- Hawk For The Dove
- Take It Like A Man
- Empty Cups
- Don¿¿¿t Be Alarmed
- Fault Lines
- Here He Comes
- Bad Behavior
- Stupid Love
- Lonely At Night
- Everything Has Its Time
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0880882469115
Audley Freed Guitar
Peter Levin Drums,Organ,Piano,Keyboards
Kris Wilkinson Viola
Peter Stroud Guitar
Marc Franklin Trumpet
Kirk Smothers Sax (Baritone)
Jason Isbell Guitar
Art Edmaiston Sax (Tenor)
Fred Eltringham Drums,Percussion
Mike Schmelling Clapping
Kameron Whalum Trombone
Austin Hoke Cello
Julian Dorio Drums,Percussion
Brittney Spencer Vocals (Background)
Jimbo Hart Bass
Kristin Weber Violin
Lawrence Rothman Piano,Guitar,Clapping,Keyboards,Percussion,Guitar (Acoustic)
Ben Zelico Keyboards,Mellotron
Breland Vocals (Background)
Peter Levin Composer
Liz Rose Composer
Pete Lyman Mastering,Mastering Engineer
Jason Isbell Composer
Amanda Shires Composer,String Arrangements
Anthony Lopez Mixing
Mike Schmelling Photography
Daniel Bacigalupi Assistant
Casey Wasner Digital Editing
Lisa Barbaris Management
Ruston Kelly Composer
Gena Johnson Engineer,Recording
Diana Walsh Recording,Assistant Engineer
Lawrence Rothman Mixing,Composer,Producer,String Arrangements
Yves Rothman Composer
Ben Zelico String Arrangements
Will Welch Creative Director
Louis Remenapp Engineer,Recording


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Overview
For Amanda Shires, the title of Reigning Queen of Americana was hers for the taking after the breakthrough success of her 2016 album My Piece of Land, her partnership with Americana King Jason Isbell as the fiddler in his band the 400 Unit (and also as his spouse), and as founder of the all-female country supergroup the Highwomen. But the stylistic wanderlust of her 2018 album To The Sunset suggested that as smart and well-crafted as her previous work had been, she felt hemmed in by the boundaries of country and its hipper offshoots, and she wanted more creative room to move. With 2022's Take It Like a Man, Shires has given herself all the space she needs to blaze new trails, and it's a bold and compelling new beginning for her. Working with producer Lawrence Rothman, Shires has thrown off nearly all of her country influences, outside of the Dolly Parton-like quaver of her voice (which she's rarely used to better effect), and as a singer and tunesmith, this finds her taking chances and stepping up her game. The opening track "Hawk for the Dove" is gloriously ominous in its minor key menace, Shires' bold confessions of her worst appetites, and a fiddle solo that recalls Neil Young's guitar at its most buzzy and fractured. The song throws down a gauntlet that this isn't what you'd expect from Amanda Shires, and while it's the most confrontational moment on Take It Like A Man, the glorious evocation on 1960s Deep Soul in "Stupid Love," the Bacharach/David echoes of "Lonely at Night," the vintage AM pop strut of "Here He Comes," and the sweet gospel accents of "Everything Has Its Time" leave no doubt that Shires has the talent to do whatever she chooses and make it her own. Lyrically, these songs go back and forth between testaments of inner strength (the title song) to meditations on relationships in free fall ("Fault Lines"), and some unblinking self-examination ("Empty Cups," with a vocal assist from her Highwomen colleague Maren Morris), and her writing is literate, perceptive, and unafraid of what can happen when you explore life's darker shadows. Producer Rothman makes the performances sound big but never bloated, and the accompanists (which include Jason Isbell on guitar, Jimbo Hart on bass, and Peter Levin on keyboards) handle the many moods of these ten songs with aplomb and assurance. Amanda Shires' previous work, on her own and as a collaborator, has long proved she is a major talent, and with Take It Like A Man, she's made a striking, deeply satisfying album that follows no rules other than what her muse has chosen, and it's inarguably her finest work to date. ~ Mark Deming
Product Details
Release Date: | 07/29/2022 |
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Label: | Ato |
UPC: | 0880882469115 |
Tracks
Album Credits
Performance Credits
Amanda Shires Primary Artist,Fiddle,Vocals,ClappingAudley Freed Guitar
Peter Levin Drums,Organ,Piano,Keyboards
Kris Wilkinson Viola
Peter Stroud Guitar
Marc Franklin Trumpet
Kirk Smothers Sax (Baritone)
Jason Isbell Guitar
Art Edmaiston Sax (Tenor)
Fred Eltringham Drums,Percussion
Mike Schmelling Clapping
Kameron Whalum Trombone
Austin Hoke Cello
Julian Dorio Drums,Percussion
Brittney Spencer Vocals (Background)
Jimbo Hart Bass
Kristin Weber Violin
Lawrence Rothman Piano,Guitar,Clapping,Keyboards,Percussion,Guitar (Acoustic)
Ben Zelico Keyboards,Mellotron
Breland Vocals (Background)
Technical Credits
Natalie Hemby ComposerPeter Levin Composer
Liz Rose Composer
Pete Lyman Mastering,Mastering Engineer
Jason Isbell Composer
Amanda Shires Composer,String Arrangements
Anthony Lopez Mixing
Mike Schmelling Photography
Daniel Bacigalupi Assistant
Casey Wasner Digital Editing
Lisa Barbaris Management
Ruston Kelly Composer
Gena Johnson Engineer,Recording
Diana Walsh Recording,Assistant Engineer
Lawrence Rothman Mixing,Composer,Producer,String Arrangements
Yves Rothman Composer
Ben Zelico String Arrangements
Will Welch Creative Director
Louis Remenapp Engineer,Recording
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