Szymanowski: Symphonies Nos. 1 & 4, Concert Overture, Study in B flat minor

Szymanowski: Symphonies Nos. 1 & 4, Concert Overture, Study in B flat minor

by Antoni Wit
     
 

Polish composer Karol Szymanowski was touched by many of the stylistic currents that crossed Europe in the early twentieth century, but a good performance of his music is one that emphasizes the Polishness he brought to his music even as he adopted ideas from the outside. This one, part of a fine series from Naxos exploring the works of this somewhat underrated… See more details below

Overview

Polish composer Karol Szymanowski was touched by many of the stylistic currents that crossed Europe in the early twentieth century, but a good performance of his music is one that emphasizes the Polishness he brought to his music even as he adopted ideas from the outside. This one, part of a fine series from Naxos exploring the works of this somewhat underrated composer, is superb. Featured here are the beginning and ending works of Szymanowski's symphonic career, entirely different in character. The "Symphony No. 4, Op. 60, Symphonie Concertante," takes its nickname from its prominent piano part; it is not a sinfonia concertante in the Classical sense, with multiple solo instruments, but a symphony with a prominent solo part. The treatment of texture and the use of the piano might be likened to Stravinsky, but the overall effect is different: the music is not dry but lyrical, with a definite streak of the Polish folk music that always seems to lurk under the surface in Szymanowski's music. Pianist Jan Krzysztof Broja is on top of every detail, and the subtle balances between piano and orchestra that are characteristic of the piece are beautifully handled. The "Symphony No. 1 in F minor, Op. 15," which Szymanowski first ridiculed as a"Monstrum kontrapunktyczno-harmoniczno-orchestrowe" and then later completely disowned as too Wagnerian, is a less important piece, but isn't dull in the least and is not, paradoxically, wholly Wagnerian in effect. The symphonies are bookended by a little-known but colorful "Concert Overture, Op. 12," and an orchestral version of the early and very Chopin-like "Study in B flat minor, Op. 4/3," better known in its original piano version. Thoroughly enjoyable from start to finish, and a good place, along with its companion recording featuring the second and third symphonies, to start with this composer.

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Product Details

Release Date:
04/28/2009
Label:
Naxos
UPC:
0747313072279
catalogNumber:
8570722
Rank:
333217

Tracks

  1. Concert Overture, for orchestra in E major, Op. 12, M12  - Karol Szymanowski  -  Warsaw Philharmonic Chamber Orchestra  - Antoni Wit
  2. Symphony No. 1 in F minor, Op. 15, M15  - Karol Szymanowski  -  Warsaw Philharmonic Chamber Orchestra  - Antoni Wit  - Ewa Marczyk  - Marek Marczyk
  3. Symphony No. 4, for piano & orchestra ("Symphonie Concertante"), Op. 60, M70  - Karol Szymanowski  -  Warsaw Philharmonic Chamber Orchestra  - Antoni Wit  - Ewa Marczyk  - Marek Marczyk  - Jan Krzysztof Broja
  4. Etudes (4) for piano, Op. 4, M3: Study in B flat minor, Op. 4, No. 3  - Karol Szymanowski  -  Warsaw Philharmonic Chamber Orchestra  - Antoni Wit  - Grzegorz Fitelberg

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Album Credits

Performance Credits

Antoni Wit   Primary Artist

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