Surpassing the Spectacle: Global Transformations and the Changing Politics of Art
In her newest book, leading social critic Carol Becker offers a timely analysis of the nature of art and its role in politics and society. Completed just before the September 11, 2001 World Trade Center catastrophe, Surpassing the Spectacle is now especially relevant in its analysis of the spectacle society that was omnipresent before that fatal day. This book is remarkably prescient of the new concerns that have now become foremost in our thoughts since the attack. This collection of essays explores such topics as public memorials, America's attempt to hold onto a sense of security while faced with the reality of international terrorists living within our own cities, the South African Truth and Reconciliation Commission, restorative justice, and issues of freedom of expression as they relate to incidents such as New York Mayor Guiliani's quest to ban Chris Ofili's painting of 'The Holy Virgin Mary' at the Brooklyn Museum. The essays cohere around Becker's central concerns: the education and role of artists in a post post-modern climate, controversies over public space, iconography, memorializing, and the myth of the global citizen. Throughout, Becker works to reconstruct a vision of humanity that incorporates, and hopefully moves us beyond, a dystopian moment when we no longer were able to use words such as humane, accountable, or the public good without seeming nostalgic and romantic. Becker raises the question of the place of art and the function of public intellectuals in a society desperately in need of creativity and leadership. The book is written in clear and accessible prose, which nonetheless looks at the issues philosophically and does not sacrifice any of the subtleties of thought necessary to contextualize and surpass the spectacle of contemporary U.S. society.
1126650492
Surpassing the Spectacle: Global Transformations and the Changing Politics of Art
In her newest book, leading social critic Carol Becker offers a timely analysis of the nature of art and its role in politics and society. Completed just before the September 11, 2001 World Trade Center catastrophe, Surpassing the Spectacle is now especially relevant in its analysis of the spectacle society that was omnipresent before that fatal day. This book is remarkably prescient of the new concerns that have now become foremost in our thoughts since the attack. This collection of essays explores such topics as public memorials, America's attempt to hold onto a sense of security while faced with the reality of international terrorists living within our own cities, the South African Truth and Reconciliation Commission, restorative justice, and issues of freedom of expression as they relate to incidents such as New York Mayor Guiliani's quest to ban Chris Ofili's painting of 'The Holy Virgin Mary' at the Brooklyn Museum. The essays cohere around Becker's central concerns: the education and role of artists in a post post-modern climate, controversies over public space, iconography, memorializing, and the myth of the global citizen. Throughout, Becker works to reconstruct a vision of humanity that incorporates, and hopefully moves us beyond, a dystopian moment when we no longer were able to use words such as humane, accountable, or the public good without seeming nostalgic and romantic. Becker raises the question of the place of art and the function of public intellectuals in a society desperately in need of creativity and leadership. The book is written in clear and accessible prose, which nonetheless looks at the issues philosophically and does not sacrifice any of the subtleties of thought necessary to contextualize and surpass the spectacle of contemporary U.S. society.
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Surpassing the Spectacle: Global Transformations and the Changing Politics of Art

Surpassing the Spectacle: Global Transformations and the Changing Politics of Art

by Carol Becker
Surpassing the Spectacle: Global Transformations and the Changing Politics of Art

Surpassing the Spectacle: Global Transformations and the Changing Politics of Art

by Carol Becker

eBook

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Overview

In her newest book, leading social critic Carol Becker offers a timely analysis of the nature of art and its role in politics and society. Completed just before the September 11, 2001 World Trade Center catastrophe, Surpassing the Spectacle is now especially relevant in its analysis of the spectacle society that was omnipresent before that fatal day. This book is remarkably prescient of the new concerns that have now become foremost in our thoughts since the attack. This collection of essays explores such topics as public memorials, America's attempt to hold onto a sense of security while faced with the reality of international terrorists living within our own cities, the South African Truth and Reconciliation Commission, restorative justice, and issues of freedom of expression as they relate to incidents such as New York Mayor Guiliani's quest to ban Chris Ofili's painting of 'The Holy Virgin Mary' at the Brooklyn Museum. The essays cohere around Becker's central concerns: the education and role of artists in a post post-modern climate, controversies over public space, iconography, memorializing, and the myth of the global citizen. Throughout, Becker works to reconstruct a vision of humanity that incorporates, and hopefully moves us beyond, a dystopian moment when we no longer were able to use words such as humane, accountable, or the public good without seeming nostalgic and romantic. Becker raises the question of the place of art and the function of public intellectuals in a society desperately in need of creativity and leadership. The book is written in clear and accessible prose, which nonetheless looks at the issues philosophically and does not sacrifice any of the subtleties of thought necessary to contextualize and surpass the spectacle of contemporary U.S. society.

Product Details

ISBN-13: 9781461642749
Publisher: Rowman & Littlefield Publishers, Inc.
Publication date: 12/17/2001
Series: Culture and Politics Series
Sold by: Barnes & Noble
Format: eBook
Pages: 176
File size: 2 MB

About the Author

Carol Becker is dean of faculty and vice-president for academic affairs at the School of the Art Institute of Chicago. She is the author of Zones of Contention: Essays on Art, Institutions, Gender, and Anxiety (New York Press, 1996) and The Subversive Imagination: Artists, Society, and Social Responsibility(Routledge, 1994).

Table of Contents

Chapter 1 Introduction
Chapter 2 The Artist as Public Intellectual
Chapter 3 The Nature of the Investigation: Art Making in a Post-Postmodern Era
Chapter 4 The Art of Testimony
Chapter 5 Brooklyn Museum: Messing with the Sacred
Chapter 6 Betrayal
Chapter 7 Trial by Fire: A Saga of Gender and Leadership
Chapter 8 Reconciling Truth in South Africa
Chapter 9 Memory and Monstrosity
Chapter 10 The Second Johannesburg Biennale
Chapter 11 The Romance of Nomadism
Chapter 12 Art and Ecology
Chapter 13 GFP Bunny and the Plight of the Posthuman
Chapter 14 Surpassing the Spectacle
Chapter 15 Index
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