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| Tom Lellis | Primary Artist, Keyboards, Vocals |
| Allen Farnham | Piano |
| Toninho Horta | Acoustic Guitar, Guitar, Electric Guitar |
| Jeremy Steig | Flute, Piccolo |
| Larry Willis | Piano |
| Vinnie Colaiuta | Drums |
| Jamey Haddad | Percussion, Drums |
| Tim Horner | Drums |
| Kip Reed | Bass, Piano |
| Eddie Howard Jr. | Bass |
| Ed Howard | Bass |
| Allen Farnham | Contributor |
| Toninho Horta | Contributor |
| Tom Lellis | Arranger, Producer |
| Jeremy Steig | Contributor |
| Larry Willis | Contributor |
| Vinnie Colaiuta | Contributor |
| Jamey Haddad | Contributor |
| George Horn | Mastering |
| Tim Horner | Contributor |
| Eddy Howard | Contributor |
| Carl Jefferson | Producer |
| Kip Reed | Contributor |
| Paul Wickliffe | Engineer |
| Stan Dunn | Liner Notes |
| Kent Judkins | Art Direction |
Editorial Reviews
All Music Guide - Alex Henderson
When Concord Jazz released Tom Lellis' third album, Taken to Heart, in 1993, one hoped that it would be the first of many albums he would record for the company. Concord, after all, is among jazz's top independent labels, and it would have been nice to see the company make a long-term, multi-album commitment to Lellis. But Taken to Heart turned out to be his only album for Concord, which seemingly envisioned him as a romantic improviser -- to a point, that is. Taken to Heart isn't strictly a romantic mood album; there are some memorable up-tempo selections and Lellis swings hard on his McCoy Tyner-ish "Love Is" and a medley of Sammy Fain songs. But it is safe to say that...