Strange Power of Speech: Wordsworth, Coleridge, and Literary Possession

Strange Power of Speech: Wordsworth, Coleridge, and Literary Possession

by Susan Eilenberg
ISBN-10:
0195068564
ISBN-13:
9780195068566
Pub. Date:
02/27/1992
Publisher:
Oxford University Press
ISBN-10:
0195068564
ISBN-13:
9780195068566
Pub. Date:
02/27/1992
Publisher:
Oxford University Press
Strange Power of Speech: Wordsworth, Coleridge, and Literary Possession

Strange Power of Speech: Wordsworth, Coleridge, and Literary Possession

by Susan Eilenberg
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Overview

This book explores the relationship between tropes of literary property and signification in the writings and literary politics of Wordsworth and Coleridge. Eilenberg argues that a complex of ideas about property, propriety, and possession sets the terms for the two writers' mutually revisionary efforts and informs the images of literary authority, textual identity, and poetic figuration evident in their major works. Eilenberg's readings of the collaboration and its principle texts bring to bear a combination of deconstructive, psychoanalytic, and both new and literary historical methods. The book provides a deeper understanding of the relationship between two of the major figures of English Romanticism as well as fresh insight into what is at stake in the analogy between the verbal and the material or the literary and the economic.

Product Details

ISBN-13: 9780195068566
Publisher: Oxford University Press
Publication date: 02/27/1992
Pages: 302
Product dimensions: 5.75(w) x 8.56(h) x 1.10(d)

About the Author

State University of New York, Buffalo

Table of Contents

Frequently Cited Textsxxi
IThe Lyrical Ballads: Imagination's Entitlement
1The Propriety of the Lyrical Ballads3
2Voice and Ventriloquy in The Rime of the Ancient Mariner31
3The Poetry of Property60
4"Michael," "Christabel," and the Poetry of Possession87
5The Haunted Language of the Lucy Poems108
IIAfterwards: Imaginations in Division
6The Heterogeneity of the Biographia Literaria139
7The Impropriety of the Imagination168
8Mortal Pages: Wordsworth and the Reform of Copyright192
Conclusion213
Notes217
Index269
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