Takarazuka: Sexual Politics and Popular Culture in Modern Japan / Edition 1

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Overview

The all-female Takarazuka Revue is world-famous today for its rococo musical productions, including gender-bending love stories, torridly romantic liaisons in foreign settings, and fanatically devoted fans. But that is only a small part of its complicated and complicit performance history.
In this sophisticated and historically grounded analysis, anthropologist Jennifer Robertson draws from over a decade of fieldwork and archival research to explore how the Revue illuminates discourses of sexual politics, nationalism, imperialism, and popular culture in twentieth-century Japan.

The Revue was founded in 1913 as a novel counterpart to the all-male Kabuki theater. Tracing the contradictory meanings of Takarazuka productions over time, with special attention to the World War II period, Robertson illuminates the intricate web of relationships among managers, directors, actors, fans, and social critics, whose clashes and compromises textured the theater and the wider society in colorful and complex ways.

Using Takarazuka as a key to understanding the "logic" of everyday life in Japan and placing the Revue squarely in its own social, historical, and cultural context, she challenges both the stereotypes of "the Japanese" and the Eurocentric notions of gender performance and sexuality.

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Editorial Reviews

Norton Shakespeare
This thoughtful, learned, and subtle analysis of the all-female revue, Takarazuka, deserves a wide audience. The paradoxes of the Revue's staging of conventional gender roles, its simultaneous reinforcement and subversion of the normal cast a fascinating light on Japanese culture.
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Product Details

  • ISBN-13: 9780520211513
  • Publisher: University of California Press
  • Publication date: 7/21/1998
  • Edition description: New Edition
  • Edition number: 1
  • Pages: 320
  • Sales rank: 1,017,430
  • Product dimensions: 6.00 (w) x 9.00 (h) x 0.75 (d)

Meet the Author

Jennifer Robertson is Professor of Anthropology at the University of Michigan, and author of Native and Newcomer: Making and Remaking a Japanese City (California, 1991).

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Table of Contents

List of Illustrations
Preface
Acknowledgments
Introduction 1
1 Ambivalence and Popular Culture 25
2 Staging Androgyny 47
3 Performing Empire 89
4 Fan Pathology 139
5 Writing Fans 177
Epilogue 209
Notes 217
Bibliography 237
Index 265
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