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Tales of King Arthur: King Arthur and the Round Table

Overview

As a lad of only sixteen years, Arthur pulled the sword from the stone and thus became High King of all Britain. But scarcely has he begun to arrange his court when twelve of the country's lesser kings, jealous of Arthur's glory, declare war on him.

Culminating in the Battle of Bedegraine, this war is fateful in more ways than one—for not only does it secure Arthur's place among his people, it also unites his destiny with that of Lady ...

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Overview

As a lad of only sixteen years, Arthur pulled the sword from the stone and thus became High King of all Britain. But scarcely has he begun to arrange his court when twelve of the country's lesser kings, jealous of Arthur's glory, declare war on him.

Culminating in the Battle of Bedegraine, this war is fateful in more ways than one—for not only does it secure Arthur's place among his people, it also unites his destiny with that of Lady Guinevere.

In this, the second volume of his Tales of King Arthur series, Hudson Talbott masterfully retells the saga of Arthur's early days as leader of Britain, his building of Camelot, and the dedication of the Round Table—a unique brotherhood of knights devoted to unity and peace.

Hudson Talbott's thrilling text and dazzling paintings bring this tale of heroism, romance, and pageantry to life. The scenes of daring battle and the splendor of Arthur's court are re, produced here in glorious full color for readers to turn to again and again.

Retells the story of how the young Arthur became High King of all Britain and assembled his Knights of the Round Table.

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Editorial Reviews

Children's Literature - Mary Sue Preissner
This is an excerpt from the tales of King Arthur, taking place when he is age 16. Having ascended to the throne, Arthur must prove his mettle by quashing rebellions by the underlords who doubt his leadership and right to the throne. Alliances are made, battles fought, love won. Having saved the kingdom of Camelaird, Arthur wins the hand of Guinevere and receives the famous Round Table as a wedding gift from her father. The full-page illustrations are rich with color and detail, whether they are of battle scenes or of Arthur, Guinevere, and Merlin.
School Library Journal
Gr 2-4Talbott began retelling Sir Thomas Malory's Morte D'Arthur with King Arthur: The Sword in the Stone (Morrow, 1991). This sequel contains roughly three episodes. The first is that of the civil wars raging through Britain. Arthur fights, views the desolation, and asks Merlin how to unify his people. The second is his fateful meeting with Guinevere, his love for her, and finally their marriage. The third section concerns the Round Table, but ends after Arthur assembles his knights around it and their names magically appear on the backs of their chairs. There is no lingering on the peace-bringing quality that roundness supplies. The rich watercolor tableaux, predominantly double-page spreads, paint war as bloody and painful, not all glorious. The love scenes glow golden. The Round Table, huge and decorated with the signs of the zodiac, exhibits its power more than the words do. Overall, this is a rousing addition to the current pickings of Arthurian stories.Helen Gregory, Grosse Pointe Public Library, MI
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Product Details

  • ISBN-13: 9780688113407
  • Publisher: HarperCollins Publishers
  • Publication date: 9/28/1995
  • Series: Books of Wonder
  • Pages: 48
  • Age range: 5 - 8 Years
  • Product dimensions: 9.00 (w) x 11.00 (h) x 0.25 (d)

Meet the Author

Hudson Talbott

In His Own Words...

"Children's book authors have to be among the luckiest people in the world. Not only am I paid to do what I love most, but I get to do it without having to grow up. More accurately, the seven-year-old I Hudson is no longer relegated to an ever-receding file in the memory bank hut is once again out-front, fully engaged, sometimes even calling the shots in an active collaboration with Lis adult counterpart.

"I'll always be grateful for the solid, all-American upbringing I was given in the suburbs of Louisville, Kentucky, but going to school in Rome was a revelation for me. After graduating from Tyler School of Art in Rome, I extended my education by wandering through Europe, settling in Amsterdam for a few years, and then moving to Hong Kong, where I dabbled in the fashion industry. My travels eventually continued through Southeast Asia and culminated with four magical months in Bali. I finally reached New York, fulfilling a childhood ambition, in 1974. Although my original intent was to become a painter, the free-lance illustration work I picked tip to support myself soon predominated as my primary art form. Pursuing my vision in this direction eventually led to writing and illustrating children's books. I had always told stories with pictures. I began to paint with words.

"My series of picture books on the Arthurian legends represents the most ambitious and challenging opportunity that I've ever accepted. Called the central myth of Western civilization by philosopher Joseph Campbell, the Arthurian legends have been evolving over a 1,500 year period, along the way gathering tip and expressing our concepts of love, honor, and courage. Only within the last century have they taken the form of adventure novels for younger readers, and I know of no other attempt to compile the entire cycle into a series of picture books until now. The sheer scale of the material-the vast array of characters and the complexity of their relationships-is beyond Dickens or even "Days of Our Lives."

"The curious occurrence that I've experienced as I've delved deeper through the layers of allegory in my research is that as the underlying truth is revealed to me, I'm not only learning something new about the fine art of storytelling but usually something about myself as well. The first three books, for example, are about Arthur coming into his greatness. In the first book it is thrust upon him by accident of his birth, and in the second he achieves it through his own actions. Finally, in the third, he comes to realize the greatness inherent within himself, as it is within all of us. It is the kind of greatness that finds expression when we finally accept ourselves and embrace the roles open to us in lifewhether it is that of king, gardener, parent, or children's book author.

"My gratitude is boundless for all those who have Supported my creative progress and believed in me long before I believed in myself. By recognizing that writing and illustrating books for young readers is, in fact, my calling, I can serve a greater purpose than fulfilling my own needs. I am reminded of what I heard a blues singer once say: "Talent is God's gift to you. What you do with it is your gift to Him."

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