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As the boundaries between worlds begin to dissolve, Lyra and her daemon help Will Parry in his search for his father and for a powerful, magical knife.
In 1995, Philip Pullman published The Golden Compass, the first volume of a trilogy of fantasy novels called His Dark Materials, ostensibly written for young adults. I had never heard of Pullman until this summer when a children's bookseller told me he was the best fantasy writer since Tolkien. The book drew me in so immediately and deeply that I actually looked forward to getting up at 3 a.m. to nurse the baby so I could read a few more chapters. When I finished the novel, my only consolation was the discovery that the second volume, The Subtle Knife, was about to come out.
Nearly as good as its predecessor, The Subtle Knife chronicles a determined, unhappy boy named Will, son of a long-vanished arctic explorer, who finds a window from Oxford, England, into another world. There he meets a girl named Lyra and her dæmon -- a kind of animal manifestation of her inner self. Lyra, the feisty, mischievous protagonist of The Golden Compass, has come to the city in search of a mysterious substance called Dust, but she abandons her own mission to help Will find his father.
One reason fantasy books can be so captivating is that everything in them is new, a mystery to be explored: Why is this new world inhabited only by children? What are the Specters and why are they invisible? What exactly is a dæmon, and what happens if you don't have one? On the other hand, the invented world must maintain some of the essential qualities of our own -- it must be internally consistent, for example, and human nature must remain more or less as we know it. Many fantasy writers fail to appeal to a more general audience because they get so caught up in invention that they neglect to create compelling and complicated characters. Pullman strikes an excellent balance between imagination and verisimilitude, and his major characters are as interesting and human as anyone we would meet in a decent realistic novel.
Like many fantasy books, The Subtle Knife is about a cosmic battle between good and evil and the search for an object of power. The Golden Compass has a more original structure than this book does, but Pullman is a skillful writer who doesn't rely on stock elements to do his work for him, using them instead in creative and unexpected ways. Indeed the overarching moral and religious pattern, once revealed, is so shockingly subversive that I was amazed -- and intrigued -- to find it in a mainstream novel for children.
And now that I know what the trilogy is "about," I'm more anxious than ever for Pullman to publish the final installment. How can I wait two years to learn whether the rebel angels will triumph over the Authority, and at what price? -- Salon
The questions, discussion topics, and author information that follow are intended to enhance your group's reading of The Subtle Knife. The Subtle Knife is Book Two of Philip Pullman's trilogy "His Dark Materials". In Book One, The Golden Compass, young Lyra Belacqua journeys through "a universe like ours but different in many ways." The most striking difference between Lyra's world and ours is the existence of daemons. These spirit-creatures, physical manifestations of the human soul, can change shape until their human companions reach adolescence. Then each daemon settles into the animal form that best reflects the inner nature of its human counterpart.
In The Golden Compass, Lyra discovers that her mother, Mrs. Coulter, is conducting experiments in which children are severed from their daemons, turning them into emotionless, almost inhuman beings. Mrs. Coulter and her colleagues are doing this to learn more about a substance called "Dust, " which seems to accumulate on humans when they reach maturity. While many fear Dust, both Mrs. Coulter and Lyra's father, Lord Asriel, see it as the source of great power. The Golden Compass concludes with Lord Asriel harnessing the power of Dust to create an opening in the atmosphere of his world, forging a bridge to another universe. This he fearlessly crosses, leaving Mrs. Coulter behind. Lyra perceives that Dust is good and vows to discover its secrets with the help of her "golden compass", or alethiometer, a truth-seeking device. And so Lyra and her daemon, Pantalaimon, follow Lord Asriel into the other world.
The Subtle Knife begins in our own world,where Will Parry, driven by curiosity about his mysterious, missing father and concern for his vulnerable, disturbed mother, accidentally kills an intruder. While fleeing, he finds a "window" into a sunlit otherworld. What could be a better refuge than a hidden universe? But this universe is a strange, empty place: a city that seems to have been abandoned in such haste that food is left rotting on plates at a sidewalk cafe. The inhabitants of the city, Cittágazze, have fled from the invading Specters, ghostlike creatures that devour the souls of adults. But Specters are harmless and invisible to children, and soon Will meets another fugitive child in Cittágazze: Lyra. Although he does not know it, their lives are soon to become forever intertwined when Lyra's alethiometer gives her one simple command: Help Will find his father.
The richly imagined world of Book One seems almost quiet and simple when compared to the turmoil of Book Two. Here "Dust" is called "dark matter" and has been joined by a myriad of other complex phenomena, including the Specters and bene elim (angels). One protagonist has been replaced by two, Lyra and Will. Most significant of all, Lyra's truth-giving compass seems to pale in comparison to the power of Will's new acquisition, the subtle knife, the Æsahættr, the knife that will cut ANYTHING. What can it mean to be the bearer of such an instrument?
Barnes & Noble.com: Who is your favorite character to write and why?
Philip Pullman: I like them all, of course. People are surprised when I say that I like Mrs. Coulter, but what I mean, of course, is that I like writing about her, because she’s so completely free of any moral constraint. There’s nothing she wouldn’t do, and that’s a great delight for a storyteller, because it means your story can be unconstrained, too. I’m not sure I’d like to know her in real life (well, of course I would; she’d be fascinating). Writers have always enjoyed the villains, and so do readers, if they’re honest.
B&N.com: Can you give us some insight into what daemons are? Why don’t non-humans have them? They're a fascinating idea -- I wish I had one.
PP: I was discovering more about daemons all the way through -- right up to the very end of The Amber Spyglass. And I’m sure there are other aspects of them that I haven’t discovered yet. I don’t want to say anything about them which will give away some of the plot of the final book, but I will say that the daemon is that part of you that helps you grow towards wisdom. I don’t know where the idea of them came from -- it just emerged as I was trying to begin the story. I suddenly realized that Lyra had a daemon, and it all grew out of that. Of course, the daemons had to represent something important in the meaning of the story, and not be merely picturesque; otherwise they’d just get in the way. So there is a big difference between the daemons of children and adults, because the story as a whole is about growing up, or innocence and experience.
Underlying the whole story is a myth of origin and creation, which I discovered as I wrote. I don’t make it explicit anywhere, but I relied on it all the way through. It explains where daemons come from and why we have them. I’m thinking of doing a sort of companion volume, which would be a natural place for that myth to be written down, so watch this space!
B&N.com: "It was so beautiful it was almost holy" -- this how Lyra's first impression of the Northern Lights is described in The Golden Compass. Have you ever seen the Northern Lights?
PP: No, I haven’t. But I’ve been to Edmonton in Alberta on three separate occasions, and each time it was a beautiful, clear night and the people said we were bound to see them, they turned up every night, it was just the right time of year, there was no question of it, they were here last night, you should have seen them, you could bet your life they’ll give a good show tonight, and so on and so on. And did they show up? Not a flicker. I’m beginning to think they’re just one of these travelers’s tales.
B&N.com: Why did you decide to set the story in a world that is similar to our own, but not quite the same?
PP: There are many answers.... Laziness, perhaps. I couldn’t be bothered to do enough research to set a story in the real world and get it all right, so I just used the stuff I already knew and made up the rest. That might be one answer. Or else: I was too idle to make up a complete new world, so I just made up some of it and when I ran out of energy I used some other stuff I knew about the real world. That might be another.
Another answer might be that I thought it would be more intriguing for the reader -- except that I don’t think about my readers very much, so that wouldn’t be altogether true.
Another might be that I like reading that sort of book myself, so I just did the sort of thing I liked reading. But in fact I don’t know many other books that have this sort of background, so that wouldn’t be completely true either.
Another might be that I didn’t actually choose it at all. The story came to me in this form and with this setting, and I had no say in the matter. I just had to do what it said. And that would be the truest answer, perhaps. But there’s a bit of truth in all of them.
B&N.com: Why do you think fantasy literature is so appealing to adults as well as to children?
PP: I haven’t the faintest idea. Oddly enough, it doesn’t appeal to me very much; I read very little fantasy. I prefer straightforward realism, and I like that because I can connect with it, because I feel it tells me about important things, because it’s real, because it’s true. So it’s no use asking me why fantasy appeals to other people. You’d have to ask them!
B&N.com: Did you write His Dark Materials with a specific age group in mind?
PP: No. I don’t think about the readers at all. If I think about the audience I’d like to have, I don’t think about a particular age group, or a particular gender, or a particular class or ethnic group or anything specific at all. I’d like the largest audience possible, please. When you say, “This book is for children”, what you’re understood as saying is “This book is NOT for adults.” I don’t want that. I’d like to think that I’m telling the sort of story that holdeth children from play and old men from the chimney corner, in the old phrase of Sir Philip Sidney. Everyone is welcome, and no one is shut out, and I hope each reader will find a tale worth spending time with.
B&N.com: The main hero of your trilogy is Lyra -- a loveable, extremely impressive girl/young woman who has a large task on her hands. It's said by the people who have insight into Lyra's importance that she must fulfill her destiny without knowing what her destiny is. Can you explain why?
PP: Because it’s her nature that has to make a choice, not her conscience. If she knows that she’s about to do something fateful, her awareness, her self-consciousness will get in the way and spoil everything. So it’s a very delicate balance that has to be kept.
B&N.com: How much will you miss the characters now that you’ve finished the story?
PP: A huge amount. I’ve lived with them for seven years; in another sense I’ve lived with them all my life because everything I’ve ever learned has gone into this book. It was very hard letting it go. I kept wanting to call it back and adjust this bit or that, but you have to let go in the end. Lyra and Will and the others are on their own now. I hope they find old friends, and make new ones.
1. What is wrong with Will's mother? Are her concerns real, imagined, or both? Why and how does Will protect her?
2. What does it mean when Lyra assumes Will's daemon is "inside"? Do the people in Will's world, our world, have daemons at all?
3. Why does Will's being a murderer enable Lyra to trust him? What characters do Serafina Pekkala and Lee Scoresby decide to trust, and is their trust warranted? In what other ways does trust play an important role in this novel?
4. How has Will learned to make himself unnoticed by others? Relate this to the witches' ability to make themselves invisible.
5. How do the Shadows that communicate with Lyra through the computer relate to dark matter and/or Dust? If Lyra can understand the Shadows as she understands the alethiometer, then is the computer also acting as a truth-giving device? What is the real origin of the Shadows' messages?
6. On page 188, Giacomo Paradisi tells Will the rules for bearing the subtle knife. Why do you think Will must "never open without closing"? What did Paradisi mean by "a base purpose"? Compare these formal guidelines to the instinctive rules Lyra obeys when using the alethiometer.
7. Why is it significant that the possessors of the alethiometer and the subtle knife are children? What is the difference between innocence and experience? What has happened to Mrs. Coulter's solders who have undergone intercision?
8. Lord Asriel is mentioned several times throughout the story, yet we never directly see him. He is planning a war that he cannot win without an object that he does not know exists. What does Lord Asriel symbolize in The Subtle Knife?
9. What did the "Cave" mean when it told Dr. Malone that she must be "the serpent"? Where do you think she is at the end of the story? Where is Lyra?
10. In what way can a knife that divides pathways between worlds and can sever bone, rock, and steel be called "subtle"?
11. DISCUSSION TOPICS IF YOU HAVE READ THE GOLDEN COMPASS AND THE SUBTLE KNIFE
In Book One, Lyra is clearly a leader. In Book Two, she seems to have become a follower, a servant to Will's cause. Who is more powerful, Will or Lyra? Whose cause is more important? Is it the same cause?
12. Is the "psychic death" caused by severing the same as that caused by the Specters? Compare Tony Makarios and the servants at Bolvangar (Book One) to Tullio's actions after Will takes the subtle knife and the final thoughts of Lena Feldt (Book Two). Relate these to the "natural" deaths suffered by Lee Scoresby and John Parry.
13. Armored bears, witches, severed children and adults, cliff-ghasts, Spectres, and angels are beings with spiritual qualities different from humans. Why does the authorintroduce so many creatures with alternative soul-states?
14. By the end of The Subtle Knife, we have learned that both Will's father, John Parry/Stanislaus Grumman, and Lyra's father, Lord Asriel, are powerful men who have traveled between worlds. Yet one is called a shaman while the other is preparing to be a general. What is the relationship between these two men? Compare it to the relationship between Will and Lyra.
15. The Golden Compass takes place in a "closed" world where Lyra finds guidance through her newly-found alethiometer. In The Subtle Knife, boundaries between worlds have been broken, Lyra loses her alethiometer, and Will becomes the reluctant bearer of the knife. Explore the many parallels and opposites established between The Golden Compass and The Subtle Knife. How is the dualistic imagery of Lyra's and Will's worlds counterpointed by Cittaágazze?
16. Citing a passage from John Miltons Paradise Lost, Philip Pullman has named his trilogy "His Dark Materials." How might this citation, and the novels' emerging themes, relate to the following quote:
"The prince of darkness is a gentleman." - William Shakespeare (King Lear)
5691374
Posted February 8, 2011
this book and The Golden Compass gave me a different idea of the world (or worlds?)
1 out of 1 people found this review helpful.
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Posted January 18, 2011
loved it
1 out of 1 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.The_Penguinator
Posted December 27, 2010
In grade school I couldn't read this enough. Just finished it for the hundreth time in my life and its still mu favorite after all these years:) I definately recommend you read it!!!!!!
1 out of 1 people found this review helpful.
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Posted September 15, 2010
This sequel to The Golden Compass was as fantastic as the first one, if not better. The author does a wonderful job of describing the world of The Subtle Knife, such as the scene in which the titular subtle knife is introduced in the city of Cittágazze. The plot keeps you guessing as new characters are introduced and twists thrown at you from every angle. It follows the continuing story of Lyra Belaqua, as it becomes intertwined with that of Will Parry, who is a boy from our world as opposed to Lyra's. They travel on a quest to find his father, who was lost while on an expedition years ago. Even though it may be somewhat slow at times, it always manages to recapture your attention with an epic scene that makes up for it all. It ends with a very suspenseful conclusion that will leave you begging for the sequel immediately. I would recommend this book to anybody who loves a good, edge-of-your-seat fantasy novel, especially if you've read the prequel, The Golden Compass.
1 out of 1 people found this review helpful.
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Posted July 24, 2010
I read The Subtle Knife for my second book in summer reading. My first book was the prequel The Golden Compass I absolutely loved it. Wanting to read more I read The Subtle Knife and It did not disappoint It was even better than the first book In The beginning you are introduced to Will and eventually Will and Lyra meet and continue on Lyra's journey on discovering her parents, her self, her demons true form, and her destiny. This book was as good as the first.
1 out of 1 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.This isn't quite fair since I've now read the entire trilogy, but The Subtle Knife, while excellent, didn't quite grab me like the first or third parts. The addition of Will was brilliant, and his is obviously a thoroughly drawn character. He seems to be just the right combination of edgy, precocious, and yet still child-like - and a perfect foil for Lyra.
Whatever might be said about the middle third, be sure to read this trilogy in order, or you will find the total effect greatly diminished.
1 out of 1 people found this review helpful.
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Posted December 14, 2005
one of my absolute faveorite books. one of the only books that really worked my brain a great book thru and thru
1 out of 1 people found this review helpful.
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Posted November 25, 2002
I respect Phillip Pullman. I read the first of his Dark Materials trilogy and was impressed by several stylistic elements. First, his plot is excellent. It iw well considered, organized, well thought out and invigorating. The same can be said for The Subtle Knife. The second thing I must still commend him for is his recognization of the audience. At times Pullman writes to his audience as if they are a member of the society he is describing, and in course he lets the audience in on secrets of that society, as if they had been born in to it. It is the way he writes of Lyra's home world. This style, while commendable, also raises a problem. By assuming the reader is a knowledgable audience member, he never describes some elements of the society until they are uncovered by the plot. Fortunatly the plot is good enough to buoy the books along. But plot isn't everything, and by the time I reached The Subtle Knife, I noticed something was lacking. What I truly longed for was a three-dimensional character. One I could empathize with and follow as they moved through thier exploits. I was hoping Pullman would expand upon Lyra, or her new companion, Will would have some emotion attached to them that would connect these characters to the readers. Yet they continue to stumble through this marvelous plot like half broken mannequins, drunk with thier own blandness. I found the wonderful twists and turns of the plot meant less and less as the book wore on. I didn't care if Lyra and Will were attacked, because Pullman hadn't given me enough reason to care about them in the first place. The fantastic plot of the Golden Compass was enough to make me go out and buy The Subtle Knife. The lack of substantial characters in The Subtle Knife has made me throw it across the room upon completion where it lays, unable to prod me to read this series anymmore.
1 out of 1 people found this review helpful.
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Posted November 18, 2001
This book was made out of pure genius! It is by far the best book I have ever read. Touching,suspenseful,delightfull. You name it, this book had it all!
1 out of 1 people found this review helpful.
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Posted June 12, 2001
The Dark Materials Trilogy is the best Trilogy I have read. It is amazing that someone can come up with all of that stuff. I think that these are the best books in the world. When I started reading these books I fell in love with these books. The way I heard about these books is that my best friend read them and she said they were so good. Now I like them more than her.
1 out of 1 people found this review helpful.
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Posted January 29, 2012
I liked it
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Posted January 21, 2012
That is great but you got 4 herbs wrong.....
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Posted January 21, 2012
Oh...
Anonymous
Posted January 21, 2012
I already know a few herbs dock for stings borage for rat bites yarrow to make a cat sick juniper berrys foe stomach ache poppyseed for paing and sleeping tansy to help a queens mmilk to come tansy mixed with parsnips to make a queens milk go away incase her kits die rushes to help set a broken leg or something
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Posted January 20, 2012
Well.. I've been duped. Gee thanks Silver. -_-
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Posted January 17, 2012
I am originally from thunderclan. Im interrested in a new clan. I can hunt mice , voles and other things. I here about all these new clans untill now ive only heard of thunder river wind shadow and sky clans.
PLEASE HELP!
Anonymous
Posted January 16, 2012
U should join love clan at yo 4th
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Posted January 16, 2012
I want a mate i am a golden brown shecat with gold flecks in my glimmering blue eyes just so all you single toms know. If you are interested post on the second search for mexico. The first is where i keep my clan. In your post include your name and clan.
~Briarstar
Anonymous
Posted January 19, 2012
Can i be your mate?
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Posted January 21, 2012
Strikingpaw is lcked out so everyone go to the golden compass.
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Overview
Here is the highly anticipated second installment of Philip Pullman's epic fantasy trilogy, begun with the critically acclaimed The Golden Compass. Lyra and Will, her newfound friend, tumble separately into the strange tropical otherworld of Cittàgazze, "the city of magpies," where adults are curiously absent and children run wild. Here their lives become inextricably entwined when Lyra's alethiometer gives her a simple command: find Will's father. Their search is plagued with obstacles--some familiar and some horribly new and unfathomable--but it eventually brings them closer to Will's father and to the Subtle Knife, a deadly, magical, ancient tool that cuts windows between worlds. Through it all, Will and Lyra find