Sweets from a Stranger [Bonus Tracks]

Sweets from a Stranger [Bonus Tracks]

5.0 1
by Squeeze
     
 

Sweets from a Stranger can be summed up by the title of one of the best songs on Squeeze's fifth album: this is where the hangover strikes, where the band's rapid progression finally caught up with it. It's as much mental as it's musical, as it's clear that Squeeze were tired out from touring, from all the carousing -- nearly every songSee more details below

Overview

Sweets from a Stranger can be summed up by the title of one of the best songs on Squeeze's fifth album: this is where the hangover strikes, where the band's rapid progression finally caught up with it. It's as much mental as it's musical, as it's clear that Squeeze were tired out from touring, from all the carousing -- nearly every song here has a reference to drinking or its aftermath -- from the roundabout of keyboard players that led to Paul Carrack bailing after just one album (replaced here by Don Snow), perhaps even from all the acclaim that led to no big hits, so they wound up largely ditching the pop classicism of East Side Story for a gangly new wave experimentalism that contains none of the nervy energy of Cool for Cats. Worst of all, almost all their missteps -- the thundering electronic drums of "Out of Touch"; the stiff, self-conscious disco of "Strangers on the Shore" and its wannabe Bowie cousin, "On the Dance Floor" -- are all piled up toward the beginning, burying the times where the band pulls it together. Momentum starts to shift on the self-styled saloon song "When the Hangover Strikes" -- its smoky Sinatra-isms standing out starkly next to the ham-fisted new wave dance that surrounds it -- and things roll smoothly for a while, peaking with the sublime "Black Coffee in Bed" -- a post-breakup tune that could have easily slid onto East Side Story -- but continuing with the galloping "I've Returned" and its less frenetic equal, "His House Her Home," before closing with the shimmering, gorgeous "Elephant Ride." These are the moments that provide a strong connection to the Squeeze of East Side Story, and that band can still be heard elsewhere on Sweets from a Stranger beneath the new wave clatter, but the whole thing adds up to a knackered affair. Squeeze needed a breather and they took one after this, disbanding for a few years while Chris Difford and Glenn Tilbrook pursued other avenues. [Universal's expanded 2008 reissue of Sweets from a Stranger is loaded up with eight bonus tracks, many of which correct the sonic problems of the album proper: the bright new wave pop of "I Can't Get Up Anymore" and the light, sprightly "When Love Goes to Sleep," both bonus tracks on the 1997 expanded reissue; the single of "Annie Get Your Gun," which also appeared on the comp Singles 45's and Under, and its lark of a flip, "Spanish Guitar"; the limited-edition single version of "I'm at Home Tonight"; the B-side of "When the Hangover Strikes," the infectious "Elephant Girl"; Tilbrook's demo of "His House Her Home," initially called "Tomorrow's World"; plus a demo of "Wherever We Met" and "Last Call for Love," which fits in nicely with the alcohol-soaked Sweets.]

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Product Details

Release Date:
08/07/2007
Label:
Universal I.S.
UPC:
0602498328385
catalogNumber:
9832838
Rank:
29047

Related Subjects

Tracks

  1. Out of Touch  -  Squeeze
  2. I Can't Hold On  -  Squeeze
  3. Points of View  -  Squeeze
  4. Stranger Than the Stranger on the Shore  -  Squeeze
  5. Onto the Dance Floor  -  Squeeze
  6. When the Hangover Strikes  -  Squeeze
  7. Black Coffee in Bed  -  Squeeze
  8. I've Returned  -  Squeeze
  9. Tongue Like a Knife  -  Squeeze
  10. His House Her Home  -  Squeeze
  11. The Very First Dance  -  Squeeze
  12. The Elephant Ride  -  Squeeze
  13. I Can't Get Up Anymore  -  Squeeze
  14. When Love Goes to Sleep  -  Squeeze
  15. Annie Get Your Gun  -  Squeeze
  16. I'm at Home Tonight  -  Squeeze
  17. Elephant Girl  -  Squeeze
  18. Spanish Guitar  -  Squeeze
  19. Tomorrow's World  -  Squeeze
  20. Whenever We Meet  -  Squeeze
  21. Last Call for Love  -  Squeeze

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Album Credits

Performance Credits

Squeeze   Primary Artist
Elvis Costello   Background Vocals
John Bentley   Bass,Background Vocals
Chris Difford   Guitar,Vocals
Gilson Lavis   Drums
Don Snow   Keyboards,Background Vocals
Glenn Tilbrook   Guitar,Vocals

Technical Credits

David P. Bailey   Liner Notes,Memorabilia
Chris Difford   Composer
Phil McDonald   Producer
Del Newman   Orchestral Arrangements
Don Snow   Caricatures
Glenn Tilbrook   Composer,Producer
Michael Putland   Cover Photo
Frank DeLuna   Mastering
Matt Thomas   Management
Suzanne Hunt   Management

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