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The Sunbird
     

The Sunbird

3.9 44
by Wilbur Smith
 

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Part Two Of Two Parts

The secrets of a once brilliant civilization--buried for nearly 200 years in South Africa--seem about to yield to the probings of modern man.

But in this tale of high adventure, the riddles of an ancient culture conceal a menacing drama of love, hate, violence and death--all lying in wait to ambush an unsuspecting team of archaeologists. It

Overview

Part Two Of Two Parts

The secrets of a once brilliant civilization--buried for nearly 200 years in South Africa--seem about to yield to the probings of modern man.

But in this tale of high adventure, the riddles of an ancient culture conceal a menacing drama of love, hate, violence and death--all lying in wait to ambush an unsuspecting team of archaeologists. It is their fate to stumble across the find of a lifetime and to die by it as well.

"In the breathtaking backward sweep through time, the reader is transported to the last days of a lost and magnificent city and finds there a secret that finally gives up its terrible meaning." (B-O-T Editorial Review Board)

Editorial Reviews

From the Publisher

“When it comes to historical fiction, Smith is without rival.” —Tulsa World

“Each time I read a new Wilbur Smith I say it is the best book I have ever read--until the next one.” —Times Record News (Wichita Falls, TX)

Product Details

ISBN-13:
9780451082565
Publisher:
Penguin Publishing Group
Publication date:
09/05/1978
Product dimensions:
7.00(w) x 5.00(h) x 1.00(d)

Read an Excerpt

The Sunbird


By Wilbur Smith

St. Martin's Press

Copyright © 1972 Wilbur Smith
All rights reserved.
ISBN: 978-1-4299-8094-4


CHAPTER 1

PART I


It cut across the darkened projection room and exploded silently against the screen — and I did not recognize it. I had waited fifteen years for it, and when it came I did not recognize it. The image was swirled and vague, and it made no sense to me for I had expected a photograph of some small object; a skull perhaps, or pottery, or an artefact, a piece of gold work, beads — certainly not this surrealistic pattern of grey and white and black.

Louren's voice, tight with excitement, gave me the clue I needed. 'Taken at thirty-six thou. at six forty-seven on the fourth of Sept,' that was eight days ago, 'exposed in a 35 mm. Leica.'

An aerial photograph then. My eyes and brain adjusted, and almost instantly I felt the first tickle of my own excitement begin as Louren went on in the same crisp tone.

'I've got a charter company running an aerial survey over all my concession areas. The idea is to pick the strike and run of geographical formations. This photograph is only one of a couple of hundred thousand of the area — the navigator did not even know what he was photographing. However, the people in analysis spotted it, and passed it on to me.'

His face turned towards me, pale and solemn in the glare of the projector.

'You can see it, can't you, Ben? Just off centre. Top right quarter.'

I opened my mouth to reply, but my voice caught in my throat and I had to turn the sound I made into a cough. With surprise I found I was trembling, and my guts seethed with an amalgam of hope and dread.

'It's classic! Acropolis, double enclosure and the "phallic towers".' He was exaggerating, they were faint outlines, indistinct and in places disappearing, but the general shape and configuration were right.

'North,' I blurted. 'Where is north?'

'Top of picture — he's right, Ben. Facing north. Could the towers be sun-orientated?'

I did not speak again. The reaction was coming swiftly now. Nothing in my life had been this easy, therefore this was suspect and I searched for the flaws.

'Stratification,' I said. 'Probably limestone in contact with the country granite. Throwing surface patterns.'

'Oh bull!' Louren cut in, the excitement still bubbling in his voice. He jumped up and strode to the screen, picked up an ebony pointer from the lectern and used it to spot the cell-like stippling around the outline of what he was pleased to presume was the main enclosure. 'You tell me where you've ever seen geographical patterns like that.'

I didn't want to accept it. I didn't want to make myself vulnerable again with hope.

'Perhaps,' I said.

'Damn you.' He laughed now, and the sound was good for he did not often laugh these days. 'I should have known you'd fight it. You are without doubt the most miserable bloody pessimist in Africa.'

'It could be anything, Lo,' I protested. 'A trick of light, of shape and shade. Even conceding that it is man-made — it could be recent gardens or agriculture —'

'A hundred miles from the nearest surface water? Forget it, Ben! You know as well as I do that this is the —'

'Don't say it,' I almost shouted, and was out of the padded leather chair, across the projection room and had hold of his arm before I realized I had moved.

'Don't say it,' I repeated. 'It's — it's bad luck.' I always stutter when I am excited, but it is the least of my physical disabilities and I have long ago ceased worrying about it.

Louren laughed again, but with the trace of uneasiness he shows whenever I move quickly or unleash the strength of my arms. He stooped over me now, and eased my fingers that were sunk into the flesh of his forearm.

'Sorry — did I hurt you?' I released the grip.

'No.' But he massaged his arm as he moved to the control panel and doused the projector, then turned the wall switch and we stood blinking at each other in the light.

'My little Yiddish leprechaun,' he smiled. 'You cannot fool me. You are wetting yourself.'

I looked up at him, ashamed of my outburst now, but still excited.

'Where is it, Lo? Where did you find it?'

'I want you to admit it first. I want you to go out on a limb for once in your life. I want you to say it — before I'll tell you another thing,' he teased.

'All right.' I looked away and picked my words. 'It looks, at first glance, quite interesting.'

And he threw back that great golden head and bellowed with bull laughter.

'You're going to have to do a lot better than that. Let's try again.'

His laughter I cannot resist, and my own followed immediately. I was aware of its birdlike quality against his.

'It looks to me,' I wheezed, 'as though you may have found — it.'

'You beauty!' he shouted. 'You little beauty.'

It was years since I had seen him like this. The solemn banker's mask stripped away, the cares of the Sturvesant financial empire forgotten in this moment of promise and achievement.

'Now tell me,' I pleaded. 'Where did you find it?'

'Come,' he said, serious again, and we went to the long table against the wall. There was a chart spread and pinned on the green baize. It was a high table, and I scrambled quickly onto a chair and leaned across it. Now I was almost on equal terms with Louren who stood beside me. We pored over the chart.

'Aeronautical Series A. Southern Africa. Chart 5. Botswana and Western Rhodesia.'

I searched it quickly, looking for some indication — a cross, or pencil mark perhaps.

'Where?' I said. 'Where?'

'You know that I've got twenty-five thousand square miles of mineral concession down here south of Maun —'

'Come on, Lo. Don't try and sell me shares in Sturvesant Minerals. Where the hell is it?'

'We've put a landing-strip in here that will take the Lear jet. Just finished it.'

'It can't be that far south of the gold series.'

'It isn't,' Louren reassured me. 'Throttle back, you'll rupture something.' He was enjoying himself tormenting me.

His finger moved across the chart, and stopped suddenly — my heart seemed to stop with it. It was looking better and better. The latitude was perfect, all the clues I had so painstakingly gathered over the years pointed to this general area.

'Here,' he said. 'Two hundred and twelve miles southeast of Maun, fifty-six miles from the south-western beacon of the Wankie game reserve, tucked below a curve of low hills, lost in a wilderness of rock and dry land scrub.'

'When can we leave?' I asked.

'Wow!' Louren shook his head. 'You do believe it. You really do!'

'Someone else could stumble on it.'

'It's been lying there for a thousand years — another week won't —'

'Another week!' I cried in anguish.

'Ben, I can't get away before then. I've got the Annual General Meeting of Anglo-Sturvesant on Friday, and on Saturday I have business in Zürich — but I'll cut it short, especially for you.'

'Cut it altogether,' I begged. 'Send one of your bright young men.'

'When somebody lends you twenty-five million, it's only polite to go fetch the cheque yourself, not send the office boy.'

'Christ, Lo. It's only money — this is really important.'

For a moment Louren stared at me, the pale blue eyes bemused and reflective.

'Twenty-five, million is only money?' He shook his head slowly and then wonderingly as though he had heard a new truth spoken. 'I suppose you are right.' He smiled, gently now, the smile of affection for a well-loved friend. 'Sorry, Ben. Tuesday. We'll fly at dawn, I promise you. We'll recce from the air. Then land at Maun. Peter Larkin — you know him?'

'Yes, very well.' Peter ran a big safari business out of Maun. Twice I'd used him on my Kalahari expeditions.

'Good. I've been on to him already. He will service the expedition. We will go in light and fast — one Land-Rover and a pair of three-ton Unimogs. I can only spare five days — and that's a squeeze — but I'll get a charter helicopter to fetch me out, and I'll leave you to scratch around —' As he talked Louren led me out of the projection room into the long gallery.

Sunlight spilled in through the high windows, giving good light to the paintings and sculptures that decorated the gallery. Here works of the leading South African artists mingled easily with those of the great internationals living and dead. Louren Sturvesant, and his ancestors before him, had spent money wisely. Even now in the urgency of the moment, my eyes were tugged aside by the soft fleshy glow of a Renoir nude.

Louren paced easily over the sound-deadening pile of Oriental carpets, and I matched stride for stride. My legs are as long as his and as powerful.

'If you turn up what we are both hoping for, then you can go in full-scale. A permanent camp, airstrip, assistants of your choice, a full crew, and any equipment you call for.'

'Please God, let it happen,' I said softly and at the head of the staircase we paused. Louren and I grinned at each other like conspirators.

'You know what it could cost?' I asked. 'We might be digging for five or six years.'

'I hope so,' he agreed.

'It could run into — a couple of hundred thousand.'

'It's only money, like the man said.' And again that great bull laugh started me off. We went down the staircase roaring and tittering, each in his own way. Elated and hyper-tense, we faced each other in the hall.

'I'll be back at seven-thirty Monday evening. Can you meet me at the airport, Alitalia flight 310 from Zürich? In the meantime you get your end arranged.'

'I'll need a copy of that photograph.'

'I've already had an enlargement delivered by hand to the Institute. You have got a week to gloat over it.' He glanced at the gold Piaget on his wrist. 'Damn. I'm late.'

He turned to the doorway at the moment that Hilary Sturvesant came through it from the patio. She wore a short white tennis dress, and her legs were long and achingly beautiful. A tall girl with gold-brown hair hanging shiny and soft to her shoulders.

'Darling, you aren't going?'

'I'm sorry, Hil. I meant to tell you I wouldn't be staying for lunch, but Ben will need somebody to hold him down.'

'You've shown him?' She turned and came to me, stooped to kiss me on the lips easily and naturally, with not the least sign of revulsion, and then she stepped back and smiled full into my eyes. Every time she does that she makes me her slave for another hundred years.

'What do you think of it, Ben? Is it possible?' But before I could answer Louren had slipped his arm about her waist and they both smiled down at me.

'He's doing his nut. He's frothing at the mouth and doing back flips. He wants to rush into the desert now, this minute.' Then he pulled Hilary to him and kissed her. For a long minute they were oblivious of my presence as they embraced. They are, for me, the epitome of beautiful woman and manhood, both of them tall and strong and well-favoured. Hilary is younger than he is by twelve years, his fourth wife and the mother of only the youngest of his seven children. In her middle twenties she has the maturity and poise of a much older woman.

'Give Ben some lunch, my darling. I'll be home late.' Louren pulled away from the embrace.

'I'll miss you,' Hilary said.

'And I you. I'll see you Monday, Ben. Cable Larkin if you think of anything special we will need. So long, partner.' And he was gone.

Hilary took my hand and led me out on to the wide flagged patio. Five acres of lawn and dazzling flowerbeds sloped gently down to the stream and artificial lake. Both tennis courts were occupied and a shrieking mob of small near-naked bodies thrashed the water of the swimming-pool to a sun-sparkled white Two uniformed servants were laying out a cold buffet on the long patio trestle-table, and with a small squirming twinge of dread I saw a half-dozen young matrons in tennis dress sprawled in the lounging chairs beside the outside bar. They were flushed with exertion, perspiration dampened the crisp white dresses and they sipped at long dewy, fruit-laden glasses of Pimms No. 1.

'Come,' said Hilary, and led me towards them. I steeled myself, trying to draw myself up to an extra inch of height as we moved towards the group.

'Girls — we've got a man to keep us company. I want you to meet Dr Benjamin Kazin, Dr Kazin is the Director of the Institute of African Anthropology and Prehistory. Ben, this is Marjory Phelps.'

I turned to each of them as she spoke their names, and I acknowledged the slightly over-effusive greetings, giving each my eyes and voice, they are my good things. It was as difficult for them as it was for me. You do not expect your hostess to spring a hunchback on you with the pre-lunch drinks.

The children rescued me. Bobby spotted me and came at a run, shrieking, 'Uncle Ben! Uncle Ben!' She flung her cold wet arms around my neck and pressed her sopping bathing-costume to my new suit, before dragging me away to become overwhelmed by the rest of the Sturvesant brood and their hordes of young friends. I find it easier with children; they either do not seem to notice or they come straight out with it. 'Why do you walk all bent over like that?'

For once I was not very good value, I was too preoccupied to give them my full attention — and soon they drifted away, all but Bobby — for she is ever loyal. Then Hilary took over from her stepdaughter and I was returned to the league of young mothers where I made a better impression. I cannot resist pretty women, once the first awkwardness wears off. It was three o'clock before I left for the Institute.

Bobby Sturvesant pours Glen Grant malt whisky with the same heavy thirteen-year-old hand she uses to pour Coca-Cola. Consequently I floated into the Institute feeling very good indeed.

The envelope was on my desk marked 'Private and Confidential' with a note pinned to one corner, 'This came for you at lunch-time. Looks exciting! Sal.'

With a quick stab of jealousy I inspected the seal of the envelope. It was unbroken. Sally hadn't been into it — but I knew it must have taken all her self-control for she has an almost neurotic curiosity. She calls it a fine inquiring scientific mind.

I guessed she would arrive within the next five minutes so I found the packet of Three X peppermints in my top drawer and slipped one into my mouth to smother the whisky fumes before I opened the envelope and drew out the glossy twelve-by-twelve enlargement, switched on the desk light and adjusted it and the magnifying table lens over the print. Then I looked around at the hosts of the past that crowd my office. All four walls are lined with shelves, and from floor to shoulder height — my shoulder height — these are filled with books: the tools of my trade, all bound in brown and green calf-skin, and titled in gold leaf. It is a big room, and there are many thousands of volumes. The shelves above the books carry the plaster busts of all the creatures that preceded man. Head and shoulders only. Australopithecus, Proconsul, Robusta, Rhodesian Man, Peking — all of them up to Neanderthal and finally Cro-Magnon himself — Homo sapiens sapiens in all his glory and infamy. The shelves to the right of my desk are laden with busts of all the typical ethnic types found in Africa, Hamites, Arabs, pygmies, the negroids, Boskops, bushmen, Griqua, Hottentot and all the others. They watched me attentively with their bulging glass eyes as I addressed them.

'Gentlemen,' I said, 'I think we are on to something good.' I only speak aloud to them when I am excited or drunk, and now I was more than a little of each.

'Who are you talking to?' asked Sally from the doorway, making me leap in my seat. It was a rhetorical question, she knew damn well who I was talking to. She lounged against the jamb, her hands thrust deeply into the pockets of her grubby white dust-coat. Dark hair drawn back with a ribbon from the deep bulging forehead, large green eyes well spaced beside the pert nose. High cheek-bones, wide sensual smiling mouth. A big girl with long well-muscled legs in the tight-fitting blue jeans. Why do I always like them big?

'Good lunch?' she asked, starting the slow sliding approach across the carpet towards my desk that would put her in position to check what was going on. She can read documents upside-down, as I have proved to my cost.

'Great,' I answered, deliberately covering the photograph with the envelope. 'Cold turkey, lobster salad, smoked trout, and a very good duck and truffles in aspic.'


(Continues...)

Excerpted from The Sunbird by Wilbur Smith. Copyright © 1972 Wilbur Smith. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Wilbur Smith is the bestselling author of many novels, each meticulously researched on his numerous expeditions worldwide. His bestselling Courtney series includes Assegai, The Sound of Thunder, Birds of Prey, Monsoon, and Blue Horizon. His other books include Those in Peril, River God, Warlock, The Seventh Scroll, and The Sunbird. His books are now translated into twenty-six languages and have sold over 120 million copies. Smith was born to a British family in Northern Rhodesia, now Zambia, in Central Africa, and attended Rhodes University in South Africa. He has homes in Cape Town, London, Switzerland and Malta.

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Sunbird 3.9 out of 5 based on 0 ratings. 44 reviews.
Horsegirl123 More than 1 year ago
The Sunbird is a very fun book. A book about an ancient civilization being uncovered by a brilliant hunchback named Ben, Sally his beautiful assistant and his fabulously rich friend, Louren, was exciting in and of itself for me. Add on top romance, betrayal and the friendships and you have got a true page turner. The story is really two stories that mirror each other, 2,000 years apart.
Ben Kazin is a very intelligent archeologist and he excavates a lost city in South Africa. His friend, Louren Sturvesant, is the rich, strong, handsome man who is funding the excavation. Along the way Ben falls in love with his assistant, Sally. It creates a slightly unexpected twist that I found very enjoyable. As they excavate other strange things happen as well, it¿s like an influence sweeps over them. While this is an extremely odd occurrence it helps them discover something huge. The second part to the story parallels the first, but takes place in the past as the people live in the lost city. This story tells of how the city falls and of what happened to the people in it.
This book is not for someone looking for a real thriller book, but if you are interested in a story that is historical fiction and that includes some adventure, suspense and romance, this may be just the book that you are looking for.
Anonymous More than 1 year ago
I stumbled across this book about 25 years ago and fell in love with it. The story line takes you back from modern times to a "dreamtime" in the past. The juxtaposition of the characters between the two time periods is great. All of Wilbur Smith's books about Africa give you a glimpse of history as it may have been. Some of the books are a little romantacized for my taste, but the history is good. Robert Ruark also writes about African. His books are more gritty and realistic. So try him out too. As far as "Sunbird", I read it at least once a year. Smith's prose carries you along with the emotions so well.
philb5 More than 1 year ago
Nobody pulls you in to a story quite like Wilbur Smith. I stumbled across these books as a teenager, and this is one of his best. A great read that will make you want to be there in the middle of it. Enjoy.
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tsasse More than 1 year ago
This was a good book. The characters were developed well. I think there should have been a more precise conclusion to the second story though. It was a good read however.
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boxingfan1 More than 1 year ago
THIS GUY CAN REALLY TELL A STORY. HE NEVER DISSAPPOINTS.
Anonymous More than 1 year ago
I read this book whie I was pregnant with my daughter in 1976 and I named her Tanith. I though the book was wonderful then and I still enjoy it to this day. Well written and moves right along. Well done.
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Anonymous More than 1 year ago
When will a Nook version of The River God be available?! I love the Taita trilogy do much my hard copies are a bit dog eared. Now I have a Nook and all I can find is The Quest and The Warlock. I would settle for The Seventh Scroll but it only speaks of a long dead Taita. I guess Taita and Fenn were not meant to be long livers of that magnitude! (See The Quest). Please, no more study guides, I want the Nook version of The River God. Please????????
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