The System of the World (Baroque Cycle Series #3)

The System of the World (Baroque Cycle Series #3)

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by Neal Stephenson
     
 

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England, 1714. London has long been home to a secret war between the brilliant, enigmatic Master of the Mint and closet alchemist, Isaac Newton, and his archnemesis, the insidious counterfeiter Jack the Coiner. Hostilities are suddenly moving to a new and more volatile level as Half-Cocked Jack hatches a daring plan, aiming for the total corruption of Britain's

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Overview

England, 1714. London has long been home to a secret war between the brilliant, enigmatic Master of the Mint and closet alchemist, Isaac Newton, and his archnemesis, the insidious counterfeiter Jack the Coiner. Hostilities are suddenly moving to a new and more volatile level as Half-Cocked Jack hatches a daring plan, aiming for the total corruption of Britain's newborn monetary system.

Enter Daniel Waterhouse: Aging Puritan and Natural Philosopher, Daniel has been on a long and harrowing quest to help mend the rift between adversarial geniuses. As Daniel combs city and country for clues to the identity of the blackguard who is attempting to blow up Natural Philosophers, political factions jockey for position while awaiting the impending death of the ailing queen, and the "holy grail" of alchemy, the key to life eternal, tantalizes and continues to elude Isaac Newton.

As Newton, Waterhouse, and Shaftoe each circle closer to the object of Daniel's quest, everything that was will be changed forever ...

This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

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Editorial Reviews

bn.com
The Barnes & Noble Review
The System of the World, the third and concluding volume of Neal Stephenson's shelf-bending Baroque Cycle (Quicksilver and The Confusion), brings the epic historical saga to its thrilling -- and truly awe-inspiring -- conclusion.

Set in the early 18th century and featuring a diverse cast of characters that includes alchemists, philosophers, mathematicians, spies, thieves, pirates, and royalty, The System of the World follows Daniel Waterhouse, an unassuming philosopher and confidant to some of the most brilliant minds of the age, as he returns to England to try and repair the rift between geniuses Sir Isaac Newton and Gottfried Wilhelm Leibniz. After reluctantly leaving his family in Boston, Waterhouse arrives in England and is almost killed by a mysterious Infernal Device. Having been away from the war-decimated country for two decades, Waterhouse quickly learns that although many things have changed, there is still violent revolution simmering just beneath the surface of seemingly civilized society. With Queen Anne deathly ill and Tories and Whigs jostling for political supremacy, Waterhouse and Newton vow to figure out who is trying to kill certain scientists and decipher the riddle behind the legend of King Solomon's gold, a mythical hoard of precious metal with miraculous properties.

Arguably one of the most ambitious -- and most researched -- stories ever written, Stephenson's Baroque Cycle is set in one of the most turbulent and exciting times in human history. Filled with wild adventure, political intrigue, social upheaval, civilization-changing discoveries, cabalistic mysticism, and even a little romance, this massive saga is worth its weight in (Solomon's) gold. Paul Goat Allen

Product Details

ISBN-13:
9780060750862
Publisher:
HarperCollins Publishers
Publication date:
09/06/2005
Series:
Baroque Cycle Series, #3
Edition description:
with Insights and Interviews
Pages:
928
Sales rank:
156,759
Product dimensions:
5.31(w) x 8.00(h) x 1.48(d)

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The System of the World Ltd


By Stephenson, Neal

William Morrow & Company

ISBN: 0060599359

Book 6
Solomon's Gold

Dartmoor

15 january 1714

In life there is nothing more foolish than inventing.
-- James Watt

"Men half your age and double your weight have been slain on these wastes by Extremity of Cold," said the Earl of Lostwithiel, Lord Warden of the Stannaries, and Rider of the Forest and Chase of Dartmoor, to one of his two fellow-travelers.

The wind had paused, as though Boreas had exhausted his lungs and was drawing in a new breath of air from somewhere above Iceland. So the young Earl was able to say this in matter-of-fact tones. "Mr. Newcomen and I are very glad of your company, but -- "

The wind struck them all deaf, as though the three men were candle-flames to be blown out. They staggered, planted their downwind feet against the black, stony ground, and leaned into it. Lostwithiel shouted: "We'll not think you discourteous if you return to my coach!" He nodded to a black carriage stopped along the track a short distance away, rocking on its French suspension. It had been artfully made to appear lighter than it was, and looked as if the only thing preventing it from tumbling end-over-end across the moor was the motley team of draught-horses harnessed to it, shaggy manes standing out horizontally in the gale.

"I am astonished that you should call this an extremity of cold," answeredthe old man. "In Boston, as you know, this would pass without remark. I am garbed for Boston." He was shrouded in a rustic leather cape, which he parted in the front to reveal a lining pieced together from the pelts of many raccoons. "After that passage through the intestinal windings of the Gorge of Lyd, we are all in want of fresh air -- especially, if I read the signs rightly, Mr. Newcomen."

That was all the leave Thomas Newcomen wanted. His face, which was as pale as the moon, bobbed once, which was as close as this Darth mouth blacksmith would ever come to a formal bow. Having thus taken his leave, he turned his broad back upon them and trudged quickly downwind. Soon he became hard to distinguish from the numerous upright boulders -- which might be read as a comment on his physique, or on the gloominess of the day, or on the badness of Daniel's eyesight.

"The Druids loved to set great stones on end," commented the Earl. "For what purpose, I cannot imagine."

"You have answered the question by asking it."

"I beg your pardon?"

"Dwelling as they did in this God-forsaken place, they did it so that men would come upon these standing stones two thousand years after they were dead, and know they had been here. The Duke of Marlborough, throwing up that famous Pile of Blenheim Palace, is no different."

The Earl of Lostwithiel felt it wise to let this pass without comment. He turned and kicked a path through some stiff withered grass to a strange up-cropping of lichen-covered stone. Following him, Daniel understood it as one corner of a ruined building. The ground yielded under their feet. It was spread thin over a shambles of tumbledown rafters and disintegrating peat-turves. Anyway the angle gave them shelter from the wind.

"Speaking now in my capacity as Lord Warden of the Stannaries, I welcome you to Dartmoor, Daniel Waterhouse, on behalf of the Lord of the Manor."

Daniel sighed. "If I'd been in London the last twenty years, keeping up with my Heraldic Arcana, and going to tea with the Bluemantle Pursuivant, I would know who the hell that was. But as matters stand -- "

"Dartmoor was created part of the Duchy of Cornwall in 1338, and as such became part of the possessions of the Prince of Wales -- a title created by King Edward I in -- "

"So in a roundabout way, you are welcoming me on behalf of the Prince of Wales," Daniel said abruptly, in a bid to yank the Earl back before he rambled any deeper into the labyrinth of feudal hierarchy.

"And the Princess. Who, if the Hanovers come, shall be -- "

"Princess Caroline of Ansbach. Yes. Her name keeps coming up. Did she send you to track me down in the streets of Plymouth?"

The Earl looked a little wounded. "I am the son of your old friend. I encountered you by luck. My surprise was genuine. The welcome given you by my wife and children was unaffected. If you doubt it, come to our house next Christmas."

"Then why do you go out of your way to bring up the Princess?"

"Only because I wish to be plain-spoken. Where you are going next it is all intrigue. There is a sickness of the mind that comes over those who bide too long in London, which causes otherwise rational men to put forced and absurd meanings on events that are accidental."

"I have observed that sickness in full flower," Daniel allowed, thinking of one man in particular.

"I do not wish you to think, six months from now, when you become aware of all this, 'Aha, the Earl of Lostwithiel was nothing more than a cat's paw for Caroline -- who knows what other lies he may have told me!' "

"Very well. For you to disclose it now exhibits wisdom beyond your years."

"Some would call it timidity originating in the disasters that befell my father, and his father."

"I do not take that view of it," Daniel said curtly.

He was startled by bulk and motion to one side, and feared it was a standing-stone toppled by the wind; but it was only Thomas Newcomen, looking a good deal pinker. "God willing, that carriage-ride is the closest I shall ever come to a sea-voyage!" he declared.

"May the Lord so bless you," Daniel returned. "In the storms of the month past, we were pitched and tossed about so much that all hands were too sick to eat for days. I went from praying we would not run aground, to praying that we would." Continues...


Excerpted from The System of the World Ltd by Stephenson, Neal Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Meet the Author

Neal Stephenson is the author of Reamde, Anathem, and the three-volume historical epic the Baroque Cycle (Quicksilver, The Confusion, and The System of the World), as well as Cryptonomicon, The Diamond Age, Snow Crash, and Zodiac. He lives in Seattle, Washington.

Brief Biography

Hometown:
Seattle, Washington
Date of Birth:
October 31, 1959
Place of Birth:
Fort Meade, Maryland
Education:
B.A., Boston University, 1981
Website:
http://www.nealstephenson.com

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System of the World 4.6 out of 5 based on 0 ratings. 55 reviews.
Guest More than 1 year ago
In 1714, Daniel Waterhouse finishes his long trip from America to England. He is prepared to mediate a vicious argument between Newton and Leibniz about who invented calculus first. But he is quickly caught up in diverse adventures: building a logic mill, sleuthing out a bomb maker, playing shell games with gold, and planning jailbreaks. Jack Shaftoe pops in here and there sowing mayhem and counterfeit coins. Eliza, the Countess de la Zeur by way of being 'Good with Money', continues her behind-the-scenes royal intrigues and her efforts to end slavery. Conflicts galore weave together into a complex tapestry: the power struggle between the Whigs and the Tories, the battle between Newton the Minter and Jack the Coiner, the feuding calculus inventors, and the clash between alchemy and science. In the end it all boils down to this: will the new system of the world be based on free markets and science? Or feudalism and alchemy? The third and final book in the Baroque Cycle is just as weighty as the first two. It features a quick synopsis of Quicksilver and The Confusion for those who need a refresher. Even with the summary, I wouldn't advise starting with the third book. Each of the books in the series has its own character. Quicksilver was all about set-up, so while it was rich in detail and characters, it could be slow and a bit disjointed at times. The Confusion was full of madcap adventures and the pieces just flew around the board. The System of the World wraps all of the previous threads together and strikes a nice balance between philosophy, intrigue, and action. Stephenson keeps up the expected torrent of words, but as with the other two books, he keeps your attention with an iron fist of plot in a velvet glove of delightful prose. Stephenson manages to seamlessly combine serious discussions, obscure trivia, and profound silliness. As a reader, you have to pay the same attention to all, because you never know what small detail the plot is going to hang on next. Daniel Waterhouse is the driving character for most of this book. If you loved The Confusion because it centered on Jack and Eliza, you might be disappointed in the smaller roles they play in the third book. But if you can get past that disappointment, you will find that Daniel has evolved into a more interesting and active character than he was in Quicksilver. The Baroque Cycle requires a substantial investment of time and attention, but it is well worth the effort. The System of the World is a satisfying end to a great series. With Stephenson, as in life, the journey is more important than the destination, and he definitely gives you a lot of journey in the 3000-or-so page trilogy.
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I can't tell you how impressed i am with this series.
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