Stonehengeby Bernard Cornwell, Frederick Davidson
Four thousand years ago, a stranger's death at the Old Temple of Ratharryn-and his ominous "gift" of gold-precipitates the building of what for centuries to come will be known as one of mankind's most singular and remarkable achievements. Bernard Cornwell's epic novel Stonehenge catapults us into a powerful and vibrant world of ritual and sacrifice at once/i>… See more details below
Four thousand years ago, a stranger's death at the Old Temple of Ratharryn-and his ominous "gift" of gold-precipitates the building of what for centuries to come will be known as one of mankind's most singular and remarkable achievements. Bernard Cornwell's epic novel Stonehenge catapults us into a powerful and vibrant world of ritual and sacrifice at once timeless and wholly original-a tale of patricide, betrayal, and murder; of bloody brotherly rivalry: and of the never-ending quest for power, wealth, and spiritual fulfillment.
Three brothers-deadly rivals-are uneasily united in their quest to create a temple to their gods. There is Lengar, the eldest, a ruthless warrior intent on replacing his father as chief of the tribe of Ratharryn; Camaban, his bastard brother, a sorcerer whose religious fervor inspires the plan for Stonehenge; and Saban, the youngest, through whose expertise the temple will finally be completed. Divided by blood but united-precariously-by a shared vision, the brothers begin erecting their mighty ring of granite, aligning towering stones to the movement of the heavenly bodies, and raising arches to appease and unite their gods. Caught between the zealousness of his ambitious brothers, Saban becomes the true leader of his people, a peacemaker who will live to see the temple built in the name of salvation and regeneration.
Bernard Cornwell, long admired for his rousing narrative and meticulous historical imaginings, has here delivered his masterpiece, the most compelling and powerful human drama of its kind since Ken Follett's Pillars of the Earth and Edward Rutherford's Sarum. His re-creation of civilization as it might have been in 2000 B.C. at once amplifies the mystery of his subject and makes the world of Stonehenge come alive as never before.
About the Author:
Bernard Cornwell, is the author of the highly acclaimed American Civil War series The Starbuck Chronicles: Rebel, Copperhead, and Battle Flag. A native of England, where he worked as a journalist in newspapers and television, Cornwell is now a resident of the United States and lives with his American wife in Cape Cod.
New York Times Book Review
- Blackstone Audio, Inc.
- Publication date:
- Edition description:
- 11 Cassettes
- Product dimensions:
- 6.68(w) x 9.68(h) x 2.28(d)
Read an Excerpt
The gods talk by signs. It may be a leaf falling in summer, the cry of a dying beast or the ripple of wind on calm water. It might be smoke lying close to the ground, a rift in the clouds or the Right of a bird.
But on that day the gods sent a storm. It was a great storm, a storm that would be remembered, though folk did not name the year by that storm. Instead they called it the Year the Stranger Came.
For a stranger came to Ratharryn on the day of the storm. It was a summer's day, the same day that Saban was almost murdered by his half-brother.
The gods were not talking that day. They were screarming.
Saban, like all children, went naked in summer. He was six years younger than his half-brother, Lengar, and, because he had not yet passed the trials of manhood, he bore no tribal scars or killing marks. But his time of trial was only a year away, and their father had instructed Lengar to take Saban into the forest and teach him where the stags could be found, where the wild boars lurked and where the wolves had their dens. Lengar had resented the duty and so, instead of teaching his brother, he dragged Saban through thickets of thorn so that the boy's sun-darkened skin was bleeding. "You'll never become a man,"Lengar jeered.
Saban, sensibly, said nothing.
Lengar had been a man for five years and had the blue scars of the tribe on his chest and the marks of a hunter and a warrior on his arms. He carried a longbow made of yew, tipped with horn, strung with sinew and polished with pork fat. His tunic was of wolfskin and his long black hair was braided and tied with a strip of fox's fur. He was tall, had anarrow face and was reckoned one of the tribe's great hunters. His name meant Wolf Eyes, for his gaze had a yellowish tinge. He had been given another name at birth, but like many in the tribe he had taken a new name at manhood.
Saban was also tall and had long black hair. His namemeant Favored One, and many in the tribe thought it apt for,even at a mere twelve summers, Saban promised to be hand-some. He was strong and lithe, he worked hard and he smiled often. Lengar rarely smiled. "He has a cloud in his face" the women said of him, but not within his hearing, forLengar was likely to be the tribe's next chief. Lengar and Sabanwere sons of Hengall, and Hengall was chief of the people of Ratharryn.
All that long day Lengar led Saban through the forest. They met no deer, no boars, no wolves, no aurochs and no bears. They just walked and in the afternoon they came to the edge of the high ground and saw that all the land to the west was shadowed by a mass of black cloud. Lightning flickered the dark cloud pale, twisted to the far forest and left the sky burned. Lengar squatted, one hand on his polished bow, and watched the approaching storm. He should have started for home, but he wanted to worry Saban and so he pretended he did not care about the storm god's threat.
It was while they watched the storm that the stranger came.
He rode a small dun horse that was white with sweat. His saddle was a folded woolen blanket and his reins were lines of woven nettle fiber, though he hardly needed them for he was wounded and seemed tired, letting the small horse pick
its own way up the track which climbed the steep escarpment. The stranger's head was bowed and his heels hung almost to the ground. He wore a woolen cloak dyed blue and in his right hand was a bow while on his left shoulder there hung a leather quiver filled with arrows fledged with the feathers of seagulls and crows. His short beard was black, while the tribal marks scarred into his cheeks were gray.
Lengar hissed at Saban to stay silent, then tracked the stranger eastward. Lengar had an arrow on his bowstring, but the stranger never once turned to see if he was being followed and Lengar was content to let the arrow rest on its string. Saban wondered if the horseman even lived, for he seemed like a dead man slumped inert on his horse's back.
The stranger was an Outlander. Even Saban knew that, for only the Outfolk rode the small shaggy horses and had gray scars on their faces. The Outfolk were enemy, yet still Lengar did not release his arrow. He just followed the horseman and Saban followed Lengar until at last the Outlander came to the edge of the trees where bracken grew. There the stranger stopped his horse and raised his head to stare across the gently rising land while Lengar and Saban crouched unseen behind him.
The stranger saw bracken and, beyond it, where the soil was thin above the underlying chalk, grassland. There were grave mounds dotted on the grassland's low crest. Pigs rooted in the bracken while white cattle grazed the pastureland. The sun still shone here. The stranger stayed a long while at the wood's edge, looking for enemies, but seeing none. Off to his north, a long way off, there were wheatfields fenced with thorn over which the first clouds, outriders of the storm, were chasing their shadows, but all ahead of him was sunlit. There was life ahead, darkness behind, and the small horse, unbidden, suddenly jolted into the bracken. The rider let it carry him.
The horse climbed the gentle slope to the grave mounds. Lengar and Saban waited until the stranger had disappeared over the skyline, then followed and, once at the crest, they...
Meet the Author
BERNARD CORNWELL is the author of the acclaimed New York Times bestselling Saxon Tales series, which includes The Last Kingdom, The Pale Horseman, Lords of the North, Sword Song, The Burning Land, Death of Kings, The Pagan Lord, and, most recently, The Empty Throne, and which serves as the basis for the BBC America series The Last Kingdom. He lives with his wife on Cape Cod and in Charleston, South Carolina.
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