- IDEA 01
- Gift Horse
- POP POP POP
- Roy
- A Gospel
- Dancer
- Grace
- Hall & Oates
- Jungle
- Gratitude
- Monolith
5
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0720841304135
James Murphy Vocals
Aaron Paris Strings
Nancy Whang Vocals
Colin Webster Saxophone
Korey Richey Engineer
Mikko Gordon Engineer,Additional Production
Mark Bowen Producer
Kenny Beats Producer
Aaron Paris String Arrangements
Idles Composer
Bob Ludwig Mastering
Joshua Hughes-Games Artwork,Design
Cassidy Rose Hill Design
Aris Chatman Photography
Maurice Talbot Assistant Engineer
Daniel Cayotte Assistant Engineer
Joe Talbot Artwork,Design


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Overview
Looking to further buck their own trends -- their previous albums have been a series of highs with moments of respite -- Idles have gone for a more subdued, heartfelt approach with the occasional sting of an upper cut on their fifth album, Tangk. Their lower-tempo tunes have often been highlights on previous albums -- Crawler's "The Beachland Ballroom" and Ultra Mono's "A Hymn" are prime examples -- but on Tangk, most of their efforts are genuinely affecting, serving to highlight their more adrenaline-fueled tendencies. Nigel Godrich's influence can be felt early on, as the opening track "IDEA 01" is almost a cheeky wink to his legacy with Radiohead. A series of gliding pianos creates a decent atmosphere, and the song closes with Talbot's best attempt at falsetto, which isn't a slight in the slightest. It's an effective table-setter, hinting at the hidden depths Idles have often achieved. They then shift gears into "Gift Horse," which ticks a lot of boxes in the Idles playbook. Although this is a veiled commentary on the U.K. monarchy, Talbot focuses more on wordplay than clarity -- featuring his best one-liner, with "looking long in the gold tooth." The album then veers into midtempo territory, which is clearly what they were aiming for. "POP POP POP" is just the first example of this mindset, however, as "Roy" achieves this goal to far greater effect, showcasing the contrast between Talbot's zaniness and his genuine emotions. The album delivers on "Dancer" with a chorus that works better than it has any right to, given how busy it becomes.
The back half of the album generally feels slower, exploring the new ideas that Idles are playing with. The slower numbers plumb new emotional depths for the band, and often give way to spurts of energy. Eschewing their usual explosive closer for the meandering soundscape of "Monolith" is a bold move in their world, yet another way they reverse expectations -- they clearly want to showcase a broader range of emotions than just righteous anger. Taken in the context of the group's discography, this gives them more options to slam the breaks on, and the frequency with which it happens here means that the engine is kept at a steady hum. This makes Tangk a far more restrained listening experience, a middle ground that Idles haven't displayed until now. ~ Liam Martin
Product Details
Release Date: | 02/16/2024 |
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Label: | Partisan |
UPC: | 0720841304135 |
Tracks
Album Credits
Performance Credits
Idles Primary ArtistJames Murphy Vocals
Aaron Paris Strings
Nancy Whang Vocals
Colin Webster Saxophone
Technical Credits
Nigel Godrich Mixing,ProducerKorey Richey Engineer
Mikko Gordon Engineer,Additional Production
Mark Bowen Producer
Kenny Beats Producer
Aaron Paris String Arrangements
Idles Composer
Bob Ludwig Mastering
Joshua Hughes-Games Artwork,Design
Cassidy Rose Hill Design
Aris Chatman Photography
Maurice Talbot Assistant Engineer
Daniel Cayotte Assistant Engineer
Joe Talbot Artwork,Design
From the B&N Reads Blog
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