Fans of Louise Fitzhugh's iconic Harriet the Spy will welcome 11-year-old sleuth Flavia de Luce, the heroine of Canadian journalist Bradley's rollicking debut. In an early 1950s English village, Flavia is preoccupied with retaliating against her lofty older sisters when a rude, redheaded stranger arrives to confront her eccentric father, a philatelic devotee. Equally adept at quoting 18th-century works, listening at keyholes and picking locks, Flavia learns that her father, Colonel de Luce, may be involved in the suicide of his long-ago schoolmaster and the theft of a priceless stamp. The sudden expiration of the stranger in a cucumber bed, wacky village characters with ties to the schoolmaster, and a sharp inspector with doubts about the colonel and his enterprising young detective daughter mean complications for Flavia and enormous fun for the reader. Tantalizing hints about a gardener with a shady past and the mysterious death of Flavia's adventurous mother promise further intrigues ahead. (Apr.)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
The Sweetness at the Bottom of the Pie (Flavia de Luce Series #1)by Alan Bradley
BONUS: This edition contains a The Sweetness at the Bottom of the Pie discussion guide and an excerpt from Alan Bradley's The Weed That Strings the Hangman's Bag.
It is the summer of 1950–and at the once-grand mansion of Buckshaw, young Flavia de Luce, an aspiring chemist with a passion for poison, is intrigued by a series of inexplicable/i>/i>… See more details below
BONUS: This edition contains a The Sweetness at the Bottom of the Pie discussion guide and an excerpt from Alan Bradley's The Weed That Strings the Hangman's Bag.
It is the summer of 1950–and at the once-grand mansion of Buckshaw, young Flavia de Luce, an aspiring chemist with a passion for poison, is intrigued by a series of inexplicable events: A dead bird is found on the doorstep, a postage stamp bizarrely pinned to its beak. Then, hours later, Flavia finds a man lying in the cucumber patch and watches him as he takes his dying breath.
For Flavia, who is both appalled and delighted, life begins in earnest when murder comes to Buckshaw. “I wish I could say I was afraid, but I wasn’t. Quite the contrary. This was by far the most interesting thing that had ever happened to me in my entire life.”
An 11-year-old solving a dastardly murder in the English countryside in 1950 wouldn't seem to be everyone's cup of tea. But Flavia Sabina de Luce is no ordinary child: she's already an accomplished chemist, smart enough to escape being imprisoned by her older sisters and to exact revenge, forthright and fearless to the point of being foolhardy, and relentless in defending those she loves. When she spies on her father arguing heatedly with a strange man late at night and the next morning finds that man buried in the cucumber patch, she sets out, riding her bicycle named Gladys, to make sense of it all. And when her father-a philatelist and widower for a decade who still mourns his wife-is arrested, Flavia's efforts are intensified. She delves into the backstory, involving the death of her father's beloved teacher years earlier and the loss of a rare stamp, and puts together the pieces almost too late. The stiff-upper-lip de Luce family is somewhat stereotypically English, but precocious Flavia is unique. Winner of the Debut Dagger Award, this is a fresh, engaging first novel with appeal for cozy lovers and well beyond. [See Prepub Mystery, LJ1/09.]
When a stranger shows up dying in her family's cucumber patch in the middle of the night, 11-year-old Flavia de Luce expands her interests from chemistry and poisons to sleuthing and local history. The youngest of a reclusive widower's three daughters, Flavia is accustomed to independence and takes delight in puzzles and "what if's." She is well suited to uncovering the meaning of the dead snipe left at the kitchen door, the story behind the bright orange Victorian postage stamps, and-eventually-the identity of the murderer and his relationship to the dying man. Bradley sets the protagonist on a merry course that includes contaminating her oldest sister's lipstick with poison ivy, climbing the bell tower of the local boys' school, and sifting through old newspapers in the village library's outbuilding. Flavia is brave and true and hilarious, and the murder mystery is clever and satisfying. Set in 1950, the novel reads like a product of that time, when stories might include insouciance but relative innocence, pranks without swear words, and children who were not so overscheduled or frightened that they couldn't make their way quite nicely in chatting up the police or the battle-shocked family retainer. Mystery fans, Anglophiles, and science buffs will delight in this book and may come away with a slightly altered view of what is possible for a headstrong girl to achieve.-Francisca Goldsmith, Halifax Public Libraries, Nova Scotia
"A wickedly clever story, a dead true and original voice, and an English country house in the summer: Alexander McCall Smith meets Sir Arthur Conan Doyle. Please, please, Mr. Bradley, tell me we'll be seeing Flavia again soon?"—Laurie R. King, author of the Mary Russell series
“Alan Bradley’s marvelous book, The Sweetness at the Bottom of the Pie, is a fantastic read, a winner. Flavia walks right off the page and follows me through my day. I can hardly wait for the next book. Bravo!” –Louise Penny, author of Still Life
“The Sweetness at the Bottom of the Pie offers the reader the precious gift of a richly imagined and luscious new world–but uniquely so, for this is the world of Flavia Sabina de Luce: an eleven-year-old, utterly winning, and altogether delightfully nasty piece of work. An outright pleasure from beginning to end.”—Gordon Dahlquist¸ author of The Glass Books of the Dream Eaters
"Alan Bradley brews a bubbly beaker of fun in his devilishly clever, wickedly amusing debut mystery, launching an eleven-year-old heroine with a passion for chemistry–and revenge! What a delightful, original book!"—Carolyn Hart, author of the Death on Demand series
“Utterly charming! Eleven-year-old Flavia de Luce proves to be one of the most precocious, resourceful, and well, just plain dangerous, heroines around. Evildoers–and big sisters–beware!”—Lisa Gardner, author of Say Goodbye
"Flavia is an engagingly smart new sleuth with a flair for bringing out the child–and the detective–in all of us."—Christopher Fowler, author of the Peculiar Crimes Unit series
“Sure in its story, pace and voice, The Sweetness at the Bottom of the Pie deliciously mixes all the ingredients of great storytelling. The kind of novel you can pass on to any reader knowing their pleasure it assured.”—Andrew Pyper, author of the The Killing Circle
“Told through the observations of science-experimenting snoop of an 11-year-old girl, this jolly-good-fun murder mystery is as indulgent as a Bunty annual. Flavia de Luce, daughter to a philatelist colonel father and late mother, who dies when she was a baby, finds a body in the cucumber patch. In the twists and turns that ensue, centering around the nesting habits of the snipe and the last word of the dead man, she proves herself as indomitable a sleuth as you would expect a girl who says “Oh, piffle” to be.—Good Housekeeping, UK
“In June 1950’s, very-nearly-eleven year old Flavia de Luce, rising above the torments of her two older sisters and plotting revenge in her Victorian chemistry lab, is intrigued by the mystery of snipe with a rare stamp in its beak, found on the doorstep of the crumbling de Luce country seat. And she is astonished by the effect the dead bird has on her stamp-obsessed father, the Colonel. When something much worse is found in the cucumber patch and family secrets begin to unravel, Flavia has to use all her deductive powers to solve a mystery and a crime. At once precocious and endearing, Flavia is a marvelous character. Quirkily appealing, this is definitely a crime novel with a difference.” –Choice Magazine, “Book of the Month.”
“Brilliant, irresistible and incorrigible, Flavia has a long future ahead of her…Bradley’s mystery debut is a standout. “—Kirkus Reviews, starred review
“Fun for the reader…. Fans of Louise Fitzhugh's iconic Harriet the Spy will welcome 11-year-old sleuth Flavia de Luce, the heroine of … Bradley's rollicking debut.”—Publishers Weekly
“A delightful whodunit.…hilarious, eccentric and mischievous.”—Tangled Web, UK
“An absolute treat. It is original, clever, entertaining and funny….an extraordinary maze of mystery and intrigue…driving the reader to turn those pages in glorious anticipation….a terrific book, so different to anything.”—Material Witness
“Oh how astonishing and pleasing is genuine originality!....I simply cannot recall the last time I so enjoyed being the company of a first-person narrator….Bradley has a simply astonishing gift for putting simile and analogy in Flavia’s mouth…the plot is a splendid piece of hokum with some pleasing deduction and an excellent historical back-story….This is a book which triumphantly succeeds in its objectives of charming and delighting. And on top of that it is genuinely original….we may well be talking in a few years about one of the great voices and great series of mystery fiction. I resort to — and it is very, very rarely that I use this — that old cliché, a must-read.” –Reviewing the Evidence
“A wonderfully written, engaging novel….It’s rare that a book of which I feel quite passionately enraptured crosses my desk, and this is one of those special books that fully deserves five stars. The plot is well-paced, the dialogue is thoughtful and succinct, and being inside the head of Flavia de Luce is delightful. Her wry, dry humour and resigned frustration with the adult world are seriously entertaining….I loved her to bits.” –Oh Baby Magazine, NZ
“Delightfully entertaining.” –The Guardian, UK
“The first page…is so delicious, that I actually had to stop in the middle of The Girl Who Played with Fire to read the rest of it. Flavia deserves the Nobel Prize for Chemistry and Alan Bradley the Edgar Award. Does anyone collect stamps anymore?” –Paul Ingram
“If there ever was a heroine set for stardom it would be Flavia de Luce….Think Agatha Christie crossed with the Mitfords and laced with mischievous humour.” –Sunday Herald, Australia
“If you condensed Sherlock Holmes’s deductive abilities, Madame Curie’s talent for chemistry, and Dr. Jekyll’s zeal into the mind of an 11-year-old, her name would be Flavia de Luce….full of mystery, charm, and chemistry. Its quick-witted dialogue, tongue-in-cheek humour and colourful characters will linger long after the book is back on the shelf.”—Discovery Channel, in print
“She’s a fictional 11-year-old girl detective living in England in 1950. He’s a very real 70-year-old retired television engineer living today in Kelowna, B.C. Together they are soaring to great heights in the international literary world.”—Ottawa Citizen
“Bradley adroitly brews a biting yet empathetic read that’s anchored in the English countryside and public schools, and haunted by secrets. His fresh and innovative Flavia de Luce…is a new voice that’s brilliant and fierce, funny and vulnerable….I couldn’t read the book fast enough…Another serving, please!” –Marie Ary, Seattle Mystery Bookshop; Seattle, Washington
“Amazingly entertaining…The Sweetness at the Bottom of the Pie introduces a charming and engaging sleuth.”—Booklist, starred review
“A fresh, engaging first novel.”—Library Journal
Praise from the Debut Dagger Award Judges of the UK Crime Writers’ Association:
"Really adored the voice of the characters in this- especially Flavia, the spirited main protagonist- and the sense of place is beautifully described, particularly when telling the history of the house and its inhabitants. The family unit, comprising of the taciturn, introspective Colonel and his three daughters is well written, humorous and the sibling relationships very realistic. The author should be praised for creating a work that has nostalgic interest as well as a murder mystery, in places this almost reads like an Enid Blyton novel for adults!"
"I adored this! Our heroine is refreshingly youthful, funny and sharp and the author creates such a strong sense of time and place. Flavia’s eccentric family are delightful and I love seeing them interact within their crazy home. There are also interesting depths to the plot — the stamp collecting, the chemistry experiments, and the acknowledgement of past events and how they have affected these characters. The author’s tone is very tongue-in-cheek and offers something quite different in this genre, and the story is cleverly structured and beautifully written. This doesn’t read like a first novel. Assuming the mystery itself will be as enticing and smoothly handled as the opening, I can see Flavia solving crimes into adulthood. Great title too!"
"The most original of the bunch, I think, with a deliciously deceptive opening which really sets the tone of macabre fun. Flavia is a wonderful creation, along with the rest of her eccentric family, and makes for a highly engaging sleuth. Think the Mitfords, as imagined by Dorothy L Sayers. The plot, with its intriguing philatelic elements, is nicely ingenious and delivers a very good end, with a fun twist. Would make very good Sunday night telly, I think."
Read an Excerpt
It was as black in the closet as old blood. They had shoved me in and locked the door. I breathed heavily through my nose, fighting desperately to remain calm. I tried counting to ten on every intake of breath, and to eight as I released each one slowly into the darkness. Luckily for me, they had pulled the gag so tightly into my open mouth that my nostrils were left unobstructed, and I was able to draw in one slow lungful after another of the stale, musty air.
I tried hooking my fingernails under the silk scarf that bound my hands behind me but, since I always bit them to the quick, there was nothing to catch. Jolly good luck then that I’d remembered to put my fingertips together, using them as ten firm little bases to press my palms apart as they had pulled the knots tight.
Now I rotated my wrists, squeezing them together until I felt a bit of slack, using my thumbs to work the silk down until the knots were between my palms — then between my fingers. If they had been bright enough to think of tying my thumbs together, I should never have escaped. What utter morons they were.
With my hands free at last, I made short work of the gag.
Now for the door. But first, to be sure they were not lying in wait for me, I squatted and peered out through the keyhole at the attic. Thank heavens they had taken the key away with them. There was no one in sight: save for its perpetual tangle of shadows, junk and sad bric-a-brac, the long attic was empty. The coast was clear.
Reaching above my head at the back of the closet, I unscrewed one of the wire coat-hooks from its mounting board. By sticking its curved wing into the keyhole and levering the other end, I was able to form an L-shaped hook, which I poked into the depths of the ancient lock. A bit of judicious fishing and fiddling yielded a gratifying click. It was almost too easy. The door swung open and I was free.
I skipped down the broad stone staircase into the hall, pausing at the door of the dining room just long enough to toss my pigtails back over my shoulders and into their regulation position.
Father still insisted on dinner being served as the clock struck the hour and eaten at the massive oak refectory table, just as it had been when mother was alive.
‘Ophelia and Daphne not down yet, Flavia?’ he asked peevishly, looking up from the latest issue of The British Philatelist, which lay open beside his meat and potatoes.
‘I haven’t seen them in ages,’ I said.
It was true. I hadn’t seen them — not since they had gagged and blindfolded me, then lugged me hogtied up the attic stairs and locked me in the closet.
Father glared at me over his spectacles for the statutory four seconds before he went back to mumbling over his sticky treasures.
I shot him a broad smile: a smile wide enough to present him with a good view of the wire braces that caged my teeth. Although they gave me the look of a dirigible with the skin off, Father always liked being reminded that he was getting his money’s worth. But this time he was too preoccupied to notice.
I hoisted the lid off the Spode vegetable dish and, from the depths of its hand-painted butterflies and raspberries, spooned out a generous helping of peas. Using my knife as a ruler and my fork as a prod, I marshalled the peas so that they formed meticulous rows and columns across my plate: rank upon rank of little green spheres, spaced with a precision that would have delighted the heart of the most exacting Swiss watchmaker. Then, beginning at the bottom left, I speared the first pea with my fork and ate it.
It was all Ophelia’s fault. She was, after all, seventeen, and therefore expected to possess at least a modicum of the maturity she should come into as an adult. That she should gang up with Daphne, who was thirteen, simply wasn’t fair. Their combined ages totalled thirty years. Thirty years! — against my eleven. It was not only unsporting, it was downright rotten. And it simply screamed out for revenge.
Next morning I was busy among the flasks and flagons of my chemical laboratory on the top floor of the east wing when Ophelia barged in without so much as a la-di-dah.
‘Where’s my pearl necklace?’
I shrugged. ‘I’m not the keeper of your trinkets.’
‘I know you took it. The Mint Imperials that were in my lingerie drawer are gone too, and I’ve observed that missing mints in this household seem always to wind up in the same grubby little mouth.’
I adjusted the flame on a spirit lamp that was heating a beaker of red liquid. ‘If you’re insinuating that my personal hygiene is not up to the same high standard as yours you can go suck my galoshes.’
‘Well, you can. I’m sick and tired of being blamed for everything, Feely.’
But my righteous indignation was cut short as Ophelia peered short-sightedly into the ruby flask, which was just coming to the boil.
‘What’s that sticky mass in the bottom?’ Her long, manicured fingernail tapped at the glass.
‘It’s an experiment. Careful, Feely, it’s acid!’
Ophelia’s face went white. ‘Those are my pearls! They belonged to Mummy!’
Ophelia was the only one of Harriet’s daughters who referred to her as ‘Mummy’; the only one of us old enough to have any real memories of the flesh-and-blood woman who had carried us in her body, a fact that Ophelia never tired of reminding us. Harriet had been killed in a mountaineering accident when I was just a year old, and she was not often spoken of at Buckshaw.
Was I jealous of Ophelia’s memories? Did I resent them? I don’t believe I did; it ran far deeper than that. In rather an odd way, I despised Ophelia’s memories of our mother.
I looked up slowly from my work so that the round lenses of my spectacles would flash blank white semaphores of light at her. I knew that whenever I did this, Ophelia had the horrid impression that she was in the presence of some mad black-and-white German scientist in a film at the Gaumont.
‘Hag!’ I retorted. But not until Ophelia had spun round on her heel — quite neatly, I thought — and stormed out the door.
Retribution was not long in coming, but then with Ophelia, it never was. Ophelia was not, as I was, a long-range planner who believed in letting the soup of revenge simmer to perfection.
From the Hardcover edition.
Meet the Author
Alan Bradley is the internationally bestselling author of many short stories, children’s stories, newspaper columns, and the memoir The Shoebox Bible. His first Flavia de Luce novel, The Sweetness at the Bottom of the Pie, received the Crime Writers’ Association Debut Dagger Award, the Dilys Winn Award, the Arthur Ellis Award, the Agatha Award, the Macavity Award, and the Barry Award, and was nominated for the Anthony Award. His other Flavia de Luce novels are The Weed That Strings the Hangman’s Bag, A Red Herring Without Mustard, I Am Half-Sick of Shadows, Speaking from Among the Bones, The Dead in Their Vaulted Arches, andAs Chimney Sweepers Come to Dust.
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