Swiss Graphic Design: The Origins and Growth of an International Style, 1920-1965 / Edition 1

Swiss Graphic Design: The Origins and Growth of an International Style, 1920-1965 / Edition 1

by Richard Hollis
     
 

ISBN-10: 0300106769

ISBN-13: 9780300106763

Pub. Date: 04/28/2006

Publisher: Yale University Press

Swiss graphic design and “the Swiss Style” are crucial elements in the history of modernism. During the 1920s and ’30s, skills traditionally associated with Swiss industry, particularly pharmaceuticals and mechanical engineering, were matched by those of the country’s graphic designers, who produced their advertising and technical literature

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Overview

Swiss graphic design and “the Swiss Style” are crucial elements in the history of modernism. During the 1920s and ’30s, skills traditionally associated with Swiss industry, particularly pharmaceuticals and mechanical engineering, were matched by those of the country’s graphic designers, who produced their advertising and technical literature. These pioneering graphic artists saw design as part of industrial production and searched for anonymous, objective visual communication. They chose photographic images rather than illustration, and typefaces that were industrial-looking rather than those designed for books.
Written by noted design authority Richard Hollis, this lavishly illustrated volume looks at the uniquely clear graphic language developed by such Swiss designers as Theo Ballmer, Max Bill, Adrian Frutiger, Karl Gerstner, Armin Hoffman, Ernst Keller, Herbert Matter, Josef Müller-Brockmann, and Jan Tschichold. The style of these artists received worldwide admiration for its formal discipline: images and text were organized by geometrical grids. Adopted internationally, the grid and sans serif typefaces such as Helvetica became the classic emblems of Swiss graphic design.
Showcasing design work across a range of media, including posters, magazines, exhibition displays, brochures, advertisements, books, and film, this essential book shows how many of the Swiss designers’ modernist elements remain an indispensable part of today’s graphic language.

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Product Details

ISBN-13:
9780300106763
Publisher:
Yale University Press
Publication date:
04/28/2006
Edition description:
New Edition
Pages:
272
Product dimensions:
8.60(w) x 10.90(h) x 1.10(d)

Table of Contents

1The new typography : towards a new graphic design 1920-193815
2The survival of modernism : conflicts and contradictions 1939-1949121
3Towards a Swiss style 1950-1957157
4'New' graphic design 1958-1965203
5An international style251

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