A cinematic, fresh, and gripping Vampire yarn
Have you seen Hellboy 2? I know, one could easily dismiss that movie as comic book drivel. But it's really quite entertaining, and beautifully stunning, due in large part to Del Toro's eye and skill with storytelling. I bring this up for two reason. The first, and obvious, is that Del Toro had a hand in both that movie and this novel. The second, and more evident if you've seen the movie, is the introduction to the book. The first chapter alone brought to mind a direct corellation to the opening sequence of the Hellboy sequel. In the Strain's case, it is a grandmother telling her grandson a story while he eats his supper. In Hellboy, it was a father telling his son a bedtime story. The way the two introductions set the stage for the story that follows is what ties the two works together. The Strain opens, as I said, with a grandmother telling her grandson a tale of the local "giant," a towering man whose height nearly crippled him, but allowed him to both look down at everyone, but never look down at anyone. As the story goes, the man accompanies his family on a hunting trip, hunting not game, but wolf. On said trip, the entire group goes missing, save the giant (Sardo, as he's called), who returns home and locks himself in his estate. As the years go by, children start going missing in the night. The only sign of anything amiss is the "pick-pick-pick" noise of a cane hitting the ground as the families sleep in their homes. Sardo, essentially, becomes a boogeyman, allowing elders like the boys grandmother to use his strange case as a bargaining chip against rebellious children. Eat your food/do your chores/obey your elders or Sardo will get you. Flash forward to present day, and a plane lands at JFK. After touchdown, all of it's electronics shut off, and there is no sign of movement, distress...anything from the plane. The CDC is called in, only to find that all the passengers on the plane are dead, save four survivors, with no clue alluding to the cause of death. No traces of gas or poisons. No wounds. No nothing. They all died suddenly and without any recognition of what was happening. Shortly, the investigation is in full swing. The corpses show no signs of decomposition, even though they've been dead for nearly 24 hours. The survivors are quaranteened, though no one remembers anything about landing. No clues, no leads, no nothing. Then, while rooting through the cargo, a container is found. A large, 8 foot long container, with strange symbols on it. When opened, it is found to be filled with dirt. After removing the cargo and getting an inventory, the carton literally vanishes. Reviewing the security tapes, the box is there, and then isnt. Closer inspection shows an impossibly fast shadow darting away from where the crate was sitting. Again, no clues, but an impossible situation. From there, the story really begins to shift into high gear. With a perspective shifting narrative, we learn the whole story. There's the CDC workers. The boy who heard the story of Sardo in the beginning, now an old pawn shop owner. There is the mystery investor, who ordered the container to be shipped. But for what purpose? And is this Sardo? Or is something else happening here? Ultimately the story plays out. And the whole time, this cloud of anxiety and suspense looms over the reader. It's powerful, engrossing, and hard to put down. If I could write more, I would, but I've sadly reached t
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