eBook
Related collections and offers
Overview
Rebecka Martinsson is heading home to Kiruna, the town she’d left in disgrace years before. A Stockholm attorney, Rebecka has a good reason to return: her friend Sanna, whose brother has been horrifically murdered in the revivalist church his charisma helped create. Beautiful and fragile, Sanna needs someone like Rebecka to remove the shadow of guilt that is engulfing her, to forestall an ambitious prosecutor and a dogged policewoman. But to help her friend, and to find the real killer of a man she once adored and is now not sure she ever knew, Rebecka must relive the darkness she left behind in Kiruna, delve into a sordid conspiracy of deceit, and confront a killer whose motives are dark, wrenching, and impossible to guess. . . .
Praise for Sun Storm
“Richly atmospheric.”—Kirkus Reviews
“Larsson builds suspense gradually but inexorably, and she is equally good at creating mood. . . .This impressive debut heralds another striking voice from Scandinavia.”—Booklist
“For those who eschew exotic travel in favor of the familiar hammock, there’s nothing better than a well-written and well-translated story from some place you’ll probably never visit. is that story and more!”—Rocky Mountain News
Product Details
| ISBN-13: | 9780440336259 |
|---|---|
| Publisher: | Random House Publishing Group |
| Publication date: | 04/25/2006 |
| Series: | Rebecka Martinsson Series , #1 |
| Sold by: | Random House |
| Format: | eBook |
| Pages: | 320 |
| Sales rank: | 124,766 |
| File size: | 874 KB |
About the Author
Read an Excerpt
And evening came and morning came, the first day
When Viktor Strandgård dies it is not, in fact, for the first time. He lies on his back in the church called The Source of All Our Strength and looks up through the enormous windows in its roof. It’s as if there is nothing between him and the dark winter sky up above.
You can’t get any closer than this, he thinks. When you come to the church on the mountain at the end of the world, the sky will be so close that you can reach out and touch it.
The Aurora Borealis twists and turns like a dragon in the night sky. Stars and planets are compelled to give way to her, this great miracle of shimmering light, as she makes her unhurried way across the vault of heaven.
Viktor Strandgård follows her progress with his eyes.
I wonder if she sings? he thinks. Like a lonely whale beneath the sea?
And as if his thoughts have touched her, she stops for a second. Breaks her endless journey. Contemplates Viktor Strandgård with her cold winter eyes. Because he is as beautiful as an icon lying there, to tell the truth, with the dark blood like a halo round his long, fair, St. Lucia hair. He can’t feel his legs anymore. He is getting drowsy. There is no pain.
Curiously enough it is his previous death he is thinking of as he lies there looking into the eye of the dragon. That time in the late winter when he came cycling down the long bank toward the crossroads at Adolf Hedinsvägen and Hjalmar Lundbohmsvägen. Happy and redeemed, his guitar on his back. He remembers how the wheels of his bicycle skidded helplessly on the ice as he tried desperately to brake. How he saw the woman in the red Fiat Uno coming from the right. How they stared at each other, the realization in the other’s eyes; now it’s happening, the icy slide toward death.
With that picture in his mind’s eye Viktor Strandgård dies for the second time in his life. Footsteps approach, but he doesn’t hear them. His eyes do not have to see the gleam of the knife once again. His body lies like an empty shell on the floor of the church; it is stabbed over and over again. And the dragon resumes her journey across the heavens, unmoved.
Monday, February 17
Rebecka Martinsson was woken by her own sharp intake of breath as fear stabbed through her body. She opened her eyes to darkness. Just between the dream and the waking, she had the strong feeling that there was someone in the flat. She lay still and listened, but all she could hear was the sound of her own heart thumping in her chest like a frightened hare. Her fingers fumbled for the alarm clock on the bedside table and found the little button to light up the face. Quarter to four. She had gone to bed four hours ago and this was the second time she had woken up.
It’s the job, she thought. I work too hard. That’s why my thoughts go round and round at night, like a hamster on a squeaking wheel.
Her head and the back of her neck were aching. She must have been grinding her teeth in her sleep. Might as well get up. She wound the duvet around her and went into the kitchen. Her feet knew the way without her needing to switch on the light. She put on the coffee machine and the radio. Bellman’s music played over and over as the water ran through the filter and Rebecka showered.
Her long hair could dry in its own time. She drank her coffee while she was getting dressed. Over the weekend she had ironed her clothes for the week and hung them up in the wardrobe. Now it was Monday. On Monday’s hanger was an ivory blouse and a navy blue Marella suit. She sniffed at the tights she’ d been wearing the previous day; they’d do. They’d gone a bit wrinkly around the ankles, but if she stretched them and tucked them under her feet it wouldn’t show. She’d just have to make sure she didn’t kick her shoes off during the day. It didn’ t bother her; it was only worth spending time worrying about your underwear and your tights if you thought somebody was going to be watching you get undressed. Her underwear had seen better days and was turning gray.
An hour later she was sitting at her computer in the office. The words flowed through her mind like a clear mountain stream, down her arms and out through her fingers, flying over the keyboard. Work soothed her mind. It was as if the morning’s unpleasantness had been blown away.
It’s strange, she thought. I moan and complain like all the other young lawyers about how unhappy the job makes me. But I feel a sense of peace when I’m working. Happiness, almost. It’s when I’m not working I feel uneasy.
The light from the street below forced its way with difficulty through the tall barred windows. You could still make out the sound of individual cars among the noise below, but soon the street would become a single dull roar of traffic. Rebecka leaned back in her chair and clicked on “print.” Out in the dark corridor the printer woke up and got on with the first task of the day. Then the door into reception banged. She sighed and looked at the clock. Ten to six. That was the end of her peace and quiet.
She couldn’t hear who had come in. The thick carpets in the corridor deadened the sound of footsteps, but after a while the door of her room opened.
“Am I disturbing you?” It was Maria Taube. She pushed the door open with her hip, balancing a mug of coffee in each hand. Rebecka’s copy was jammed under her right arm.
Both women were newly qualified lawyers with special responsibility for tax laws, working for Meijer & Ditzinger. The office was at the very top of a beautiful turn-of-the-century building on Birger Jarlsgatan. Semi-antique Persian carpets ran the length of the corridors, and here and there stood imposing sofas and armchairs in attractively worn leather. Everything exuded an air of experience, influence, money and competence. It was an office that filled clients with an appropriate mixture of security and reverence.
“By the time you die you must be so tired you hope there won’t be any sort of afterlife,” said Maria, and put a mug of coffee on Rebecka’s desk. “But of course that won’t apply to you, Maggie Thatcher. What time did you get here this morning? Or haven’t you been home at all?”
They’d both worked in the office on Sunday evening. Maria had gone home first.
“I’ ve only just got here,” lied Rebecka, and took her copy out of Maria’s hand.
Maria sank down into the armchair provided for visitors, kicked off her ridiculously expensive leather shoes and drew her legs up under her body.
“Terrible weather,” she said.
Rebecka looked out the window with surprise. Icy rain was hammering against the glass. She hadn’t noticed earlier. She couldn’t remember if it had been raining when she came into work. In fact, she couldn’t actually remember whether she’d walked or taken the Underground. She gazed in a trance at the rain pouring down the glass as it beat an icy tattoo.
Winter in Stockholm, she thought. It’ s hardly surprising that you shut down your brain when you’re outside. It’s different up at home, the blue shining midwinter twilight, the snow crunching under your feet. Or the early spring, when you’ve skied along the river from Grandmother’s house in Kurravaara to the cabin in Jiekajärvi, and you sit down and rest on the first patch of clear ground where the snow has melted under a pine tree. The tree bark glows like red copper in the sun. The snow sighs with exhaustion, collapsing in the warmth. Coffee, an orange, sandwiches in your rucksack.
The sound of Maria’ s voice drew her back. Her thoughts scrabbled and tried to escape, but she pulled herself together and met her colleague’s raised eyebrows.
“Hello! I asked if you were going to listen to the news.”
“Yes, of course.”
Rebecka leaned back in her chair and stretched out her arm to the radio on the windowsill.
Lord, she’s thin, thought Maria, looking at her colleague’s rib cage as it protruded from under her jacket. You could play a tune on those ribs.
Rebecka turned the radio up and both women sat with their coffee cups cradled between their hands, heads bowed as if in prayer.
Maria blinked. It felt as if something were scratching her tired eyes. Today she had to finish the appeal for the county court in the Stenman case. Måns would kill her if she asked him for more time. She felt a burning pain in her midriff. No more coffee before lunch. You sat here like a princess in a tower, day and night, evenings and weekends, in this oh-so-charming office with all its bloody traditions which could go to hell, and all the pissed-up partners looking straight through your blouse while outside, life just carried on without you. You didn’t know whether you wanted to cry or start a revolution but all you could actually manage was to drag yourself home to the TV and pass out in front of its soothing, flickering screen.
Reading Group Guide
An international literary sensation and winner of Sweden’s Best First Crime Novel Award, Sun Storm opens with a chilling scene: the mutilated body of a man lies on the floor of a rural church; through the windows, the Aurora Borealis twists in the night sky, evoking the image of a dragon. As life slips away from Viktor, he remembers the first time he died, years ago, when he was just a child.
From these compelling beginnings, Asa Larsson spins an intense and shocking mystery. Racing to solve the crime is Rebecka Martinsson, a Stockholm attorney with painful ties to Viktor’s church. But to find the real killer, Rebecka must face her brutal past and confront the religious leaders who betrayed her trust.
With rapid-fire pacing, Sun Storm raises provocative questions about power, faith, and justice. The questions and discussion topics that follow are designed to enhance your reading of Asa Larsson’s Sun Storm. We hope they enrich your experience of this haunting thriller.
1. Discuss the lines of poetry that form the novel’s epigraph. What do they say about the nature of evil? Which of the novel's characters give voice to the sinister intentions in the epigraph?
2. How does the title reflect Rebecka’s experience with danger? How do natural phenomena, from the sun storms that Sanna discusses to the February snows, shape the novel’s tone?
3. How did you interpret Viktor’s belief that he had died in an accident when he was younger? What did the event signify to him? Discuss the most dangerous situations you have ever experienced. What led to your survival? How did you view the world afterward?
4. What is the effect of the novel’s structure, unfolding in scenes rather than longer, numbered chapters, over the course of seven days? How did you respond to the lines that open each day, taken from the account of creation in the Book of Genesis? As the week progresses in Sun Storm, which characters create order out of chaos?
5. Whom did you originally suspect of murdering Viktor? Did you ever believe that Sanna could have done it? How did Rebecka’s feelings toward her shift throughout the week? What convinces Rebecka to take Sanna’s case?
6. What are the dynamics between Sven-Erik and Anna-Maria? What strengths and vulnerabilities does each one possess? Will they ever become as hardened as Carl von Post, or is his personality due to something other than the grisly nature of their work? What management styles are presented in von Post and Mans Wenngren?
7. What were your impressions of The Source of All Our Strength? What was the architecture of the Crystal Church designed to evoke? How did you react to Rebecka’s discoveries about the church’s finances?
8. Discuss the balance between civil liberties and public safety in cases such as Curt Backstrom’s. How should his case have been handled? What would have ensured that he took his medication?
9. What do you think of the statement of the duty doctor at the psychiatric unit in Gallivare who tells Anna-Maria, “Weak people are often drawn to the church. And people who want power over weak people are also drawn there”?
10. How do women fare in Sanna’s church? Does the town of Kiruna seem to foster progressive attitudes toward women? How does Sanna’s mother, Kristina, resolve her despair?
11. What is the effect of the novel’s timeline, woven with flashbacks? What did you imagine to be the painful secret in Rebecka’s past? How were memories woven with the various dreams presented in Sun Storm?
12. Why did the church favor Thomas and oust Rebecka? What was the source of Thomas’s allure?
13. What is your understanding of Sanna’s molestation fears? Where does the guilt reside? What scars do she and her daughters bear?
14. What distinctions do you imagine there were between the way Sanna and Viktor were raised? Do you attribute her personality to nurture or nature? How were both siblings affected by their parents’ behavior?
15. What makes the last scene appropriate for the novel’s closing passages? What cycles of life has Anna-Maria experienced, leading up to the seventh day?
16. Discuss your own experiences with returning to your childhood town or home. What memories anchor you to a particular place?
Foreword
1. Discuss the lines of poetry that form the novel’s epigraph. What do they say about the nature of evil? Which of the novel's characters give voice to the sinister intentions in the epigraph?
2. How does the title reflect Rebecka’s experience with danger? How do natural phenomena, from the sun storms that Sanna discusses to the February snows, shape the novel’s tone?
3. How did you interpret Viktor’s belief that he had died in an accident when he was younger? What did the event signify to him? Discuss the most dangerous situations you have ever experienced. What led to your survival? How did you view the world afterward?
4. What is the effect of the novel’s structure, unfolding in scenes rather than longer, numbered chapters, over the course of seven days? How did you respond to the lines that open each day, taken from the account of creation in the Book of Genesis? As the week progresses in Sun Storm, which characters create order out of chaos?
5. Whom did you originally suspect of murdering Viktor? Did you ever believe that Sanna could have done it? How did Rebecka’s feelings toward her shift throughout the week? What convinces Rebecka to take Sanna’s case?
6. What are the dynamics between Sven-Erik and Anna-Maria? What strengths and vulnerabilities does each one possess? Will they ever become as hardened as Carl von Post, or is his personality due to something other than the grisly nature of their work? What management styles are presented in von Post and Mans Wenngren?
7. What were your impressions of The Source of All Our Strength? What was the architecture of the Crystal Church designed toevoke? How did you react to Rebecka’s discoveries about the church’s finances?
8. Discuss the balance between civil liberties and public safety in cases such as Curt Backstrom’s. How should his case have been handled? What would have ensured that he took his medication?
9. What do you think of the statement of the duty doctor at the psychiatric unit in Gallivare who tells Anna-Maria, “Weak people are often drawn to the church. And people who want power over weak people are also drawn there”?
10. How do women fare in Sanna’s church? Does the town of Kiruna seem to foster progressive attitudes toward women? How does Sanna’s mother, Kristina, resolve her despair?
11. What is the effect of the novel’s timeline, woven with flashbacks? What did you imagine to be the painful secret in Rebecka’s past? How were memories woven with the various dreams presented in Sun Storm?
12. Why did the church favor Thomas and oust Rebecka? What was the source of Thomas’s allure?
13. What is your understanding of Sanna’s molestation fears? Where does the guilt reside? What scars do she and her daughters bear?
14. What distinctions do you imagine there were between the way Sanna and Viktor were raised? Do you attribute her personality to nurture or nature? How were both siblings affected by their parents’ behavior?
15. What makes the last scene appropriate for the novel’s closing passages? What cycles of life has Anna-Maria experienced, leading up to the seventh day?
16. Discuss your own experiences with returning to your childhood town or home. What memories anchor you to a particular place?
