- Holding On
- Don¿¿¿t Lose Your Steam
- Take Me to the Alley
- Day Dream
- Consequence of Love
- In Fashion
- More Than a Woman
- In Heaven
- Insanity
- Don't Be a Fool
- Fan the Flames
- French African Queen
- Holding On
- Insanity
5
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0602547827524
Kem Featured Artist,Vocals
Chip Crawford Piano
Lalah Hathaway Featured Artist
Darrell Crooks Guitar
Ondrej Pivec Organ
Keyon Harrold Trumpet
Demetrius Nabors Bass,Keyboards
Alicia Olatuja Vocals
Tivon Pennicott Sax (Tenor)
Aaron James Bass
Yosuke Sato Sax (Alto)
Emanuel Harrold Drums
Kem Executive Producer,Vocal Producer
Chip Crawford Arranger
Victoria Porter Session Photographer
Darlene Andrews Composer
Eric Morgeson Engineer
Jay Newland Mixing,Engineer
Ray Bardani Mixing
Rex Rideout Arranger,Remixing,Vocal Producer
Todd Fairall Mixing
Kamau Kenyatta Arranger,Producer,Horn Arrangements
Keyon Harrold Horn Arrangements
Craig Dawson Composer
Jezreel Santos Engineer,Mixing Assistant
Pascal Bod Release Coordinator
Tip Wyman Mixing Assistant
Rebecca Meek Design,Art Direction
Gregory Porter Arranger,Composer,Producer
Shawn Peters Photography
Charlie Paakkari Engineer
Jimmy Napes Composer
Dennis Stainken Marketing
Timothy "Tip" Wyman Mixing Assistant
Howard Lawrence Composer,Composer
Richie Kennon Assistant Engineer
Guy Lawrence Composer


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Overview
With 2013's Liquid Spirit, jazz singer and songwriter Gregory Porter's Blue Note debut, he accomplished what few in his vocation have in recent decades -- sold over a million albums globally. He also won the 2014 Grammy for Best Jazz Vocal Album. In addition, in 2015, U.K. electronic unit Disclosure released "Holding On" -- a co-write with the singer that featured his vocal -- as the lead single from their Caracal album. The track was a worldwide club hit and inspired numerous remixes. On Take Me to the Alley, Porter sticks to what he does best: writing and singing great songs in his honeyed, unhurried yet disciplined baritone. Kamau Kenyatta remains his producer and his longtime band is back -- drummer Emanuel Harrold, bassist Aaron James, pianist Chip Crawford, and saxophonists Yosuke Sato (alto) and Tivon Pennicott (tenor) -- with select guests including trumpeter Keyon Harrold, vocalist Alicia Olatuja, and organist Ondrej Pivec. The leadoff track, unsurprisingly, is his own version of "Holding On," with a double-timed, brushed hi-hat, Motown-esque bassline, and crystalline piano. It skirts the edges of pop-soul yet remains in the jazz camp. Porter's lyrics are direct, confessional, and poetic. The spiritual clarity of the gospel message in the title cut is underscored by Olatuja's harmony vocal and Harrold's melodic trumpet break. "Consequence of Love" is one of the finest moments here, a tender midtempo ballad offered with the no-nonsense conviction that reveals love may be beyond the measurement of the rational, but commitment to it remains necessary for the revelation of its truth. Porter employs gospelized soul-blues (a la Ray Charles) in "Don't Lose Your Steam," one of two songs inspired by his son. The horns frame the B-3 and rhythm section groove while Sato's solo becomes a responsorial voice. "Fan the Flames" is a swinging political post-bop finger-popper with punchy horns. It's an anthemic call to arms with great solos by Pennicott and Keyon Harrold. The artful, strident narrative in "French African Queen" is accompanied in feverish modal form by the ensemble, accented by fluid rhythms that touch on Latin and African grooves (check the Fela Kuti-inspired horns to boot). A second version of "Holding On," with urban soulman Kem, feels unnecessary in comparison to the first. Conversely, the closer, a second read of the ballad "Insanity" with Lalah Hathaway in duet, should have replaced the first one, because it is superior. A seamless intersection of pop-jazz and adult contemporary soul, it is a set highlight. If there's a knock against Take Me to the Alley, it's that it feels a bit long. Editing out two or three tunes would have heightened its impact. That Porter doesn't break new ground here isn't a big deal; he doesn't need to. His voice, already a standard of excellence by which others are judged, is matched by a truth-laid-bare songwriting style that is singular and second to none. ~ Thom Jurek
Product Details
Release Date: | 05/06/2016 |
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Label: | Blue Note |
UPC: | 0602547827524 |
Tracks
Album Credits
Performance Credits
Gregory Porter Primary Artist,VocalsKem Featured Artist,Vocals
Chip Crawford Piano
Lalah Hathaway Featured Artist
Darrell Crooks Guitar
Ondrej Pivec Organ
Keyon Harrold Trumpet
Demetrius Nabors Bass,Keyboards
Alicia Olatuja Vocals
Tivon Pennicott Sax (Tenor)
Aaron James Bass
Yosuke Sato Sax (Alto)
Emanuel Harrold Drums
Technical Credits
Grant Valentine Assistant EngineerKem Executive Producer,Vocal Producer
Chip Crawford Arranger
Victoria Porter Session Photographer
Darlene Andrews Composer
Eric Morgeson Engineer
Jay Newland Mixing,Engineer
Ray Bardani Mixing
Rex Rideout Arranger,Remixing,Vocal Producer
Todd Fairall Mixing
Kamau Kenyatta Arranger,Producer,Horn Arrangements
Keyon Harrold Horn Arrangements
Craig Dawson Composer
Jezreel Santos Engineer,Mixing Assistant
Pascal Bod Release Coordinator
Tip Wyman Mixing Assistant
Rebecca Meek Design,Art Direction
Gregory Porter Arranger,Composer,Producer
Shawn Peters Photography
Charlie Paakkari Engineer
Jimmy Napes Composer
Dennis Stainken Marketing
Timothy "Tip" Wyman Mixing Assistant
Howard Lawrence Composer,Composer
Richie Kennon Assistant Engineer
Guy Lawrence Composer
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