"This is a very interesting book...It's not technical, and very easy to read. It's also very much worth checking out." Midwest Book Review
Streaming: Movies, Media, and Instant Accessby Wheeler Winston Dixon
Film stocks are vanishing, but the iconic images of the silver screen remain albeit in new, sleeker formats. Today, viewers can instantly stream movies on televisions, computers, and smartphones. Gone are the days when films could only be seen in theaters or rented at video stores: movies are now accessible at the click of a button, and there are no
Film stocks are vanishing, but the iconic images of the silver screen remain albeit in new, sleeker formats. Today, viewers can instantly stream movies on televisions, computers, and smartphones. Gone are the days when films could only be seen in theaters or rented at video stores: movies are now accessible at the click of a button, and there are no reels, tapes, or discs to store. Any film or show worth keeping may be collected in the virtual cloud and accessed at will through services like Netflix, Hulu, and Amazon Instant.
The movies have changed, and we are changing with them. The ways we communicate, receive information, travel, and socialize have all been revolutionized. In Streaming, Wheeler Winston Dixon reveals the positive and negative consequences of the transition to digital formatting and distribution, exploring the ways in which digital cinema has altered contemporary filmmaking and our culture. Many industry professionals and audience members feel that the new format fundamentally alters the art, while others laud the liberation of the moving image from the "imperfect" medium of film, asserting that it is both inevitable and desirable. Dixon argues that the change is neither good nor bad; it's simply a fact.
Hollywood has embraced digital production and distribution because it is easier, faster, and cheaper, but the displacement of older technology will not come without controversy. This groundbreaking book illuminates the challenges of preserving media in the digital age and explores what stands to be lost, from the rich hues of traditional film stocks to the classic movies that are not profitable enough to offer in streaming formats. Dixon also investigates the financial challenges of the new distribution model, the incorporation of new content such as webisodes, and the issue of ownership in an age when companies have the power to pull purchased items from consumer devices at their own discretion. Streaming touches on every aspect of the shift to digital production and distribution. It explains not only how the new technology is affecting movies, music, books, and games, but also how instant access is permanently changing the habits of viewers and influencing our culture.
The streaming of media content is revolutionizing how consumers access movies, music, and literature. Dixon examines the influence of this technological shift on contemporary filmmaking and viewing and its wider impact for consumers of all types. The author (film studies, Univ. of Nebraska; coeditor, Quarterly Review of Film and Video; A History of Horror; Film Talk: Directors at Work), an authoritative source on the subject, briefly tells readers how streaming video works and how the shift toward digitization has changed the industry playing field and describes emerging technologies that will continue to affect the consumer experience. Dixon also explores the consequences of the disappearance of film stock on filmmakers, particularly small, independent ones, and what he calls the "lost age of Classicism." At fewer than 200 pages, the book is broad and general rather than exhaustive and academic. Dixon succeeds in creating an engaging and interesting read that summarizes how streaming is changing both entertainment production and consumption in far-reaching ways. VERDICT This title will appeal to readers interested in the current film industry and developing digital technology.—Dave Valencia, Seattle P.L.
- University Press of Kentucky
- Publication date:
- Product dimensions:
- 5.50(w) x 8.40(h) x 1.00(d)
Meet the Author
Wheeler Winston Dixon, James Ryan Endowed Professor of Film Studies and professor of English at the University of Nebraska, Lincoln, is coeditor in chief of the Quarterly Review of Film and Video and the author of numerous books, including A History of Horror, Visions of the Apocalypse: Spectacles of Destruction in American Cinema, and Film Talk: Directors at Work.
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*nodds and dips her head leaving*
Chapter Five What the Waves Take —————————————————— Stormfern swam into the deeper side of camp. It had been four moons since he had lost Mistypaw. He had found a new mate in Vinesplash, but he never lost his loyalty to Mistypaw. He just wished she hadnt died... Vinesplash was expectibg hee first litter of kits soon. He wa shappy... but he wished they wdre Mistypaw's. The sky over him had darkened sonce Mistypaw... left. Stormfern sighed. He would never get over it... he just wanted her back
This book gives a thurough analysis of the epic groth of digital entertainment. From streaming movies to e-books, even youtube, it is all covered in depth. - review by Curt Wiser author of the novel, BOX CUTTER KILLER