Mozart on his upright piano and let nature heal him. But when Eve Colgate, a local farmer and painter, asks him to find stolen items--six paintings which could reveal Eve's highly guarded thirty-year-old secret--he caves. When Smith's partner, Lydia Chin, comes in on the action, she brings along her cool courage and sharp mind. It's a simple case--until the runaway daughter of a hotshot politician and the murder of a local hood change the playing field. Now the stench of corruption fills this rural paradise, as Bill and Lydia scour through dangerous secrets and greedy corridors for the stone-cold truth...

Editorial Reviews

Publishers Weekly - Publisher's Weekly
Bill Smith's peaceful, upstate New York cabin retreat in Schoharie is a haven for the New York City PI. But in his sixth adventure, following last year's A Bitter Feast, Schoharie proves as dangerous as any city alley, and Smith needs all his toughness and the help of his partner, Lydia Chin, to handle the violence he confronts. Eve Colgate, a reclusive artist, asks Smith to investigate a theft that included six valuable paintings. At the same time, Smith gets involved in the troubles of Jimmy Antonelli, a kid he'd helped before, and Jimmy's older brother, Tony, who owns Antonelli's bar. When Schoharie's biggest big shot, Mark Sanderson, insists that Smith find his young runaway daughter, the PI has a smorgasbord of crimes on his plate. The pressure intensifies and one or more of Smith's clients may end up dead, so he asks Lydia to join him. Shamus- and Anthony-winner Rozan pushes the action and the plot at an invigorating pace and manages to explore the myriad ways in which violence can warp human relationships. Her sharp descriptions of upstate New York's idyllic scenery and struggling farmers form a striking background for her hard-edged hero and his barely concealed soft spot. This is a first-rate mystery that bolsters Rozan's already solid reputation and should win her new fans. Agent, Steve Axelrod. Author tour. (Sept.) Copyright 1999 Cahners Business Information.
Library Journal
Stone Quarry is an extremely well-done production of quite a well-written mystery. Rozan's descriptions of the people and countryside of Schoharie County, NY, are just outstanding. William Dufris's performance brings audiobook narration to a new level entirely, having taken the time to develop Rozan's characters thoroughly--their voices, accents, and speech patterns. The result is more a dramatic recital than what one expects from audio storytelling. Bill Smith and Lydia Chin combine to explore a series of disappearances, murders, and the theft of a priceless series of paintings in rural upstate New York. The author captures the effects of the continuing economic decline in the rural areas of the state on citizens too poor or uneducated to escape, as well as the strange mix of hope, mud, and the penetrating chill that marks its early spring. Listeners should expect adult language and situations. Full of action, intrigue, and quite an amount of charm, this novel is highly recommended.--Cliff Glaviano, Bowling Green State Univ. Libs., OH Copyright 2001 Cahners Business Information.
Kirkus Reviews
Rozan's highly regarded traversal of p.i. subgenres leaves the city for the poisoned arcadia of upstate Schoharie, where Bill Smith's been vacationing for 18 years without disturbing any dust. Now, all of a sudden, he's up to his .38 in three very different cases. First, reclusive farmer Eve Colgate wants him to recover six paintings that were stolen from her place—paintings whose theft she can't afford to report to the police. Second, local baby-food magnate Mark Sanderson, a man who doesn't take no for an answer, wants Bill to find his missing daughter Ginny, 15. And third, Frank Grice, the crook whose hold over young Jimmy Antonelli Bill helped to keep secret when Jimmy was arrested a few months ago, wants to pound Bill to a pulp after Bill helps Jimmy's brother Tony fight off a couple of musclemen Grice sent to intimidate Tony. Despite all these cases, though, what keeps Bill busiest is Wally Gould, a Grice lieutenant who's a lot more trouble dead than alive, especially when his corpse turns up in the basement of Tony's bar with Jimmy's keys nearby. Obviously, Gould's murder is connected to at least one of Bill's cases. But it isn't until after he's talked his partner Lydia Chin into coming up to help him that he realizes it's tied in to all three. Though Rozan only borrows from the best, Bill and Lydia's sixth features a few too many echoes of The Big Sleep (the constant shootings and beatings, the tangled mystery, the last buried secret) to scale the heights of No Colder Place (1997) and A Bitter Feast (1998).

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St. Martin's Press
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Lydia Chin and Bill Smith Series , #6
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Stone Quarry

By S. J. Rozan

St. Martin's Press

Copyright © 1999 S. J. Rozan
All rights reserved.
ISBN: 978-1-4668-2520-8


It can be a treacherous road, State Route 30, especially rain-slick in the twilight of late winter, but I know it well. I sped along its badly banked curves faster than legal and faster than necessary. I was heading for Antonelli's; I had plenty of time. I drove that way just for the charge, pushing the road, feeling its rhythm in my fingers, its speed in the current in my spine. Water hissed under my tires and my headlights reflected off the fat raindrops that splattered the blacktop in front of me.

Years ago, 30 carried a fair amount of tourist traffic, but even then it was people on their way to somewhere else. Now that the state highway slices through the northern part of the county and the Thruway wraps around it, no one passes through Schoharie anymore unless they mean to stop, and not many have a reason to do that. The tourist brochures call this countryside picturesque. If you look closely, though, you'll see the caved-in roofs and derelict silos, the junked cars and closed roadside diners with their faded billboards. These rocky hills were never good for much except hunting and dairy farming. Farming's a hard way to make a living, getting harder; and hunters are men like me, who come and go.

The hiss of water became the crunch of gravel in the lot in front of Antonelli's. I swung in, parked at the edge. I had Mozart in the CD player, Mitsuko Uchida playing the B-flat Sonata, and I lit a cigarette, opened the window, listened as the music ended in triumph and the exhilaration of promises fulfilled.

Then I left the car and strolled over to look across the valley. I was early. City habits die hard.

Hands in my pockets, I let my eyes wander the far hills, asked myself what I was doing. Work wasn't what this place was about, for me. But on the phone, when Eve Colgate had called, I'd heard something: not her words, clipped and businesslike, but the long, slow melody under them. Raindrops tapped my jacket; a tiny stream ran through the gravel at my feet, searching for the valley.

Unexpectedly, I thought of Lydia, her voice on the phone when I'd called to tell her I was coming up here, would be away awhile. There was music in Lydia's voice, too; there always was, though I'd never told her that. She wasn't surprised or bothered that I was leaving. Over the four years we've known each other she's come to expect this, my sudden irregular disappearances and returns. In the beginning, of course, I never told her when I was going, didn't call when I got back. Then, we just worked together sometimes; if she needed someone while I was gone, there were other PIs to call. But at some point, and I couldn't say just when, I'd started calling, to let her know.

The rain was ending. Wind rolled the high black clouds aside, revealing a sky that was still almost blue. The air was full of the smell of earth and promise, everything ready, tense with waiting. Soon spring would explode through the valley and race up the hills, color and noise engulfing the sharp silence. I stood for a while, watched tiny lights wink on in the windows of distant homes. When the sky was dark I turned and went inside.

The crowd in Antonelli's was small and subdued. A golf tournament, all emerald grass and blue sky and palm trees, flickered soundlessly from the TV over the bar. A couple of guys who probably thought golf was a sport were watching it. A few other people were scattered around, at the bar, at the small round tables. None of them was the woman I had come to meet.

I slid onto a bar stool. Behind the bar, Tony Antonelli, a compact, craggy man whose muscles moved like small boulders under his flannel shirt, was ringing up someone's tab. He looked over at me and nodded.

"Figured you were up," he said, clinking ice into a squat glass. He splashed in a shot of Jim Beam and handed it to me. "Saw smoke from your place yesterday."

"Big help you are," I said. "Whole place could burn down, you'd just watch."

"Happens I drove down to make sure your car was there, wise ass. I oughta charge you for the gas."

"Put it on my tab." I drank. "How's Jimmy?" I asked casually.

Tony turned, busied himself with glasses and bottles. "Still outta jail."

I said nothing. He turned back to me. "Well, that's what you wanna know, ain't it? Make sure all your hard work ain't been wasted?"

"No," I said. "I knew that. How is he?"

"How the hell do I know? He don't live with me no more; he moved in with some girl. If I see him I'll tell him you're askin'."

I nodded and worked on my bourbon. Tony opened Rolling Rocks for two guys down the other end of the bar. He racked some glasses, filled a couple of bowls with pretzels. Then he turned, reached the bourbon bottle off the shelf. He put it on the bar in front of me.

"Sorry," he said. "It ain't you. I oughta be thankin' you, I guess. But that no-good punk pisses the hell outta me. He never shoulda came to you. He gets his ass in trouble, he oughta get it out."

"Uh-huh," I said. "How come you never gave him a break, Tony?"

Tony snorted. "I was too busy feedin' him! What the hell you see to like in that kid, Smith?"

I grinned. "Reminds me of me."

"You musta been one godless bastard."

"I was. Only I didn't have a big brother like you, Tony. I was worse."

"Yeah, well, he should'n'a came to you. And don't think you're gonna pay that candy-ass lawyer you brought here. I told you to send me his goddamn bill."

"Forget it. He owed me."

"That's between you and him. I been bailin' Jimmy's ass outta trouble for years; I got no reason to stop now. I don't like the kid, Smith, but I'm family. You ain't."

I looked at Tony, at the sharp line of his jaw, his brows bristling over his deep-set eyes. "No," I said slowly. "No, I'm not." I poured myself another drink, took the drink and the bottle to a table in the corner, and sat down to wait for Eve Colgate.

Another bourbon and a cigarette later, the door opened and a tall, gray-haired woman stepped into the smoky room. No heads turned, no conversations stopped. She looked around her, reviewing and dismissing each face until she came to mine. She stayed still for a moment, with no change of expression; then she came toward me, contained, controlled. She wore a down vest over a black sweater, old, stained jeans, muddy boots. I stood.

"Mr. Smith?" She offered her hand. Her grip was sure, her hand rough. "Thank you for coming."

"Sit down." I held a chair for her.

"Thank you." She smiled slightly. "Men don't do this much anymore — help ladies into their seats."

"I was born in Kentucky. What are you drinking?"

"Tony keeps a bottle of Gran Capitan under the bar for me." The skin of her face was lined like paper that someone had crumpled and then, in a moment of regret, tried to smooth out again. Her blunt, shoulder-length hair was a dozen shades of gray, from almost-black to almost-white. I went to get her drink.

Tony gestured across the room with his eyes as he poured Eve Colgate's brandy. "You know her?"

"Just met. Why?"

"I meant to tell you she was askin' about you, coupla days ago. Wondered about it, at the time. She don't usually talk to nobody. Comes in alone, has a shot, leaves alone. Maybe sometimes she talks cows or apples with somebody. She ain't — I don't know." He shook his head over what he didn't know. "But she's got money."

"My type, Tony." I picked up her brandy from the bar.

"Hey!" Tony said as I turned. I turned back. "You ain't workin' for her?"

"Nah. She just thinks I'm cute."

"With a puss like you got?" Tony muttered as I walked away.

Eve Colgate's mouth smiled as I put her drink on the scarred tabletop. Her eyes were doing work of their own. They were the palest eyes I'd ever seen, nearly colorless. They probed my face, my hands, swept over the room around us, followed my movements as I drank or lit a cigarette. When they met my eyes they paused, for a moment. They widened slightly, almost imperceptibly, and I thought for no reason of the way a dark room is revealed by a lightning flash, and how much darker it is, after that.

I smoked and let Eve Colgate's eyes play. I didn't meet them again. She took a breath, finally, and spoke, with the cautious manner of a carpenter using a distrusted tool.

"I'm not sure how to begin." She sipped her brandy. If I had a dollar for every client who started that way I could have had a box at Yankee Stadium, but there was a difference. They usually said it apologetically, as if they expected me to expect them to know how to begin. Eve Colgate was stating a fact that I could take or leave.

"I called you on a matter difficult for me to speak about. I don't know you, and I don't know that I want you closely involved in my — in my personal affairs. However, I don't seem to have many options, and all of them are poor. You may be the best of them."

"That's flattering."

She looked at me steadily. "Don't be silly. I can't pretend to welcome the intrusion you represent. I'm too old to play games for the sake of your pride, Mr. Smith. I may need you, but I can't see any reason to be pleased about it."

I couldn't either, so I let it go.

She went on, her words clipped. "However, things are as they are. At this point, Mr. Smith, I'd like to know something more about you. All I have up to now are other people's opinions, and that's not enough. Is this acceptable?"

"Maybe. It depends on what you want to know."

"I'll tell you what I do know. I know you bought Tony's father's cabin ten years ago. You come up here irregularly, sometimes for long periods. Tony says you're moody and you drink. Other than that he speaks very highly of you. I understand you helped get his brother out of serious trouble recently — and went to considerable trouble to do it."

"The kid deserved a chance. He was in over his head in something he didn't understand. I bought that cabin twelve years ago. I sleep in the nude."

She looked at me sharply over her brandy. Her movements were small and economical. In contrast to her eyes, her body was composed and still.

"And are you always rude to your clients?" she asked.

"More often than I'd like to be." I refilled my glass from Tony's bottle. "I've been a private investigator for sixteen years, twelve in my own shop. Before that I was carpenter. I've been to college and in the Navy. I drink, I smoke, I eat red meat. That's it."

"I doubt it," said Eve Colgate. "Have you a family, Mr. Smith?"

I took a drink. "I had."

"But no longer?"

"I'm hard to live with."

"Was your wife also hard to live with?"

"Her second husband doesn't think so."

"And children?"

That was territory where no one went. I drank, put my cigarette out. "Look, Miss Colgate, you called me. I can use the work, but not the inquisition. I gave you references; call them if you want, ask about me."

"I have." She didn't continue.

"Well, that's all you get."

We drank in silence for a while. Eve Colgate's eyes never rested. They swept the room, probing the corners, counting the bottles on Tony's shelves. They inspected the cobwebs at the raftered ceiling. Every now and then, unpredictably, they returned to me, settling on my face, my hands, taking off again.

"Yes," she said suddenly, draining her glass. "You'll do. I'll expect you tomorrow morning. Do you know where I live?"

"You'll expect me to do what?"

"Some — things were stolen from me. They're worth a good deal of money; and yet they're not as valuable to the thief as they are to me. I want them back."

"The police are good at that sort of thing."

Her eyes flashed. "I'm not a stupid woman, Mr. Smith. If I'd wanted the police involved I would have called them."

"Why haven't you?"

She stood. So did I. "I don't want to discuss it here. If, after I tell you what I need done, you don't want to do it, I'll pay you for your time and your trip. Thank you for the drink, Mr. Smith." She walked from the room, her back straight, her steps measured.

When the door shut behind her the bar was the same as it had been before, as it had always been. Men and women who'd been stopping in at Antonelli's after work since Tony's father had run the place bought each other drinks, talked quietly about sports, the weather, their cars, and their kids. In the back, laughing, smoking, drinking beer from the bottle, was a tableful of young kids who'd been children when I first started coming here. Now that rear table was clearly theirs, Antonelli's as much their place as their parents'. Room had been made for them, and Antonelli's continued.

I swirled the bourbon around in my glass, then signaled to Marie, Tony's waitress, who was leaning on the bar chewing gum and trading wisecracks with the Rolling Rock drinkers. "Hi," she said, bouncing over to my table. "Can I get you something?" Her shaggy hair was bleached to a very pale blond, fine and soft.

"Hi." I pointed to my glass. "I need more ice, and I'm starving. What do you have?"

"Lasagna." She nibbled on a maroon fingernail that must have been an inch long. "And bean soup. And the usual stuff." She giggled.

I ordered the lasagna. Marie bounced off chomping openmouthed on her gum. I glanced up at the TV. The golf was over, the news was on. That meant there'd be NCAA basketball soon. I had a client, a bellyful of bourbon, and Tony's lasagna coming. I stretched my legs and idly watched an elderly couple a few tables over. They were eating dinner in a silence punctuated only by quiet remarks and small gestures that dovetailed so perfectly they might have been choreographed.

I'd told Lydia I was coming up here, told her I'd be away; but I hadn't said I'd be meeting a client, that I might be working.

I got up, bought a Mountain Eagle from the pile by the bar. Sipping my bourbon, I caught up on what had been happening since I'd last come up.

There was federal DOT money coming along and with it the state was planning to replace or rebuild three county roads. That was bad. Seven years ago they'd replaced this stretch of 30 with a faster, straighter road on the other side of the valley. Now this was strictly a local road and most of the establishments along it had died slow, lonely deaths. Antonelli's was one of the few still open.

I glanced at the other lead stories. Appleseed Baby Foods was expanding. That was good. Appleseed was the only major employer in the county. Appleseed CEO Mark Sanderson smiled from a front-page photo. I sipped my bourbon, considered the photo. In the old days, pictures of the state senator's Christmas party or the county Fourth of July bash always included a shot of Mark Sanderson with his arm around the usually bare shoulders of his stunning wife, Lena. Then four years ago she'd left him, just walked away. Consensus among the women in the county seemed to be that anyone married to Mark Sanderson would have considered that option, maybe much earlier than Lena Sanderson did, but Sanderson reported her to the county Sheriff and to the State Troopers as a missing person, made anguished televised pleas for her to come home, and waited. My professional opinion at the time was that the cops would come up empty and we'd seen the last of her, and I was right. Looking at Sanderson's round, smiling face now, it seemed to me he'd come through the whole thing pretty well.

I drank more bourbon, read on. New York State Electric and Gas had run an open meeting to get local comment on a natural gas pipeline they wanted to pull through the county. It would be heading down from Canada, where the gas was, to New York City, where it was needed. Local comment pro had to do with promised jobs. Local comment con was about tearing up fields, fencing off pastureland, polluted water, damaged crops, and the chance of major explosions. Pro won, hands down.

I lit a cigarette, turned the page. The Consolidated East girls' basketball team had won the tri-county championship in a squeaker last Friday. There was a photo with this one too, sweaty, long-legged girls grinning at the camera, arms around each other's shoulders. I imagined that picture fixed with magnets to refrigerator doors all around the county.

I was onto the Police Blotter — a lot of DWIs, one marijuana arrest — when Marie sashayed over, bringing silverware and a tall glass of ice. As she put them on my table the door swung open, letting a chill breeze push into the room.

I looked over. Three men stepped inside, chuckling as though they'd just exchanged a joke. They headed for the big table at the front. The first to sit, an angular, pasty man, cocked a finger at Marie, winking. The features on the left side of his face — ear, eye, eyebrow — were set a little higher than the ones on the right, and his nose was crooked. The other two men dropped themselves into chairs on either side of him. The big one was dark, with a thick, droopy mustache, wide shoulders, and an easy, friendly manner. The other was small and bony with bad skin and dead-brown hair.


Excerpted from Stone Quarry by S. J. Rozan. Copyright © 1999 S. J. Rozan. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

S. J. Rozan is author of many critically acclaimed novels which have won most of crime fiction's greatest honors, including the Edgar, Shamus, Anthony, Macavity, and Nero awards. Born and raised in the Bronx, Rozan now lives in lower Manhattan.

S. J. Rozan is author of many critically acclaimed novels which have won most of crime fiction's greatest honors, including the Edgar, Shamus, Anthony, Macavity, and Nero awards. Her books include China Trade and The Shanghai Moon. Born and raised in the Bronx, Rozan now lives in lower Manhattan.  

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