- Shopping Bag ( 0 items )
In one week, Manhattan will be gone.
In one month, the country. In two months . . . the world.
At New York's JFK Airport an arriving Boeing 777 taxiing along a runway suddenly stops dead. All the shades have been drawn, all communication channels have mysteriously gone quiet. Dr. Eph Goodweather, head of a CDC rapid-response team investigating biological threats, boards the darkened plane . . . and what he finds makes his blood run cold.
A terrifying contagion has come to the unsuspecting city, an unstoppable plague that will spread like an all-consuming wildfire—lethal, merciless, hungry . . . vampiric.
And in a pawnshop in Spanish Harlem an aged Holocaust survivor knows that the war he has been dreading his entire life is finally here . . .
Pan's Labyrinth director Del Toro and thriller author Hogan (Prince of Thieves) team up to launch the first volume of a modern-day vampire trilogy. The story begins onboard a grounded plane that has just landed at New York's JFK airport. Police and emergency medical crews are called to investigate the possible outbreak of a mysterious disease, which has killed all but four of the plane's passengers. Unknowingly, something more ominous is responsible for the carnage, which now threatens the city and soon the entire country. Unlike the sexy bloodsuckers of paranormal romances and the cuddly vampires of teen fiction, these undead creatures are slick, dark, and frightening. This novel reads like a story made for the big screen, and with writer/director Del Toro, that is entirely possible. Despite the somewhat slow start, the story builds up steam quickly, and fans of horror, vampire fiction, and Del Toro's Hellboy films will line up for this one. Buy multiple copies. Highly recommended. [See Prepub Alert, LJ2/15/09; Rayo will publish the simultaneous Spanish-language edition.-Ed.]
—Carolann Lee Curry
The Strain
Book One of The Strain Trilogy
Chapter One
The Legend of Jusef Sardu
Once upon a time," said Abraham Setrakian's grandmother, "there was a giant."
Young Abraham's eyes brightened, and immediately the cabbage borscht in the wooden bowl got tastier, or at least less garlicky. He was a pale boy, underweight and sickly. His grandmother, intent on fattening him, sat across from him while he ate his soup, entertaining him by spinning a yarn.
A bubbeh meiseh, a "grandmother's story." A fairy tale. A legend.
"He was the son of a Polish nobleman. And his name was Jusef Sardu. Master Sardu stood taller than any other man. Taller than any roof in the village. He had to bow deeply to enter any door. But his great height, it was a burden. A disease of birth, not a blessing. The young man suffered. His muscles lacked the strength to support his long, heavy bones. At times it was a struggle for him just to walk. He used a cane, a tall stick...taller than you...with a silver handle carved into the shape of a wolf's head, which was the family crest."
"Yes, Bubbeh?" said Abraham, between spoonfuls.
"This was his lot in life, and it taught him humility, which is a rare thing indeed for a nobleman to possess. He had so much compassion...for the poor, for the hardworking, for the sick. He was especially dear to the children of the village, and his great, deep pockets...the size of turnip sacks...bulged with trinkets and sweets. He had not much of a childhood himself, matching his father's height at the age of eight, and surpassing him by a head at age nine. His frailty and his great size were a secret source ofshame to his father. But Master Sardu truly was a gentle giant, and much beloved by his people. It was said of him that Master Sardu looked down on everyone, yet looked down on no one."
She nodded at him, reminding him to take another spoonful. He chewed a boiled red beet, known as a "baby heart" because of its color, its shape, its capillary-like strings. "Yes, Bubbeh?"
"He was also a lover of nature, and had no interest in the brutality of the hunt...but, as a nobleman and a man of rank, at the age of fifteen his father and his uncles prevailed upon him to accompany them on a six-week expedition to Romania." "To here, Bubbeh?" said Abraham. "The giant, he came here?"
"To the north country, kaddishel. The dark forests. The Sardu men, they did not come to hunt wild pig or bear or elk. They came to hunt wolf, the family symbol, the arms of the house of Sardu. They were hunting a hunting animal. Sardu family lore said that eating wolf meat gave Sardu men courage and strength, and the young master's father believed that this might cure his son's weak muscles."
"Yes, Bubbeh?"
"Their trek was long and arduous, as well as violently opposed by the weather, and Jusef struggled mightily. He had never before traveled anywhere outside his family's village, and the looks he received from strangers along the journey shamed him. When they arrived in the dark forest, the woodlands felt alive around him. Packs of animals roamed the woods at night, almost like refugees displaced from their shelters, their dens, nests, and lairs. So many animals that the hunters were unable to sleep at night in their camp. Some wanted to leave, but the elder Sardu's obsession came before all else. They could hear the wolves, crying in the night, and he wanted one badly for his son, his only son, whose gigantism was a pox upon the Sardu line. He wanted to cleanse the house of Sardu of this curse, to marry off his son, and produce many healthy heirs.
"And so it was that his father, off tracking a wolf, was the first to become separated from the others, just before nightfall on the second evening. The rest waited for him all night, and spread out to search for him after sunrise. And so it was that one of Jusef's cousins failed to return that evening. And so on, you see."
"Yes, Bubbeh?"
"Until the only one left was Jusef, the boy giant. That next day he set out, and in an area previously searched, discovered the body of his father, and of all his cousins and uncles, laid out at the entrance to an underground cave. Their skulls had been crushed with great force, but their bodies remained uneaten...killed by a beast of tremendous strength, yet not out of hunger or fear. For what reason, he could not guess...though he did feel himself being watched, perhaps even studied, by some being lurking within that dark cave.
"Master Sardu carried each body away from the cave and buried them deep. Of course, this exertion severely weakened him, taking most of his strength. He was spent, he was farmutshet. And yet, alone and scared and exhausted, he returned to the cave that night, to face what evil revealed itself after dark, to avenge his forebears or die trying. This is known from a diary he kept, discovered in the woods many years later. This was his last entry."
Abraham's mouth hung empty and open. "But what happened, Bubbeh?"
"No one truly knows. Back at home, when six weeks stretched to eight, and ten, with no word, the entire hunting party was feared lost. A search party was formed and found nothing. Then, in the eleventh week, one night a carriage with curtained windows arrived at the Sardu estate. It was the young master. He secluded himself inside the castle, inside a wing of empty bedrooms, and was rarely, if ever, seen again. At that time, only rumors followed him back, about what had happened in the Romanian forest. A few who did claim to see Sardu...if indeed any of these accounts could be believed...insisted that he had been cured of his infirmities. Some even whispered that he had returned possessed of great strength, matching his superhuman size. Yet so deep was Sardu's mourning for his father and his uncles and cousins, that he was never again seen about during work hours, and discharged most of his servants. There was movement about the castle at night...hearth fires could be seen glowing in windows...but over time, the Sardu estate fell into disrepair.
"But at night .?.?. some claimed to hear the giant walking about the village. Children, especially, passed the tale of hearing the pick-pick-pick of his walking stick, which Sardu no longer relied upon but used to call them out of their night beds for trinkets and treats. Disbelievers were directed to holes in the soil, some outside bedroom windows, little poke marks as from his wolf-handled stick."
His bubbeh's eyes darkened. She glanced at his bowl, seeing that most of the soup was gone.
"Then, Abraham, some peasant children began to disappear. Stories went around of children vanishing from surrounding villages as well. Even from my own village. Yes, Abraham, as a girl your bubbeh grew up just a half-day's walk from Sardu's castle. I remember two sisters. Their bodies were found in a clearing of the woods, as white as the snow surrounding them, their open eyes glazed with frost. I myself, one night, heard not too distantly the pick-pick-pick...such a powerful, rhythmic noise...and pulled my blanket fast over my head to block it out, and didn't sleep again for many days."
Abraham gulped down the end of the story with the remains of his soup.
"Much of Sardu's village was eventually abandoned and became an accursed place. The Gypsies, when their carriage train passed through our town, told of strange happenings, of hauntings and apparitions near the castle. Of a giant who prowled the moonlit land like a god of the night. It was they who warned us, 'Eat and grow strong...or else Sardu will get you.' Why it is important, Abraham. Ess gezunterhait! Eat and be strong. Scrape that bowl now. Or else...he will come." She had come back from those few moments of darkness, of remembering. Her eyes came back to their lively selves. "Sardu will come. Pick-pick-pick."
And finish he did, every last remaining beet string. The bowl was empty and the story was over, but his belly and his mind were full. His eating pleased his bubbeh, and her face was, for him, as clear an expression of love that existed. In these private moments at the rickety family table, they communed, the two of them, sharing food of the heart and the soul.
A decade later, the Setrakian family would be driven from their woodwork shop and their village, though not by Sardu. A German officer was billeted in their home, and the man, softened by his hosts' utter humanity, having broken bread with them over that same wobbly table, one evening warned them not to follow the next day's order to assemble at the train station, but to leave their home and their village that very night.
Which they did, the entire extended family together...all eight of them...journeying into the countryside with as much as they could carry. Bubbeh slowed them down. Worse...she knew that she was slowing them down, knew that her presence placed the entire family at risk, and cursed herself and her old, tired legs. The rest of the family eventually went on ahead, all except for Abraham...now a strong young man and full of promise, a master carver at such a young age, a scholar of the Talmud, with a special interest in the Zohar, the secrets of Jewish mysticism...who stayed behind, at her side. When word reached them that the others had been arrested at the next town, and had to board a train for Poland, his bubbeh, wracked with guilt, insisted that, for Abraham's sake, she be allowed to turn herself in.
"Run, Abraham. Run from the Nazi. As from Sardu. Escape."
But he would not have it. He would not be separated from her.
In the morning he found her on the floor of the room they had shared...in the house of a sympathetic farmer...having fallen off in the night, her lips charcoal black and peeling and her throat black through her neck, dead from the animal poison she had ingested. With his host family's gracious permission, Abraham Setrakian buried her beneath a flowering silver birch. Patiently, he carved her a beautiful wooden marker, full of flowers and birds and all the things that had made her happiest. And he cried and cried for her...and then run he did.
He ran hard from the Nazis, hearing a pick-pick-pick all the time at his back .?.?. And evil followed closely behind.
The StrainI am an avid reader sometimes finishing 6 books a week. I have always loved the thriller genre and was looking forward to this book. I read it in one sitting and was not diappointed in it. I have never taken the time to write a book review until The Strain.. The book pulled me in from the very beginning at the airport and never let up. It reminded me of a conglomerate of the writing of Dean Koontz, Stephen King, and Robin Cook. Although the plot seems almost preposterous I believe the cental characters made me come to accept the storyline. It is well written and exciting and I cannot wait until Book Two!
19 out of 21 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.nerveghost
Posted May 20, 2009
Well, if you're idea of fun includes vampires, biological horror, scary folk tales, and the undead walking the earth, then I have a recommendation for you:
THE STRAIN - book one of the trilogy of novels from Guillermo Del Toro and Chuck Hogan.
If you're a big GDT fan (and I assume you are because you're reading this blog), then you are getting some classic, old school Guillermo here. This is his triumphant return to horror in a whole new medium.
The end result?
BLADE 2 meets CSI.
THE STRAIN is not a meditation like PAN'S LABYRINTH, or a metaphorical folk tale like THE DEVIL'S BACKBONE. It is an in-your-face horror thriller that is not for the squeamish.
Needless to say, I really enjoyed this book. It is very well written and honestly, I couldn't put it down. For my money, nothing holds my interest like a vampire plague, and this book has some cool new twists to the vampire mythology.
The premise of a vampire "infecting" its victims with a virus is not completely new: I've seen the idea before. What THE STRAIN does well is explore the infection of the unfortunate victim in great detail. The main character of THE STRAIN is Ephraim Goodweather, epidemiologist for the Center of Disease Control. His investigation as to the nature of this sudden and mysterious plague requires understanding the nature and effects of the virus itself.
In other words, the entire book is like playing in GDT's sandbox of the scientifically weird and grotesque. It is a medical journal for Guillermo's vision of the ultimate vampire.
Talk about Gross Anatomy.
I won't spoil anything about the vampires for you - that's the best part of the book - but I will say that they bare a striking similarity to the Reapers in BLADE 2. I know Guillermo said that he wasn't able to fully realize the Reapers the way he wanted to in that film, so perhaps this is finally his perfect vision of a vampire: grotesque, horrible, thirsty and a perfect evolutionary predator.
The wonderful part about THE STRAIN is that the novel is the perfect medium for bringing GDT's vampires to life. You understand them inside and out (literally), but also you'll get uncomfortable access to the thoughts and fears of those who are infected...or are being infected.
And that's stuff you'll never get from a movie, so consider it the ultimate bonus feature.
12 out of 14 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Normally, I'm turned off by novels written by a team of writers. Perhaps that's because I'm a writer myself, and I cannot comprehend how the creative process can be unselfishly shared with another. Had it not been my passion for two of Guillermo Del Toro's film projects, "Pan's Labyrinth" and "The Orphanage," I more than likely would not have read The Strain. What a tragedy that would have been, for this novel is one of the most exciting and page-turning stories I have encountered in a very long time.
The story opens with one of the most uniquely bizarre events ever dreamt. An overseas flight arrives in New York. Upon taxiing to the terminal, the plane stops. All of its electrical functions cease and communication is lost. Upon examination of the plane, all of the passengers and crew (with the exception of four individuals) are found dead. What ensues is an outbreak of a unique blood infection that transforms its victims into blood-thirsty, vicious vampires.
No, these are not the romantic and handsome vampires of modern fascination. Fans of Sookie Stackhouse or the Twilight series will be mortified if they read The Strain. Nor are these the sophisticated and classy drawing room vampires of Anne Rice of Bram Stoker. Del Toro's and Hogan's vampires are monsters, whose bodies transform into something other than human. Their mouths widen to reveal a long and sharp tongue-like appendage that slashes at their victims' necks to begin the blood flow. Think of the vampires in Matheson's I Am Legend or consider some of the more recent Zombie films like "28 Days Later" or the remake of "Dawn of the Dead." These creates are more comparable to the vampires in The Strain than any of the more traditional vampire roles.
The Strain takes off from page one and does not stop, even at the end of the story. Before reading the book, consider that it is the first in what is to be a trilogy. Therefore, do not expect any resolution to the major conflicting issues in the book by the end of this installment. Also, I do not recommend reading this book unless you have a significant chunk of time to devote all at once. Its short chapters, non-stop action, and lingering suspense make it a true page-turner, one that is very difficult to put down. It is written perfectly for development into a film. Characterization and internal conflict are lacking, but the descriptive violence and unique nature of the monsters make up for any missing elements. Highly recommended.
8 out of 8 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Tobiason
Posted August 9, 2009
When I bought this book I was looking forward to a new and inventive take on the vampire genre, I was very wrong. It started off well but soon degenerated into a mix of the stand, salems lot and the virus he penned for the second in the blade trilogy. The lack of originality was evident all through the book and besides a few clever killings it was all very run of the mill.
Disappointed.
8 out of 12 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.If you love Vampires and horror, but are tired of the current Twilight trend, this book is for you. In fact, the word Vampire isn't even used until page 215. The Strain follows a team of epidemiologists trying to determine why everyone on a flight from Germany to the US winds up dead for no apparent reason. The mythology of this novel hearkens back to Stoker's Dracula, but adds its own creepy twist to make these bloodsuckers even scarier. Guillermo del Toro's film experience gives the novel a cinematic feel in the way the events are laid out, which adds to the suspense of the story. It's going to be a long wait for the sequel, which doesn't come out until next summer.
8 out of 10 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Whoa!!! This is one of the best books I have read this year!!!! To say that I LOVED it would be an extreme understatement. From the moment I turned to page one I was hooked. I only stopped in between to get a bit less scared.
On September 24th 2010 a commercial plane lands at JFK. In the control tower someone notices that the plane never taxied to the final runway to off load its passengers and all contact with the plane has been lost. Efforts to reach the pilot come to naught and even more mystifying is the fact that the plane has gone dark. Is it terrorism? Is it some sort of biological attack? What exactly is going on? Emergency services rush to the scene and find everyone to be seemingly dead. They begin to investigate and cannot understand what has happened. Dr Ephraim Goodweather along with his partner Dr. Nora Martinez, both from the Center for Disease Control, are called in to investigate the disease angle. But nothing in their medical training can prepare them for how this story will unfold. They quickly discover four survivors whose memory of the landing is absent and provide no clues as to what has happened.
Guillermo Del Toro and Chuck Hogan have managed to weave a tale that melds science and myth in a way that I personally have not seen done in a long time. Though they draw on certain long established vampire lore, there is definitely a different slant to the way they lay out the story. The horror that this is taking place in modern times serves to make the story even more terrifying. The way in which scenes are laid out and the masterful descriptiveness will have you on the edge of your seat and almost screaming out loud.
One of the things that I noticed as I read the book was that it was very much like a movie. I began picturing how this story would appear on screen and maybe even what actor would play what part. It is very possible it seems this way because of Del Toro's contribution to the story(Del Toro directed Pan's Labyrinth). For the most part the authors stayed away from the usual mistake of having their main characters make stupid mistakes that propel them into dangerous situations. Except for one instance where I was forced to roll my eyes at the sheer carelessness of Ephraim, characters found themselves in danger not out of their own making but from the unfolding horror. By writing smart characters, they created people who were believable and sympathetic. There was a refreshing lack of melodrama between the characters and there was no beautiful woman that everyone is trying to save(Thank goodness for that). The vampires are evil, ugly and dank. These are not the sexy vampires of Anne Rice or the clean cut vampires that I hear populate the Twilight series. No, these vampires hate you and want to feast on your blood in a most horrifying way. Gosh I am almost scared to ride the subway home tonight.
This is book one in a trilogy and I cannot wait to read what comes next.
7 out of 9 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.ColdLampin
Posted October 8, 2010
I Also Recommend:
I can't for the life of me understand all the positive reviews on this site.
This book is full of horrible writing, grammatical errors and ideas that have been beaten to death in a hundred other, better written books. Plus the plot is absolutely nonsensical and suffers from continuity problems galore. For example: (Spoiler) vampirism is a purely biological affliction, however, vampires can't cross running water without assistance from living humans. Well, why not? Does that sound like a biological problem to you? The book is filled with little things like this that just don't make any sense.
Biggest of all, the book NEVER EXPLAINS what the deal is with all the dead people on the plane, which is only the soul focus of practically the entire first half of the book.
Full of dialog gems such as:
"She could tell by the look on his face that he was troubled by the look on her face."
Just flat out horrible writing.
Del Toro makes great movies, I'll give him that.
5 out of 6 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.I finished this book in a few hours, couldn't put it down. I thought it was an interesting spin, however at times it felt too much like a zombie tale. I'm used to my vampires as rather ruthless and intelligent beings, not mindless foaming at the mouth animals/monsters. It was more of horror story which is not a genre I read often. I'm not sure if I would be committed enough to finish the trilogy when the rest of the books come out, however this would make an awesome movie!
5 out of 8 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Have you seen Hellboy 2? I know, one could easily dismiss that movie as comic book drivel. But it's really quite entertaining, and beautifully stunning, due in large part to Del Toro's eye and skill with storytelling. I bring this up for two reason. The first, and obvious, is that Del Toro had a hand in both that movie and this novel. The second, and more evident if you've seen the movie, is the introduction to the book. The first chapter alone brought to mind a direct corellation to the opening sequence of the Hellboy sequel. In the Strain's case, it is a grandmother telling her grandson a story while he eats his supper. In Hellboy, it was a father telling his son a bedtime story. The way the two introductions set the stage for the story that follows is what ties the two works together. The Strain opens, as I said, with a grandmother telling her grandson a tale of the local "giant," a towering man whose height nearly crippled him, but allowed him to both look down at everyone, but never look down at anyone. As the story goes, the man accompanies his family on a hunting trip, hunting not game, but wolf. On said trip, the entire group goes missing, save the giant (Sardo, as he's called), who returns home and locks himself in his estate. As the years go by, children start going missing in the night. The only sign of anything amiss is the "pick-pick-pick" noise of a cane hitting the ground as the families sleep in their homes. Sardo, essentially, becomes a boogeyman, allowing elders like the boys grandmother to use his strange case as a bargaining chip against rebellious children. Eat your food/do your chores/obey your elders or Sardo will get you. Flash forward to present day, and a plane lands at JFK. After touchdown, all of it's electronics shut off, and there is no sign of movement, distress...anything from the plane. The CDC is called in, only to find that all the passengers on the plane are dead, save four survivors, with no clue alluding to the cause of death. No traces of gas or poisons. No wounds. No nothing. They all died suddenly and without any recognition of what was happening. Shortly, the investigation is in full swing. The corpses show no signs of decomposition, even though they've been dead for nearly 24 hours. The survivors are quaranteened, though no one remembers anything about landing. No clues, no leads, no nothing. Then, while rooting through the cargo, a container is found. A large, 8 foot long container, with strange symbols on it. When opened, it is found to be filled with dirt. After removing the cargo and getting an inventory, the carton literally vanishes. Reviewing the security tapes, the box is there, and then isnt. Closer inspection shows an impossibly fast shadow darting away from where the crate was sitting. Again, no clues, but an impossible situation. From there, the story really begins to shift into high gear. With a perspective shifting narrative, we learn the whole story. There's the CDC workers. The boy who heard the story of Sardo in the beginning, now an old pawn shop owner. There is the mystery investor, who ordered the container to be shipped. But for what purpose? And is this Sardo? Or is something else happening here? Ultimately the story plays out. And the whole time, this cloud of anxiety and suspense looms over the reader. It's powerful, engrossing, and hard to put down. If I could write more, I would, but I've sadly reached t
5 out of 6 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Ever since I knew of this book I was expecting something great. And the reality couldn´t be closer to my expectations. It actually exceeded them. Gillermo´s experienced storytelling together with Hogan´s give the reader a one of a lifetime experience. Well actually and fortunately we will have two more books so two more one of a life time experiences.
The first thing I managed to think of after finishing the book and procesing all the information received in the last 10 days, of which I only slept 8 because of some noises in my bedroom caused by the vampire in my head, was to start it all over again and recomend it to everyone I know. Specially to the "Twilight" fans: "Dude, these are real vampires".
There is no doubt that Guillermo del Toro is one of the great minds of his time, one of those that come only every 50 years or so. And there is much more to come. Of that I am sure.
Gracias Maestro!
4 out of 5 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.The Strain was very interesting at the beginning. I felt the story was a little predictable and boring toward the end. There was one part of the book I found to be abhorrent, when the man ate his dogs he loved! Horrible, disgusting, and I did not want to hear of such. I will not buy the next book in the series.
3 out of 5 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Looking for a read comparable to World War Z, a realistic and enjoyable horror read, I was directed to this novel. The best thing I can say about it is that I bought it with my discount card.
The plot is predictable, the characters are one dimensional. The overwhelming feeling I had was that it should have been a trashy horror film. Would probably have been more enjoyable.
3 out of 4 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Ekoh
Posted June 30, 2009
To people like pdew, go back to reading twilight. This book does not join the bandwagon of vampire romantics and walking in day light. This goes back to the roots of them being evil creatures who crave human blood. PLAIN AND SIMPLE. Pdew is a moron and should not be allowed to review books, as they've been glamored by the twilight series. Twilight is a good tale, but its for teens. This here is a good adult vampire read with a great addictive storyline. MUST READ!
3 out of 4 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.I was waiting for this book since three months ago when I saw Guillermo del Toro's name on the book. I am not really a fan of vampire books because they are normally just the same old terrible story lines or they are cheesy like the Twilight series. This has a great story line and if you read this book with the lights and a candle like I did when the storm knocked out the electricity you will be FREAKED OUT!! Cannot wait for the second one in the series!
3 out of 3 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted July 27, 2009
Didn't really enjoy it that much. It was recommended by a friend but I just couldn't get into the story. I had to force myself to finish it.
2 out of 4 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted July 20, 2009
Give me a good vampire/vampire hunter story any day! and this is one, right down to the "Van Helsing" type old man. The one flaw is that the lead in and the co-stars vampires were much more terrifying than the master himself. I found him a little anti-climatic like the monster in the dark who turns out to be a robe hanging on the door (but you still sleep with the light on anyway). Having said that, I loved the book and can't wait for parts 2 and 3. I have faith in Del Toro's ability to thrill me, so this can only get better.
2 out of 2 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.The visionary, Guillermo Del Toro, has provided us with a refreshing diversion from the more modern romantic Vampire Tales. This story is well crafted and provides a realistic, and scientific explanation to the Vampire myth. Holy Water, Crucifixes, and Garlic don't work on these modern-day blood suckers. I can't wait for the next installment of the series.
2 out of 2 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged....and I can't believe I have to wait until next year for book two! It is so not fair that this saga is broken up into three books. Especially when they're being released a year apart from each other. I read a lot of horror and suspense novels and this was, by far, one of the best that I've read in a long time. From the moment that airplane lands, the creepiness and suspense just keep building. Once it's revealed what happened on the plane, you are carried right along with the central characters' wild ride into chaos and their struggle to survive. There are some pretty gross scenes in this book, but I love that kind of stuff so it didn't bother me one bit (I've read a lot worse in other books). Yet I didn't feel as if this was one of those "shock value" books where they write the most disgusting things they can think of just to get a reaction from the reader. That's so not needed in this book, because it had me from the first page and kept me hooked before anything cringe-worthy even happened. The characters felt real to me, and I could see someone actually acting and reacting the way they do. I think I only had one instance of that "Oh, come on now" reaction and after really thinking about the situation the character was in, I was okay with it. This is a great book! Not your traditional "vampire" story, but I think that's part of what made me like it so much. These are monsters that haunt little kids' (and adults') dreams. Creatures that would scare the crap out of you if you ever encountered them -- not some romanticized, neck-biting, hottie that you WANT to come bite your neck because he's just a misunderstood fella and you just know he would make the bestest boyfriend in the world (if only he'd wash his hair).
2 out of 2 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Dakotah56
Posted April 29, 2009
I Also Recommend:
The Strain will "suck" you in from the opening page.
A taut, thrilling, hellish roller coaster of a ride awaits the reader. The action and suspense never let up. The authors impeccable writing style grabs the readers interest and doesn't let go. You'll be reading well into the night, and I would suggest with all lights on in the house!
The Strain is that scary!! It's unique twist to the vampire mythology,and
well drawn characters will have you turning the pages. Nothing this good
has come along it quite some time. That it is part of a triology and I have to wait at least a year for the next installment makes me verrry unhappy!
2 out of 3 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.I highly recommend this book to anyone who enjoyed the aforementioned movies. The writing is written at a break-neck pace even though you have the usual slow build up and dis-belief from the general public that you always do in an Apocolyptic-Contagion style stories. Even though it is an over-used phrase, it definitely applies here; this is a "read in one sitting" novel. I finished it in about 8 hours spread over 3 nights and couldn't wait to dive back into it each evening.
I am not going to give a synopsis as that is done ad nauseam below, but I really can't say enough about this novel. You can definitley feel Guillermo Del Toro's presence on the page in the descriptive style with which he uses to paint a picture for the reader. Just when you think he is dragging on a bit too much, Chuck Hogan propels the story onward like a bolt of lightning. Amazing Stuff!
The only critique I have with the book is that they don't flesh out the characters as much as I would like and I think it is because the story itself and its' arc is the real focus here. However, I am fine with that considering this is a Trilogy therefore I figure they will delve deeper in coming novels.
Again, amazing read for Sci-Fi, suspense, horror, and action junkies, this novel has it all! You will be hooked from jump street as the bit about the mysterious "dead" plane on the runway @ JFK airport will literally make your mouth dry with anticipation of what will happen next!
(If you like novels like this I suggest "Patient Zero" by Jonathon Maberry. Possibly the only novel in this genre I like better than "The Strain")
1 out of 1 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Overview
At New York's JFK Airport an arriving Boeing 777 taxiing along a runway suddenly stops dead. All the shades have been drawn, all communication channels have mysteriously gone quiet. Dr. Eph Goodweather, head of a CDC rapid-response team investigating biological threats, boards the darkened plane . . . and what he finds makes his blood run cold.
A terrifying contagion has come to the unsuspecting city, an unstoppable plague that will spread like an ...