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Takin' Off [RVG]

Editorial Reviews

All Music Guide - Steve Huey
Herbie Hancock's debut as a leader, Takin' Off, revealed a composer and pianist able to balance sophistication and accessibility, somewhat in the vein of Blue Note's prototype hard bopper Horace Silver. Yet while Hancock could be just as funky and blues-rooted as Silver, their overall styles diverged in several ways: Hancock was lighter and more cerebral, a bit more adventurous in his harmonies, and more apt to break his solos out of a groove instead of using them to create one. So even if, in retrospect, Takin' Off is among Hancock's most conventional albums, it shows a young stylist already strikingly mature for his age, and one who can interpret established forms with ...
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Editorial Reviews

All Music Guide - Steve Huey
Herbie Hancock's debut as a leader, Takin' Off, revealed a composer and pianist able to balance sophistication and accessibility, somewhat in the vein of Blue Note's prototype hard bopper Horace Silver. Yet while Hancock could be just as funky and blues-rooted as Silver, their overall styles diverged in several ways: Hancock was lighter and more cerebral, a bit more adventurous in his harmonies, and more apt to break his solos out of a groove instead of using them to create one. So even if, in retrospect, Takin' Off is among Hancock's most conventional albums, it shows a young stylist already strikingly mature for his age, and one who can interpret established forms with spirit and imagination. Case in point: the simple, catchy "Watermelon Man," which became a Hancock signature tune and a jazz standard in the wake of a hit cover by Latin jazz star Mongo Santamaria. Hancock's original version is classic Blue Note hard bop: spare, funky piano riffing and tight, focused solo statements. The other compositions are memorable and well-constructed too if not quite hit material; all have their moments, but particular highlights include the ruminative ballad "Alone and I," the minor-key "The Maze" which features a little bit of free improvisation in the rhythm section, and the bluesy "Empty Pockets." The backing group includes then up-and-coming trumpeter Freddie Hubbard, tenor saxophonist Dexter Gordon, bassist Butch Warren, and drummer Billy Higgins. All in all, Takin' Off is an exceptional first effort, laying the groundwork for Hancock to begin pushing the boundaries of hard bop on his next several records. [An edition of the album remastered by Rudy Van Gelder was issued in 2007.]
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Product Details

  • Release Date: 9/18/2007
  • Label: Blue Note Records
  • UPC: 094639275724
  • Catalog Number: 92757
  • Sales rank: 40,495

Tracks

Disc 1
  1. 1 Watermelon Man (7:09)
  2. 2 Three Bags Full (5:26)
  3. 3 Empty Pockets (6:12)
  4. 4 The Maze (6:48)
  5. 5 Driftin' (6:57)
  6. 6 Alone and I (6:29)
  7. 7 Watermelon Man (6:34)
  8. 8 Three Bags Full (5:32)
  9. 9 Empty Pockets (6:27)
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Album Credits

Performance Credits
Herbie Hancock Primary Artist, Piano
Dexter Gordon Tenor Saxophone
Billy Higgins Drums
Butch Warren Bass
Freddie Hubbard Trumpet, Flugelhorn
Technical Credits
Leonard Feather Liner Notes
Herbie Hancock Composer
Michael Cuscuna Reissue Producer
Rudy Van Gelder Engineer, Remastering
Alfred Lion Producer
Bob Blumenthal Liner Notes
Reid Miles Cover Design, Cover Photo
Amanda Wray Reissue Design
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