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| Lee Konitz | Primary Artist, Alto Saxophone, Soprano Saxophone |
| Billy Bauer | Guitar |
| Shelly Manne | Drums |
| Warne Marsh | Tenor Saxophone |
| Lennie Tristano | Piano |
| Sal Mosca | Piano |
| Denzil Best | Drums |
| Jeff Morton | Drums |
| Arnold Fishkind | Bass |
| Oliver Strauch | Drums |
| Peter Decker | Tenor Saxophone |
| Billy Bauer | Contributor |
| Lee Konitz | Composer |
| Shelly Manne | Contributor |
| Warne Marsh | Composer, Contributor |
| Lennie Tristano | Composer, Contributor |
| Sal Mosca | Contributor |
| Denzil Best | Contributor |
| J. Fred Coots | Composer |
| Haven Gillespie | Composer |
| Jeff Morton | Contributor |
| Arnold Fishkind | Contributor |
| Ralph Sauer | Illustrations |
Editorial Reviews
All Music Guide - Eugene Chadbourne
The 1949 Prestige recordings contained on this album are some of the greatest jazz performances ever, period. One happy fact of this genre that sometimes makes record collecting seem like a neat hobby is that some records are gatherings of many important players from particular scenes. In this case, that means not only is there wonderful playing from alto saxophonist Lee Konitz, but also great contributions from his usual gang of sidekicks, including pianist Lennie Tristano, tenor saxophonist Warne Marsh, and guitarist Billy Bauer. The dozen tunes include a standard that Konitz has done many great interpretations of through his career, "You Go to My Head," but is ...