Stories I Stole

Stories I Stole

by Wendell Steavenson

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Fed up with working for Time magazine in London, Steavenson moved to Georgia on a whim. Stories I Stole relates her time there in twenty vodka-fuelled episodes drawn from all over the country – tales of love, friendship and power cuts, of duelling (Georgian style), of horse races in the mountains, wars and refugees, broken hearts, fixed elections, drinking


Fed up with working for Time magazine in London, Steavenson moved to Georgia on a whim. Stories I Stole relates her time there in twenty vodka-fuelled episodes drawn from all over the country – tales of love, friendship and power cuts, of duelling (Georgian style), of horse races in the mountains, wars and refugees, broken hearts, fixed elections, drinking sessions and a room containing a thousand roses.

Stories I Stole is a wonderful example of a writer tackling an unconventional subject with such wit, humanity and sheer literary verve that one is unable to imagine why one never learnt more about Georgia before. Stories I Stole is a magnificent first book: erudite, engaged, candid and blissfully poetic. PROLOGUE: The author visits a bizarre “Stalin theme park” culminating in the eery viewing of Stalin’s death mask
The author visits Khaketi, where she is introduced to the tamada culture of “exaggerated hospitality; a point-of-honour hospitality.” During a marathon toasting session at dinner she realizes “It is a kind of aggression. When they did not know you well, they filled your glass and filled it again and carefully watched how you drank it… This was the Georgian way, friend or enemy with nothing in between. History was lost in tradition, drinking a way of remembering and forgetting at the same time.”

The frustration of living with unpredictable power and water supplies during extremely cold winters; the heat and/or electricity is often turned off due to reasons ranging from sabotage, corruption, non-payment, theft, “black clan economics,” and incompetence. Nevertheless this leads to a particular happiness when the light does come on. The author discovers the heavenly comfort of public baths. “Times were difficult; people had very little money. A lot of men were unemployed and all the old good professional jobs, teachers, nurses, police, engineers, were state jobs and paid less than $50 a month… Half Tbilisi owed the other half money.”

The author visits Abkhazia, where a refugee has asked her to find the apartment that war caused him to flee. She finds a woman living there who is a refugee herself—after her own house was burned down, she discovered the fully furnished house in Abkhazia shortly after it was vacated, and has been living there ever since, proudly tending the garden of the previous occupant.

On the beach with Shalva, whom she suspects is “Abkhaz KGB.” He feeds her the party line about the Abkhaz occupation and she feels like screaming truths at him. “You won the war. You threw out all the Georgians. You have your homeland to yourselves (apart from the Armenian villages and the pockets of Russians) and what is this place? It’s a black hole. There are barely any cars, barely any petrol, no factories, nothing works, no private businesses, a curfew, no salaries, barely any pensions, a shell of a university, a terrible hospital, etc. etc.” But Shalva doubts that the West is paradise: “Here we have everything we need. The land is fertile.”

The story of Dato and Aleko—they get into a car wreck and Dato’s face is horribly scarred. Aleko steals Dato’s wife and Dato challenges him to a fight. When Aleko beats Dato up, Dato pulls a gun and shoots the man until he is almost paralyzed. Dato, meanwhile, lives the rest of his life with his mother, hooked on heroin. “Not really Pushkin is it?”

The author drives to Abkhazia with several journalists to see incumbent Ardzinba win the presidential election (the journalists rename it the “presidential farce,” since Ardzinba is the only one running. The author marvels over the abandoned relics of the USSR she sees along the roadside—rusting tractors, bits of pipline, lines of coal cars shunted and left along a rail line, etc. For her birthday, the author goes to Gorbachev’s dacha, a palatial house he built but never got to inhabit because of the collapse of the Soviet Union. The house is a metaphor for the USSR: “impressive only for its sheer size but actually full of empty space and tat.”

Editorial Reviews

Publishers Weekly
In this collection of wine-soaked stories, former Time journalist Steavenson recounts her adventurous two years living in the former Soviet republic of Georgia. Few journalists would have the gumption to do on assignment what the now 32-year-old Steavenson did on a whim-leave a job in Time's London office in the late 1990s for the relatively volatile region of the Caucasus. Her reward is a book, her first, that Chekhov himself would have admired. With a keen journalistic eye and a poetic flair for capturing every detail of her surroundings, Steavenson adeptly renders a vibrant if rather depressed culture amid the detritus of a collapsed superpower. The book is replete with harsh winters, hot summers, rolling blackouts from a shortage of electricity and a crumbling infrastructure, plentiful vodka and bad cigarettes, hearty friends, and an endless number of LAOs (large abandoned objects): bits of rusting pipeline, tractors, half-built bridges, "the debris of the Soviets, the husk of an empire." While each story seems to contain within it several others, most compelling are Steavenson's encounters with Chechen refugees and fighters after the second Russian war in Chechnya broke out. A chapter on the fixed election of "career communist" turned "western media darling" Eduard Shevardnadze is also insightful. Despite its title, it's clear these stories are anything but stolen. And Steavenson returns the favor. After turning down a marriage proposal from her boyfriend, a photographer, he sends her 1,000 roses-a stunning gesture that is surely still recalled among Georgians. This is a remarkable first effort from a writer to watch. (Mar.) Copyright 2003 Reed Business Information.
Library Journal
Steavenson, a former journalist for Time magazine, left London to satisfy an inexplicable curiosity about Georgia by living in Tbilisi for two years. From that experience comes this captivating mix of personal and political anecdotes cleverly woven into an entertaining whole in which the bleak chaos of post-Soviet Georgia is related with warmth and a puzzled, often frustrated, affection. By living in Tbilisi rather than simply traveling through it, Steavenson was able to build a large and eclectic social circle whose unique, often fablelike stories she has "stolen" to create this book. Never stooping to pathos, the sometimes tragic but more often triumphant tales of refugees and impoverished Georgians surviving severe winters with little in the way of electricity, heat, or food are juxtaposed against the schemes and brazen corruption of power-hungry politicians. The prose is clean, crisp, and always frank, cleverly reflecting the nature of the Georgians that populate the narrative. This vivid portrait is recommended for public libraries.-Rebecca Bollen, North Bergen, NJ Copyright 2003 Cahners Business Information.
Kirkus Reviews
Harsh, lovely prose chronicles the author's two years in post-Soviet Georgia. Steavenson adheres to a rough chronology in this collection of animated snapshots of a region devastated by war, political sleaze, poverty, greed, and graft. She begins in a remote village with the story of a man assembling a Stalin theme park and ends by expressing the almost featherless hope that "the best we can do is respect our family, love our friends, open a bottle of wine, drink it, and then open another one." In between are moments of wonder, weirdness, wisdom, and terror. Coming off a stint writing for Time magazine, the author was between lives in the Georgian town of Tbilisi. She drank a lot, waited for the power to go on (it was off most of the time), frequented the public baths, and took trips with friends to places that offered the prospect of wine or wonder-usually both. She slept in the Gorbachevs' bed in their former dacha; she ate fried brains and explored the story of a ruinous lovers' duel; she hiked high in the mountains to witness a horse race; she painted Eduard Shevardnadze in dark, unflattering colors (she shook his hand and found it limp); she chatted and drank with work crews exploding some 15,000 land mines lying along the Gumista. She also nursed a broken heart after falling in love with "Thomas," who dumped her and then returned nine months later to propose marriage. (She declined.) She shows us a landscape so cluttered with debris and decay (not unexpectedly, she alludes to "Ozymandias") that by the end we think almost lovely a description of a cow urinating in the marketplace mud. What appears to appeal to Steavenson-and to keep her in Georgia (she was born in the US and grew upin London)-is the candor, kindness, and daffy equanimity of the people. A useful "Ethnic Glossary" helps with the history. In the ruins, stories that stun.

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Grove/Atlantic, Inc.
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Read an Excerpt

Stories I Stole

By Wendell Steavenson

Grove Atlantic, Inc.

Copyright © 2002 Wendell Steavenson
All right reserved.

ISBN: 0-8021-4067-X

Chapter One

IN THE UNREMARKABLE VILLAGE of Alkhal Sopeli outside of Tbilisi, there was a gate with a small gold head of Stalin stuck on to it. Unremarkable. Past the gate into a courtyard where an old Lada was parked with another Stalin head fixed to the radiator grille. My eyes moved up; the courtyard was wide and paved, a hedge ran along one side and at the end was a large full-length, silver-painted concrete statue of Stalin. This was Temuri Kunelauri's private confection; his garden, his place; the statue was the beginning of a Stalin theme park.

It had taken him twenty-three years to build it out of the favourite materials of communist nostalgia: mosaic chips, concrete caulking and red paint. A series of interconnecting secret gardens, each swathe of hedge was hung with old bas-reliefs of Stalin, hammered metal portraits of Stalin. Crude painted slogans gave way to a gate which gave way to something else and more incredible. In one garden a gold statue of Stalin stood on a plinth surrounded by light bulbs. Apparently when there had been electricity the statue used to rise with the sun in the morning and then descend at night inside its plinth, to sleep, and the lights used to flash. In another alcove there was a Stalin fountain (not working) that fed into a small rank pond next to a small kiddie Ferris wheel (not working), rusted, pastel-coloured. There was a traditional Georgian hut made from woven branches, full of antlers, desiccated bearskins and moulting stuffed birds of prey in various violent poses. There was a grand multicoloured tile monument to friendship between the different Caucasian nations. There were paintings and placards and artillery rounds wedged into a plaster frieze surrounding gold bas-reliefs of fighting Soviet soldiers, missiles and cartridge belts. There were benches to sit on and admire the stage-set scenery. Strangely, the air was filled with the buzz-hum of worker bees.

In the museum room, where it was damp, cold and dark, the walls were covered with oil paintings and pencil drawings and marquetry portraits and photographs of Stalin. These had been brought by veterans and old Soviet heroes. Plaster busts of Stalin, images of Stalin and Lenin conferring, Stalin visiting the wounded during the war, Stalin kissing Asiatic children, Koba the bank robber. Temuri also had a large collection of phonographs of Stalin's speeches and piles of yellow crumbly newspaper clippings about Stalin.

I was with Thomas. We made noises of impression; we were impressed. Stalin repeated, always the same old Stalin, with the moustache and the thick brushed-back hair and the eyes in which we tried to catch malevolence but which were just eyes in a picture and unremarkable except for their repetition, which followed us around the room.

Thomas and I fell silent as Temuri led us through another series of Stalin grottoes. At the bottom of the garden was a doorway hung with a length of non-colour-rotting felt. Inside it was dark and we could not see anything; it smelled of must, attics, dead flowers and rain.

'Have you got a torch?' Temuri asked in a whisper, adding, apologetically, the single word, 'shuki,' as explanation.

Thomas handed him a small pencil torch. 'The battery is low,' he apologized. A faint narrow beam illuminated the wall which was encrusted with something brown and friable. I held Thomas's hand.

Through the gloom came a small patch of wobbling glow; it came into slow focus. Stalin's head, pale, waxen, recumbent, shone out. The hairs on the back of my neck bristled. Thomas curled his fingers around mine. Stalin's features were slightly misshapen in death, his nose misaligned, his moustache touched up with mascara, his lips too red. He was horrible; the torch beam moved down to reveal him, laid out in an open coffin, his chest heaped with dusty plastic carnations.

'All religions are weird,' I told Thomas, as we came out into the daylight and blinked at each other with a strange expression on our faces. 'It's their job to make the hair on the back of your neck stand up. We should go home and drink a glass of wine and make love and realize that corporeal is more important.'

Shashlik, Tamada, Supra

THERE WAS A MAP of the world on the wall in my office and for some reason I had stuck a pin in Tbilisi. Nina had stuck one in Pamplona-she wanted to go and see the running of the bulls. We used to lounge under our escape fantasies, chatting instead of working. Nina would halt her reverie of tapas, sherry and Hemingway and shake her head at me and say, 'Yeah Wendell, but why the hell Georgia?'

I could only offer scattered answers. A lonely epiphany watching the Vltava, black ink at night, flow beneath me, a strange affection for concrete Khrushchev housing blocks, rumours of wine and orange trees, milk and honey; Lermontov, a breakfast meeting with Shevardnadze in New York in 1994, a snowy happy winter in Moscow curled up in a garret writing my first great unpublishable novel. These triggers were half-identifiable (Nina would nod, nonplussed but kindly), but they belied a reservoir sunk deep out of explanation. To be honest, this was my own sinkwell. Who knows from where it sprang; spirit, soul or only runaway.

In any case, I got on a plane.

In the beginning all I did was walk. Past faded grandeur and cracked façades, crumbling swags and cherubs and dilapidated marble entrance halls, wooden gingerbread balconies, old apricot-coloured paint daubed with bits of graffiti, rusted tin roofs and filigree tin gutters housing small shrubs. Little basement shops selling stacks of bread and piles of tomatoes, newspaper twists of sunflower seeds, left-over rubble of bomb damage around the Parliament building, hexagonal Orthodox church steeples, the rusted-out funicular that went up the mountain. I walked up the steep cobbled streets and around the dusty squares; I walked past the carpet-seller's shop and up to the Narikala Fortress. I drank Turkish coffee in the shabby cafés. The sky was blue above; the river flowed in a swathe underneath the city's bridges, below the Metechi cliffs overhung with sagging houses, towards the ancient capital of Mtskheta.

I was a guest, an honourable occupation in Georgia. I reflected in those very first days, October 1998, when I woke up in the morning and found that the electricity was off which meant that there was no hot water, how very lucky I was to have fallen so randomly into Tbilisi's warm and easy embrace.

To celebrate my arrival, Dato the First, my first friend in Tbilisi, but not the last to bear that name, decided that we should go to Kakheti for the day. Lela and Kakha came too. It was perfect autumn weather, the sun was hot on our backs but our faces were cooled by the breeze. It was as if the earth was still warm from the baked summer and the air was soft and sunlit. The vineyards striped away from the hills along a rolling plain. We sat in the car driving through villages and ate the last summer raspberries out of a wicker basket.

Dato had an old friend from the town of Telavi who had arranged a barbecue in the woods. There was a table in a clearing-a piece of lopsided battered metal which we covered in paper; someone took the long seat out of the back of a Lada and rested it on the ground for us to sit on. Dato's friend had brought his friends and there were about ten of us. A fire was built out of dry logs, which burned down in a burst of flame into embers. Four skewers laden with well-salted pork, the shashlik, were balanced over the embers on stones and the table spread with rough-hewn tomatoes, green chillies, mustard greens, thin white onions, sheep's cheese, flat lavash bread, fiery red chilli sauce, pomegranates, pears, grape-resin walnut sweets. The cook, the acclaimed shashlik king of Telavi called Omari, squeezed pomegranate juice on to the pork as it fired crusted fat into sharp burned edges. The tomatoes burst with tang and fruit and salt. We drank young rough red wine decanted from a petrol can that scraped the roof of our mouths dry. Pomegranate seeds spilled on the table gleamed like rubies.

Lela and Kakha and I were polite as guests, gave our compliments to Omari with our mouths full, ate his shashlik with our fingers and teeth, rubbed torn pieces of lavash around our plates to absorb the residual mulch of tomato water, gravy and flecks of chilli.

And then the toasts began, as they had for centuries. The largest man, rotund with a beaming red face and a mayoral disposition, rose with his glass in his hand and began to speak.

'Today we are here to welcome new friends and old friends. I have known Dato since he used to come and visit his grandmother here when he was a child. We've had a lot of good times! A lot of wine! And a lot of love has flowed between us. And so I was very happy when he told me that he would be bringing his friends to Kakheti today. Kakha -' and our master of ceremonies, tamada, raised his glass to Kakha, 'is someone I have always admired. I know he is a very close friend of Dato's and I am honoured to welcome him here. I feel -' the tamada put his hand on his heart, 'that we are very good friends now that he has come to visit me in my own village, here in the woods where Dato and I have spent long hours -'

'Drinking!' cried out one heckler.

'Drinking sometimes!' replied the tamada, laughing. 'Drinking often! And always happy.' Then he paused while he shifted his subject to me and Lela. 'I should also welcome Lela and Wendell. Lela I know is very talented, a journalist for Radio Liberty! That means she can say whatever she likes! And our guest from England or America-I don't know which-or both places-Wendell-has come to Georgia to write about us. She tells me she is looking for stories. Well we have many stories in Georgia, old ones, good ones, stories about friendship. She is welcome! We may not have luxury, we may not have electricity, but we are friends and friendship begins with a glass of wine, a toast-conversation comes later; interviews we leave to the experts. Here we have a few things, we have wine, we have our stories and these things we would like to share.'

Our glasses were held poised. The dry rasping young wine made us thirsty but we were unable, as procedure dictated, either to drink or put the glass down on the table while the tamada was still speaking. And he was still speaking.

'We are here together,' said Otari, circling his hands wide in munificent gesture. 'A special day,' he touched his heart, 'that my very good and old friend Dato has honoured me by bringing his friends to our village, to our woods, to share with us our wine and our hospitality, and to bless us with their company. Gamarjos!'

We drank our full glasses and thumped them empty on to the table. Dato the First inclined his head in a little bow to me and drank another glass of wine in one ceremonial gulp. The trees around us shook down their dry leaves. Dato the First stood up and we quietened.

'Otari is a very good friend and a fine tamada-' Dato held his glass outstretched; around the table the refilling ritual went on, puddles of wine forming under glasses that were filled to overflow-Dato spoke, intoning Otari's virtues. Otari's grin was filled with a piece of lavash held in two fingers, as the compliments were returned.

Then another man got up to speak, to propose a toast to the sacred grape that he was drinking, 'I want to drink for wine, for the fruit that grows here in Kakheti and for which the whole of Georgia is grateful! Our wine, our country. The things that grow friendships and foster peace: we should remember to respect these things always. Drink! Be merry! Wine is a thing to be shared, like the bread of sacrament. As a gift, as a gift that we give each other.'

We drank. The wine was passed around and glasses replenished, cigarettes lit and we leaned back from the table, looking at each other's content and smiling faces. Kakha was leaning with his arm around me-

'Another glass, another toast!' he groaned. 'You should eat the peaches. They'll be the last of the year-they are wonderful from Kakheti!'

Lela had her arm linked in mine, 'And now they'll drink all night-you watch! Pass me some more wine, for God's sake! And a cigarette. I can't eat any more-that's probably the best shashlik I've ever tasted.'

Otari the tamada regained the floor and began an elegy to women, benediction, dedication, acknowledgement. After women, Otari elaborated his toasts into a series on the family, on children, on wives (everyone laughed-wives were, after all, a necessary evil), grand parents (one of his daughters had recently given birth to a boy), to sons (to grow up strong and take your place in the future), on love, on happiness (which does not depend on money but only on the things that had been previously drunk to).

One of the men fetched another petrol can from the car and decanted it into an old plastic Coke bottle. Otari continued to honour life with his glass of wine. He rested his glass on the great belly curve of his stomach. My eyes blurred; I focused on fleeting vignettes: the edge of Kakha's smile, a blonde curl of Lela's hair, a half-full glass of wine, a bowl of grapes, the perfect interior blush of a peach segment. Time distended and hung about us in a premonition of memory.

The fire burned brightly when we tossed dry leaves on to it, the beech trees swayed like a living cathedral above us. At first their leaves were yellow against a blue sky, then leaden against grey as evening fell, and finally black against a deep purple night. The moon came up very clear and lit shards of clouds silver. Each person was toasted and included: to friends, to friendship, to marriage, to children, to women, to parents, to our teachers and mentors, to our country, to Stalin, to the Queen, to love, to understanding, to remembrance, to dead people. We shared the satisfied smile of well-being. My stomach gurgled, sloshing full of shashlik and sharp red wine and friendship. I was happy; charmed, drunk and beguiled, like thousands of guests and invaders before me, in the land of hospitality.

'It doesn't mean anything,' Kakha told me months later when we were sitting around at a birthday party, bored by the rigmarole of the banquet, the well-laden table, the inimitable Georgian feast, the supra. 'Thirty years the same idiots sit around a table and repeat the same toasts. They are only words and insincere.'

The tamada culture was honour; it was Georgian, old and entwined; it enshrined wine and poetry. But it served another purpose too, this exaggerated hospitality; a point-of-honour hospitality. Always the raised glass, the exhortation, 'Drink!' In the mountains in Svaneti once I stood on the table and drank chacha, distilled grape, from the hollow of an elkhorn, cheered by twenty local men with faces rubbed red with sun and alcohol.


Excerpted from Stories I Stole by Wendell Steavenson Copyright © 2002 by Wendell Steavenson. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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