×

Uh-oh, it looks like your Internet Explorer is out of date.

For a better shopping experience, please upgrade now.

Surface tensions: Surface, finish and the meaning of objects
     

Surface tensions: Surface, finish and the meaning of objects

by Glenn Adamson, Victoria Kelley (Editor)
 

Surfaces are often held to be of lesser consequence than 'deeper' or more 'substantive' aspects of artworks and objects. Yet it is also possible to conceive of the surface in more positive terms: as a site where complex forces meet. Surfaces can be theorized as membranes, protective shells, sensitive skins, even thicknesses in their own right. The surface is

Overview


Surfaces are often held to be of lesser consequence than 'deeper' or more 'substantive' aspects of artworks and objects. Yet it is also possible to conceive of the surface in more positive terms: as a site where complex forces meet. Surfaces can be theorized as membranes, protective shells, sensitive skins, even thicknesses in their own right. The surface is not so much a barrier to content as an opportunity for encounter.

Surface tensions includes sixteen essays that explore this theoretically uncharted terrain. The subjects range widely: domestic maintenance; avant-garde fashion; the faking of antiques; postmodern architecture and design; contemporary film costume. Of particular emphasis within the volume are textiles, which are among the most complex and culturally rich materializations of surface. As a whole, the book provides insights into the whole lifecycle of objects, not just their condition when new.

The contents will be of interest to any practitioner or scholar who considers the surface within their work, whether from the perspective of fine art, craft, design, history or anthropology.

Editorial Reviews

From the Publisher

To come

Product Details

ISBN-13:
9780719087516
Publisher:
Manchester University Press
Publication date:
09/17/2013
Series:
Studies in Design Series
Pages:
256
Product dimensions:
6.60(w) x 9.50(h) x 0.80(d)

Meet the Author

Glenn Adamson is Head of Research at the Victoria and Albert Museum

Victoria Kelley is Reader in Design and Material Culture History at University for the Creative Arts, and teaches in the School of Fashion and Textile Design, Central Saint Saint Martins College of Art and Design

Customer Reviews

Average Review:

Post to your social network

     

Most Helpful Customer Reviews

See all customer reviews