Taming the Tigerby Joni Mitchell
This 1998 disc from Joni Mitchell harks back to the days when she heard the hissing of summer lawns and the jazzier essays of her Hejira days. The only difference between then and now is her use of a guitar synthesizer for her aural textures and melody templates. Always employing the best of musicians to help her out, Mitchell takes off on a trip through "Harlem in Havana" and ending up with "Tiger Bones" to show for it. Along the way, she puts forth "No Apologies" and rocks things up with "Lead Balloon" (which will remind one of "Big Yellow Taxi"), and contains one of her best opening one-liners ever. With "Taming the Tiger" dedicated to her newfound daughter and grandson, "Stay in Touch" could be about them, or almost anyone Mitchell's been close to. Either way, it's a great tune. Taming the Tiger is her most pleasing and consistent disc since the mid-'70s; even after all these years, Joni Mitchell continues to expand her music while keeping her integrity intact. This is definitely one of her best.
- Release Date:
- Warner Bros / Wea
Performance CreditsJoni Mitchell Primary Artist,Bass,Percussion,Keyboards,Vocals,Background Vocals
Wayne Shorter Saxophone
Brian Blade Drums
Larry Klein Bass
Greg Leisz Guitar
Technical CreditsJoni Mitchell Arranger,Producer,Art Direction
Dan Marnien Engineer
Tony Phillips Engineer
Femi Jiya Engineer
Robbie Cavolina Art Direction
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i think joni mitchell overdone herself here on some song like "harlem in havana, no apologies and lead balloon. my favorite song on album is "man from mars,taming the tiger" and the crazy cries of love. i would compare this album to the hissing of summer lawns.
Having "grown up with" Joni Mitchell, I didn't care for this one on first listen. I listened again and found it really speakes to me.