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Donna RifkindThe many ardent admirers of The Historian, Elizabeth Kostova's 2005 first novel, will be happy to learn that her second book offers plenty of the same pleasures. Like The Historian, the new novel ranges across a variety of richly described international locales, both antique and modern. There is once again an assortment of narratives, all of which converge to solve a central mystery. Kostova again pays punctilious attention to the details of her characters' working lives (archival scholarship in the first book, painting in the second). And although the two novels' subjects are worlds apart, there is a shared romantic premise, in which the past is forever imposing itself onto the present, the dead onto the living.
—The Washington Post