The Sweet Far Thing (Gemma Doyle Trilogy #3)

The Sweet Far Thing (Gemma Doyle Trilogy #3)

4.5 694
by Libba Bray, Josephine Bailey
     
 

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The conclusion to the New York Times bestselling Gemma Doyle trilogy is extraordinary in its scope, with thrilling prose and a heroine unrivaled in contemporary historical fiction. It has been a year of change since Gemma arrived at the Spence Academy—her mother murdered, her father an addict, and the ability to travel to an enchanted world called the realms.

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Overview

The conclusion to the New York Times bestselling Gemma Doyle trilogy is extraordinary in its scope, with thrilling prose and a heroine unrivaled in contemporary historical fiction. It has been a year of change since Gemma arrived at the Spence Academy—her mother murdered, her father an addict, and the ability to travel to an enchanted world called the realms. Gemma has survived by forging unlikely new alliances. Now, the time has come to test these bonds. Pulled forward by fate, the destiny Gemma faces threatens to set chaos loose, not only in the realms, but also upon the rigid Victorian society.

Editorial Reviews

Publishers Weekly

The concluding volume in the trilogy begun in A Great and Terrible Beautyis a huge work of massive ambition, an undertaking that involves the plaiting and tying off a dozen plot threads-impending war in the realms and heroine Gemma Doyle's control of its magic being the central thread but, perhaps, not the most interesting. In chronicling Gemma's first year at Spence Academy, Bray has, over three books, widened her canvas from finishing school to fin-de-siècle London, weaving in the defining movements of the era-labor strikes over factory conditions, suffrage, the "radical" Impressionists just across the Channel, even fashion trends like bloomers for women daring enough to ride bicycles. Gemma is both buffeted and bolstered by her exposure to these developments, and readers experience how they shape her burgeoning understanding of who she is and who she may become. Some of Gemma's struggle is about power. As exalted as she is within the realms for her role as High Priestess of the secret society, her "otherness" marks her as unsuitable for proper Victorian circles. Gemma chafes not only at the physical constraints of a corset but at the myriad restrictions placed on women. Her quest is to break free, but at what cost? Bray poses these vital questions without sacrificing the gothic undertones of the previous volumes-the body count is high, and the deaths, gruesome. That creepiness is balanced by the fully realized company of players, including the insufferable headmistress, Mrs. Nightwing, the acid-tongued Felicity Worthington, hunky heartthrob Kartik and, of course, Gemma herself, a heroine readily embraced. Ages 14-up. (Dec.)

Copyright 2007 Reed Business Information
Children's Literature - Monserrat Urena
This is the third and final book in "The Gemma Doyle" trilogy. It takes place a short time after the events of the second book Rebel Angels. The girls are still at Spence Academy. Gemma has bound the magic to her. Felicity and Ann still long for the freedom to live their lives as they see fit. Along with their upcoming debuts, Gemma and the girls must also face the mysterious Order and the Rakshana. Each group is vying for control of the realms. Within the realms, tensions are also rising. Gemma is the only one who can set everything right again. I do not think it fair to judge a series by a single book. My position only gets worse when the book in question is the last one in the series. As you can already guess, I have not read either one of the previous two books of "The Gemma Doyle" trilogy. But I am forced to say that I have no desire to. This book was enough. It could have been the feeling of being bashed over the head by all the quotes and allusions in an almost juvenile show of intelligence. It could have been the moments when the book's pace slowed to an agonizing crawl. Or it could be the moments of high danger that come to a screeching halt as the main characters frolic in the magical secondary world, the realms. In the end, this book wraps itself around the reader like a tight corset that just keeps getting tighter and tighter—until we pass out for lack of oxygen. This is a must miss book. Reviewer: Monserrat Urena
VOYA
Things have not gone well for Gemma since she bound the magic of the realms to herself. Former ally Kartik becomes an enemy. A mute woman in lavender appears in her visions and sends her cryptic messages. After decades of lying in a burnt ruin, Spence School rebuilds the East wing with disturbing results. Gemma's friends fare no better. Her undead friend, Pippa, grows dependent on magic. Felicity's inheritance depends on the good intentions of a malicious gossip, and Ann struggles to break free of her predestined fate as governess to her cousin's mucus-oozing children. As the magic within Gemma grows more unpredictable and the line between reality and the realms grows fainter, she learns that nothing is as it seems and no one can be trusted. All good things must come to an end, and so must Bray's historical fantasy saga. Bray certainly deserves accolades for creating well-written, multi-genre fiction with complex characters. At 800-plus pages, however, the book suffers from too much detail and not enough action. There are many interesting tidbits sprinkled about the book like literary Easter eggs, but by page 500, the reader might begin to tire of repeated descriptions of the strife between the realms' citizens, the political machinations of the Rakshana, and Gemma's indecisiveness. This book is, in short, put-downable, an entirely undesirable attribute for a series finale. Nevertheless readers will want to find out the fate of their favorite characters as the novel moves towards its poignant ending. Reviewer: Angelica Delgado
From the Publisher
Starred Review, Publishers Weekly, October 29, 2007:
“A huge work of massive ambition.”

Review, People, December 24, 2007:
"This is a rare treat that offers a bit of everything—romance, magic, history, Gothic intrigue—and delivers on all of it in 819 beautifully crafted pages."

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Product Details

ISBN-13:
9780739360972
Publisher:
Listening Library, Inc.
Publication date:
01/01/2008
Series:
Gemma Doyle Trilogy, #3
Age Range:
14 Years

Read an Excerpt

CHAPTER ONE
March 1896
SPENCE ACADEMY FOR YOUNG LADIES

There is a particular circle of hell not mentioned in Dante's famous book. It is called comportment, and it exists in schools for young ladies across the empire. I do not know how it feels to be thrown into a lake of fire. I am sure it isn't pleasant. But I can say with all certainty that walking the length of a ballroom with a book upon one's head and a backboard strapped to one's back while imprisoned in a tight corset, layers of petticoats, and shoes that pinch is a form of torture even Mr. Alighieri would find too hideous to document in his Inferno.

"Let us keep our eyes trained toward heaven, girls," our headmistress, Mrs. Nightwing, pleads as we attempt our slow march across the floor, heads held high, arms out like ballerinas.

The loops of the backboard chafe the sides of my arms. The block of wood is unyielding, and I am forced to stand as stiff as the guards at Buckingham Palace. My neck aches with the effort. Come May, I shall make my debut a full year early, for it has been decided by all parties involved that at nearly seventeen I am ready and that it would do me good to have my season now. I shall wear beautiful gowns, attend lavish parties, and dance with handsome gentlemen—if I survive my training. At present, that outcome is very much in doubt.

Mrs. Nightwing paces the length of the ballroom. Her stiff skirts whisk-whisk across the floor as if to rebuke it for lying there. All the while she barks orders like Admiral Nelson himself. "Heads held high!
Do not smile, Miss Hawthorne! Serene, somber expressions! Empty your minds!"

I strain to keep my face a blank canvas. My spine aches. My left arm, held out to the side for what seems hours, trembles with the effort.

"And curtsy . . ."

Like falling souffles, we drop low, trying desperately not to lose our balance. Mrs. Nightwing does not give the order to rise. My legs shake with exhaustion. I cannot manage it. I stumble forward. The book tumbles from my head and lands on the floor with a resounding thud. We have done this four times, and four times I have failed in some fashion. Mrs. Nightwing's boots stop inches from my disgraced form.

"Miss Doyle, may I remind you that this is the court, and you are curtsying to your sovereign, not performing in the Folies Bergere?"

"Yes, Mrs. Nightwing," I say sheepishly.

It is hopeless. I shall never curtsy without falling. I shall lie sprawled upon the gleaming floors of Buckingham Palace like a disgraceful stain of a girl, my nose resting upon the boot of the Queen. I shall be the talk of the season, whispered about behind open fans. No doubt every man will avoid me like typhus.

"Miss Temple, perhaps you will demonstrate the proper curtsy for us?"

Without ado, Cecily Temple, She Who Can Do No Wrong, settles to the floor in a long, slow, graceful arc that seems to defy gravity. It is a thing of beauty. I am hideously jealous.

"Thank you, Miss Temple."

Yes, thank you, you little demon beast. May you marry a man who eats garlic with every meal.

"Now, let us—" Mrs. Nightwing is interrupted by loud banging. She closes her eyes tightly against the noise.

"Mrs. Nightwing," Elizabeth whines. "How can we possibly concentrate on our form with such a terrible racket coming from the East Wing?"

Mrs. Nightwing is in no humor for our complaining. She takes a deep breath and clasps her hands at her waist, her head held high.

"We shall carry on, like England herself. If she could withstand Cromwell, the Wars of the Roses, and the French, surely you may overlook a bit of hammering. Think how lovely the East Wing shall be when it is completed. We shall try again—steady! All eyes are upon you! It won't do to scurry to
Her Majesty like a timid church mouse."

I often imagine what sort of position Nightwing might seek out were she not currently torturing us as headmistress of Spence Academy for Young Ladies. Dear Sirs, her letter might begin. I am writing to inquire about your advert for the position of Balloon Popper. I have a hatpin that will do the trick neatly and bring about the wails of small children everywhere. My former charges will attest to the fact that I rarely smile, never laugh, and can steal the joy from any room simply by entering and bestowing upon it my unique sense of utter gloom and despair. My references in this matter are impeccable. If you have not fallen into a state of deep melancholia simply by reading my letter, please respond to Mrs. Nightwing (I have a Christian name but no one ever has leave to use it) in care of Spence Academy for Young Ladies. If you cannot be troubled to find the address on your own, you are not trying your very best. Sincerely, Mrs. Nightwing.

"Miss Doyle! What is that insipid smile you're wearing? Have I said something that amuses you?" Mrs. Nightwing's admonishment brings a flush to my cheeks. The other girls giggle.

We glide across the floor, trying our best to ignore the hammering and the shouts. The noise isn't what distracts us. It is the knowledge that there are men here, one floor above us, that keeps us jittery and light.

"Perhaps we could see the progress they've made, Mrs. Nightwing? How extraordinary it must be," Felicity Worthington suggests with a sweetness bordering on pure syrup. Only Felicity would be so bold as to suggest this. She is too daring by half. She is also one of my only allies here at Spence.

"The workmen do not need girls underfoot, as they are already behind schedule," Mrs. Nightwing says. "Heads up, if you please! And—"

A loud bang sounds from above. The sudden noise makes us jump. Even Mrs. Nightwing lets out a "Merciful heavens!" Elizabeth, who is nothing more than a nervous condition disguised as a debutante, yelps and grabs hold of Cecily.

"Oh, Mrs. Nightwing!" Elizabeth cries.

We look to our headmistress hopefully.

Mrs. Nightwing exhales through disapproving lips. "Very well. We shall adjourn for the present. Let us take the air to restore the roses to our cheeks."

"Might we bring our paper and sketch the progress on the East Wing?" I suggest. "It would make a fine record."

Mrs. Nightwing favors me with a rare smile. "A most excellent suggestion, Miss Doyle. Very well, then. Gather your paper and pencils. I shall send Brigid with you. Don your coats. And walk, if you please."

We abandon our backboards along with our decorum, racing for the stairs and the promise of freedom, however temporary it may be.

"Walk!" Mrs. Nightwing shouts. When we cannot seem to heed her advice, she bellows after us that we are savages not fit for marriage. She adds that we shall be the shame of the school and something else besides, but we are down the first flight of stairs, and her words cannot touch us.

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