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Overview
It's the early 1990s, and in the Irish village of Crossmore, Lucy feels out of place. Despite her fierce friendships, she's always felt this way, and the conventional path of marriage and motherhood doesn't appeal to her at all. Not even with handsome and doting Martin, her closest childhood friend.
Lucy begins to make sense of herself during a long hot summer, when a spark with her school friend Susannah escalates to an all-consuming infatuation, and, very quickly, to a desperate and devastating love.
Fearful of rejection from her small and conservative community, Lucy begins living a double life, hiding the most honest parts of herself in stolen moments with Susannah.
But with the end of school and the opportunity to leave Crossmore looming, Lucy must choose between two places, two people and two futures, each as terrifying as the other. Neither will be easy, but only one will offer her happiness.
Sunburn is an astute and tender portrayal of first love, adolescent anxiety and the realities of growing up in a small town where tradition holds people tightly in its grasp. An atmospheric sapphic love story and coming-of-age novel with the intensity of Megan Nolan's Acts of Desperation, the long hot summer of André Aciman's Call Me By Your Name and the female friendships of Anna Hope's Expectation.
‘A tender and heartfelt coming-of-age tale’ – Heat
‘A compassionate take on the push and pull between what's expected and what is felt’ – Herald
‘A deeply moving, heartfelt love story’ – Daily Mail
‘Lucy tells her story in a true, compelling voice, with an eye for minutiae, quaint apercus, and confidences that make her account moving and convincing’ – SAGA Magazine
‘Tender and poignant... Ideal reading for the last month of summer’ – Diva
'Intense and all-consuming - like the first love it describes - Sunburn transported me to the heart of summer and the heady days of late adolescence. I won't soon forget Chloe Michelle Howarth's addictive, lushly written debut' - Laura Sims
'Capturing all the intensity of first love, blended with the claustrophobia of small-town life, this debut, inspired by real experience, is tender and raw' - The Bookseller
'A beautiful coming of age love novel written with an insightful poetical prose, rich with religious allegory and texture which underscores the transformative, spiritual power of first love explored' - Scene Magazine
Product Details
| ISBN-13: | 9780857308412 |
|---|---|
| Publisher: | Oldcastle Books |
| Publication date: | 09/19/2023 |
| Pages: | 288 |
| Product dimensions: | 5.00(w) x 7.70(h) x 0.80(d) |
About the Author
Read an Excerpt
1 June 1989 Now is the time between birth and slaughter. Another Summer has arrived. I spend my days waiting for something to happen. Something glorious, even something tragic. Nothing ever happens. It’s hard in the countryside, when there is nothing to do and nowhere to go. Life in the Summer goes slow, like one long, drawn-out fade of the sun. Doesn’t every day in Crossmore feel that way, at this tricky age? Without the structure of school, and without any amenities in the town, there isn’t much to do but hang around the village. Mother calls this loitering. She seems to take a stricter dislike to me in the Summer. I can understand that. Between my newfound admiration for drinking, the threat of a blundered attempt at sex, and the incurable frustration I feel, I wouldn’t expect her to like me very much. Often, I am just as annoyed with myself as she is. Yes, I am at a very tricky age. Perhaps when Mother was my age, she was like me. Once she might have felt the same thrill that I do when sharing a cigarette with the girls or coming home late. Perhaps she has forgotten what it is to only get glimpses of independence. Those glimpses are everything to me. Feeling adult is everything to me. It gives me a sense of self, which is important, I think. Recently, I have really wanted to figure out who I am. There must be more to me than being Martin Burke’s best friend or one of the girls or the Nolans’ daughter. I’m just not sure what that is. Today Martin and I walked the long and bumpy road into the village together. There is a lot of talk about Martin and me. We are only friends. Although I presume we will end up as something more than that eventually. Truthfully, I don’t like thinking about it. I just enjoy his company, that’s all. I function far better with him than without. When we were eight, the Burkes withdrew Martin from St Anne’s National School to go instead to St Andrew’s, twenty minutes away. There was some trouble with his older brother and a teacher which his parents didn’t want repeated. Off he went. I didn’t think I would even notice his absence. Besides one feverish breakout of kiss chase in the yard, we never really played together in school. I didn’t expect there would be anything to miss. But then he was gone, and I missed him every day. I felt so outside of things. It took me a long while to look around and not expect to see Martin smiling back at me. But it’s easy to adjust to things when you’re young. I got used to the void, it was fine. I was one of the girls after all, even without any girl friends. On long school days, when I was missing him, I used to daydream that he and I could be married on our Communion Day. His and my school always joined up for the day, as well as the Gaelscoil, and still with the three classes there were only ever thirty of us. I knew that Martin would be at the altar in his suit, and I would be there in my white dress, and so it would just look right. I used to plan it so that when he said ‘Amen’, I would kiss him, and then we would be married. My most plain and easy dream; I don’t even think anybody would have been too upset with me if I had kissed him. It would probably have been funny and well-remembered. He takes me as far as the chipper, where the girls are all waiting for me. He will bring the boys in later. Our groups were never really separate like this before. But around the timethat Maria Kealy became aware of the boys as boys, we split in
two. Maria’s interests very much influence the interests of the
group, and so everybody became somewhat obsessed with the
boys. If Martin and I were not magnets to each other, the girls
might never speak to them. I am still waiting to find the boys
intimidating. Often, I find my own girls more intimidating
than them. Until I became the bridge between us all, I thought
that I was a shy person, a sort of trembling leaf. Now I know
that I am not a leaf, but a strong branch. I connect the blossom
to the bark. Thanks to the girls’ weak hearts, I have realised
my own bravery. Perhaps it’s just that I don’t give to swooning
as easily as the others. These days the girls let themselves
crumble when the boys come around. I’m hoping that I’m just
late developing, and in a month or two, I’ll start to crumble as
well. I can’t stand being on the outside of what everyone else
is feeling.
The windows of the chipper reach from the ceiling to the
floor, and they play the same Eurodance CD on loop. I can see
the girls inside now. There is Maria. Endlessly lovely Maria,
with her tightly curled hair, her pointed nose, her long and
straight torso. And there is bright yellow-blonde Eimear, and
flaxen lesser-blonde Joan. Bernadette, and her teeth which so
desperately need braces, and Patricia, barely visible behind
her camouflage of freckles. And Susannah, beautiful sunbeam
Susannah, with her coat folded up on the seat that she is saving
for me. The walls are lined with white tiles, and there are strips
of fluorescent lights in the ceiling which put shadows on their
young faces. The bell above the door chimes, announcing me,
and they all turn to look. How would they describe me now?
Susannah lifts up her coat for me, camel-brown suede, and
before I can even say anything about it, she says,
‘Vintage.’
I could have guessed. A lot of my clothes could be considered
vintage. They have been given to me by older cousins, some
even saved from Mother’s youth. Somehow my sort of vintage
isn’t as cool as Susannah’s. She is miles ahead of the rest of us,
with double ear piercings, her own hi-fi, and a hefty inheritance
coming her way.
This food gives us acne, and yet we eat it all the time.
Bernadette is not eating because she doesn’t want to be seen with
a mouth full of chips when the boys arrive. Bernadette doesn’t
eat around people, I think we were in primary school the last
time I saw her put anything in her mouth. She is perched on
the end of her seat, sucking her teeth like she thinks they are
dirty. Joan, with her oval face having perhaps the worst reaction
to puberty of us all, asks a plain question, which starts a fire
among us.
‘Any news about the Debs?’
This Summer, the Debs has been a greater concern to us
than breathing. Before, we would have been interested on the
day, with pieces of gossip about dates and dresses leading up to
it, but this year it’s all we talk about. I really don’t know why.
Perhaps because it’s only a few weeks away, so it’s in the air.
Perhaps because going to the Debs is becoming less of a fantasy
and more of a tangible reality. As girls only approaching Fourth
Year, we would never get asked to go, but a girl in Fifth Year
could be, and we know plenty of those. Perhaps it’s just because
we like talking about other people.
With Maria’s sister Sorcha now a popular Fifth Year, we have
access to an artery of information on the Debs, on the older girls
and all their exploits. Gossip just comes out. Even when I don’t
want to hear it, I hear it, and so I know about the older girls –
about who is failing which class, and who has been cheated on,
and who is on drugs. Sorcha provides details so secret that we
have been told Laragh Donnolley wears a red bra for PE, and
she lets the straps fall off her shoulders, hoping someone will
notice. My bras are all white and come in a box. They seem both
juvenile and geriatric compared to what Laragh is wearing. If
the older girls knew how we idolise them, if they knew all the
intimate things we have been told about them, I would be so
embarrassed I’d have to change schools. But they must expect
it, when they see us with our jaws on the floor and our pupils fat
in awe as they pass us by. This admiration is the natural order,
I’m sure. It has been this way since we were in primary school.
A nun would send one of them around to our little yard to do a
job, and we would crowd around them like insects surrounding
a spill of honey.
There are plenty of other things that we could talk about, but
we talk about things like bras, and boys, and the Debs. Even
when we have feelings that eat us alive, and which desperately
need to be talked about, we talk about things like this. Nobody
wants to bring the mood down. Imagining Debs dresses is
nicer than airing out our emotions. Those awful, shiny satin
dresses in their gaudy colours, the sort of things that keep us
from thinking of our troubles, whether that is good or bad. Our
dream dresses, and the dresses we would choose for everyone
else, and past dresses we have hated. We have pooled the
information we have about existing couples, and we dole out the
remaining Sixth Year boys among ourselves, as though we have
a chance with them. It should be embarrassing to have these
fantasies at our big age, but this is a private game for us, so it’s
sort of alright.
Dates are always the worst part of this collective daydream,
because all the good boys are already taken. All it takes is
one wrong suggestion to be stuck with a boy forever. Eimear
once flippantly said that Bernadette would look nice with
Danny O’Neill in the year above us, only because they both
have curly hair and freckles. Perhaps what she meant was that
they look alike, not that they would look good together. These
theoretical couplings can haunt a girl for life. Since Eimear said
that, anytime Bernadette mentions a boy, somebody will turn
around and say,
‘But what about poor Danny?’
And lately, she has started to say,
‘Well, yes, obviously there’s also Danny.’
She has never liked him, but we all know, and she knows, and
he has started to suspect, that when our own Debs finally comes
around, they will be going together. There are plenty of these
assumed couples, Martin and I are often mentioned as one. To
avoid this, I tease Bernadette about Danny.
‘Apparently, Niamh Mc has two dates.’
Niamh McNamara, glittering goddess of St Joseph’s. I could
talk about her all day and not feel silly, it would be a discussion
ofdivinity.Morebeautiful,morepurethananygirlin
Crossmore, she is something of an icon among us. Hers are the
grades Sorcha cannot tell us about; hers are the bra straps we
have never seen; she is so subtle, so dignified. Fully developed,
giving, intelligent, saccharine Niamh, with English cousins who
have sent her Debs dress over from London. She is only in Fifth
Year and already she has the Sixth Year lads fighting over her.
‘Two dates? Well for some.’
‘Yeah, Séan asked her first of course, but now John is after
asking her as well, apparently.’
‘Imagine choosing John over Séan!’
Bernadette’s eyes are stuck on me while I eat.
‘Would you be well?’
‘Yeah, well, apparently she did.’
Maria is so cute. Everybody likes her.
‘As if anybody would choose anyone over Séan!’
A sigh falls over the table at the thought of Séan O’Sullivan –
six foot two, footballer, eldest of three sons.
‘Séan could ask me to cross the road with him and I’d die,
never mind asking me to the Debs!’
‘Stop, he’s so cool.’
Susannah says through a bite of her burger, chewing with
her mouth open. I watch the meat as it is reduced to mush on
her tongue. The girls all laugh. Susannah has connections with
older boys, they all know her because of her brothers. She does
not disclose the details of these connections, but she knows how
to talk to them. She knows how to talk to everybody; somehow
she knows exactly what everybody wants to hear.
‘Poor old John.’
‘Yeah, but would ye listen! Apparently, she said yes to both
of them!’
‘She could be asked by a third fella yet.’
‘She nearly could.’
‘I’d nearly ask her.’
I only say it as a joke, but it makes Patricia roll her eyes at
me. It seems I cannot say the right thing to her, she is always
looking at me like she hates me. It wouldn’t bother me much if
she does, because she is the least interesting and least pretty of
the girls. The others don’t like her either, they’ve all admitted it
but they won’t stand by it. I think we would get on fine without
her. Even before all the misfortune in her life, Patricia wasn’t a
nice girl, but we have known her so long that she is unshakable.
Sometimes knowing someone for a long time is the only reason
you’d be friends with them. It isn’t much of a bond, and still it is
unbreakable. Patricia’s father is a lot older than her mother, he
is in the early days of dementia. Between her husband and her
young twins, Patricia’s mother doesn’t have much time for her.
The younger twin did not have enough oxygen at birth, they were
not sure if he would live. He requires a great deal of care now,
as does the older twin, as do all five-year-olds. It all means that
Patricia lives a very lonely life at home. When she is headed for
college, she will feel guilty for leaving her mother with so much,
but she won’t let it stop her from leaving. Sometimes her father
doesn’t recognise her. These times are becoming more frequent.
Susannah feels a deep sympathy for her; sometimes they spend
hours together, just the two of them, talking very seriously about
life with half-parents. I only put up with Patricia because she
understands a part of Susannah that I do not. I want Susannah to
feel understood. Although when Patricia is sitting in the chipper,
rolling her eyes at me, I forget to feel sorry for her. It might make
me sound callous, but I have no patience left for her. Everyone else
laughs at what I said about Niamh, they all know that the chance
to spend any time at all with Niamh would be Heaven-sent.
‘I’d ask her if I wouldn’t look so ugly next to her.’
Joan laughs, and everyone laughs with her, and I just won’t
look at Patricia anymore today. It’s the small punishment she
deserves, which she might not even notice. Does that make me
an awful person? I don’t think her hardships are an excuse for
treating me badly. I sometimes wonder if I am the only one who
thinks Patricia is a nasty girl or who remembers that she has
always been this nasty. All I did was make a joke; everyone has
moved on but me. I’ll keep my mouth shut a while, in case I
say something else stupid. It’s nice to get engrossed in the girls’
imaginations while they talk about Niamh and her dress, and
about how Séan will complement her so well. It’s nice to watch
them, and hear them, and feel I am one of them.
Although it’s comforting, we have had this conversation so
many times, and without staying engaged, I find my attention
drifting from the table and focusing more plainly on Susannah’s
mouth. The girls’ chatter is only a beehive’s buzzing near my
ears, but I hear very loudly her teeth cutting through her food.
The slap of her tongue off the roof of her mouth. The squelching
of her spit raising a hundred decibels with every bite. Must she
eat like a dog? My cheeks redden, but I make no moves to conceal
this, and in a wild moment of abandonment – something I have
never known before – I think, I would be the microbes in the
beef that her body seeks and destroys if it meant she would be
paying me even the slightest bit of attention. The warmth and
the wet of her mouth.
What a thought to think! How suddenly and vehemently I
think it. And how hot my cheeks are. It makes perfect sense to
want to be inside her mouth, to be torn to pieces by her; until
I catch myself wanting it, and I am shocked, I am disgusted. I
almost laugh at my own absurdity. That wasn’t me at all, just a
bad notion that got into my head to make trouble. That wasn’t
me who thought that. What a weird feeling. Very discreetly, I
bless myself and hope to be forgiven, and I hope that I never feel
anything so inexplicable or strong again.
‘Lucy?’
I look up. They are talking to me.
‘John or Séan, I said?’
Blessed be this tired conversation. I could have stopped
listening for a year and I would still know what I am supposed
to say. It’s easy, these are my people, waiting for me to say the
words and feed their hungry hearts. I understand these girls, I
follow the pattern, it’s alright. I give them what they want.
‘Séan. Every time.’
They are drowned in a frenzy of giggles, and I let it wash over
me, and as I see her mouth hanging open in laughter, I thank
every angel in Heaven that Susannah has swallowed her food.
‘Oh, don’t let Martin hear you say that!’
Patricia winks, and I wish I didn’t let her wink at me. I want
a second alone to settle myself. But here is Martin now, coming
to the door of the chipper with all the boys behind him. He
looks at me, not at the other girls. It feels very nice when he
looks at me. My heart races, and I keep my eyes on him. It’s
grounding. The girl behind the counter hates to see the boys
coming. Bernadette sits up tall. It begins.