Sugarhouse: Turning the Neighborhood Crack House into Our Home Sweet Home

Sugarhouse: Turning the Neighborhood Crack House into Our Home Sweet Home

4.2 7
by Matthew Batt
     
 

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This witty and affecting memoir relays the misadventures of a commitment-phobic couple who, on the heels of a heartbreaking year, try to catapult themselves into adulthood by purchasing a dilapidated former crack house and attempting to turn it into a home.See more details below

Overview

This witty and affecting memoir relays the misadventures of a commitment-phobic couple who, on the heels of a heartbreaking year, try to catapult themselves into adulthood by purchasing a dilapidated former crack house and attempting to turn it into a home.

Editorial Reviews

Publishers Weekly
A fixer-upper is just the thing to usher a young couple into adulthood, in this winsome memoir. Writing professor Batt and his wife, in the midst of the housing bubble, found their dream home—and when that deal fell through, settled for a Salt Lake City crack house that came complete with an eye-watering stench, tacky wood paneling, and hidden structural defects. The ensuing renovation gave the neophyte handyman an epic test of masculine resolve, a new appreciation for the aesthetics of slate flooring and poured-concrete countertops, and insight into the foundation of a successful marriage—namely, complete submission to female authority over decor. Meanwhile, Batt weathers upheavals among his extended relations—deaths, tensions, his cantankerous grandfather’s embarrassing fling with a younger gold digger—that form an alternately antic and glum commentary on the ricketiness of the home-building enterprise. Batt’s home-rehab picaresque is hilarious, engrossing, and stocked with a cast of squirrely tradesmen and manic realtors. At times the use of real estate as a metaphor for marital commitment is overdone, especially given the glibness with which he and his wife sell their castle. Still, his is a charming take on domesticity. Agent, Jim Rutman. (June 19)
From the Publisher
"Batt makes the story feel fresh through a combination of lively storytelling, some very funny misadventures, and a goodly portion of real human drama, for the decision to buy a house wasn’t a whim, being prompted by some pretty dire circumstances. A thoroughly enjoyable variation on a venerable theme."
Booklist

"Batt’s home-rehab picaresque is hilarious , engrossing , and stocked with a cast of squirrely tradesmen and manic realtors...a charming take on domesticity . "
Publishers Weekly

"Whether the focus is on the installation of a hand-cut slate floor tile or Grandpa’s new floozy girlfriend, Batt’s retelling is fast-paced. Everyone has a crazy family, but who has a crazy family and a crack house to renovate into a first home at the same time? That takes guts or insanity, and the fun of this book in finding out how it all ends up. VERDICT His description of "I don’t belong here" aisles in Home Depot feels so familiar. While it’s no how-to, this book makes it fun to follow Batt’s how-we-did-it, warts and all ."
Library Journal

"It’s hard to write funny, especially when your world is crumbling around you, but in this utterly compelling memoir, Matt Batt makes it look easy. This is a sweet and deeply memorable debut by a writer who’s clearly the real thing ."
— Andre Dubus III, author of Townie

"Sugarhouse is hilarious. It's also sad. And uplifting. Ultimately it's a story about the most quotidian and most important thing any of us will do: make a home. Anyone who has ever argued over floor tile, loved a willful grandparent, or wondered what an orbital sander is, will enjoy this charming book ."
-Anthony Doerr, author of Memory Wall

"Sugarhouse is a whale of a book—an uproariously funny and deeply affecting account of home ownership and its discontents. Matt Batt has written a must-read manifesto for anyone who's ever faced off against a fast-talking real estate agent, an impossibly stubborn varnish, or a family on the brink of heartbreak . I'm still not sure how he managed to stuff so much life into one little book, but I'm dazzled at his achievement."
-Steve Almond, author of Candyfreak

"Matt Batt proves himself an oddball cousin to Thoreau and Tracy Kidder in Sugarhouse, a charming and compelling memoir in which a professor of writing decides to renovate a disaster of a house. Read the first two chapters, and you are likely to sign on eagerly for the rest of the telling, which shuttles easily back and forth from theory to practice, from humorous narrative to deepening meditation."
-Billy Collins, poet laureate of the United States, 2001-2003

"Winning, funny, and crackling with life , Sugarhouse is a can't-put-down chronicle of a bad house gone good and a good family gone in directions the author didn't expect. Batt’s book about glue, grace, gumption, and the grit it takes to keep on living is an unforgettable and sweet read ."
-Cheryl Strayed, author of Wild

"This is one charming book, told by a self-effacing Midwesterner way over his head, who leads the reader through the quotidian experience of buying and renovating a house in such a fashion that it takes on all the dire import and difficulty of Hercules' famous tasks. While Batt doesn't have to clean the Stygian Stables to get his house in order (in every sense of that phrase), his feat seems nearly as difficult and should not go unheralded. A DIY book to end all DIY books, full of wit and generosity and mercy for the foibles of family members, friends, hucksters, and most importantly himself ."
- Robin Hemley, author of Do-Over!

Kirkus Reviews
A doctoral candidate takes on a massive project of home renovation. In explaining how he and his wife became determined to purchase a house while he was studying for his degree in writing at the University of Utah, rather than renting like most graduate students, Batt writes, "To buy a house--or at least to look in earnest for one--is to admit to yourself that you think you're ready…It was time to grow up and settle down." The author was propelled by a sense that adulthood had "coldcocked" them: "everyone but us was dying, getting divorced, or having a kid." This in turn compelled Batt to recklessly purchase a Fisbo, a "for sale by owner" house with serious long-term maintenance issues--and a largely unexplored reputation as a one-time "crack house." The author deferred to the earnest eccentricity of the owner (Batt's character sketches are deft but briefly drawn), who assured him that the house was an undervalued bargain but left Batt the legacy of years of jury-rigged repairs. Much of the book follows Batt as he attempts to renovate the house on a low budget, haplessly doing much of the work himself, and also turning to bemused salt-of-the-earth Utah men for assistance in such tasks as building a cement kitchen counter. A major theme, unsurprisingly, is that of masculinity: Batt's home-improvement misadventures allow consideration of how hard it is for young men today (particularly intellectual types) to measure up to absent fathers. The embodiment of this idea is Batt's grandfather, a doctor turned cantankerous, lovelorn old man, whose deterioration provides the main element of the back story of the author's complicated family life. In the conclusion, Batt discusses his selling of the house and moving on to an academic posting. The relatable author writes clearly, but the twin story engines of personal angst and home-repair strife don't really mesh, resulting in a memoir that feels inessential and highly specific rather than potentially universal. This Old House for the NPR set.

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Product Details

ISBN-13:
9780547635637
Publisher:
Houghton Mifflin Harcourt
Publication date:
06/19/2012
Sold by:
Barnes & Noble
Format:
NOOK Book
Pages:
256
Sales rank:
1,307,733
File size:
0 MB

Read an Excerpt

1

What We'll Call Home

You’ve seen us. Them. You’ve said to your sugar, What the hell do they think they’re doing? You’re on your stoop, your porch, your lanai, your whatever—and as we pass by you scrunch forward, down to car-window height. I’m gonna say something, you say, handing your honey the hose. Can’t have people just driving around like that, all slow and everything, rubbernecking. Can I help you? you ask. You shake your head as we speed away. Freaks.
  But you’re just going to have to deal with it. We’re not burglars or pedophiles, missionaries or Hari Krishnas. We’re looking for a place to live. We need a home and we need one now.
  It’s the middle of July already, and it’s a desert wasteland here in Salt Lake City. For eight days running it’s been over a hundred degrees and the blacktop roads have begun to liquefy—not to mention this three-year drought that a thousand inches of rain won’t fix. The air is so hot and brittle it feels as though my skin might shatter, and beyond that the lease on our apartment is up in six weeks and we just can’t rent again. Jenae and I have been together for six years and have lived in nearly as many apartments. And it’s not that Utah is exactly what we imagine when we say we want a place to call home, but it’ll have to do for now. Still, we have no mover, no moving date, no home loan for that matter, and no home upon which we can make an offer.
  It is not, however, for a lack of looking. Since May, Jenae (sounds like Renee with a J, as she says) and I have picked up every homebuyers’ guide in the grocery store, studied each realty website till our eyes bled, and cased favorable neighborhoods so methodically we could put them back together from memory were they ever to fall apart. Then again, we’ve been driving around in Jenae’s VW Beetle, a yellow poppy waving like a drag queen from the dashboard vase; we are a threat only to good sense, fundamentalists, and long-legged passengers.
  Having rented apartments for so long, we usually lived near other renters. We met in Boston, where everybody we knew—rich or poor, young or old—lived in apartments, even if they owned them. In the West, and especially Utah, practically everyone we know owns her own house. Fellow waiters, writers, graduate students . . . everybody. Having just moved there, it made us feel like pariahs. It wasn’t only how we paid for the roof above us, it was who we were and what we did to our communities: we were renters. An easy mark for the missionaries, for that matter.
  When looking for an apartment, we had sought convenience, proximity to bars and grocery stores, off-street parking, soundproofing against the klezmer music that wafted around our invariably bohemian neighborhoods, a backyard for the beer-can bowling, a porch for the rocking chairs, and a nice corner for the spittoon. We didn’t have to worry about the neighborhood, the neighbors, not even the place itself. It would have been like worrying about the feng shui of a bus station bathroom stall. An apartment is utilitarian and temporary. Go ahead, dance with that glass of red wine, smoke those cigars, fry up some catfish, juggle those skunks. You don’t live here. You just rent.
  To buy a house—or at least to look in earnest for one—is to admit to yourself that you think you’re ready. At the very least, that you should be ready. Time to suck it up and recognize that there’s relatively little pride to be had in the fact that your downstairs neighbors are as careful as they promise about cleaning their guns or that you managed to keep a ficus alive from Halloween until Thanksgiving, whereupon it shrugged all its leaves ceremonially to the floor. You’re married, you’re getting older, and your parents are looking more and more like the grandparents they are pestering you to make them. It’s getting embarrassing. Your pathetic renter’s mailbox—the one with three former tenants’ names crossed out—is stuffed with your friends’ baby-shower invitations. Just a few months ago, right after my grandmother died, five different people mentioned the word “ultrasound” to me on the same day.
  There’s something dreadful, however, about buying a house. You have to be willing to say to yourself, There go my freewheeling days of touring the Arctic on a kite-powered bobsled. So much for starting up that punk-rock band that was finally going to answer The Clash’s call. If I’m hiking the Appalachian Trail, it’s going to be with a Baby Bjorn or not at all. K2 and Kathmandu will have to take a bid on somebody else’s death wish. I’m getting old. Forty might be the new thirty, but nobody who’s twenty thinks so. It was time to grow up and settle down.
  And, adulthood had just coldcocked us. First my adoptive dad died. Then Gram. Then Jenae’s grandfather. These losses were devastating in their own ways, but Gram—her death was utterly unacceptable. All bets were off after that. Our best couple-friends were getting divorced. Doctors detected a strange mass in my mother’s abdomen, and, not to be upstaged, my grandfather started having trouble with—among a raft of other things—his colon. It all seemed to be happening at the same time, on the same day, every hour on the hour.
  Between the birth announcements and the death certificates, we couldn’t tell up from down. Even the simplest facts and dates became obscured, irrelevant. All we knew was that everyone but us was dying, getting divorced, or having a kid, and we were stuck with our hands in our pockets waiting for the band to start. Life and death were coming for us, and we could either dig in, settle down, and try to defend the home front, or agree to shake hands and walk quietly away from the line and go our separate ways.

True, Utah seemed the oddest of places for us to be buying a house, but I was in a graduate program at the university and Jenae had recently landed a good job at a theater downtown, and since Gram had died, there was nothing to pull us back to the Midwest. Gram had been fading rapidly with Alzheimer’s when I was admitted to the program, but she was perfectly clear when she threatened me if I quit school to move home. “Don’t you dare,” she said, clamping down on my hand like a pipefitter. “So help me God, I’ll kill you myself.”
  I didn’t want to stay in Utah, but I knew Gram could hold her liquor as well as she could throw a punch, and I just couldn’t let her down. If we left Utah and the grad program I was in, it all would have been wasted and I’d be waiting tables full time. The long and the short of it was I was her only grandchild and she wanted me to make something of myself. That drive and her daughter’s life were all she held on for all those years. After she died, it was time to act.

 

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What People are saying about this

From the Publisher
"Batt makes the story feel fresh through a combination of lively storytelling, some very funny misadventures, and a goodly portion of real human drama, for the decision to buy a house wasn’t a whim, being prompted by some pretty dire circumstances. A thoroughly enjoyable variation on a venerable theme."
Booklist

"Batt’s home-rehab picaresque is hilarious , engrossing , and stocked with a cast of squirrely tradesmen and manic realtors...a charming take on domesticity . "
Publishers Weekly

"Whether the focus is on the installation of a hand-cut slate floor tile or Grandpa’s new floozy girlfriend, Batt’s retelling is fast-paced. Everyone has a crazy family, but who has a crazy family and a crack house to renovate into a first home at the same time? That takes guts or insanity, and the fun of this book in finding out how it all ends up. VERDICT His description of "I don’t belong here" aisles in Home Depot feels so familiar. While it’s no how-to, this book makes it fun to follow Batt’s how-we-did-it, warts and all ."
Library Journal

"It’s hard to write funny, especially when your world is crumbling around you, but in this utterly compelling memoir, Matt Batt makes it look easy. This is a sweet and deeply memorable debut by a writer who’s clearly the real thing ."
— Andre Dubus III, author of Townie

"Sugarhouse is hilarious. It's also sad. And uplifting. Ultimately it's a story about the most quotidian and most important thing any of us will do: make a home. Anyone who has ever argued over floor tile, loved a willful grandparent, or wondered what an orbital sander is, will enjoy this charming book ."
-Anthony Doerr, author of Memory Wall

"Sugarhouse is a whale of a book—an uproariously funny and deeply affecting account of home ownership and its discontents. Matt Batt has written a must-read manifesto for anyone who's ever faced off against a fast-talking real estate agent, an impossibly stubborn varnish, or a family on the brink of heartbreak . I'm still not sure how he managed to stuff so much life into one little book, but I'm dazzled at his achievement."
-Steve Almond, author of Candyfreak

"Matt Batt proves himself an oddball cousin to Thoreau and Tracy Kidder in Sugarhouse, a charming and compelling memoir in which a professor of writing decides to renovate a disaster of a house. Read the first two chapters, and you are likely to sign on eagerly for the rest of the telling, which shuttles easily back and forth from theory to practice, from humorous narrative to deepening meditation."
-Billy Collins, poet laureate of the United States, 2001-2003

"Winning, funny, and crackling with life , Sugarhouse is a can't-put-down chronicle of a bad house gone good and a good family gone in directions the author didn't expect. Batt’s book about glue, grace, gumption, and the grit it takes to keep on living is an unforgettable and sweet read ."
-Cheryl Strayed, author of Wild

"This is one charming book, told by a self-effacing Midwesterner way over his head, who leads the reader through the quotidian experience of buying and renovating a house in such a fashion that it takes on all the dire import and difficulty of Hercules' famous tasks. While Batt doesn't have to clean the Stygian Stables to get his house in order (in every sense of that phrase), his feat seems nearly as difficult and should not go unheralded. A DIY book to end all DIY books, full of wit and generosity and mercy for the foibles of family members, friends, hucksters, and most importantly himself ."
- Robin Hemley, author of Do-Over!

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