Swimming Homeby Deborah Levy
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Short-listed for the 2012 Man Booker Prize. "Readers will have to resist the temptation to hurry up in order to find out what happens . . . Our reward is the enjoyable, if unsettling, experience of being pitched into the deep waters of Levy's wry, accomplished novel."--Francine Prose, New York Times Book Review
As he arrives with his family at the villa in the hills above Nice, Joe sees a body in the swimming pool. But the girl is very much alive. She is Kitty Finch: a self-proclaimed botanist with green-painted fingernails, walking naked out of the water and into the heart of their holiday. Why is she there? What does she want from them all? And why does Joe's enigmatic wife allow her to remain?
A subversively brilliant study of love, Swimming Home reveals how the most devastating secrets are the ones we keep from ourselves.
“Readers will have to resist the temptation to hurry up in order to find out what happens . . . Our reward is the enjoyable, if unsettling, experience of being pitched into the deep waters of Levy's wry, accomplished novel.” Francine Prose, The New York Times Book Review
“Elegant . . . subtle . . . uncanny. . . The seductive pleasure of Levy's prose stems from its layered brilliance.” Ron Charles, The Washington Post
“Here is an excellent story, told with the subtlety and menacing tension of a veteran playwright.” Sam Sacks, The Wall Street Journal
“Exquisite . . . Levy's sense of dramatic form, as she hastens us toward the grim finale, is unerring, and her precise, dispassionate prose effortlessly summons people and landscapes.” The New Yorker
“Wholly new, fresh and yes, profound . . . [Swimming Home] floats like a wasp, and stings like one too.” Tucker Shaw, The Denver Post
“Ms. Levy is a stealthy storyteller, lulling us while busy scattering clues.” The New York Times
“Levy winds her characters up and watches them go, and they do as most humans do, which is to mess up in the face of desire. Her novel is utterly beautiful and lyrical throughout, even at the most tragic turns….A shortlisted nominee for the Man Booker Prize, deserving of the widest readership.” Booklist (starred review)
“Short, simple and haunting.” Huffington Post, Editor's Picks: Best Books 2012
“This perfectly written, expertly crafted short book…[is] so well done and so clever.” Chicago Tribune, Printers Row
“Levy is a keenly attentive writer, alive to the hyperreal nature of things, her prose achieving a hallucinatory quality as things seem to float out of the characters' minds and into the text … Levy manipulates light and shadow with artfulness. She transfixes the reader: we recognize … the thing of darkness in us all. This is an intelligent, pulsating literary beast.” The Telegraph (UK)
“A statement on the power of the unsaid … Levy's cinematic clarity and momentum … convey confusion with remarkable lucidity.” Times Literary Supplement (UK)
“Witty and poignant.” Sunday Times (UK)
“One of the finest new novels I have read (and already reread) in a long time … it radiates the sensual languor of sun-drenched afternoons in the south of France and the disquieting, uncanny beauty only perceived by a true daytime insomniac.” The Guardian (UK)
“Allusive, elliptical and disturbing…Often funny and always acute…Swimming Home reminded me of Virginai Woolf's Mrs. Dalloway. Although a short work, it has an epic quality. This is a prizewinner.” The Independent (UK)
“Swimming Home is a beautiful, delicate book underpinned by a complexity that only reveals itself slowly to the reader.” Financial Times (UK)
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SWIMMING HOMEA NOVEL
By Deborah Levy
BloomsburyCopyright © 2011 Deborah Levy
All right reserved.
Chapter OneALPES-MARITIMES, FRANCE
A Mountain Road. Midnight.
When Kitty Finch took her hand off the steering wheel and told him she loved him, he no longer knew if she was threatening him or having a conversation. Her silk dress was falling off her shoulders as she bent over the steering wheel. A rabbit ran across the road and the car swerved. He heard himself say, 'Why don't you pack a rucksack and see the poppy fields in Pakistan like you said you wanted to?'
'Yes,' she said.
He could smell petrol. Her hands swooped over the steering wheel like the seagulls they had counted from their room in the Hotel Negresco two hours ago.
She asked him to open his window so she could hear the insects calling to each other in the forest. He wound down the window and asked her, gently, to keep her eyes on the road.
'Yes,' she said again, her eyes now back on the road. And then she told him the nights were always 'soft' in the French Riviera. The days were hard and smelt of money.
He leaned his head out of the window and felt the cold mountain air sting his lips. Early humans had once lived in this forest that was now a road. They knew the past lived in rocks and trees and they knew desire made them awkward, mad, mysterious, messed up.
To have been so intimate with Kitty Finch had been a pleasure, a pain, a shock, an experiment, but most of all it had been a mistake. He asked her again to please, please, please drive him safely home to his wife and daughter.
'Yes,' she said. 'Life is only worth living because we hope it will get better and we'll all get home safely.'
The swimming pool in the grounds of the tourist villa was more like a pond than the languid blue pools in holiday brochures. A pond in the shape of a rectangle, carved from stone by a family of Italian stonecutters living in Antibes. The body was floating near the deep end, where a line of pine trees kept the water cool in their shade.
'Is it a bear?' Joe Jacobs waved his hand vaguely in the direction of the water. He could feel the sun burning into the shirt his Hindu tailor had made for him from a roll of raw silk. His back was on fire. Even the roads were melting in the July heatwave.
His daughter, Nina Jacobs, fourteen years old, standing at the edge of the pool in her new cherry-print bikini, glanced anxiously at her mother. Isabel Jacobs was unzipping her jeans as if she was about to dive in. At the same time she could see Mitchell and Laura, the two family friends sharing the villa with them for the summer, put down their mugs of tea and walk towards the stone steps that led to the shallow end. Laura, a slender giantess at six foot three, kicked off her sandals and waded in up to her knees. A battered yellow lilo knocked against the mossy sides, scattering the bees that were in various stages of dying in the water.
'What do you think it is, Isabel?'
Nina could see from where she was standing that it was a woman swimming naked under the water. She was on her stomach, both arms stretched out like a starfish, her long hair floating like seaweed at the sides of her body.
'Jozef thinks she's a bear,' Isabel Jacobs replied in her detached war-correspondent voice.
'If it's a bear I'm going to have to shoot it.' Mitchell had recently purchased two antique Persian handguns at the flea market in Nice and shooting things was on his mind.
Yesterday they had all been discussing a newspaper article about a ninety-four-kilo bear that had walked down from the mountains in Los Angeles and taken a dip in a Hollywood actor's pool. The bear was on heat, according to the Los Angeles Animal Services. The actor had called the authorities. The bear was shot with a tranquilliser gun and then released in the nearby mountains. Joe Jacobs had wondered out loud what it was like to be tranquillised and then have to stumble home. Did it ever get home? Did it get dizzy and forgetful and start to hallucinate? Perhaps the barbiturate inserted inside the dart, also known as 'chemical capture', had made the bear's legs shake and jerk? Had the tranquilliser helped the bear cope with life's stressful events, calming its agitated mind so that it now pleaded with the authorities to throw it small prey injected with barbiturate syrups? Joe had only stopped this riff when Mitchell stood on his toe. As far as Mitchell was concerned it was very, very hard to get the arse-hole poet known to his readers as JHJ (Joe to every one else except his wife) to shut the fuck up.
Nina watched her mother dive into the murky green water and swim towards the woman. Saving the lives of bloated bodies floating in rivers was probably the sort of thing her mother did all the time. Apparently television ratings always went up when she was on the news. Her mother disappeared to Northern Ireland and Lebanon and Kuwait and then she came back as if she'd just nipped down the road to buy a pint of milk. Isabel Jacobs' hand was about to clasp the ankle of whoever it was floating in the pool. A sudden violent splash made Nina run to her father, who grasped her sunburnt shoulder, making her scream out loud. When a head emerged from the water, its mouth open and gasping for breath, for one panicked second she thought it was roaring like a bear.
A woman with dripping waist-length hair climbed out of the pool and ran to one of the plastic recliners. She looked like she might be in her early twenties, but it was hard to tell because she was frantically skipping from one chair to another, searching for her dress. It had fallen on to the paving stones but no one helped her because they were staring at her naked body. Nina felt light-headed in the fierce heat. The bittersweet smell of lavender drifted towards her, suffocating her as the sound of the woman's panting breath mingled with the drone of the bees in the wilting flowers. It occurred to her she might be sun-sick, because she felt as if she was going to faint. In a blur she could see the woman's breasts were surprisingly full and round for someone so thin. Her long thighs were joined to the jutting hinges of her hips like the legs of the dolls she used to bend and twist as a child. The only thing that seemed real about the woman was the triangle of golden pubic hair glinting in the sun. The sight of it made Nina fold her arms across her chest and hunch her back in an effort to make her own body disappear.
'Your dress is over there.' Joe Jacobs pointed to the pile of crumpled blue cotton lying under the recliner. They had all been staring at her for an embarrassingly long time. The woman grabbed it and deftly slipped the flimsy dress over her head.
'Thanks. I'm Kitty Finch by the way.'
What she actually said was I'm Kah Kah Kah and stammered on for ever until she got to Kitty Finch. Everyone couldn't wait for her to finish saying who she was.
Nina realised her mother was still in the pool. When she climbed up the stone steps, her wet swimming costume was covered in silver pine needles.
'I'm Isabel. My husband thought you were a bear.'
Joe Jacobs twisted his lips in an effort not to laugh.
'Of course I didn't think she was a bear.'
Kitty Finch's eyes were grey like the tinted windows of Mitchell's hire car, a Mercedes, parked on the gravel at the front of the villa.
'I hope you don't mind me using the pool. I've just arrived and it's sooo hot. There's been a mistake with the rental dates.'
'What sort of mistake?' Laura glared at the young woman as if she had just been handed a parking ticket.
'Well, I thought I was staying here from this Saturday for a fortnight. But the caretaker ...'
'If you can call a lazy stoned bastard like Jurgen a caretaker.' Just mentioning Jurgen's name brought Mitchell out in a disgusted sweat.
'Yeah. Jurgen says I've got the dates all wrong and now I'm going to lose my deposit.'
Jurgen was a German hippy who was never exact about anything. He described himself as 'a nature man' and always had his nose buried in Siddhartha by Hermann Hesse.
Mitchell wagged his finger at her. 'There are worse things than losing your deposit. We were about to have you sedated and driven up to the mountains.'
Kitty Finch lifted up the sole of her left foot and slowly pulled out a thorn. Her grey eyes searched for Nina, who was still hiding behind her father. And then she smiled.
'I like your bikini.' Her front teeth were crooked, snarled into each other, and her hair was drying into copper-coloured curls. 'What's your name?'
'Do you think I look like a bear, Nina?' She clenched her right hand as if it was a paw and jabbed it at the cloudless blue sky. Her fingernails were painted dark green.
Nina shook her head and then swallowed her spit the wrong way and started to cough. Everyone sat down. Mitchell on the ugly blue chair because he was the fattest and it was the biggest, Laura on the pink wicker chair, Isabel and Joe on the two white plastic recliners. Nina perched on the edge of her father's chair and fiddled with the five silver toe-rings Jurgen had given her that morning. They all had a place in the shade except Kitty Finch, who was crouching awkwardly on the burning paving stones.
'You haven't anywhere to sit. I'll find you a chair.' Isabel wrung the ends of her wet black hair. Drops of water glistened on her shoulders and then ran down her arm like a snake.
Kitty shook her head and blushed. 'Oh, don't bother. Pah pah please. I'm just waiting for Jurgen to come back with the name of a hotel for me and I'll be off.'
'Of course you must sit down.'
Laura, puzzled and uneasy, watched Isabel lug a heavy wooden chair covered in dust and cobwebs towards the pool. There were things in the way. A red bucket. A broken plant pot. Two canvas umbrellas wedged into lumps of concrete. No one helped her because they weren't quite sure what she was doing. Isabel, who had somehow managed to pin up her wet hair with a clip in the shape of a lily, was actually placing the wooden chair between her recliner and her husband's.
Kitty Finch glanced nervously at Isabel and then at Joe, as if she couldn't work out if she was being offered the chair or being forced to sit in it. She wiped away the cobwebs with the skirt of her dress for much too long and then finally sat down. Laura folded her hands in her lap as if preparing to interview an applicant for a job.
'Have you been here before?'
'Yes. I've been coming here for years.'
'Do you work?' Mitchell spat an olive pip into a bowl.
'I sort of work. I'm a botanist.'
Joe stroked the small shaving cut on his chin and smiled at her. 'There are some nice peculiar words in your profession.'
His voice was surprisingly gentle, as if he intuited Kitty Finch was offended by the way Laura and Mitchell were interrogating her.
'Yeah. Joe likes pe-cu-li-ar words cos he's a poet.' Mitchell said 'peculiar' as if imitating an aristocrat in a stupor.
Joe leaned back in his chair and closed his eyes. 'Ignore him, Kitty.' He sounded as if he had been wounded in some inexplicable way. 'Everything is pe-cu-li-ar to Mitchell. Strangely enough, this makes him feel superior.'
Mitchell stuffed five olives into his mouth one after the other and then spat out the pips in Joe's direction as if they were little bullets from one of his minor guns.
'So in the meantime ' – Joe leaned forward now – 'perhaps you could tell us what you know about cotyledons?'
'Right.' Kitty's right eye winked at Nina when she said 'right'. 'Cotyledons are the first leaves on a seedling.' Her stammer seemed to have disappeared.
'Correct. And now for my favourite word ... how would you describe a leaf?'
'Kitty,' Laura said sternly, 'there are lots of hotels, so you'd better go and find one.'
When Jurgen finally made his way through the gate, his silver dreadlocks tied back in a ponytail, he told them every hotel in the village was full until Thursday.
'Then you must stay until Thursday.' Isabel said this vaguely, as if she didn't quite believe it. 'I think there's a spare room at the back of the house.'
Kitty frowned and leaned back in her new chair.
'Well, yeah. Thanks. Is that OK with everyone else? Please say if you mind.'
It seemed to Nina that she was asking them to mind. Kitty Finch was blushing and clenching her toes at the same time. Nina felt her own heart racing. It had gone hysterical, thumping in her chest. She glanced at Laura and saw she was actually wringing her hands. Laura was about to say she did mind. She and Mitchell had shut their shop in Euston for the entire summer, knowing the windows that had been smashed by thieves and drug addicts at least three times that year would be smashed again when their holiday was over. They had come to the Alpes-Maritimes to escape from the futility of mending broken glass. She found herself struggling for words. The young woman was a window waiting to be climbed through. A window that she guessed was a little broken anyway. She couldn't be sure of this, but it seemed to her that Joe Jacobs had already wedged his foot into the crack and his wife had helped him. She cleared her throat and was about to speak her mind, but what was on her mind was so unutterable the hippy caretaker got there first.
'So, Kitty Ket, shall I carry your valises to your room?'
Everyone looked to where Jurgen was pointing with his nicotine-stained finger. Two blue canvas bags lay to the right of the French doors of the villa.
'Thanks, Jurgen.' Kitty dismissed him as if he was her personal valet.
He bent down and picked up the bags.
'What are the weeds?' He lifted up a tangle of flowering plants that had been stuffed into the second blue bag.
'Oh, I found those in the churchyard next to Claude's café.'
Jurgen looked impressed.
'You'll have to call them the Kitty Ket plant. It is a historical fact. Plant hunters often named the plants they found after themselves.'
'Yeah.' She stared past him in to Joe Jacobs' dark eyes as if to say, 'Jurgen's special name for me is Kitty Ket.'
Isabel walked to the edge of the pool and dived in. As she swam low under the water, her arms stretched out in front of her head, she saw her watch lying on the bottom of the pool. She flipped over and scooped it up from the green tiles. When she surfaced she saw the old English woman who lived next door waving from her balcony. She waved back and then realised Madeleine Sheridan was waving to Mitchell, who was calling out her name.
Interpreting a Smile
It was the fat man who liked guns calling up to her. Madeleine Sheridan lifted up her arthritic arm and waved with two limp fingers from her straw chair. Her body had become a sum of flawed parts. At medical school she had learned she had twenty-seven bones in each hand, eight in the wrist alone, five in the palm. Her fingers were rich in nerve endings but now even moving two fingers was an effort.
She wanted to remind Jurgen, whom she could see carrying Kitty Finch's bags into the villa, that it was her birthday in six days' time, but she was reluctant to appear so begging of his company in front of the English tourists. Perhaps she was dead already and had been watching the drama of the young woman's arrival from the Other Side? Four months ago, in March, when Kitty Finch was staying alone at the tourist villa (apparently to study mountain plants), she had informed Madeleine Sheridan that a breeze would help her tomatoes grow stronger stems and offered to thin the leaves for her. This she proceeded to do, but she was whispering to herself all the while, pah pah pah, kah kah kah, consonants that made hard sounds on her lips. Madeleine Sheridan, who believed human beings had to suffer real hardships before they agreed to lose their minds, told her in a steely voice to stop making that noise. To stop it. To stop it right now. Today was Saturday and the noise had come back to France to haunt her. It had even been offered a room in the villa.
* * *
'Madel-eeene, I'm cooking beef tonight. Why don't you join us for supper?'
She could just make out the pink dome of Mitchell's balding head as she squinted at him in the sun. Madeleine Sheridan, who was quite partial to beef and often lonely in the evenings, wondered if she had it in herself to decline Mitchell's invitation. She thought she did. When couples offer shelter or a meal to strays and loners, they do not really take them in. They play with them. Perform for them. And when they are done they tell their stranded guest in all sorts of sly ways she is now required to leave. Couples were always keen to return to the task of trying to destroy their lifelong partners while pretending to have their best interests at heart. A single guest was a mere distraction from this task.
Excerpted from SWIMMING HOME by Deborah Levy Copyright © 2011 by Deborah Levy. Excerpted by permission of Bloomsbury. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Meet the Author
Deborah Levy writes fiction, plays, and poetry. Her work has been staged by the Royal Shakespeare Company and broadcast on the BBC. She is the author of highly praised novels including Beautiful Mutants, Swallowing Geography, and Billy and Girl. She lives in London.
Deborah Levy trained at Dartington College of Arts before becoming a playwright. Her plays include Pax, Heresies, Clam, Call Blue Jane, Shiny Nylon, Honey Baby Middle England, Pushing the Prince into Denmark and Macbeth-False Memories. She has also written some novels and was a Fellow in Creative Arts at Trinity College, Cambridge from 1989-1991.
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