Tales from the Script: 50 Hollywood Screenwriters Share Their Storiesby Peter Hanson, Paul Robert Herman
Discover the secrets of Hollywood storytelling in this fascinating collection, in which fifty screenwriters share the inside scoop about how they surmounted incredible odds to break into the business, how they transformed their ideas into box-office blockbusters, how their words helped launch the careers of major stars, and how they earned accolades and Academy
Discover the secrets of Hollywood storytelling in this fascinating collection, in which fifty screenwriters share the inside scoop about how they surmounted incredible odds to break into the business, how they transformed their ideas into box-office blockbusters, how their words helped launch the careers of major stars, and how they earned accolades and Academy Awards.
Entertaining, informative, and sometimes startling, Tales from the Script features exclusive interviews with film's top wordsmiths, including John Carpenter (Halloween), Nora Ephron (Julie & Julia), John August (Charlie and the Chocolate Factory), and David hayter (Watchmen). Read along as:
Frank Darabont explains why he sacrificed his salary to preserve the integrity of his hard-hitting adapta-tion of Stephen King's novella The Mist.
William Goldman reveals why he's never had any interest in directing movies, despite having won Oscars for writing All the President's Men and Butch Cassidy and the Sundance Kid.
Ron Shelton explains why he nearly cut the spectacular speech that helped cement Kevin Costner's stardom in Bull Durham.
Josh Friedman describes the bizarre experience of getting hired by Steven Spielberg to adapt H. G. Wells's classic novel War of the Worlds—even though Spielberg hated Friedman's take on the material.
Paul Schrader (Taxi Driver) analyzes his legendary relationship with Martin Scorsese.
Shane Black (Lethal Weapon) reveals why the unrelenting hype around his multimillion-dollar script sales caused him to retreat from public life for several years.
Tales from the Script is a must for movie buffs who savor behind-the-scenes stories—and a master class for all those who dream of writing the Great American Screenplay, taught by those who made that dream come true.
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Meet the Author
Michigan native Peter Hanson studied film at New York University and journalism at the University at Albany-SUNY. He is the author of Dalton Trumbo, Hollywood Rebel (a finalist for the Theatre Library Association Award), and The Cinema of Generation X. He directed the documentary feature Every Pixel Tells a Story and the award-winning short Stagehand, and co-wrote the narrative feature The Last Round. His articles have appeared in Script and Written By. He lives in Beverly Hills, California.
Paul Robert Herman graduated from the University of North Carolina at Charlotte with a degree in psychology. He earned his teaching credentials from the University of Colorado at Boulder, specializing in creative writing and film. After moving to Hollywood, he completed UCLA's Professional Program in Screenwriting. He worked for several years as an assistant producer for an entertainment company in Pacific Palisades before branching off on his own. He has written, directed and produced short films through his multimedia company, Jade Tiger Productions.
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